한국전통 魚紋樣을 응용한 티셔츠디자인 : CAD프로그램 프리마비전을 활용하여

문윤경(Mun Yun-kyeong) 한복문화학회 2010 韓服文化 Vol.13 No.1

Their patterns and colors of modern life that they're being recognized as the indispensable. All things exist in the patterns and colors have been given a symbolic representation of the means of association may be expedient. Patterns in our lives that will be naturally expressed, emotional. or visual representation of it as the development of various forms will let you can. The purpose of this paper, the unique identity of the people do not understand the cultural basis of the ambiguity between subjects and objects feel in a contemporary situation, we can start thinking about national identity, traditional patterns of l-shirts, we use patterns of the fish to understand contemporary print designs closely with our traditional culture to be accessible, and we can inform the world of culture, as are opportunities to. Traditional designs for productions by selecting the pattern of the fish using Prima Vision print pattern design. Asian interest in the near future of the Eastern and Western culture was imported phenomenon. South Korea can provide the identity of the new level of design development of a Korean image placed on the purpose. CAD programs are utilized in the field of fashion design that does not limit subsequent research continues to be active and CAD program for designers to understand and actively learn skills that I think is very important.

16세기(世紀)Renaissance시대(時代)의 복식분석(服飾分析)과 재현(再現)

문윤경 ( Yun Kyeong Mun ),리순홍 ( Soon Hong Lee ) 한국패션비즈니스학회 2003 패션 비즈니스 Vol.7 No.4

Nowadays, retro to the past fashion is appeared just as often as new challenge and trial. The style of Renaissance Era is the most often revival theme for contemporary fashion. So, this study was focused on 16C of Renaissance costume. It is investigated the characteristics of Renaissance costume through referring the literature to be able to restore the past costume as through as possible with the object of building database for developing new design. This study is done in two different ways at the same time, direct study to restore and indirect study to refer. Direct one is of the past costume as thoroughas possible based on referring to the originals. The other is referring the costume historical literature The costumes to restore is chosen among 16C famous pictures on the basis of how much they can show the typical chracteristics of 16C costume. Materials including textiles and ornaments which are necessarily to restore were shopped in Dongdeamoon Market. Some materials had a problem to get exactly the same one in Seoul on 21C. After visiting imes, the materials is chosen as similar as originals. Three sets of costume were restored on the basis of referring "Pattern of Fashion" written by Janet Arnold. The costumes were restored by reinforcing bodice based on the size of waist and in every three works. The way of sewing is based on hand sewing for details and machin-sewing for seam. Quilting intl lining is uwed giving the fabric stiffness to maintain the form from the heavy padding. Also the part of piles on margins is used darts instead of gather, because of reducing bulkiness of seam. General closing methods are hook and eyes, and lacing with points.

조선시대 배자의 특징을 응용한 베스트 디자인 연구

문윤경(Mun Yun-Kyeong) 한복문화학회 2012 韓服文化 Vol.15 No.1

This study is to comprehensively review the forms and characteristics of Baeja on Joseon dynasty. It based on the literature records and excavated costumes and propose a Baeja design suitable for the modern costume of locay based on its formativeness. The study made total four pieces of vest. Baeia was firstly appeared on Koguryo wall paintings, and the musueu(no-sleeved version) of Baeja including short Baeia looked like present was established during late Joseon period. As the people are more conscious of the national identity and traditional culture. Therefore, traditional costume designs are trending toward to retro style, and that enhances popularity of Baeja. It would be meaningful in terms of contributing to the activation of traditional costume by providing people with ample opportunities to wear it in modern daily lives variously. The actual purpose of this study was to perform a modernization work for traditional costumes that could let people move into other areas freely, that is, a creative and innovative research. By this dint it expanded the applicability of Baeja which can correspond with the present, rather than dwelling in the past. Furthemore, it is significant in that the research broadened the range of application of the tradition through the grafting of tradition and modernity. This study expects for further investigation on traditional culture by developing a practical costume design.

16세기 남성 헤어와 수염 스타일 변화에 관한 연구

문윤경(Mun Yun-Kyeong),김경희(Kim Kyung-Hee),김정진(Kim Joung-Jin) 한복문화학회 2006 韓服文化 Vol.9 No.3

In the Renaissance, hair style was affected by the costume which began to become gorgeous and puffed up. During this period, the hair style was gradually shorten as a ruff collar became a fashion. The hair style became delicately different in each country of Europe although it was common in that people did not up their hair so flamboyantly. Hence, hat was fashionably worn to fix up such a simple hair style. In terms of the beard style, people shaved it for very tiny style in the early Renaissance, and thereafter beard and mustache became very popular over the Renaissance. It could be summarized that men in the 16th century were interested in growing beard so that they tried to dye the beard in various form and color. Hence, this trend for beard in the 16th century became dominantly fashionable largely affecting through the next century. To sum up, hair and beard style were emphasized to maintain and create a form for the male image in the 16th century.

17세기 남성헤어스타일 변화에 따른 남성이미지 연구

김경희(Kyung-Hee Kim),문윤경(Yun-Kyeong Mun),김서영(Seo-Young Kim) 한국의상디자인학회 2007 한국의상디자인학회지 Vol.9 No.3

18세기 로코코 예술양식을 응용한 네일아트 디자인 연구

조한솔(Han-Sol Cho),문윤경(Yun-Kyeong Mun) 한국의상디자인학회 2021 한국의상디자인학회지 Vol.23 No.3

남자 헤드기어(Headgear) 제작에 관한 고찰 : 본넷(Bonnet)을 중심으로

김경희 ( Kyung Hee Kim ),문윤경 ( Yun Kyeong Mun ) 服飾文化學會 2006 服飾文化硏究 Vol.14 No.1

큐비즘의 특징을 활용한 메이크업 작품 연구

이종애 ( Jong Ae Lee ),문윤경 ( Yun Kyeong Mun ) 대한미용학회 2016 대한미용학회지 Vol.12 No.1

This study aims to improve make-up artistry by combining elements of Cubism to suggest creative make-up designs. We investigated specialized books, thesis, and online materials about Cubism, and classified its painting features and expressional techniques. Then, we selected the most influential Cubists and created 8 make-up designs inspired by their works. Analytic Cubism contains various views on one screen, but, using transparency, it is possible to see multiple images despite them overlapping. Collages of comprehensive Cubism use various materials including different types of paper. Picasso and Braque - founders of Cubism - were selected, and four works from each artist were studied. Ambiguities between background and object were shown due to multiview expressions and de-construction/reconstruction of analytic Cubism. In comprehensive Cubism, colors that disappeared were introduced again along with letters to allow the visualization of simplified structures. Next, make-up works were created from these analyses. This study was based on Cubism`s expressional techniques and most influential artists. Future studies can be combined to offer additional concepts combining art and make-up. We expect that this would increase the artistry and originality of make-up.

해체주의 특성을 응용한 아트마스크 작품 연구 -프랭크 게리의 작품을 중심으로-

신나리 ( Na Ri Shin ),문윤경 ( Yun Kyeong Mun ) 한국미용학회 2016 한국미용학회지 Vol.22 No.3

De-constructivism has influences in various fields of literature, art, architecture, fashion, and cosmetics, based on a philosophical theory to overcome limits by de-constructing and de-building the existing things, pursuing new changes and showing possibilities of interpretation of new designs by encounter with diverse fields. However, it still lacks for discussing artistic values in make-up. The contemporary make-up requires unique designs as their own artistic values and reflecting the artists` ideas and social backgrounds at that time, transcending just a pursuit of beauty. This study aims at overcoming limits of make-up arts, suggesting directions for new make-up designs with diverse attempts, and extending the field by applying figurativeness of Frank Gehry, one of architects who represent Deconstructivism. This study shows that an artistic trend, architecture and make-up collaborated and represent a new fusion art and provides an opportunity to establish a new genre as well as possibility of infinite make-up designs beyond the scope of expressions and limits of materials and everlasting exhibition of make-up through art-mask works.

남자(男子) 헤드기어(headgear) 제작(製作)에 관(關)한 연구(硏究) -햇(hats)을 중심(中心)으로-

김경희 ( Kyung Hee Kim ),문윤경 ( Yun Kyeong Mun ) 한국패션비즈니스학회 2004 패션 비즈니스 Vol.8 No.2

In the history of western costume, women`s hairstyle and headdress have been fluently studied but men`s headgear has not. To study and manufacture headgear designs and details, which indicate varieties in forms and ornaments, can be utilized for the fashion currently in vogue. Purpose: the purpose of the study is to investigate one of the headgear, the hat in terms of shift in design and manufacturing method, and to study through manufacturing in order to do a literature review by era and to provide information as the source in new design. Study method and scope: Like previously manufactured and presented bonnet of women`s headdress or headgear, the hat in the study was manufactured on the basis of literature review and portrait analysis. Target era is from the late 16th century to the early 17th century when the hat was used. The hat to be manufactured was selected by investigating the details such as hair style and hat features using literature. The pattern of the selected hat was analyzed, and velvet, silk, and wool were used as the materials as in the literature. Ornaments used similar things as in the photos.