중년 남성 수트 디자인 요소에 따른 이미지의 시각적 효과에 관한 연구

복식문화학회 복식문화학회 2002 服飾文化硏究 Vol.10 No.6

대중문화 이론을 통해 본 복식 문화의 연구방법에 대한 연구

엄소희,김문숙 服飾文化學會 1997 服飾文化硏究 Vol.5 No.1

The purpose of this study is to present the study method in order to analysis the fashion phenomena in popular culture by popular culture theory. The method of this study is showed the method of fashion culture, after it was examined that the trends of popular cultural method, the type of Koran popular culture discussion, and the relationship of fashion and popular culture. The results of this study are following as: 1. Analysis of this study are structuralism stand and culturalism stand, and the application of criticism about the cultural technology in a new stand by means of the composition of Gramscic. A and Foucalul. 2. Application of the ethnographic access method as anthropological approach method about C. Geertz's culture. This is to describe and interpret the practice of subject through directive observation and conduct on a spot, thus is likely to be useful in the fashion study. 3. It needs a historical access method for that purpose, If it applicate Weber's methodology, it will have the use of both meaning interpretation and explanation of cause and effect on the basis of realistic conditions(historical data), and would appear that the peculiar apportunity of mental(cultural) progressional process became definitive explanation. 4. It must be made up of the discussion (which is) based on the durability of tradition and culture. It is undeniable that the discussion, which related to popular culture up to the present, showed the disconnectedness of the past tradition and culture, and naturally accepts it's connection to epepistemology. The cultural study is a theory interested in what it brings about, what way it's organized and what way it's used. The research of the fashion's connection to popular culture is composed of such topic : how fashion is produces, how it is consumed, and then, the proposition whic his concerned in what meaning it produce is made up of. The regulation of the realm of this research will be to help a researcher explain where to begin and how to do it. Although this cultural study method is more or less quantitative, or despite the expense of the accuracy of statistical analysis, this means that such method of cultural research needs to give attention to both aspects of phenomena and basic problems.

韓國 馬事 服制 考察 : 競馬 騎手 服裝과 承馬 服飾 Jockey's Costume and Riding Costume

金恩珠 服飾文化學會 1997 服飾文化硏究 Vol.5 No.2

宋服飾이 高麗服飾에 미친 影響에 대한 硏究 : 女子服飾을 中心으로 As Regards Women's Clothing

이순자 服飾文化學會 1995 服飾文化硏究 Vol.3 No.1

This research has been studied the influence of Song Dynasty mode upon clothes and ornaments of Korea Dynasty by Seo Gung's(徐競)『SunWhaBongSa KoryoDoKyung』(宣和奉使高麗圖經) and in Korea Dynasty period, by Buddhist picture. The clothing of the Song Dynasty was quite reserved and conservative, fewer variations and quiter colours thus conveying a feeling of simplicity and naturaness, Their clothing were no more luxurious than the clothing of Dang Dynasty. We had read that when Seo Gung visited Korea for month, and then it is in Emperor Injong's reign(A.D. 1123). Korea women's clothes and ornaments were followed by Song dynasty's clothing pattern as much as he took notice of Korea women's clothing. Korea DoKyung showed Song women's clothing that whal clothing(華衣), Yuansam(圖經) were Korea women's ceremonial dress and so, Koryo women's clothings were very influenced by Song's mode. The conclusions of the research are as follow found out that Korea women's a ceremonial dresses were very similar to Song's.

高麗時代 地藏菩薩圖의 服飾에 관한 硏究

全惠淑,金眞熙 服飾文化學會 1999 服飾文化硏究 Vol.7 No.1

In this study, I tried to find out the diffusion and the receptive process of new culture with examining the costume of Ksitigarbha Bodhisattva Buddist drawings, which were drawn by our people in the Koryo dynasty. I classified each part of the costume of Ksitigarbha Bodhisattvas and found out overall characteristics and analyzed their meaning. The results are as follows: First, because there were several 'du-guns' of peculiar types, Ksitigarbha Bodhisattvas were supposed to have 'du-gun' before Buddhism was diffused throughout China through the Weat. The type of 'du-gun' was developed more and more through the Weat and appeared as the type of 'du-gun' of Ksitigarbha Bodhisattvas in 'Ji-Jang Do' in the Koryo dynasty. And the pecuilar type of du-gun was supposed to have been under the influence of the costume of Taoism in those days. Second, I think that the Buddhist defication of the costume in Ksitigarbha Bodhisattvas was a phenomenon in the process that belief in Ksitigarbha was united with popular belief and widely diffused and became to have its important meaning of its own. Third, the feminine tendency of the costume in Ksitigarbha Bodhisattvas is supposed that the meaning of the early goddess remained partly in the costume even though Ksitigarbha Bodhisattva was god in India. Fourth, Several round shape designs are supposed to be affected by the diplomatic relationshoip with the West. As mentioned above the costume 'Ji-Jang Do' in the Koryo dynasty was affected by china's, India's, and several countries' in the Weat. The costume of 'Ji-Jang Do' in the Koryo dynasty is supposed to have cultural factors of world-wide in that ga-sa was Gandira style based on Hellenistic art. Therefore, the reception of new culture was selective on the basis of the country's need and this new culture was changed into something peculiar to affect other countries simultaneously with reception.

巫俗服飾의 象徵的 意味에 관한 硏究(Ⅱ) : 在日 韓國人의 宗敎生活을 中心으로 With Special Reference to the Religious Life of Korean Residents in Japan

李子淵 服飾文化學會 1999 服飾文化硏究 Vol.7 No.1

This paper makes a report of Shamans' ritual performed among Korean residents in Japan as socio-historical facts, and this also examines the symbolic meanings of Shamans' costumes. The results are as follows; 1) At the ritual of Jungsip-Wang Maji, Shamans wear Gwandae, Kunbok, Jangsam, Durumaki, and Chima-jugori. These costumes show that their wearers are priests and gods at the same time. 2) The reason why Simbang performs the ritual in different costumes at different Jaechas is that each object-god needs different costumes to represent its different character. 3) Shamans' instruments consist of musical instruments and other instruments. Among the musical instruments are such percussions as Buk, Jing, Janggo and Sulsae. Among other instruments are Sindo, Sanban and Yoryung. 4) Shamans think that the musical instruments have magic powers to dirve out minor demons and invite gods. Sindo, Sanban and Yoryung are thought to be the symbolic instruments representing gods' will.

한국 현대복식에 나타난 일본 패션의 영향 : 여대생을 중심으로(1998년) Focused on College Women(1998)

朴吉順,金瑞姸 服飾文化學會 1999 服飾文化硏究 Vol.7 No.1

The results of this study are as follows: 1. Though Korean college women have taken unfreindly attitudes and thoughts to Japan, they have enjoyed themselves over the various Japanese cultures. 2. They have thought that Japanese fashion becomes popular in Korea, Japanese clothes are superior to Korean clothes in quality, and they are suitable to express personality. 3. Japanese clothing elements which become popular now in Korea are the clothing style of 'school girl-look', 'Avant-garde', punk hair style, and the various shapes of shoes, accessories, and make-up.

여성잡지에 나타난 속옷광고의 문화적 의미 연구

김미영,한명숙 복식문화학회 2001 服飾文化硏究 Vol.9 No.5

This study examines the cultural meanings of underclothes advertisements through the analysis of advertisement messages appeared in women's magazines of Korea, which are 〈Yeowon〉, 〈Jubusaenghwal〉 and 〈Yeosung-donga〉 published between 1965 and 1999 mainly targeting the women at the age of 20s through 40s. The method of study is mainly qualitative with subsidiary citations from the results of content analysis. The advertisement messages identified in underclothes advertisements are 1) body care, 2) gender role, 3) commercialization of eroticism, 4) feminism, 5) men's social status and masculinity, 6) social issues of concern and ideologies of the time. Advertisements produce a new meaning through a dynamic mixture of the advertisement's visual and verbal factors. Such a new meaning then can become a part of culture and therefore we can obtain insights of a society culture by analyzing the advertisement messages of underclothes advertisements. Advertisements bring definite changes to the culture through long-term and implicit influences on the constituents of the culture. Key words: advertisement messages(광고 메시지), cultural meaning(문화적 의미), underclothes advertisements(속옷광고).

청소년의 종가 생활문화 현장학습프로그램 개발을 위한 종가 복식문화 사례 연구 : 전남 함평 종가를 대상으로

서리나,유명의 服飾文化學會 2003 服飾文化硏究 Vol.11 No.5

The purpose of this study was to examine the cases of the family head's costume culture and to apply them to field experience education of adolescent's home economics subject. To examine the family head's costume culture, women in the family head in the Hampyeong area, Jeollanam-do were selected and interviewed. The focus of examining the family head's costume culture was on the life story of the family head, the reason to wear or possess such costume, and a motive of making. The findings of the head family's costume culture suggests that the head family of the Mos of Hampyeong had unique shroud making and custom. Also it was found that the eldest daughters-in-law of the Lees of Hampyeong have horizontally exchanged the information of the family head's costume with village women of the same family. They have initiated their costume culture directly through their daughters and it had the great influence on after-ages. The learning program for youth to experience the head family's costume culture consisted of four subjects:(1)Educating the family head's traditional living culture including etiquette training, (2)head family village walk, (3)experiencing the family head's clothes life including natural dyeing and sewing, and (4)a field trip of Hampyeong Local Life Culture Museum. For a model experience of the family head's costume life culture, three families with middle and high schoolers participated in 8- hour experience teaming program. To examine the effect of learning program to experience the family head's costume culture, youth and their parents who participated in the program were asked open-ended questions, which included the content validity of experience learning, impressive experience, model experience level(difficulty), and expected effect after a model experience. As a result, their responses were found positive.

Empire Style 복식에 관한 연구

이은숙,김진구 服飾文化學會 1994 服飾文化硏究 Vol.2 No.2

This paper analyzes Empire style costume based on the fashion theory of Lauer and Lauer. We classify fashion into two categories, a personal identities, the social competition and sexual competition, the economic factor as a functional factor, and the reflective thing of zeitgeist, eroticism as a dynamic factor. These factors can be visualized from fashion design, textiles, ornaments expressed in the paintings.