인천지역 수유부의 수유실태와 수유방법에 영향을 주는 요인

전희순,홍성야 대한지역사회영양학회 1996 대한지역사회영양학회지 Vol.1 No.3

This study was carried out using a questionnaire in order to investigate factors affecting the status and the method of infant feeding in Incheon area. The subjects were 126 monthers of infants ranging from 3 months to 18 months. The results are : the percentages of those feeding colostrum and breast milk has decreased in comparison with the previous results. But the percentage of breast-feeding gets higher in a case where colostrum or breast milk is first fed after delivery. Also frequency and birth order of child plays a part : the more frequently monthers try to feed breast milk in the earliest period of feeding, the more they keep breast-feeding, and the latter-born(the second-born or the third born) children get more chances to be breast-fed than the first-born. Another noticeable factor is what babies feed on during hospitalization. if they get fed more breast milk than infant formula while they are in hospital, they tend to keep feeding on breast milk after they come back home. Breast-feeding group have good knowledge and information abut the importance of breast-feeding. The data shows that they believe the superiority of breast milk.

유럽의 絶對主義時代와 男性服 變遷 過程에 대한 硏究

田希順 群山大學校 1993 論文集 Vol.20 No.-

During Absolutism form 16C to 18C in Europe. each country established diving lines among them, broke down old traditions toward the future. During that period, men's dresses were simplified and changed for practical use instead of decorative type in the past. Considering the Silhouette aspect, it possessed uniformity and contributed as basic pattern of today's Tailored Suits such as shirts, necktie and vest. 1. During 16C, to emphasize the naturalism of body, dress of upper part of the body was swelled, tightened a corset around the waist, and tightened the leges. 2. During 17C, it was the period that citizens style of dresses were accomplished. They wore dresses adapted for practical use, Which were intermidiate style of dresses between citizens' dresses and swelled dress of Netherland. It was realistical dress which was eliminated excessive decoration. In the latter period of 17C, they wore silhouette approaching nearer the Women's dresses in the dress history. 3. During 18C, there was not much variation and difference in dress comparing with that of 17C. However, style of men's dresses was established and shown novelty. Habit a la Francaise and Culotte were recognized as formal dresses in the whole Europe, which established the etiquette of dresses. As stated above, men's dresses in Absolutism affected by given condition of that society and they formed the basis of today's silhouette of uniformity.

서양服飾에 나타난 Art Deco 藝術樣式에 對한 小考 : Mainly 1900-1930 1900년-1930년까지

田希順 群山大學校 1996 論文集 Vol.23 No.-

In the early twentieth century Art Deco has epochally changed the pattern of man’s life. There was a great revolution in painting, architecture, fashion. There was a brilliant development in sciene world-widely under the strain of seeking for profits and advancement in every country within Russia-Japan war and world warⅠ. During that time it was essential for women who could have more opportunities in launching themselves into society to change their ways of dressing. A designer, Paul Poiret, contributed to transform fashion from hour glass silhouette, corset which has been the main current until then to straight silhouette. The distinct style of Art Deco after Art nouvear appeared naturally in fashion. The oriental fantastic atmosphere and arts with Art Deco expressed simplicity and functionality which accelerated modernization. The revolutionary silhouette like Boysh style was created and since 1925 shorts skirts having accordion pleats and flare called Garconne style appeared along with women’s energetic social life as an active silhouette. Those fashions became popularized. The fashion centered on only the royal court prior to the twentieth century became modernized owing to the professional designers working on a large scale.

中世 비잔틴服飾에 關한 小考

田希順 군산대학교 1988 論文集 Vol.15 No.-

Byzantine culture made advanced influences on and around its cultural countries.And florid medieval culture had been originated on the basis on Byzatine culture.Byzantine culture was more flourished than other culture thanks to a place of great commercial importance for foreign exchanges and thanks to more opportunities to contact foreign cultures.Dalmatica originated from Christian factor and Asian style was taken its position as formal costume in Byzantine culture The unique characteristics of Byzantine costume were as follows ; 1)Materials : In early of Byzantine culture, the Materials which were influenced by the Chinese silk were crude, but in latter period, Brocade and Damask which was in gold and in silver thread, respectively, were used. 2)Color : People sanctified colors and used them not departed from the boundary of religious level. 3)Ornament : Social positions were indicated by the costume on which decorated such ornaments as Clavi, Segmentae and Tablion. 4)Patterns : Continuous froms such as quadrilaterals, circles and asters were embroidered or birds and beasts, the image of human, Chinese grass or flower forms were also embridered. 5)Influence : Propagation of tube style costume in the Western Europe.Such characteristic costume of Byzantine laid foundation of costume culture after Middle Ages.

古代各國의 懸衣에 관한 小考

田希順 군산대학교 1989 論文集 Vol.16 No.-

The expression of drape varies according to thickness of cloth, kind of fiber and winding method. Because Egyptian drapery was the beginning form of flax, drape was folded thinly, and gave a light feeling. Greek drapery was mainly made.by using silk and flax.As couth was supersized, many drape was shown.The rhythm of drape by action gave a rhythmical feeling and soft feeling. A Roman toga mainly used woolen cloth.Because its model that was made by using oval, half round and sixangle was twined in body, form of drape impressed a beautiful and profoundness feeling of U letter form entirely. Arabian haik was made by using a thich and tough coloth.Drape of it was wrinkled at intervals and entirely shown as swell. Indian sari was worn as the petticoat of underwear kind.The beginning and end of sari that was terminated in the waist of petticoat tightly wrinkled a body.The drape of a long slant line was taken a form from the left shoulder to the right armpit and the side knee therefore.The curve of body keep as it was.

女性被服의 Silhouette에 關한 歷史的 考察

田希順 群山大學校 1982 論文集 Vol.3 No.-

Dress and ornaments are a kind of art and reveal an expression of racial emotion emboding history. All these things, man and dress and ornaments, come together and creat life. Therefore, when we make up our dress, we know our own silhouette, proportion and draw a design. Silhouette is divided roughly into shape and quality. The shape is classified Hourgalss silhouette, Straight silhouette. Bulk silhouette and the quality is classified Tailored silhouette and Draped silhouette. If we look about the dress shape of the country which affect the development of dress and ornaments with the change of the times, the Egypt was in the nude, great open-hearted mind and used thin clothes, the Greece glorified the human body and clothing beauty, the Rome was magnificent and practical, so they produced a large quantity and their clothing became formal. In the Renaissance, they formed their own country's style, the Baroque erected Britishism and Francism and they showed the highest reach of splendour. After the French Revolution, in 1789, the noble's costume had gradually a tendency to plebeian. In modern times, we can easily distinguish man's from woman's suit. As western costume, at the same time which is international costume, spread widely in everyday dress going beyond the boundary, there is no difference between international silhouette, and so people in the world wear a dress in the unified fashion. Then, in the future, the silhouette will become simple and functional with the universal development.

兒童服 標準値數에 對한 硏究

田希順 군산대학교 1979 論文集 Vol.1 No.1

The objective of this study is to establish standard sizes of the children's readymade clothes for measuring the body-sizes and designing clothes, 2700 primary school four items by the R. Martin mothod in april-Setember 1978 and 1964∼1977 statistical table of the ministry of Education was adopted as population. Statistical techniques of arithmetic mean, standard error. Standard deviation coefficient of partial regression, coefficient of multiple correlation were utilized to analyze the date. The items of measurement are bust circumference(B), waist circumference(W), hip circumference(H), and over arm length(O. A. L). The results are as follows : 1) The values are basic for 6-14 year children's ready-made clothes. 2) The standard sizes are as shown in Table. Ⅵ. 3) No remarkable differences are found between males and females in Ⅱ years old. 4) In childhood bust circumference is similar to hip circumerence. 5) Coefficient of multiple correlation shows positive, close connection among B. W. O. A. L. 6) Because children's bodies are well-grown by the nutritious food, hygiene, and the cultivation of the body, standard size of children's ready-madeelothes must be altered every 3 years.

팔의 動作에 따른 作業服 및 平常服 構成에 關한 硏究

田希順 군산대학교 1980 論文集 Vol.1 No.-

The following are the results gained in the survey.These results were obtained by having six subjects try on wark dress with set-in sleeves, Raglan sleeves, half-length sleeves, and sleeveless dresses.That which was measured was the length of the hemline when the arm is at the person's side and the length when the arm is raised. 1.It was found that ease of lifting depended upon the type of sleeve, rather than upon the length of sleeve. 2.In comparison with the sleeveless dress when vertical and horizontal arm movements were mate, the hemline of the set-in sleeve dress raised 2 times as much; the Flench sleeve 1.9 times as much; and the Raglan sleeve 1.6 times. 3.With all the dresses tasted the difference between hemline lengths during lateral as compared to forward horizontal movements of the arms were very small. There was only 0.1 ㎝ difference noted. 4.Given any arm motions, the French sleeve gives about the same amount of pull as the Raglan sleeve.But the set-in sleeves is very different from the Raglan sleeve with differences in hemline pull as much as 4㎝. 5.When the right arm was raised the hemline pull for Raglan sleeve dresses, French sleeve dresses, and sleeve dresses, and set-in sleeve dress were found to be greatest on the right side, followed by the central front, the central back, and the left side.The ratio for these lengths were as follows -9 : 5 : 3 : 1 In consideration of the above results, adjustments for the length of the working woman's dress must he made. Until now, we have used the set-in sleeve when making the work dress.1 wish to recommend the Raglan sleeve instead because it is more functional and enhances the woman's figure.

雲形文에 관한 小考 : Focused on the Chinese and Korean Cloudlike Pattern 中國雲形文과 韓國雲形文에 관하여

田希順 群山大學校 1985 論文集 Vol.11 No.-

The Cloudlike pattern has started with the heart of wishing for peace, seeking for the future happiness, yearning for the heavens from the religious background on the basis of ancient people's Taoism. It also has been in need of absolute clouds as the rapid communication means of the ancient society. Clouds have multifarious shapes and very beautiful eyesighting appearances. Cloudlike pattern aspects have developed in the actual and social regularity, and have led a human spirit to richness and abundance in various tools and art works from the conter of all living places under the influence of Buddhism. The cloudlike pattern is increasing the beauty of works in harmony with a rather different pattern aspest than a single one. In other words, animals look like much intrepidity and nimbleness if there is a cloudlike pattern in the pattern aspects of dragon, crane, tiger, deer, phoenix, etc. The cloudlike pattern is generally known as a S-letter pattern. The characteristics of a Chinese pattern aspect are relatively heavy in line and short in length. Therefore it looks like strength. In general, it shows the size of appropriate weight for a Taoist hermit with super-natural powers: namely, it shows the beauty o solidity. The foundation of a Korean cloudlike pattern has started from a thunderlike pattern and developed into a cloudlike pattern. Its characteristics are delicate and splendid in line and rich in harmony between a cloud initial and cloud final. A cloud initial consists of several poralenvebpe and a cloud final is described long and sharply. A Korean cloudlike pattern is used in the various embroided potteries, Especially, that of the Yi-dynasty is beautiful and elegant.

近世時代 西歐 女性服의 Under wear에 관한 考察 : 16c~18c의 Skirt을 中心으로 Centering on the Petticoat from 16C to 18C

田希順 群山大學校 1984 論文集 Vol.9 No.-

In these days there are rather the fashion in clothes than the development in it. Its basic style is composed of vests and skirts, which has been the separate pattern for these three centuries. Consequently it seems that the underwear is very developed today, and especially there has been a luxurious tendency in the detail and trimming of the underwear. 1. In the 16th century, it was fashionable to wear long skirts, the farthingale (especially french fashion) for the underskirt. The front-open style(∧-shaped mode) was peculiar to skirts, which its decorative petticoat made the maximum use of, harmonizing with over-dresses by virtue of the effect of color, embroidery, and jewellery. 2. In the 17th century, there were a fashion to wear shorter skirts in the general silhouette of many countries as well as France. As a result, it was necessary for much more decoration. The outform of skirts was less bulges than before, and the hipline was emphasized. The skirt was divided into three parts and bound up in one like a curtain. The outer skirts of the gown were fasten with ribon backward. As a front-open, there were styles decorated in the ?? - shaped mode and stepwise. In this century, there are many decorations and the luxurious underwear(esp., of chemise corsets)to the utmost. 3. In the 18th century, the pannier was used for the outer skirt, whose silhouette was to be a large and round mode at first and an oval mode, a side hoop later. The front-open of skirts was at the top of fashion, and the underskirt was wide in width. It was again fashionable to wear the three pieces of outer skirts which wear bound up in one like a curtain. Therefore the decoration of the petticoat expanded, whose characteristics was to wear the one with oriental embroildery. Conclusionally, it was the most luxurious centuries in the history of decoration and its complete underwear became the basis of modern clothes. It seems to me that it resulted in this scientific civilization to wear the beautiful dress, to keep good company, to discuss every field, and then to live quiete freely.