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여상미(Sang Mee Yeo),박옥련(Ok Lyun Park) 한국복식학회 2002 服飾 Vol.52 No.6
The purpose of this study was to present adapting Korean aesthetics to the design of Wedding dress. For this study, Chosun Women`s Pyoeui(coat) were considered. Pyoeui had the courtesy and variety. They were Jugeui, Wonsam, Hwalos, Dangeui, and Jangeui. Pyoeui were considered the formative features and the aesthetical values describing Shape, Color, Material, Pattern, and Ornament. And Pyoeui were considered the instances which were adapted their formative features to Wedding dress. The formative features appearing on Wedding dress were merely applied the outward shape. Therefore it will be necessary to understand the outward features and the aesthetical values about Women`s Pyoeui for adapting Wedding dress. And then the continuous attempt is needed to adapt Korean aesthetics to the design of Wedding dress.
여상미(Sang Mee Yeo),박옥련(Ok Lyun Park) 한국복식학회 2002 服飾 Vol.52 No.4
The purpose of this study was to present adapting Korean beauty to the design of Wedding dress. For this study, Chosun Men`s Pyoeui(coat) were considered first. Pyoeui had the courtesy and variety. They were Jobog, Danryeong, Chulrik, Dabho, Jangeui, Aegjueumpo, Jigryeong, Changeui, Changos, Jungchimag, Hagchangeui, Simeui, Dopo, and Durumagi. Pyoeui were considered the formative features and the costume beauty describing Shape, Color, Material, Pattern, and Ornament. And Pyoeui were considered the instances which were adapted their formative features to Wedding dress. The formative features appearing on Wedding dress were merely applied the outward shape. Therefore it will be necessary to understand the outward features and the costume beauty about Men`s Pyoeui for adapting Wedding dress. And then the continuous attempt is needed to adapt the beauty of Korean costume to the design of Wedding dress.
박옥련,여상미 경성대학교 2000 論文集 Vol.21 No.1
As a result of examining patterns of woman's ceremonial dress in chosun era, on the formal dress of a queen were pheasant drawing and small flowers packed drawing in a line formation on deep blue silk, And there are dragon patterns coated with gold foil on red violet ornamental patch along the end of collar, sleeve and Doryun. A ceremonial dress of prince's wife and royal grandson's spouse has phoenix pattern. Looking at a ceremonial dress of woman, on crimson silk ground were embroidered with ripples, rocks, herbs of eternal youth, mother phoenixes, child phoenixes, butterflies. lotuses, peonies and youngsters, meaning the longevity an favorable auspices. Besides that, sentences such as 'A good harmony between man and woman', 'Wish for good luck', 'Longer life like a mountain' and 'Richer wealth like sea', etc. were ornamented. A ceremonial dress of a queen was colored with either red violet or red orange, and a drawing of phoenixes on clouds was fabricated with either red violet or red silk cord. For a big which was fabricated with gold threads designing five claws dragons draped with clouds. For a brief ceremonial dress, Hyungbae(chest decoration to describe ranking) was attached which was fabricated with gold threads designing double phoenixes. Beyond just depiction of decoration of natural things, symbolic expressions were made into patterns based on a belief that there are spelling power in the world to exert the absolute power unable of being compared with human mere ability.
여상미,박옥련 慶星大學校 1997 論文集 Vol.18 No.2
The objects of this research are to show the possibility of the application of the elements of design of Korean traditional clothing to modern clothing, and to create new design in order to develop the clothing culture based tradition. Therefore, I intend to analyze and evaluate the current situations and frequencies of the application of traditional characterristics to modern clothing by classifying the elements of design of Korean traditional clothing into form, colors, fabrics, patterns and accessories. The results are as follows. 1. As a result of the analysis of the elements of design of traditional clothing applied to modern clothing, the application of form topped, followed by that of fabrics, colors, accessories and patterns. So, the silhouette of traditional clothing is the most suitable element for marking traditional works with Korean characteristics. In case of the application of form, bulge, natural outlines and the beauty of the curve lines of the traditional skirt and jacket were mostly applied. 2. According to the results studied up on the elements of form, that of a traditional jacket topped in the order of frequency in the applied use, followed by that of a skirt, a topcaot, pants respectively. The traditional jacket that has the most beautiful lines of the traditional clothing contains so many detailed elements of design that in has possibility for more application.