http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
古代 服飾 硏究 Ⅳ : 古代 Rome 中心으로 for Rome
吳春子,金在淑 충남대학교 자연과학연구소 1981 忠南科學硏究誌 Vol.8 No.2
The purpose of the study was to inter-relate the costume and culture of ancient Rome to her neighbouring countries to find a chronological survey of the development of clothing. The study show that ancient Roman culture was established on the basis of the ancient Greek culture but the culture of Etruria and Egypt and other northern Europe countries also influenced to the Roman culture in many ways. The findings are (1) the basic Roman costume was draped garments but later tailoring technique was developed, (2) the social hierachy and symbolism were closely related to the costume and (3) the clothing life of this area was strictly governed by the sumptuary low.
中國服飾이 韓國服飾에 미친影響 : 三國을 中心으로 With Emphasis on the Ancient three Kingdom Period
吳春子 충남대학교 자연과학연구소 1981 忠南科學硏究誌 Vol.8 No.1
Chinese and Korean amoient Costumes Completely different origimsi chines Costumes had wide sleeves, jacket and skirt were Connected . That in Sim Eui. Korean's imfluenced by northetn Mongelian tribes, wore jackets with narrow sleeves and trousers or skiths. Very few selics selated to the three kimgdom perid but we can prewume the basic Costume 1ines by mural paimtings from ragal tombes koguryo. During reign of geen Chin-dok of Silla kingdom. Kim Chum-Chu visited to the T'ang kingdom of ehina. He btought back a chines system with different colors for the different social sanks. This system confinued until the end of the Yi dyfferent social sanks. There was two cwstume systemes in Korean history beeause the uppet classdressed according to the Chinese costume while the lawer class wore the traditional Korean style.
吳春子,朴吉順 충남대학교 자연과학연구소 1987 忠南科學硏究誌 Vol.14 No.2
En arrachant les choses au chaos originel, le Cr'eateur a assign'e 'a chacune d'elles sa place en un monde ordonn'e. Ainsi le vetement apparait comme un signe de la personne humaine dans son identit'e et sa distinction. Le vetement est une dimension necessaire de la vie l'homme. Non seulement il le protege contre les rigueurs de la nature, mais il lui donne le signification symbolique. Les differentes fonctions qui assurent selon Dieu la croissance de la Connunaut'e se marquent par differents costumes: Proph'etisme, Sacerdoce, Royaut'e; de meme la fonction des sexes, dans la vie priv'ee ou publique. Partout, de mani'ere explicite ou non, depuis les tuniques de peau de GN jusqu'aux habits blancs de I'Ap, le vetement dans la Bible est le sigen des situation spirituelles de l'humanit'e.
근동지역의 복식연구 II -오스만 터어키(Osman Turkey)복식을 중심으로-
오춘자,박길순 복식문화학회 1994 服飾文化硏究 Vol.2 No.1
This result of the study on the costume of Osman Turkey are as following. 1. Empire of Osman Turkey(129∼1922) exerted an almost limites impact and influence on Europe and Asia during their regime 600 years. The distant ancestors of the Osman Turks were nomadic peoples, who wandered I tribal groups through the Central Asia. Therefore their costumes were based on nomadic culture. They had trade with West and East were influenced by Hellenism and Byzantium and grew, to a strong Islamic political power polygamy with which influence their clothing along with other culture. 2. Topkapi Saray was one of he principal residences of the Osman sultans and his court. Late 17 century, Topkapi Saray found many of kaftans of Osman Turks Empires of 14∼17 centuries. Otherwise we studied by the minatures of 16∼17 centuries, Since the Topkapi Saray became a museum in 1924, a program of careful restoration has made it possible to some pars of it to the public, after centuries neglection. 3. Osman Turkey Empire had important role in between West and East(silk-road). Economic, commercial, social and political factor of Turkey led to a development in the art of weaving (kema, kadife, catman, seraser, zerbeft, hatayi, kntnu, atlas)parallel to the rise and development of the Osman Turkey Empire itself, one which raised the art to a level attained nowwhere else in the world. Fabrics woven from gold and silver thread occupied a very important place in the court life of the time. This was due as much to their symbolic as to their material value, reflecting as they did the power, glory and magnificence of the Empire. 4. In order to study Eastern or Western history of costume one must study Turkey history of costume in advance. Also there is a great need of comparison to study of western, central and north eastern area history of costume.
吳春子,具仁叔 충남대학교 자연과학연구소 1982 忠南科學硏究誌 Vol.9 No.2
Les tissu d'art sont represente´s les collections par des pie`ces de genres tre`s differents. On range sous cette denomination les e´toffes decore´es par le itssage, par l'impression a` la planche ou par la pienture, les broderips, les dentelles, les tapisseries et les tapis. Un des caracte´res les plus frappants de l'art byzantin, c'est qu'il s'est inspire´ de la tradition greco-romaine et de la tradition orientale. Quand le triomphe de l'eglise fut assure par la protection impe´riale, les formes exte´rieures de l'iconographie chre´tienne se rapproche´rent tressensiblement des mode´les venus de la Gre´te´ constriuite du pagnisme et celle des vieilles mythologies asiatiques. L'influence greco-romaine, celle de la Parse, de l'Egypte et de la Syrie, celle de le´gendes chre´tiennes et des dogmes religieux se retrouverant dans le de´cor des tissus fabrique´s par les ateliers byzantins.