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한국 고대 여인상을 활용한 문화상품 디자인 개발 -국립중앙박물관과 국립경주박물관의 전시ㆍ소장품을 중심으로-
윤은재 한복문화학회 2023 韓服文化 Vol.26 No.1
This study aims to identify ancient Korean figure of woman exhibited and collected in the National Museum of Korea and the Gyeongju National Museum and to analyzed the current status of cultural products related to figure of woman in domestic and foreign museums. In addition, it is to present the design of cultural products using the figure of woman representing Korea. This study combined literature research and empirical research. As a result of the study, it was confirmed that there are clay figure of woman from the Neolithic Age, Silla, and Unified Silla as ancient figure of woman in Korea. This study analyzed cultural products related to figure of woman in online stores in domestic and foreign museums. The British Museum is developing exclusive products, and the Louvre Museum is developing creative products through collaboration with artists or specific brands. In the case of the Metropolitan Museum of Art case, the Met Store is developed various cultural products. Multiple products were being designed in museums in other countries. Although the National Museum Cultural Foundation is in charge of the cultural assets of national museums in Korea, it lacks the diversity of products and accessibility of museum shops compared to museums in other countries. The only cultural product related to the figure of woman confirmed so far is the Silla figure figurine magnet depicting the figure of woman adorned on the National Treasure No. 135. T-shirt items are popular and practical. However, finding t-shirts as cultural products in Korean museums is challenging. Adobe Photoshop CC 2015 was used to design a t-shirt with the motif of three Korean figure of woman. This study will serve as primary data for developing cultural product design that can represent Korea. 본 연구의 목적은 국립중앙박물관과 국립경주박물관에 전시·소장된 한국 고대 여인상을 파악하고, 국내·외 박물관의 여인상 관련 문화상품 현황을 분석하여, 한국을 대표하는 여인상을 활용한 문화상품의 디자인을 제시하는 것이다. 본 연구는 문헌 연구와 실증연구를 병용하였으며, 이를 통해 한국의 고대 여인상으로는 신석기시대의 흙으로 빚은 여인상과 신라 시대 여인 토우들 및 통일신라 시대의 여인 토용들을 확인하였다. 국내·외 박물관 온라인 샵의 여인상 관련 문화상품을 살펴본 결과, 대영박물관은 독점상품, 루브르박물관은 아티스트나 특정 브랜드와의 컬래버레이션을 통한 패러디나 창작 상품을, 메트로폴리탄미술관은 메트 스토어를 중심으로 문화상품이 다양하게 개발되고 있었다. 한국의 국립박물관 문화상품은 국립박물관문화재단이 전담하고 있으나 상품의 다양성과 뮤지엄샵의 접근성은 국외박물관보다 미흡한 실정이었다. 한국 고유의 여인상 3점을 모티브로 선정하고 대중성과 실용성은 물론 문화상품으로 개발이 필요하다고 인정되나 국내 박물관에서는 찾아보기 힘든 티셔츠를 아이템으로 어도브의 포토샵 2015 CC를 이용해 디자인하여 이를 제시하였다. 본 연구가 한국을 대표할 수 있는 문화상품 디자인 개발을 위한 기초자료가 되기를 희망한다.
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윤은재 대한가정학회 2003 Human Ecology Research(HER) Vol.41 No.8
This study was intended to probe the scheme for correctly making Korean fashion design known to the world. It is because its suggestion could find out in the current influence of Japanese designer works led to fashion in Europe and the U.S. it can be said that this success was attributed to Japanese high economic growth, increased interests in fashion, increased awareness of the fashion industry, production of designers activity in the world area, systematic and active support of the fashion circles and government for the fashion industry and so on. Korean govemment has recently begun to attempt to nurture Koreanism of Korean look as world-class fashion. But there are a considerable number of obstacles in making Koreanism or Korean look known to the world due to such several factors as the lack of interests in fashion, the lack of globally active designers, and the like. It is necessary to nurture the fashion industry and educate and train designers for the long-term perspective. In addition, both the government and the fashion circles need to provide for more active and reasonable policy for holding the Korean Fashion Fair, expanding the Seoul Collection to the more global level, opening the way for new designers, and so forth. Furthermore, our academic circles need to make much research on the scheme for the glottalization of Koreanism Korean look.
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윤은재 한복문화학회 2002 韓服文化 Vol.5 No.2
This studY was intended to probe the scheme for correctly making Korean fashion design known to the world. It is because its suggestion could find out in the current of the 1980s in which Japanism fashion design led to fashion in Europe and the U. S. It can be said that this success was attributed to Japanese high economic growth. increased interests in fashion. increased awareness of the fashion industry, production of designers active in the world arena, systematic and active support of the fashion circles and government for the fashion industry and so on. Through this process, Japanism was positioned as the costume-culture style proper in the European society. Even though different from Japanese designers in terms of expressive elements or methods, even European designers could be found to make use of Japanism design. Korean government has recently begun to attempt to nurture Koreanism or Korean look as world-class fashion. But there are a considerable number of obstacles in making Koreanism or Korean look known to the world due to such several factors as the lack of interests in fashion, the lack of globally active designers, and the like. It is necessary to nurture the fashion industry and educate and train designers from the long-term perspective. In addition. both government and the fashion circles need to provide for more active and reasonable policy for hOlding the Korean Fashion Fair, expanding the Seoul Collection to the more global level, opening the way for new designers, and so forth. Furthermore, our academic circles need make much research on the scheme for the glottalization of Koreanism or Korean look.
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윤은재,손경자 한국복식학회 1994 服飾 Vol.23 No.-
The Purpose of this study is to survey of Korean costume cultural assets in overseas museum collections. Cultural Assets represent the cultural heritage. Also costume is one of cultural assets. In 1980`s, the Korean government and scholars surveyed Korean clutural assets. One of their findings was that Korean objects exists some countries. Unesco declared that cultural assets illegally taken a way to foreign countries should be returned to their nations. However, few objects had been returned to Korea. Today museum professionals designing their exhibitions and collections try to both enlighten experts and instruct and please amateur enthusiasts. Exhibitions are one of the most effective means of stimulating interest in cultural objects and ideas ; they reflect prevailing cultural, intellectural and political trends. The 1893 Chicageo Exposition was the first international exhibition in which Korea has ever taken part. Overseas museum held many Asian exhibitions, however Korean exhibitions have been held much less frequently than those of most other Asian countries (China, and Japan) Some of Korean art Collection have historical and artistic valuable, most overses museums` collection are of low value and non-informative. Several museums in United States that have Korean costume : some of these museums have highly valuable historcal and contextual objects. It is my hope that the information in this paper will be of use for those interested in learning more about Korean culture.
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