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김구용 시의 상호텍스트성 연구 ―李箱 시와의 관계를 중심으로
민명자 충남대학교 인문과학연구소 2010 인문학연구 Vol.37 No.1
This paper aims at examining intertextuality of Kim Guyong’s poems by focusing on language play, montage techniques, a mirror motif, the erotic imagination of Kim Guyong’s poems that show intertextuality with Lee Sang’s. First, the language play and montage techniques presented in both Lee Sang’s and Kim Guyong’s poems are categorized as thosethat implicateplayfulness of surrealism. Both Lee Sang and Kim Guyong employ the montage technique that juxtaposes language play through linkage of signifiers and heterogeneous stanzas in order to create new signified, and ultimately to deconstruct the traditional verse writing techniques and their language standards. They want to express their inner freedom and liberation by resisting absurdity, suppression and control that they face in their times. This playfulness of language is not a simple play but an expression of the basic human desire as Homo Ludens because it implicates the desire to ease the intense situation, to release the compulsion and to realize a hope in the reality where they feel there is no exit. The desire as Homo Ludens can be achieved in the same context as playfulness of surrealism in terms of pursuing the ultimate freedom. Second, The mirror motif that Lee Sang and Kim Guyong employ means the split self caused by separation between the presence and the absence, and the reality and the ideal. Through this, the two poets express aggression, resistance and grotesque images. However, they describe the split self in a different way, and the poetic effect to be delivered to the readers are differentas well. poetic effect t are firmly basein a consciousness on the original sin and thus, it it almost impossible for self and the world to be unitei. Therefore, poetic effect t overwhel angly describe frustration, abandonment, fear, and impulse on death. Meanwhile, Kim Guyong’s poems are basein a the self-reflection, and a transcendent will by juxtapositration, metaphysical and physical issues. Also, though the two poets’ works have same refined aspects when using a clearct t overwhel angly have different approaches. poetic es poems maintains ‘parallel’ with calm and logical world rather than lean toward emotion. Therefore, they cannot reach the total unity. Meanwhile, in Kim Guyong’s poems, self and the world reach the unity at the point of sublimation. Here, sublimated ethic equals ‘morality’(道’). Third, The two poets create structure of and generation will of a desire by modifying prostitution signs that createerotic imagination in several different forms. In their poems, prostitution signs do not simply mean physical sex but holistic self formation by involving sublimation of a soul. And they are expanded to a degree that it implies a desire for creating poetry, which is an embodiment of a mind. However, Lee fails achieving it and instead,expresses frustration and a desire for subversion as a form of abjection. Meanwhile, Kim’s prostitution signs are expanded to the world of creation covering various spectra such as reflection of the reality, creation of poetry and female image of redemption. This can be interpreted as an expression of religious transcendence and sublimation of Tantrism. Kim’s poems have intertextuality with Lee’s and eventually he creates his own poetic world. If the ultimate goal of art is to save the human soul, Kim’s poems are highly appreciated for his transcendental will and sublimation to do so. This achievement is closely related with his belief in Taoist and Buddhist values that deeply influence Kim’s philosophical formation. The embodiment of Kim’s philosophical world and experimental spirits through poetry greatly influences 1950s Korean poetry history.
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숭어추출물이 염색과 탈색 모발의 물리적 손상에 미치는 영향
민명자,나명순,류은미,차월석 한국피부과학연구원 2011 대한피부미용학회지 Vol.9 No.1
This study examined primary chemical damage of hair in the process of colored and bleached and secondary hair damage after hair styling. Then, physical heat treatment was conducted with hair and rinsing and washing was repeated to investigate the effects of the use of shampoo, heat of hair dryer, and magic straight and iron tools which are repeated daily on hair damage. Then, to examine a treatment effect in the repeated damage process, gray mullet extract which could influence protein, fat, and vitamin A, and water of hair were treated to hair. 1. As a result of tensile strength and elongation testing to measure physical change of hair, in the repeated process of chemical colored and bleached, tensile strength became 2.26 gf(virgin), 1.82 gf(bleaching), and 1.71 gf(coloring) and elongation became 48.9%(bleaching), 46.82%(coloring), and 41.27%(virgin). 2. For the gray mullet extract treatment group, in physical re-damage process after chemical damage, tensile strength showed a 8.49% decrease in the virgin hair and a 9.43% increase in the colored hair but there was no change in the bleached hair. Elongation showed a 3.19% increase in the virgin hair and a 3.51% increase in the coloring hair but a 3.71% decrease in the bleaching hair compared with no treatment sample. For cuticle change, the gray mullet extract treatment group was more stable in cracking than the no treatment group. In hair after bleached, a cuticle boundary was clearly improved, but cuticle separation appeared. damage,Based on this result, this study used each treatment sample as basic experiment and improvement was shown partially. Thus, further study should be conducted with natural hair products which can improve qualitative damage with different concentration and quantitative component. 본 연구는 hair styling이후 2차적인 모발손상이 어느 정도인지를 알아보기 위해 단백질과 지방, 비타민A, 수분 등에 영향을 줄 수 있는 숭어추출물을 이용하여 각각의 모발에 트리트먼트로 사용하여 실험하였다. 그 결과로는, 1. 모발의 물리적 변화를 측정하기 위해 인장강도와 신장률을 실험한 결과 모발은 화학적인 염색과 탈색을 반복하는 과정에서 인장강도가 각각 버진2.26gf>탈색1.82gf>염색1.71gf로 감소되었으며 신장율은 탈색48.09%>염색46.82%>버진41.27%로 탈색모가 가장 높게 나타났다. 2. 숭어추출물 처리군은 화학적 손상이후 물리적 재손상 과정 중 무처리 시료에 비해 모발의 인장 강도가 버진헤어에서 8.49% 감소하고 염색헤어에서 9.43%증가하였으며 탈색헤어에서는 변화가 없었다. 그러나 신장율 측정에서는 버진헤어에서 무처리 시료에 비해 3.19%증가하고 염색헤어에서는 3.51% 증가, 탈색헤어에서 3.71%감소하였다. 3. 숭어추출물 처리군의 큐티클의 형태변화는 숭어추출물 처리군이 무처리군에 비해 깨어짐이 안정되어 보이나 탈색 처리후의 헤어에서는 큐티클의 경계선은 뚜렷하게 개선되어 보이나 큐티클의 들뜸 현상이 나타나 보인다. 이와 같은 연구결과 본 실험에서는 기초적인 실험으로서 숭어 추출물의 트리트먼트 시료를 사용하였으나 그 개선효과가 부분적으로 나타남으로 향후 연구에서는 각각의 농도를 달리하고 성분을 정량화하여 보다 질적인 손상도 개선을 기대할 수 있는 천연제품의 모발화장품 연구가 필요하다고 본다.
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