휘트먼과 이순신

조규택(Cho, Kyu Taek) 한국동서비교문학학회 2005 동서 비교문학저널 Vol.0 No.13

아이작 로젠버그의 전쟁시 읽기

조규택(Kyu-taek Cho) 한국영미어문학회 2010 영미어문학 Vol.- No.96

This paper attempts to introduce Isaac Rosenberg's war poetry written during the First World War. Rosenberg reveals the reality of war through his own war experience and his participation on the Western Front. In order to understand his war poetry, I introduced Rosenberg's early childhood and educational background. He was the son of poor Jewish immigrant in Bristol, England. He was interested in painting and particularly good at writing poetry. As soon as World War I broke out, he returned to England from South Africa and enlisted as a soldier, as most young people did. As opposed to most war poets, Rosenberg was not an officer but a simple soldier. In this paper, I classified Rosenberg's war poetry in three periods; the early period, the middle period, and the last period. In his early period, Rosenberg watched the war with an objective attitude as a mere observer writing his poems based on his experiences as a soldier. In the middle period, he viewed the war as a severe, horrific and disgusting immortal darkness through his famous poems from the trench. In the last period, he revealed his transcendental view toward the war and also accepted his religious attitude from the war poems. By reading Rosenberg's war poetry, I was able to grasp his own unique style toward war poetry, where he showed his introvert and shy personality based on his biographical background. This paper reveals that Rosenberg's unique personality accounts for the difference between his war poetry and other's war poetry.

지그프리드 사순(S. Sassoon)의 전쟁시 읽기

조규택(Kyu taek Cho) 한국영미어문학회 2014 영미어문학 Vol.- No.115

This paper is to introduce and explore Siegfried Sassoon's satiric war poems condemning the war. In the earlier years of the war, Sassoon himself served in the war valiantly and the Military Cross for his bravery was awarded to him. But his war poems had taken an anti-war attitude in his later works. No man who took part in the First World War completely shook off the experience. Some men who had never killed before executed killing without remorse. That is indeed one savage image of war. As the war continued, Sassoon came to the conclusion that it was being needlessly prolonged. Sassoon declared that he had joined the war believing it was "defence and liberation"; but he recognized it as a war of "aggression and conquest." Because of this, he became a pacifist poet. Sassoon's war poetry is not subtle or complex, its power derives from its strength of feeling and a sheer force of indignation. Perhaps his satire and irony made his war poems successful. But one of his later poems, "Reconciliation" shows harmony and reconciliation between German soldiers and English soldiers. His war poems are thought to be in the traditional English satirical poetry as well as first-rate anti-war poetry. In conclusion, I recognize that Sassoon's anti-war poems had been transformed into a subtler form of pro-war propaganda and some of the very people Sassoon condemned celebrated his war poems.

전쟁과 연민: 휘트먼과 오웬의 전쟁시 읽기

조규택(Kyu-taek Cho) 한국영미어문학회 2007 영미어문학 Vol.- No.83

  This thesis intends to research the war and pity depicted in Walt Whitman and Wilfred Owen"s truthful War Poetry set in the Civil War and the First World War.<BR>  Whitman refers to each soldier"s miserable and wretched condition as well as honourable scenes based on his first personal observations of field hospitals and camps during the Civil War. The Civil War was the background in which Whitman felt pity toward the severely wounded soldiers. Through suffering the Civil War and the assassination of President Lincoln, Whitman formed his pity which is evident in his realistic war poetry.<BR>  Like Whitman, Wilfred Owen wrote about his strong feelings of pity and the reality of war in his war poetry during the First World War. Because Owen witnessed the death of his soldiers, who died like cattle choked by the lethal gas, he denied any heroic scenes, and instead indicated the realistic, dreadful and terrible description. He was not so much an observer as a comrade with his soldiers on the Western Front Lines.<BR>  From World War I, Owen describes the war fought by scared, individual soldiers as well as the unheroic war situation based on his first personal view in the parapets and trenches. The First World War throughly provides Owen with the discovery of intense pity and the harsh reality of war. It means that Owen"s eternal and truthful pity is the core of his humanity toward his comrades in his war poetry.<BR>  Finally, Whitman and Owen demonstrated their truthful pity toward soldiers and comrades in their poetic works through their experiences of the brutal severity of war.

휘트먼의 남북전쟁 시에 나타난 해상전투 읽기

조규택(Kyu taek Cho) 한국영미어문학회 2016 영미어문학 Vol.- No.123

The purpose of this paper is to explore Walt Whitman’s poems related to the ocean and the ‘American Civil War’ (1861-65). It centrally describes the wreck of the C. S. S. Alabama, a Confederate ship which was sunk during the desperate years of the Civil War, and illuminates how Whitman reveals his poetic imagination in his own poems connected to these ocean battles. He says that one theme for ever-enduring poets is war and the genius of poets is the making of perfect soldiers. His ocean poems reveal the heroic chant of all intrepid sailors, and also harmony and reconciliation between the dead and the living in the sea and between the North and the South after the Civil War. Ocean or sea battles were less known to people than the battles on land. Therefore, we can understand Whitman’s war poems better by analyzing his poems related to ocean battles.

모윤숙의 서사적 전쟁시와 오웬의 사실적 전쟁시 비교

조규택(Cho, Kyu Taek) 한국동서비교문학학회 2007 동서 비교문학저널 Vol.0 No.16

중성자 가시화를 통한 연료전지 분리판 평가

윤종진(Yoon, Jong-Jin),조규택(Cho, Kyu-Taek),이종현(Lee, Jong-Hyun),안병기(Ahn, Byung-Ki) 한국신재생에너지학회 2008 한국신재생에너지학회 학술대회논문집 Vol.2008 No.10

자동차 구동용 연료전지 스택에 적용된 분리판에 대하여 연료전지 내부의 수분분포 및 농도를 측정할 수 있는 중성자 가시화 기법을 이용하여 구조진단을 실시하여 유로의 분기부 및 180도 회전부의 수분 응축과 같은 국부적인 Flooding 현상과 분리판의 반응면적 전체에 대한 불균일한 수분분포를 확인하였다. 신규 개발 스택에 적용된 분리판은 이러한 구조진단 결과를 바탕으로 변형된 유로 도입을 통한 180도 회전부 제거, 냉각수 입구와 인접한 부분에서 교차하게 되는 수소 출구 부분의 수분응축에 의한 Flooding 현상을 완화하기 위한 냉각수 유로를 적용하여 중성자 가시화 기법을 통하여 동일한 가습조건에서 부하에 따른 분리판 반응면적 전체에 대한 수분분포를 조사하였다.

Phylogenetic Relationships and Genetic Diversity in Collected Resources of Carthamus tinctorius by Random Amplified Polymorphic DNA Markers

Jung Sook Sung(성정숙),Gyu Taek Cho(조규택),Gi An Lee(이기안),Hyung-Jin Baek(백형진),Man Kyu Huh(허만규) 한국생명과학회 2010 생명과학회지 Vol.20 No.12

홍화(Carthamus tinctorius L.)는 세계 여러 나라에 분포하고 있는 초본류이다. 이 종은 경제적으로 중요한데 홍화는 약용, 적색소, 노랑 색소로 이용된다. RAPD 기법으로 홍화의 26 집단 간 유연관계와 유전적 다양성을 조사하였다. 모든 집단에서 123개 밴드를 얻었으며 시발체(primer) 당 평균 9.5개 밴드를 나타내었다. 홍화의 유전적 다양도는 집단 내에 대부분 귀속되며 높은 집단 간 분화를 나타내었다. OPC18-01 밴드는 시리아 그룹에 특이 밴드였으며 다른 나라 집단에서는 발견되지 않았다. 이런 7개 특이 마크(SCAR)를 발견하였다. 비록 홍화의 분석한 개체 수가 적고 각 나라의 대표성을 의미하지 않지만 본 연구 결과 지중해의 지역(모로코, 시리아, 터키)이 인도를 제외한 다른 지역보다 변이가 높았다. 단순히 RAPD만으로 단정하기 어렵지만 홍화의 기원 센터의 후보군으로 지중해 연안으로 추정된다. 인도 역시 홍화의 2차 센터의 후보군이다. RAPD 마커는 홍화의 자연 집단을 분류하는데 효과적이었다. Carthamus tinctorius L. (Compositae) is an herb primarily distributed throughout in the world. The species is regarded as ecologically important in the world. Safflower was used for medicines, as well as making red (carthamin) and yellow dyes. We have used the RAPD technique to investigate the phylogenetic relationships and genetic diversity of C. tinctorius. We obtained 123 bands from all the 26 cultivars. The average number of bands was 9.5 per primer. The genetic diversity of safflower is found among cultivars and there is a high among-cultivar differentiation. The OPC18-01 band is the specific marker for Syria cultivar, whereas no products were detected in individuals from other country cultivars. We found seven phenetic bands for determining the specific marker of cultivars with SCAR markers. Though the number of individuals sampled for analysis was small and probably not fully representative of the total available diversity in C. tinctorius, this study demonstrates that the regions (Morocco, Syria, and Turkey) of the Mediterranean Sea were more variable than other regions with the exception of India. In this result, although only simple result of RAPD is difficult to assert the center of species diversity of C. tinctorius, the regions of the Mediterranean Sea may be the most probable candidate for the origin of safflower. India was also the candidate of the center or secondary center of species diversity of C. tinctorius. RAPD markers were effective in classifying cultivar levels of safflower.

연구보문 : 자연과학 ; 베트남 식물유전자원의 관리현황

박홍재 ( Hong Jae Park ),이명철 ( Myung Chul Lee ),조규택 ( Gyu Taek Cho ),이석영 ( Sok Young Lee ),김연규 ( Yeon Kyu Kim ) 한국국제농업개발학회 2012 韓國國際農業開發學會誌 Vol.24 No.3

Since 1987, with the issue of the provisional regulations on genetic resources management, the conservation of Plant Genetic Resources for food and Agriculture (PGR) has been considered a national task. A small working unit consisting of just 5 people, belonging to Vietnam Agricultural Science Institute, was then formed to start implementing this national regular task. Latter, in 1996, on the basic of this unit, the Center of Plant Genetic Resources belonging to Vietnam Agricultural Science Institute was established, which had the mandate to coordinate all the activities relating to PGR throughout the country. A national network of PGR conservation was also established with 20 member institutions, each is responsible for ex situ conservation of certain crop genetic resources. More recently, in 2005 in order to better coordinate the national activities and programs towards effective conservation and sustainable use of PGR, the government of Vietnam found, asanup-gradation of the former Plant Genetic Resources Center, the Plant Resources Center(PRC) as an autonomous research institute under Vietnam Academy of Agricultural Sciences. Together with all this institutional development, capacity of institutions involved have also been strengthened, and facilities for ex situ conservation of PGR at the National Network members improved. During the last 15 years, activities in all the areas of PGR conservation and sustainable use were promoted. The most significant achievements however were obtained in the area of ex situ conservation with the establishment of the National Genebank and of ex situ collections of various crops maintained by the National Network member institutions distributed all over the country. A significant number of germplasm accessions of different species were collected and maintained ex situ, bringing the total accessions number maintained ex situ to over 25,000. The characterization and information activities were also expanded. All the around 18,000 accessions maintained in the National Genebank were characterized and preliminarily evaluated, and a database containing all the relevant information was developed, maintained and shared using GMS. Each year over 1,000 germplasm accessions were accessed for different use purposes. Attention to in situ conservation was also increased during the last 15 years. Different projects were conducted with increased number of on-farm conservation sites and participation with increased number of local crop varieties recovered and reintroduced into production. Some varieties with special quality has been developed and registered. Nevertheless, there are still important weakness in all the active areas, namely poor storage facility and inadequate evaluation of the ex situ collections, limited participation and lack of methodology for in situ conservation, lack of supportive policies, limited human and financial source etc. To introduce a plant genetic resources from PRC in Vietnam, it should need to conduct cooperative research between Korea and Vietnam on characterization as well as collection and management of local crop in Vietnam.

도입 허브 품종의 제주지역 재배 특성 연구

노나영(Na Young Ro),송은영(Eun Young Song),이석영(Sok-Young Lee),곽재균(Jae-Gyun Gwag),고호철(Ho-Cheol Ko),이영이(Young-Yi Lee),조규택(Kyu-Taek Cho) 한국원예학회 2010 한국원예학회 학술발표요지 Vol.2010 No.5