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      • 雲南阿吒力教《銷釋金剛經科儀》與《金剛經》研究

        朱安女(주안녀),王軍(왕군) 한국교통대학교 동아시아연구소 2023 동아문헌연구 Vol.- No.-

        8~9세기 사이에 운남 지역에는 여섯 개의 ‘조(詔)’ 명칭의 나라들이 있었고, 그 중 ‘몽사조(蒙舍詔)’가 다른 ‘조’들 보다 남쪽에 있다 하여 남조(南詔;738-902)라 불렸는데, 국력이 강성해지면서 나머지 5개 ‘조’ 국가들을 통합하였다. 남조에서는 밀종(密宗) 계열의 불교를 받아 들여 국교로 숭상하였는데, 남조의 불교를 ‘아자리(阿吒力)교’라 한다. 도교에서 재앙을 물리치고 복을 구하기 위해 진행하는 의례를 ‘과의(科儀)’라 하는데, 운남지역의 민간에서 사용되고 있는 아자리불교 경전은 불경와 과의의 연관성을 보여주는 살아있는 화석(活化石)이라 불리기도 한다. 아자리불교 경전으로 《소석금강경과의(銷釋金剛經科儀)》가 있다. 이 책은 《금강과의(金剛科儀)》로도 불리는데, 명대로부터 현재에 이르기까지 운남의 아자리불교 승려들이 망자를 천도하는 도망법회(度亡法會)에서 상용되던 과의를 다룬 것이며, 경문의 내용은 요진(姚秦) 시기 구마라집(鳩摩羅什) 역본의 《금강경》에 의거하고 있다. 그러나 이 경전은 중국의 역대 대장경에 수록되지 않았다. 일본의 《속장경(續藏經)》에는 청 도광(道光) 연간의 필사본과 명 가정(嘉靖) 30년의 《소석금강경과의회요주해(銷釋金剛經科儀會要注解)》가 수록되었으나 교감을 거치지 않은 것이다. 후충(侯沖)이 고초본을 저본으로 하고 각 판본을 참고하여 《소석금강경과의》를 교감한 바 있다. 이글은 후충의 교감본을 바탕으로 내용, 과의, 문체 등 세 측면에서 《금강경》과 비교한 것이다. 내용상으로 볼 때 《소석금강경과의》는 대략 세 부분으로 나눌 수 있다. 첫째는, 《금강경》 경문에 앞서 이 경의 생성 인연(緣起)을 해설한 것이고, 둘째는 《금강경》 경문에 대한 강설, 셋째는 《마하반야바라밀다심경(摩訶般若波羅蜜多心經》에 대한 해설과 발원이다. 양자를 대조해보면 《금강과의》에서 《금강경》의 본문을 인용해 오고 있으며, 용어를 활용하여 《금강경》의 내용을 지칭하는 경우도 있다. 또 《금강과의》가 《금강경》의 내용에 대해 선양하며 전파하고 있다. 이처럼 양자를 비교해보면, 양자사이에는 본문의 내용, 과의의 선양과 천석, 문체특징 등에서 구체적 관련성을 발견할 수 있다. The Acarya sect religious classic of Yunnan Province which is used among the people are the living fossil which shows the relationship between the Buddhist scripture and the rituals. This dissertation takes the Diamond Sutra Rituals which is the Acarya sect religious classic of Yunnan and the Diamond Sutra for example,makes multiple research of the bibliography and the fieldwork,reveals the relationship between them from the arrangement of the content, the perform of the rituals and the using of the type of writing. It shows the regional characteristic of the Buddhist rituals and the value of the Acarya sect religious classic to the Buddhist scriptures in Dunhuang.

      • 时间蕴含的现代性

        周安?(An Hua Zhou) 중국영화포럼 2016 영화중국 Vol.3 No.1

        The control of timing in new type of movies originating from artistic reconstruction in contemporary movies of China deserves to be payed attention to. With entering into deeply international context, this new type of movies, such as So Young and No Man‘s Land, happen to coincide to take the style of art film making effort to express humanistic spirit and breaking through linear pattern of narration rather than just paying audiences with just entertainment elements. They lead audiences to think deeply with time-image of modern movie. On the one hand, the new type of movies are more often to explore emotion, dilemma and humanity rather than just making audiences enjoy the sight of psychological entertainment through spatial movement and visual tension; on the other hand, they break up the moderation and balance of time-speed of movie and present singular and stylized time transforming temporal dimension into a temporal logic intimately relating with our age and contemporary aesthetic culture. Opening temporal rhythm flatly transforms the speed of movie from vector to viable. This provides a wholly new area for the reforming China modern movie and deepening its theme structure, emotion expression and visual entertainment. Therefore, it becomes an important dimension for modernity of movies.

      • 도시환경 구성요소로서의 간판 디자인 경향 분석 - 중국 연길시 중심으로 -

        주안치(Joo, An-Chi), 서수미(Seo Su-Mi), 윤갑근(Yoon, Gab-Geun) 조선대학교 조형미술연구소 2010 조형미술논문집 Vol.10 No.1

        The latter term industrial society and information society has overturned existent order rapidly. The social special quality of the 21st century is speed. It means super high speed of cognizance and consciousness. Therefore, the subject to express has been converted to text and the concept of context from reading meaning in optical icon that symbolism is emphasized. The purpose of this study is to examine and analyze the public environment design with the viewpoint of ideographic(text). Moreover, its' purpose is to consider the cognizance and role for the public environment design. Keywords 공연문화시설, 공간구성, 용적분석, 면적분석

      • KCI등재후보

        中国新戏剧的科学内蕴与舞台镜像主义

        주안 한국중국언어문화연구회 2008 한중언어문화연구 Vol.- No.17

        The breakthrough of modern science and philosophy has changed the artistic direction profoundly, and then the new modes of thought drama, concentration drama and rebel drama arose spontaneously, in whose form facet was the stage mirror image doctrine of “simile interpreting everything”. From the spiritual nature, China’s new drama was the scientific spirit, moreover “May 4” made it subliming so that the drama’s directness and intuition should be showed broadly. In the reality drama and “new romanticism” modern drama, the former persisted in seeking the social life orbit or expressed colors to analyze the soul and fortune. As the most typical gesture of modern China’s new drama, the latter matched up the scientific element, arranged its own stage symbol by the visual picture, made the voice (dialogue and sound) and picture (stage settings and properties) into great harmony and mutual supplement, while the narrative procedure became the roll axle of the visual appreciation in the continuous conversion and discovery. From the 1920s to the 1940s, through excavating the intuition efficiency, there was gradually the formalism (stage mirror image doctrine), keeping pace with the poetic realism and the new romanticism, which transformed the preach political drama into the “attracting” life drama and communicated the ordinary people’s life and spirit experience strongly so as to promote the nature and flavor of the modern drama greatly.

      • KCI등재
      • 중국사천성 김치브랜드 포장디자인 개발전략 연구

        구진(Ou Zhen), 주안치(Zhu Anzhi), 김남훈(Kim namhoon) 조선대학교 조형미술연구소 2014 조형미술논문집 Vol.14 No.1

        With the growing economic development, the consuming trend and demand is also changing fast. Two critical factors of improving the products’ international competency are technology development and design strategy, which means to make the brand design strategies. At present, the brand design level of Chinese products still haven’t achieved the high customer’s demand despite that the minds of brand design strategy are becoming stronger. Recently the market economy in China’s western parts is developing fast and the market demand for agricultural products with brands is also growing. Especially after China became a member of WTO, both domestic and foreign markets of agricultural products got to be more competitive. With such background, Chinese agricultural products should improve their competency with brand strategy. Our purpose of this study is to examine the related design problems existed in the Chinese Sichuan Kimchi package and come up with the corresponding improving solutions. In the first part, a brief statement about brand and brand design basic concepts as well as the relationship between package design and brand is given. In the second part, several successful brand design examples about domestic or foreign agricultural products will be discussed. In the third part, a customer survey about Chinese Sichuan Kimchi package design is conducted and analyzed. Finally, the improvement solution from the version design about Sichuan Kimchi brand and package design is proposed. Keywords : 포장디자인, 브랜드, 김치 package design, brand, kimchi

      • KCI등재

        오피스 커뮤니티공간의 하이브리드 특성에 관한 연구

        송다봐,주안치,윤갑근 한국문화공간건축학회 2014 한국문화공간건축학회논문집 Vol.- No.48

        The transition from secondary industry to tertiary industry enhances the value of information and knowledge intensive work in modern office environment. Team-based task becomes prominent than individual-based task in internal environment of business. Organization systems are transformed from vertical to horizontal, so the importance of the space for internal communication among system members has become enlarged. The office community space has become important for its function and role as a work station. Office space was a individual work space, a meeting space, and a support space in the past but it has recently become the space for community through convergence and complex of the separated individual work spaces. Furthermore, the convergence space has the possibility of the emergence of a new creative space over simple complex of separated spaces. It is said as Hybrid Phenomenon which is characterized of the modern culture, hybrid phenomenon means what is combined of two or more elements. In spatial field, it does not mean what is created of totally new elements. It means what makes a new meaning structure by functional and morphological transition of existed elements. The trait of hybrid of unifying office spaces could be briefly defined as ambiguous boundary, multidimensionality, non-territorial, deconstruction, non-hierarchy, and so on. Analyzing community facilities of Korea on these traits, office community space which has hybrid-traits holds continuous interaction between workers and has an advantageous structure for approach. The result of present study is about correlation between office space and hybrid phenomenon which is one of the modern social and cultural codes and can supply basic data to spatial plan which seeks communication efficiency for office workers.

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