盧天命論

李仁福 韓國批評文學會 1987 批評文學 Vol.- No.1

제11회 아시아학 국제학술대회[ICAS11] 참가기

이인복 경북사학회 2019 복현사림 Vol.37 No.-

강제환기식 육계사내의 환기효율성 조사연구­(I)하절기

이인복,정문성,유병기,전종기,김경원,이승기 한국축산환경학회 2003 축산시설환경학회지 Vol.9 No.2

국내 대형육계사의 최적 환기 구조 개발을 위한 주요환경요소의 적정성, 안정성, 균일성 등의 기초 자료가 매우 부족한 실정이어서, 강제 환기식 육계사에서 하절기동안 기상데이터와 함께 육계사 내 주요 환경변수를 시간별로 측정하였다. 이번 실험을 통하여 앞으로 시설 및 환기구조 개선을 통한 열적 스트레스 감소 등 닭 생산성을 더 높일 수 있는 여지가 많이 있다는 것을 알 수 있었다 이 연구의 목적은 강제 환기식 육계사내의 주요 환경요소 및 환기 효율성 등을 정확하게 이해하고, 현 시설 및 환기구조상의 문제점을 파악하고자 함이었다. 이 자료는 앞으로 공기유동분석 등 공학적 접근을 통한 시설 및 환기구조 개선연구를 위한 기초 자료로 활용될 계획이며, 실험결과는 다음과 같다. 1. 계사 내 평균온도는 적정온도와 최대 $10.4^{\circ}C$ 차이가 발생하였고, 일별 낮과 밤 온도차는 최대 $8.7^{\circ}C$가 발생하였다. 계사 내 0.4m 높이에서의 시간별 계사 내 온도의 균일성은 최대 $3.7^{\circ}C$가 발생하였다. 하절기동안 최대 환기를 유지하기 때문에 계사의 폭별 및 높이별 최대 온도차는 각각 $1.0^{\circ}C$ 미만으로 크게 발생하지 않았다. 2. 시험기간 중 계사 내 평균습도는 최고 94.7%, 평균 78.9%, 최저 46.3% 이었고, 지점별 측정된 최대 및 최소습도는 각각 99.9%와 44.7%이었다. 쿨링패드, 포그팬 등을 이용하여 온도가 상승하는 것을 방지할 수는 있었지만 이에 따른 습도조절이 매우 어려웠음을 알 수 있었다. 3. 시험기간 중 열량계수는 각각 최대 2,787, 평균 2,185, 그리고 최소 1,432이었으며, 사육기간의 약 98% 이상이 더위에 대한 대책이 필요하거나 아주 위험한 상태로 나타났다. 4. 환기량을 최대로 유지하는 하절기 동안, 계군에서의 암모니아가스와 분진농도는 허용한 계에 비하여 매우 낮았으며, 닭의 성장과 함께 꾸준하게 증가하였다. 추후 측정범위가 더 크고 더욱 정교한 측정계를 사용하여야 할 것으로 판단된다. 5. 계사 중앙에 계군에서 측정된 공기유속은 최고 1.7m/s 이었고, 하절기동안 닭의 열적스트레스를 줄이기 위하여 계군에서의 공기유속을 증가시킬 수 있는 환기구조 개발이 필요하다. 6. 계사 내 바닥의 표면온도는 최고 $34.5^{\circ}C$와 최저 $29.7^{\circ}C$로 측정되었고, 계사내 지붕의 표면 온도는 최고 $29^{\circ}C$가 측정되었다. 계사 내 표면 온도 및 닭의 표면 온도는 계사내 공기온도의 영향을 많이 받는 것으로 나타났다. In this study, the distributions of internal climates such as air temperature, humidity, dust, ammonia gas, and air velocity were systematically measured at a mechanically ventilated broiler houses during summer season, with local weather data. The analysis was focused on the suitability, stability, and uniformity of internal climate, resulting in serious stress on chickens and decrease of productivity In the mechanically ventilated broiler house, the difference between measured and recommended air temperatures(suitability) was 10.4C in maximum during the summer time. The difference of air temperature in the house between day and night was $8.7^{\circ}C$ in maximum. And maximal hourly range of internal air temperature at 0.4m height from the floor was $3.7^{\circ}C$ suggesting it maintained thermal uniformity in the broiler house. The $NH_3$ and dust concentrations were pretty low because ventilation was fully performed. The air speed at chicken location was measured 2.2m/s and 1.7m/s, respectively without and with chicken existence.

韓國小說에 나타난 基督敎 受容樣相에 關한 硏究 : 田榮澤과 金東里를 中心으로

李仁福 淑明女子大學校 1983 論文集 Vol.24 No.-

This paper examines the role of christianity that is reflected upon the works of Chun Yong-Talk & Kim Dong-Lee, who had their days in the 30's. Chun was a pastor who started his literary career in the 20's, while Kim started his in the 30's and is still active writing novels. The properties of Chun's literary works are summarized as followings. First: His idea of literature is based upon the christian view of world & human beings under the name nf 'personalism' Second: His short stories have a basic frame pattern which consists of introductory part, inner story telling part & explanatory part. This pattern coincides structurally with the sermons which cnnsists of reportorial statements. Third: His literary career is, in general, divided into three periods, through which his works grows gradually in the idea of christianity. Earlier period: Search of human conditions, Thought of death & Social isolation gives the atomosphere of traditional religion. Middle period: Clarification of forms of human existence, reverence of human beings & the equality of human shows the realization of altimistic self. Thus emphasizing christian personality. Later period: Normalization of human relation, reconciliation & equalization are shown in the affirmative description of base people and the reprimand of Pharisaic christians as the definite will to human salvation. The literary works of Kim can be, in short, termed as 'spiritualism'. Confucianism by birth, christianity by scholing and Buddhism by life as a youth gives him a consistant atmosphere of religion and thus restricts the world of his literature to the category of religion. As a matter of course, he is lifetimely writing about the subject of what the nature of human being is and how man can be eternal. Through his works are seemingly touching upon the matters of common walks of life and showing social concern, the undercurrent of those works is actually 'The ultimate of human being.' But the note suggesting those religious properties is not out of the scope of Shamanistic spritualism. Even in his work (The Cross of Saban), a story of resistance for the Israel independence in the age of Jesus, not to mention this earlier work ( A Painting of a Witch), Jusus takes on the image of oriental saint such as Buddha or Confucius. In addition, the hero Saban in the former work is described as enchanted with astrology. Kim is a Writter who shows plainly where the reason lies for christianity in Korea to be distorted shamanistically.

盧天命論

李仁福 淑明女子大學校 亞細亞女性問題硏究所 1983 아시아여성연구 Vol.22 No.-

This paper elucidates the poetic world of No Chun-Myong through the relation with her life-journey. Her poetic mind is explained as the conciousness of want. The paper points out that this consciousness of want is surmounted over the emotional bases of isolation and nostalgia, and that in her early poems these two emotions are successfully shaped in many poems. Since (Sa-Seum, The Deer) & (Nam-Sa-Dang, Travelling entertainers) are the two specially counted as representative masterpieces, their excellence is reconformed through structural analysis. On the other hand, by looking into the variance of in her poems which takes 'death' as theme or subject, we could find out how she gradually purified her life. This point of view, no other paper has ever tried to explain in their research of No and thus could he considered a strong point of this paper. The result we have reached upon is as follows. The life of No, though it was a journey smeared with various ignominy, became one to enjoy purified happiness through conversion to Catholics in her later years and, although she wrote with formost love of fame, she understood life as solitary existence and by portraying it successfully, it was possible to achieve many pieces of beautiful poems.

박경리 문학 연구

이인복 숙명여자대학교 지역학연구소 2001 지역학논집 = Research Institute of Regional Studies Vol.5 No.-

1. Introduction The literary works of Park Kyung-ri are usually divided into three groups; first, the works which reflect the author's personal experiences of the war and were written during the 1950s; second, the novels which were written during the 1960s and deal with the war and social problems in a more objective perspective; and third, The Land(Toe-ji), which is a novel in series of sixteen volumes in total. The purpose of this study is to examine how Park's earlier works, the first and the second group of novels, evolved towards constructing the literary scope of The Land. The study, therefore, avoids discussing her previous works in detail and their narrow issues, but rather compares each work succinctly in order to provide a broader understanding of Park's achievements in the overall progress of her literary career. In other word, it is an expansive and time encompassing approach to Park Kyung-ri's literary works 2. Previous Studies Many scholars have categorized Park's novels as private narratives. Park, in turn, has argued that, "there is not one critic who would be so audacious as to deny that experiences, in one way or another, are part of subject materials for fictional narrative." 3. The Novels Park Kyung-ri had an unfortunate childhood of having to live apart from her father. In that lack of fatherly love Park grew up fed more by despair and rejection than happiness and hope for future. During the Korean War, the North Koreans had taken her husband away and right after the war she had lose her son. With these unbearable sorrows Park concentrated all her energy to writing. It is not surprising that her unhappy experiences were reflected in her works. 4. The Land It is in the Land that Park achieves a more profound level of literary writing overcoming her prior limitations. From the Japanese exploitation and our people's patriotic struggle for independence to the Second World War and the 1945 liberation, The Land embraces the history of our people, the stories of the history of our nation. 5. Conclusion I have discussed Park Kyung-ri's literary progress by examining her short stories in the 1950s and four full-length novels. Park started with short stories that accentuated the fragmented individuals through characters resembling her. Park, then, moved onto writing stories about families, and futher on, the tragedy of our people. The progress indicates the author's perspective extending and her deeper awareness of our peoples' lives.

한국의 소외여성을 위한 복지대책에 관한 연구

이인복,이선재,김영란 淑明女子大學校 亞細亞女性問題硏究所 1991 아시아여성연구 Vol.30 No.-

The study has for its object of systematizing theorectically serious problems of alienated women in the aspect of women study, and suggesting welfare-measures for them. The subject consists of prostitution women, single mothers, and poverty single parents families under the category of the alienated women (prostitution women: 280cases, single mothers : 264cases, poverty single parents families : 218cases, and the sum total : 762cases). The method of the investigation is open questionnaire and interviewing, using SPSS as statistical method. The results of investing actual conditions and analyzing various problems of the alienated women are as follows ; 1. The problems of alienated women come from social elements, not their personal defects. These problems are caused by sexual discrimination in our society, so that they show more serious than other social problems. Neverthless as compared with other social welfare, their welfare-measures is unprepared. 2. Alienated women intensively have the feeling of alienation from society, culture, and economy. Especially prostitution women feel deeply social alienation such as powerlessness, normlessness, dependency, and isolation. 3. On the basis of above the investigation, the study suggests to convert the benefitial, controllable, and equipped welfare to a precautionary measures and return to society. It is necessary that government, social group, and women group should take long-term and short-term welfare-steps. Above all the key for the welfaremeasures is government's will to practice and realize welfare nation. If many studies and welfare-measures for alienated women would not come to the knowledge of the general public, they is apt to keep in dead storage. The problems of alienated women should no longer be concealed and get known to society through mass media, and then arouse the sympathy from all memebers in our society.

Mining Regular Expression Rules based on q-grams

이인복 (사)한국스마트미디어학회 2019 스마트미디어저널 Vol.8 No.3

Signature-based intrusion systems use intrusion detection rules for detecting intrusion. However, writing intrusion detection rules is difficult and requires considerable knowledge of various fields. Attackers may modify previous attempts to escape intrusion detection rules. In this paper, we deal with the problem of detecting modified attacks based on previous intrusion detection rules. We show a simple method of reporting approximate occurrences of at least one of the network intrusion detection rules, based on q-grams and the longest increasing subsequences. Experimental results showed that our approach could detect modified attacks, modeled with edit operations.

죽음을 解明하는 발돋음 : 孫素熙論

李仁福 숙명여자대학교 문리과대학 국어국문학과 1980 靑坡文學 Vol.13 No.-

손소희는 간혹 여류들이 빠지지 쉬운 여성취향의 문학적 주제와 표현과 용어 등에서 상당히 벗어난 작가이다. 그가 여성작가라는 초보적 지식이 없이 그의 작품을 전체적으로 조감해 보면 도무지 그가 남성작가인지 여성작가인지 짐작하기가 어렵다 작품구성의 시점문제를 보아도 그 화자나 주인공이 각양각색이다. 사건의 진술자가 국민학교 6학년생인 <나>이기도 하고(<창포 필 무렵>), 정신병자를 간호하는 의사인 <사>이기도 하고(<그날의 햇빛은)>. 또는 양녀로 다리고 온 어린 소녀가 과거에 남편이 사귀었던 애인의 딸이 아닌가 하고 의심하여 질투하는 아내의 남편은 <나>이기도 하다(<아카시아의 전설>). 그리고 <갈가마귀 그 소리>는 송영감과 고을댁을 주인공으로 하여 작가가 전지적인 시점에서 작품을 기술하고 있다. 또 소재면에 있어서도 그러하다. <창포 필 무렵>은 국민학교 어린 남학생이 손위 여인을 마음 깊이 흠모하는 오이디푸스 콤플렉스의 아키타입이 원용되어 있으면서 그 여인의 죽음이 평생의 한이 되어 끈끈한 원죄의식과도 같은 괴로움을 주는 이야기이다. 손소희가 사용하는 어휘를 보아도 아무리 용감한 남성작가에 의해서 일지라도 그 사용이 주저될 듯싶은 표현이 심심치 않게 구사되어 있다. 이러한 점 등으로 미루어 보아 손소희는 적어도 탈여성성의, 인간적인, 참으로 인간적인, 작가와 작품세계를 구축하는 데 성공하였다고 말할 수 있다. 그런데 손소희가 이룩한 문학적 업적에 비한다면, 그의 인생과 작품에 대한 논의에 오히려 항상 그가 마땅히 누리어야 할 보상의 요구 이하에만 머물고 있다는 생각이 든다. 이것은 아마도 그의 남편인 김동리의 문학세계가 보다 형이상학적인데 연유되어 있는 때문이 아닌가 하는 짐작을 갖게 한다. 그러나 여성적 유약성을 애초부터 탈피함에 성공한 손소희이니만큼, 앞으로 동리문학의 인간존재론적 탐구에 필적하면서 한국문학의 최정상을 향해 발돋움하는 가상한 노력을, 과거에 그가 투병하였던 것과 같은 정열로, 다시 문학에 부어주기를 비는 바이다. 손소희만큼의 여류문인을 갖기 위해 우리의 문학사는 얼마나 더 공전해야 할지를 모르는 때문이다.

완벽한 임종을 위한 준비

李仁福 한국가톨릭병원협회 1979 한국가톨릭병원협회지 Vol.10 No.2