Bela Bartok의 Mikrokosmos를 통해 본 기능을 포함한 음악적(音樂的) 효과

이길자 ( Kil Ja Lee ),임미경 ( Mi Kyung Lim ) 건국대학교 교육연구소 1990 교사와 교육(구 교육논집) Vol.14 No.-

One of the great figures of 20th-century music is Bela Bart6k, Not only a foremost composer, teacher, and pianist, he was also a noted schorlar who collected and edited folle music. He created no new systems no founded any School, but his music represents almost every ascept of modern technique. His style are although progressine, French impressionism made some impact on his early music, and Hungarian folk elements also permeate his music, short melodic structures, little conventional lyriccism, dissonant harmony, often extremely so, He used new scale systems in additon to those found in Hungarian folk music, with equal effectiveness. Bartok employed contrapontal and homophonic textures, often in the same composition. New sonorities and new instrumental effects abound in his music. Rhythmic vitality, Among the distinctive features of his music are economy of theatic material, technique of extension, variation, ect, his music is both subtle and complex. Mikrokosmos, a collection of 153 graded pieces in 6 volume which represent almost every kind of 20th-century device in rhythm, meter, tonality, scale systems, chord structures, progressions, etc. These key systems applied to greatly in creased first seeing, sight seeing is progressive harmonic sences greatly in creased their effectivness.

원저 :약물로 유발된 중독성 표피괴사증 및 담즙정체성 간염을 동반한 예에 대한 장기 관찰

이종무 ( Chong Moo Lee ),민병석 ( Byong Sok Min ),방병기 ( Byung Kee Bang ),이길자 ( Kil Ja Lee ),장윤식 ( Yoon Sik Chang ),임계순 ( Gye Soon Im ),민우성 ( Woo Sung Min ) 대한내과학회 1981 대한내과학회지 Vol.24 No.6

Aminoglycoside 에 의한 신기능장애와 전자현미경 소견

김동집 ( Dong Jip Kim ),김춘추 ( Choon Choo Kim ),조의숙 ( Eui Sook Cho ),방병기 ( Byung Ki Bang ),이길자 ( Kil Ja Lee ),강성구 ( Sung Ku Kang ) 대한내과학회 1981 대한내과학회지 Vol.24 No.1

베에토벤 作曲, 2 曲의 幻想曲風의 피아노 소나타 연구 : Op. 27, No. 1과 Op. 27, No. 2의 作曲的인 側面에서의 分析

李吉子 건국대학교 교육대학원 1983 敎育論叢 Vol.3 No.-

We can say that about 8 years from 1801 till 1809 in Beethoven's work-career is very important in the middle period. When we examine the period in detail, it can be classified as follows: (1) First two years (1801-1802) is a transitional period for the middle period. (2) Next six years (1803-1809) represents a period of works composed in the middle period style. (3) The second half of 1809 is the time when the transition to the later period begins. Though Beethoven suffered from ear-ache at this period, he who overcame such an ordeal made an outstanding development not only as a human being but as a musician. That is, he established the middle period style by composing such famous Sonatas as 'Kreutzer Sonata' (Violin Sonata) and 'Eroica' (Symphony No.3). Beethoven who enlarged and developed the tradition of classic sonata in his composition (Op.22 B^b Major) of large scale equal to the last sonata of early style and six String Quartets (Op.18) got tired of traditional composition which had maintained to those days and tried to abolish the classic tradition and make a new attempt. Such an intention caused him to produce a Sonata of Op. 26 A^b Major. This sonata does not take on its form at all and includes Variation and March for the first time. Therefore four movements are arranged not in an organic way but in an orderly way. Because this sonata does not show new one of which Beethoven thinks, we can say that he tried to escape from the bondage of tradition only by composing Suite-Sonata. In conclusion, Beethoven who began to feel free in Suite-Sonata continued to compose Op. 27, No. 1 & No. 2 and showed a new way clearly.

베에토벤 後期 피아노 소나타의 分析 : Op.106, Op.111의 分析

李吉子 건국대학교 1980 學術誌 Vol.24 No.2

The sonata form has been the basis of almost all the instrumental works of music, and had decisive influences on all the symphonies of great composers for two hundred years. The importance of sonata form, compared with other musical forms, lies in the fact that it can achieve the unity through varieties. The movements of sonata are not brought together without internal relations. Even if they seem apparently not to be connected, each movement is actually closely interconnected with each other. Whether some of his early sonatas smell of earthy rhythm, whether some works of his middle period sought to take a form of large scale drama, or whether as In his later works, they tried to take on the solemn ring, what was of most concern of Beethoven was "Communication" to audience. The musical language of Beethoven was always a medium full of poetic content as well as inspiration. The gospel of his later sonatas, which are really lucidly composed in simpler form, penetrate deeply into our heart. During his life time Beethoven composed 32 pieces of piano sonatas. They take such a place as the Bible for the piano players and students of piano music. And these sonatas are divided into three groups according to Beethoven's creative activities : No.1-1 1 belong to the early period, No.12-27 to leis middle period, and No.28-32 to the later period. Among the 32 pieces, I dealt with the later work "Hammerklavier Senate op.106," the longest and most problematie work, and "Piano Sonata op.111", his last piano sonata which expresses both aspects of war and peace. I interpret these two works not so much the crystallization of his later works as the conclusion of his life time efforts.

Be´la Barto´k의 Mikrokosmos 를 통해 본 기능을 포함한 音樂的 효과

이길자,임미경 建國大學校 敎育硏究所 1990 論文集 Vol.14 No.-

One of the great figures of 20th-century music is Be'la Barto'k, Not only a foremost composer, teacher, and pianist, he was also a noted schorlar who collected and edited folle music. He created no new systems no founded any School, but his music represents almost every ascept of modern technique. His style are although progressine, French impressionism made some impact on his early music, and Hungarian folk elements also permeate his music, short melodic structures, little conventional lyriccism, dissonant harmony, often extremely so, He used new scale systems in additon to those found in Hungarian folk music, with equal effectiveness. Barto'k employed contrapontal and homophonic textures, often in the same composition. New sonorities and new instrumental effects abound in his music. Rhythmic vitality, Among the distinctive features of his music are economy of theatic material, technique of extension, variation, ect, his music is both subtle and complex. Mikrokosmos, a collection of 153 graded pieces in 6 volume which represent almost every kind of 20th-century device in rhythm, meter, tonality, scale systems, chord structures, progressions, etc. There key systems applied to greatly in creased first seeing, sight seeing is progressive harmonic sences greatly in creased their effectivness.

Ceftizoxime 의 임상효과

홍관수,신완식,박상수,강문원,이길자,정희영 대한감염학회 1983 감염 Vol.15 No.1

Ceftizoxime(Epocelin), a 3rd generation cephalosporin, was given intravenously to 30 patients with various infections; 15 with urinary tract infection, 4 with respiratory tract infection, 7 with typhoid fever and 4 with bacteremia. 23 of 30 patients were effective. Only 2 of 7 patients with typhoid fever were effective. Any adverse reactions were not observed.

1982년 서울 및 경기도 일부지역의 성인에 발생한 뇌염의 임상적 고찰

김오경,최규용,김철민,이창돈,강문원,이길자,정희영 대한감염학회 1982 감염 Vol.14 No.1

In the summer of 1982, we have experienced greater number of adult patients with Japanese encephalitis compared to recent previous years. We have studied 70 adult cases of Japanese encephalitis, which was diagnosed clinically and/or serologically, including clinical characteristics, CSF abnormalities and H-I test. A possible relationship between the prognosis and the results of tests was investigated. The results are as follows. 1) The prevalence was reduced as the age increased. No sexual preponderance was noted. 2) The common symptoms and signs included fever(100%), headache(89%), changes of consciousness(76%), neck stiffness(74%), nausea and/or vomiting(60%), Kernig's sign(41%), enhanced DTR(40%), seizure(6%), Babinski's reflex(3%) in decreasing order. 3) Overall mortality rate was 26%. Highest mortality rate(40%) was observed in the older age group. No sexual difference was noted in mortality rate. 4) The laboratory findings related with poor prognosis were increased CSF pressure, low WBC count, high protein level and low H-I titer.