박남수 시의 이미지즘과 사회성 고찰

박현수(Park Hyun-soo) 한국시학회 2004 한국시학연구 Vol.- No.10

This paper is aimed at examining the characteristics and limit of imagist poetry by analyzing Park Nam-Soo's works. Because Imagism eliminates an ideological or social aspects from it's aesthetics, it is difficult to find a social sense in imagist poetry. But After Park himself had given his early imagist poetry an social meaning, many critics misinterpreted his imagist poetry. We can call Park's utterance a retrospective modification. It is clear that Park's early poetry is imagist works without social meaning. Park extended his poetic horizon by passing the limit of early imagist poetry in which images are static and plain. He used narrative elements in the middle imagist poetry. Accordingly the absolute image in early poems gave place to the metaphoric image in middle poems. In the later poetry, the suppressed sociality by the principle of imagist aesthetics has revived. Park had written an epic in which a brilliant Korean hero, Euljimunduck, drove back the chinese enemy. It means that imagism is the opposite of sociality.

전후 초월주의의 그늘과 그 극복

박현수(Park Hyun-Soo) 부산대학교 한국민족문화연구소 2009 한국민족문화 Vol.35 No.-

박재삼은 전후 남한 문학의 중심적 기류로 형성된 초월주의의 영향을 전범적으로 보여준다는 점에서 전후시의 특성을 이해하기 위해서 반드시 고찰하여야 할 시인이다. 그는 전후 초월주의의 중요 특성, 즉 전통성, 미학성, 초월성을 창조적으로 계승하여 자신의 시적 자양분으로 삼았다. 박재삼은 초월주의의 강력한 영향권 내에 있었다. 전통성은 그의 시에 나타나는 ‘한’과 연계된 정서의 적극적 표현이나 춘향전이나 흥부전과 같은 고전 작품의 의도적 인유에서 드러난다. 미학성은 생경한 현실 인식을 철저하게 여과시켜 개인적인 정서로 변용시키는 점에서 잘 드러난다. 초월성은 개별적인 존재가 죽음으로써 완료되는 것이 아니라 다른 존재의 탄생과 연계되어 지속성을 지닌다는 생각에서 확인된다. 그러나 박재삼은 초월주의의 영향과 길항하며 자신의 창조적인 공간을 마련하였다. 그의 창조성이 적극적으로 드러나는 지점은 그의 시에 나타나는 두 가지 불투명성이다. 하나는 불투명한 정서이고 다른 하나는 불투명한 구문론이다. 전자에서는 전후의 서정적 동일성에 대한 고민과 그 극복을 확인할 수 있고, 후자에서는 새로운 매체에 안착한 새로운 서정시의 방향에 대한 적극적 인식을 확인할 수 있다. Park Jaesam is one of the important poets in postwar Korean poets. He accepted the ideology of postwar transcendentalism, the ideology of Cheongmunhyup(Korean Youth Writer's Association; leaded by Kim Dongli, Jo Yonhyun and Seo Jungju). The ideology has three features; traditionality(the approval of Korean traditional thought and emotion), transcendentality (transcendental identifying self with the universe) and aestheticism(the exclusion of political issues from poems). But Park had a correct understanding of the problem of that ideology and overcame its problems creatively. First, When he accepted traditional elements by the rhetoric of temporality, he controlled a subject matter in his poems by reducing risks of the distortion of emotion to the minimum. Secondly, he wrote new lyric poems by the strategy of opaque, that is, the strategy of intentional ambiguity. Park used intentionally two kinds of ambiguity, one is the ambiguity of emotion(an ambiguous emotion), the other is that of grammar. This ambiguity made his poems new lyric poems, by keeping his poems away from the plain repetition of old lyric poems. Park's lyric poems are not only traditional but also modern. He succeeded to Korean traditional lyric poetry. At the same time, he made an effort to write postwar modern poems.

논문 : 1920년대 초기 『조선일보』 「문예란」 연구 -발굴과 위상의 구명

박현수 ( Hyun Soo Park ),홍현영 ( Hyun Young Hong ) 민족문학사학회·민족문학사연구소 2015 민족문학사연구 Vol.57 No.-

『조선일보』의 「문예란」은 1921년 7월 4일부터 같은 해 8월 27일까지 『조선일보』1면에 개설되었다. 이 글의 목적은 『조선일보』 「문예란」에 실린 작품들을 발굴, 소개하고, 그 위상을 구명하는 것이다. 「문예란」이 개설되었던 때는 『조선일보』가 23회에 이르는 발매반포금지와 2차례의 정간을 겪고 점차 운영에서 정상을 찾아가던 즈음이었다. 「문예란」은 총 38회 개설되었는데, 시가 21편, 평론이 3편, 기행문이 1편, 수필이 1편 등 모두 26편의 작품이 실렸다. 「문예란」에 글을 수록한 작가는 변영로, 남궁벽, 김억, 박종화, 오상순, 오천석, 김찬영, 현진건 등이다. 변영로는 「문예란」에서 가장 활발한 작품 활동을 했으며 필자들의 교류에서도 중심에 있었다. 그는 진리가 확정된 세계에서 벗어나 불확실성에 투신하는 자세를 새롭게 창출될 문학의 핵심이라고 주장했다. 이 글은 남궁벽이 스스로 ``∼다``체로 번역해 발표한 「별의압흠」, 「말」 등을 소개하는 것을 통해 정본 확정의 문제를 제기했다. 또 작가의 과작을 고려할 때 새롭게 발굴, 소개하는 남궁벽의 시 5편이 지니는 무게 역시 가볍지 않다. 박종화의 시 가운데 「廢園에누어셔」는 「黑房秘曲」에 실린 시와 달리 3장으로 되어 있다. 특히 3장이 당시 박종화의 지우였던 정백, 홍사용 등의 갈등과 관련되어 주목을 필요로 한다. 이 글에서 소개하는 오상순의 두 시 역시 처음 발굴, 소개하는 시들이다. 이들은 어린 시절의 상상력이 깃든 언어를 가장 본질적인 것으로 파악하는 당시 오상순의 문학관을 드러내고 있다. 「문예란」의 필자들은 이미 문단의 승인을 받은 존재들이었다는 점에서 작품들 역시 문학청년 시기의 습작이나 투고작과는 다르다. 또 「문예란」의 필자는 각각의 동인지에 얽매이지 않는 문인들의 네트워크와 문학 활동을 파악할 수 있는 대상이기도 하다. 「문예란」이 지닌 가장 두드러진 의미는 『조선일보』를 비롯해 『동아일보』 『매일일보』 등 당시 신문 미디어에 같은 성격의 지면이 존재하지 않았다는 점에 있다. Literary section in Chosun Ilbo was first open on July 4, 1921 and lasted until on August 27 in the same year. The section was reported on the first page of Chosun Ilbo. The purpose of this article was to discover and introduce the pieces of literary work reported in Chosun Ilbo, and to bring light on the status of its literary section. The time when literary section was established was the moment Chosun Ilbo was returning to normal condition of running business after having twenty three times of prohibition of release and two times of suspension. The number of reported literary section was thirty eight, which included twenty one pieces of poem, three pieces of critique, one piece of travel essay, and one piece of essay. Thus, the total number of reported literary work was twenty six. Writers who participated in the section were as followed : Young-Roh Byun, Byuk Namgung, Uk Kim, Jong-Hwa Park, Sang-Soon Oh, Chun-Seok Oh, Chan-Young Kim and Jin-Gun Hyun. Among them, Young-Roh Byun was the most active writer in the literary section and was in the center of mutual exchange of opinion among the writers. He sought the core of literature in the attitude that was devoted to the uncertainty, which was off the world of concrete truth. This article supposed a question on determination of the formal copies by discovering and introducing the Byul-eui-ap-hem(별의압흠), and Mal(말) which were reported by Byuk. He translated these pieces for himself using style of writing, "∼ da". Moreover, as Namgung was not a prolific writer, the importance of five pieces of poem by Byuk Namgung should not be overlooked. Park`s poem, Lying in the closed garden(廢 園에누어셔), consisted of three chapters compared to that of his, which were issued in Secret songs in a black room(黑房秘曲). Especially, the third chapter of it was related to conflict among his companions, Baek Jung and Sah-Yong Hong. Therefore, it needs to be focused on that chapter. Two pieces of poem by Sang-Soon Oh were introduced for the first time. These represented Oh`s literary view at the moment, which the writer understood the language with childhood imagination as the most essential one. Writers of the literary section had already been approve by the literary circle. For this reason, the pieces reported in the literary section had a different character from their studies or submission before starting their literature career. In addition, the writers were the subject of the network and career activities among the writers who were not bound by literary coterie magazines. The most significant meaning of literary section was that the section with the same character did not exist in Dong-A Ilbo, Maeil Shinbo, or Chosun Ilbo itself. To prove this point, relation between news media and literature in early 1920s was discussed.

흔들리는 MMORPGㆍㆍㆍ신수익 찾기 '골몰'

박현수,Park, Hyeon-Su 한국데이터베이스진흥원 2006 디지털콘텐츠 Vol.11 No.-

'온라인게임=MMORPG'로 대변되던 시기가 있었다. 물론 지금도 국낸 게임 산업을 지탱하고 있는 장르가 RPG라는 사실은 변함없지만 예전에 비해서 그 파워는 떨어진게 사실. 산업이 성숙해지는 과정의 일환으로 바라볼 수도 있지만, 올해와 같은 침체는 국내 게임 산업을 위해서도 바람직하지 않은 것이 사실이다. 변화를 모색하며 새로운 도약을 준비 중인 MMORPG업계를 짚어본다.

내가 다닌 대학ㆍ학과(7) - 미국 하버드대학

박현수,Park, Hyeon-Su 한국과학기술단체총연합회 2002 과학과 기술 Vol.35 No.11

장시간 안정성을 위한 CdSe/ZnS 양자점의 표면처리 기술

박현수,정다운,김범성,주소영,이찬기,김우병,Park, Hyun-Su,Jeong, Da-Woon,Kim, Bum-Sung,Joo, So-Yeong,Lee, Chan-Gi,Kim, Woo-Byoung 한국분말야금학회 2017 한국분말재료학회지 (KPMI) Vol.24 No.1

We have investigated the washing method of as-synthesized CdSe/ZnS core/shell structure quantum dots (QDs) and the effective surface passivation method of the washed QDs using PMMA. The quantum yield (QY%) of as-synthesized QDs decreases with time, from 79.3% to 21.1%, owing to surface reaction with residual organics. The decreased QY% is restored to the QY% of as-synthesized QDs by washing. However, the QY% of washed QDs also decreases with time, owing to the absence of surface passivation layer. On the other hand, the PMMA-treated QDs maintained a relatively higher QY% after washing than that of the washed QDs that were kept in toluene solution for 30 days. Formation of the PMMA coating layer on CdSe/ZnS QD surface is confirmed by HR-TEM and FT-IR. It is found that the PMMA surface coating, when combined with washing, is useful to be applied in the storage of QDs, owing to its long-term stability.

과산화 티타늄 복합체를 이용한 염료감응형 태양전지용 페이스트의 제조 및 열처리 온도에 따른 특성

박현수,주소영,최준필,김우병,Park, Hyunsu,Joo, Soyeong,Choi, Joon-Phil,Kim, Woo-Byoung 한국분말야금학회 2015 한국분말재료학회지 (KPMI) Vol.22 No.6

The organic binder-free paste for dye-sensitized solar cell (DSSC) has been investigated using peroxo titanium complex. The crystal structure of $TiO_2$ nanoparticles, morphology of $TiO_2$ film and electrical properties are analyzed by X-Ray Diffraction (XRD), Scanning Electron Microscopy (SEM), Electrochemical Impedance Spectra (EIS), and solar simulator. The synthesized $TiO_2$ nanopowders by the peroxo titanium complex at 150, 300, $400^{\circ}C$, and $450^{\circ}C$ have anatase phase and average crystal sizes are calculated to be 4.2, 13.7, 16.9, and 20.9 nm, respectively. The DSSC prepared by the peroxo titanium complex binder have higher $V_{oc}$ and lower $J_{sc}$ values than that of the organic binder. It can be attributed to improvement of sintering properties of $TCO/TiO_2$ and $TiO_2/TiO_2$ interface and to formation of agglomerate by the nanoparticles. As a result, we have investigated the organic binder-free paste and 3.178% conversion efficiency of the DSSC at $450^{\circ}C$.

콘텐츠 성장세 기반 본격 개화기 '진입'

박현수,Park, Hyeon-Su 한국데이터베이스진흥원 2006 디지털콘텐츠 Vol.11 No.-

디지털콘텐츠가 미래 성장산업으로 주목받으면서 관련 솔루션 분야도 동반 성장을 지속하고 있다. CMSㆍDRMㆍCDN등 주요 DC솔루션은 매년 두자리 수 이상의 성장률을 기록하며 오는 2010년 89억달러의 시장을 형성할 것으로 전망되고 있다.

온도와 시간에 따른 진공건조 굴비의 품질특성

박현수,현명택,이주희,김대영,이건,김현정,Park, Hyun Su,Hyun, Myung-Taek,Lee, Ju-Hee,Kim, Dae Young,Lee, Khan,Kim, Hyun Jung 한국식품조리과학회 2017 한국식품조리과학회지 Vol.33 No.3

Purpose: Gulbi is a salted and dried yellow corvenia that is popular in Korea. In this study, yellow corvenia was vacuum-dried under two different conditions, average temperatures of $48^{\circ}C$ for 12 and 15 h and $54^{\circ}C$ for 9 and 12 h. Quality characteristics of vacuum-dried Gulbi against fresh corvenia were investigated. Methods: Moisture content, water activity, salt concentration, pH, acidity, volatile basic nitrogen (VBN), thiobarbituric acid-reactive substances (TBARS), and fatty acid composition of Gulbi were evaluated. Results: Moisture contents of fresh corvenia and four types of vacuum-dried Gulbi were 67.37, 31.51, 13.62, 35.17, and 10.05%, respectively. The pH values were in the range of pH 6.70-6.98. The VBN values of Gulbi vacuum-dried at the higher temperature range were greater than those of Gulbi at the lower temperature range. The TBARS of Gulbi increased after vacuum drying (p<0.05). Palmitic acid, palmitoleic acid, oleic acid, and docosahexaenoic acid were the main fatty acids of Gulbi. Conclusion: These results indicate that the quality of vacuum-dried Gulbi is dependent on the drying conditions including temperature and time.

인터넷산업 성장 자율규제가 해답

박현수,Park, Hyeon-Su 한국데이터베이스진흥원 2006 디지털콘텐츠 Vol.1 No.-