김억의 번역론 연구 : 근대문학의 장(場)과 번역자의 과제

김진희(Kim Jin-hee) 한국시학회 2010 한국시학연구 Vol.- No.28

In the beginning of the Korean modern literature since 1910's, Kim Eok played a crucial role as a translator for foreign literature and theory. During the acceptance of foreign literature, Kim realized the importance of translation and he is considered an intellectual who, as opposed to other contemporary translators, performed a bulk of translations from various countries. He was in the lead of balancing content and form, reforming he literary circles of translation in which there was abundance of arbitrary interpretations and content-concentrated translations. However, Kim Eok's translated works have been devalued by reason of erroneous and liberal translation of original works and inapt understanding. Researchers generally examine original and translated texts in tandem, after which they point out problems of the translations and attribute them to the translators' lack of capacity. The study of this paper presupposes that in-depth understanding of translated texts can be carried out only when the theory and practice of translation go in parallel. It argues that the negative evaluation for Kim's translations can be reconsidered through the study of theory. Kim argued for 'creative liberal translation,' and this paper investigates the formation and characteristics of this standpoint. This paper particularly looks into how symbolism, which Kim embraced, influenced Kim's view on translation. The acceptance of symbolism and the theory of translation are discussed in regard to the theory of translation maintained by Bejamin, a German literary critic who lived around the same time, in his book The Task of the Translator. The paper also examines Kim Eok's theory of translation in the sense that the act of translating foreign languages expands and deepens a mother tongue, which provides an opportunity to form and develop the self-identity. Kim's viewpoint on translation, which searches for the nature of poems, found modern poetic language for the Korean poetry, which was possible due to his exploration into language that represents this nature. Translating the western poems in the initial stage of modern literature implies admission and conveyance of heterogeneous culture, beyond simple written text, and creation of new culture. Kim Eok's translated works shows the creativity of cultural translation that is generated at the intersection of internal and external cultures. The literary world after 1920's, via translations, could realize the identity of modern literature by means of dialogue with others, i.e. dialogue between tradition and the West. Furthermore, it could have a foundation in creation of new culture. Along these lines of modern literature, Kim Eok's theory of translation presented ‘creative liberal translation’ and ‘creative translation’ as the task and direction for those who do the translation, including himself. It was an aspect of cultural action that Kim's theory evidently showed through translation.

근대 문학의 장(場)과 김억의 상징주의 수용

김진희 ( Kim Jin-hee ) 한국문학이론과 비평학회 2004 한국문학이론과 비평 Vol.22 No.-

It was in 1910s of the history of Korean modern poetic literature that new contents and forms of poetry had begun to be explored and practiced, though traditional poems and songs had been yet enjoyed in those days. In this history of literature it is enough to be remarkable that Earck Kim had provided the symbolic poetics for a found of the Korean modern poetry in 1910s. Earck Kim's literary activities whose had received and created the symbolic poetics were particularly to be remarkable in the early new-literature. But with these fruits his literature has debated as limits about how he had preponderately received poetry of P. M. Verlaine, and had tended to a senumentality and an musicality. Contrary, his literature also has appraised that he had suggested rules of set-form so called the ‘rhythmical poetics’ in 1930s against a superficial understanding about the receiving symbolism. This study has seen these characters of Earck Kim not as a limit or a fault of the receiving it but as a speciality and a personality of it, and even has illuminated objective and subjective elements which had these characters of him. For this study has laid a comparative literary view by using a framework(or methodology) that those elements have determinated a character of the receiving it according as D. Durisin had suggested the progressive study of the receiving. If the objective elements are to be a whole literary situation of one state receiving it, then the subjective elements are to be personality, individuality, creativity, and like of the literator in the state. By the way theories of Pierre Bourdieu's the ‘literature champ' and the ‘habitus' have been used as scientific epistemology and methodology in order that this study has explained stricter and more dynamic relationships how the subjective elements of literary subjects have been involved in the objective situations, and how they have determinated a character of the receiving it. For it has been to be thought effective how the ‘litterature champ' has been used to explain the objective elements of the receiver contacting them, and how the 'habitus' to explain the subjective elements of the receiver-self. With these methodologies this study has first examine on building up the ‘litterature champ' in 1910s and its characters as the objective elements of the receiving. And this study has concretely inquired Earck Kim’s poetic tendency which had regarded importantly sentimentality and emotion of ones as the subjective elements, his experiences of learning in and out Korea, and contents of learning about symbolism in Japan. Second, this study has tried to rethink a bout Earck Kim's the receiving symbolism based on above results. Anyway, his preponderantly receiving Verlaine could have been issued not from the lack of his power of the receiving symbolism, but from that symbolism had been harmonized with Earck Kim's personal poetic taste. His groping for a modern from of poetry also has been generated in a reflective thought against the utility litterature champ in which had been fixed the literary topical consciousness. And the rhythmic poetics which had tried to seek for rules of our language in 1930s has been turned out to be an inheritance from his inquiry of poetic farms before. Finally, Earck Kim had opened the individuals eyes into their self-consciousness through stimulating their emotions when the utility ideology had been emphasized. Consequently, Earck Kim in 1910s had obviously shown a direction of future lyrics through his reflection on the literature of the day in terms that he had made a fixed directive point toward the excluding thoughts and meanings from his poetry and the seeking for musicality in it, and that he had enlightened new poets on lyricism as their poetic defect.

김북원(金北原)의 문학사적 복원과 해방기 활동 연구

김진희 ( Kim Jin-hee ) 한국문학연구학회 2019 현대문학의 연구 Vol.0 No.68

남북한 문학사에서 김북원에 대한 소개 및 평가는 해방 전 문학성과를 봉인한 채, 한국 전쟁기 이후의 성과에 집중되어 왔다. 이는 해당 작가의 자료를 남한과 북한이 비교 논의하지 않았기 때문이다. 이에 본 연구에서는 김북원의 해방 전 문단 활동이 비교적 일찍부터 시작되었음을 필명을 찾아 밝히고 창작의 영역이나 경향 역시 다양했음을 자료 발굴 및 제시를 통해 논의함으로써 김북원에 관한 전체적 연구의 토대 마련을 시도했다. 그간 남한의 아동문학사에서 『별나라』에 실린 아동소설 및 동시의 작가로 알려진 필명 ‘북원초인’이 김북원임을 북한의 아동문학사와 비교하고, 1930년대 김북원의 농업학교 재직 경험 등을 통해 밝혔다. 그리고 소설로 알려진 「완구」가 꽁트임을 밝혔고, 『삼천리』에 추천된 「유랑민」이라는 소설을 통해 김북원이 당대 노동자로 전락하는 농민의 삶을 핍진하게 그림으로써 이후 북한문단에서 농촌작가라는 평가의 단초를 읽을 수 있었다. 『신인문학』이나 『시인춘추』 등에 발표한 김북원의 시를 최초로 소개했고 1930년대 후반 『맥』과 1940년대 『시현실동인』으로서 초현실주의와 포르말리즘의 작품 창작 및 이론을 고찰함으로써 1930년대 초반 초현실주의 및 모더니즘을 이론적, 지역적으로 확장하여 만주모더니즘을 선도한 작가임을 밝혔다. 1943년까지 초현실주의 시의 창작방법론을 시도했던 김북원은 해방기에는 북한 문단의 정책과 변화하는 현실의 요구에 맞는 작품들을 창작했다. 김일성에 대한 찬양을 기본 골자로 하면서, 농촌의 토지개혁, 빨치산 전투에 참여한 영웅적 주인공, 노동 현장의 변화, 소련과의 친선 등 북한의 중요한 이슈들을 시화했다. 이상과 같은 논의를 통해 식민지 시기와 해방기 이후 김북원의 문학 활동의 연속성을 확보함으로써 남북한 문학사에서 김북원에 관한 전체적인 평가의 토대가 구축될 수 있었다. In the history of North and South Korean literature, the introduction and evaluation of Kim Buk-won has focused on the achievements after the Korean War, sealing the literary achievements before liberation. This is because both South Korea and North Korea did not discuss comparative resources of the author. In this study, research on Kim Buk-won was attempted for the first time by unveiling that Kim Buk-won’s preliberation literary activities had started relatively early by finding his pen name, and by discussing that his creative territory or tendency were also diverse through data supplement. This study uncovers that the author of children’s stories and poetry published in The Land of Stars (별나라 Byeolnara) in the history of children’s literature in South Korea, under the pen name “Buk-won-cho-in” was in fact Kim Buk-won by comparing Kim’s identity with the history of children’s literature in North Korea, and through Kim’s experience working in agricultural school in the 1930s. Moreover, I uncover that the work, Toy (Wan-gu) that was known as a novel, was in fact a conte (short story), and was able to read the start of the assessment of Kim Buk-won as an agricultural writer in the North Korean literary circle after depicting the lives of farmers turning into laborers in the novel Nomads (Yurangmin), which was nominated in The Land of Korea (삼천리 Samcheolli).Kim Buk-won’s poetry, which was published in New Face of Literature (신인문학 Sininmunhak) or Spring and Fall of Poets (시인춘추 Siin chunchu), was first introduced and discussed in this study. By reviewing the creation and theories of Maek in the late 1930s and ‘Poetry Reality Coterie’ in the 1940s, it became possible to evaluate that Kim was a writer led Manchurian Modernism, by theoretically and geographically expanding surrealism and modernism in the 1930s. Kim Buk-won, who tried to create surrealistic poetry creative methodology by 1943, created works that fit the policies of North Korean literary circles and the demands of changing reality. With the praise of Kim Il Sung as the basic framework, he has poeticized North Korea’s major issues such as land reform in rural areas, the heroic protagonist who participated in the battle of partizan, changes in the workplace, and goodwill with the Soviet Union. Through these discussions, I believe that securing of the continuity of Kim’s literary activities after the colonial period and the liberation period, and the complete description of the history of literature in North and South Korea became possible.

Aspergillus nidulans에서 플라스미드의 자가복제를 유발하는 DNA절편의 분리 및 분석

김진희,한규용,한갑훈,한동민,Kim, Jin-Hee,Han, Kyu-Yong,Han, Kap-Hoon,Han, Dong-Min 한국미생물학회 1998 미생물학회지 Vol.34 No.3

pNPG는 염색체 1번의 동원체 왼편에 위치하는 npgA1을 상보할 수 있는 genomic DNA를 포함하는 플라스미드인데 Aspergillus nidulans의 형질전환율을 현저히 증가시키는 특징을 보여주었다. 이 플라스미드로 형질전환시켰을 때 $Trp^+$형질전환체 모두가 $Npg^+$이었고 이들 중에 불완전 형질전환체는 전혀 형성되지 않았다. pNPG를 제한효소 PstI으로 절단하여 얻어진 10.4 kb 절편내에 형질전환율을 증가시키는 DNA서열이 존재함을 확인하고 pILJ16의 PstI site에 재조합하여 pKJH10.4라 명명하였다. pKJH10.4에 의한 A. nidulans의 형질전환율은 pILJ16 보다 대략 200배 이상 증가하였다. pKJH10.4에 의한 형질전환체를 비선택적 조건에서 배양하였을 때 $Arg^+$무성생식포자의 약 80%이상이 $Arg^-$로 복귀됨으로써 플라스미드가 매우 불안정함을 보여주었다. argB2 지표와 다른 종류의 연관된 유전자 지표를 지니는 플라스미드로 형질전환하였을 경우 비선택적 조건에서 argB2 지표가 결손될 때 연관된 다른 지표도 항상 함께 결손되는 현상을 보여주었다. 이 결과는 이 플라스미드에 의한 형질전환체의 불안정성이 염색체로 삽입되었다가 절제되어 나오기 때문이기보다는 염색체 밖에서 자가 복제하기 때문임을 시사한다. 형질전환율을 증가시키는 최소한의 DNA절편은 EcoRI-HaeIII 4.9 kb 절편이었으며 PvuII-EcoRI 2.2 kb 절편은 플라스미드의 불안정성과 관련이 있었다. 이러한 결과들을 종합해 볼 때 형질전환율을 증가시키는 새로운 DNA 서열의 특성이 ANS1 보다는 AMA1과 유사하였으므로 AMA2라 명명하였다. A plasmid pNPG contains a genomic DNA complementing npgA1 which is located on the left arm of linkage group I. It transformed Aspergillus nidulans at a high frequency. No abortive transformants were observed and the $Trp^+$ transformants were all $Npg^+$. The 10.4 kb Psti fragment of the genomic DNA was subcloned into pILJ16, which increased the transformation efficiency by more than 200-folds. The transformants were mitotically unstable and yielded $Arg^-$ conidia at the frequency of more than 80%. An additional gene cloned into the plasmid containing the fragment was always lost with $argB^+$ marker. These characteristics strongly indicate the possibility that the plasmids autonomously replicate. The full activity of enhanced transformation was retained on the 4.9 kb EcoRI-HaeIII fragment. The DNA segment was similar to AMA1 rather than ANS1 in function and designated AMA2.

부부간의 의사소통 효육성과 스트레스 인지수준

김진희,김경신 ( Jin Hee Kim,Kyeong Shin Kim ) 대한가정학회 1998 Family and Environment Research Vol.36 No.8

혁신 형 중소기업의 성공요인에 관한 사례연구

김진희,김대호,김홍,Kim, Jin-Hee,Kim, Dae-Ho,Kim, Hong 한국벤처창업학회 2008 벤처창업연구 Vol.3 No.2

To achieve the age of 30,000 dollars GNP, The business with speed will hold a more crucial point than the business with scale, and the mass consumption market will be transformed and changed into the niche market. Moreover, it will not be easy for the company without the peculiar and creative technology to survive in the severe competition. Under these circumstances, The innovative company which knows how to use this new paradigm will select the better position in the changing market. Innovation type SMEs are contributing in maintaining the international competitiveness of domestic economy by serving high-tech and the promotion of employment. Also, Innovation type SMEs have the most important economic leverage in our domestic economy. It's a source of the growth in domestic economy. Therefore, A lot of countries have been trying to support innovation type SMEs (with a small capital and high-tech). And many countries also try to protect and promote the innovation type SMEs. Especially the Korean government is also promoting innovation type SMEs in many ways, because the future of innovation type SMEs are not bright. This study explored the three innovative SEMs and studied 1) entrepreneur characteristics, 2) the industry environment, 3) competitive strategies, and 4) resources and capabilities of organization, which have been considered as the success factors for entrepreneurial firms. This study also holds that the characteristics of entrepreneurs is one of the most important factor to impact the success of innovative SMEs. Most of entrepreneurs have started their business with high education career and field experiences and have high intentions in developing new/high techonologies, challenging spirits, and clear vision and goals. The innovative SMEs with small kinds of products and services, narrow market, and small resources are more sensitively impacted by the environment especially. But the SMEs which entered into market early could have the comparative excellencies in their market to survive and grow in the future. They also have competitive advantages in the market using differentiation strategies by technology innovation. Technology innovation and differention strategies are one of the success factors in SMEs, They entered into the niche market using this weapons. The capabilities of changing organization to their changing environment, the open orgarnization culture, the continuous employment education, and the building the organic organization are also success factors of innovative SMEs. The SMEs with the simple organization structure can make fast decisions and operate with the autonomous and flexible ways. These only three cases will not shown successful factors of over 12,000 Innovation type SMEs in Korea and this study of Innovation type SMEs is insufficient from all aspects. But this study have many implications for the future research and the entrepreneurs ready for their business.

RTO 조정을 통한 이더넷(Ethernet)내의 웹 서버의 성능향상

김진희,권경희,Kim, Jin-Hee,Kwon, Kyung-Hee 한국전기전자학회 2003 전기전자학회논문지 Vol.7 No.2

본 논문에서는 웹 서버의 부하 분산을 위해 네트워크를 LAN 내부와 LAN 외부로 나누고 이들에 각각의 웹 서버를 할당한다. LAN 내부의 노드들에 의한 접속만이 가능한 웹 서버의 성능은 RTO(Retransmission Time Out : 재전송타임아웃)라는 TCP 파라미터에 의해 많은 영향을 받는다. 웹 서버의 운영체제 내에 디폴트로 설정된 RTO 값은 LAN에서는 지나치게 큰 값으로 네트워크와 웹 서버의 성능을 저하시킨다. 이에 본 논문에서는 기존의 재전송 타임아웃의 알고리즘 방식을 이용하지 않고, 조정된 RTO값을 사용하여 LAN 내부의 웹 서버 성능을 향상시킬 수 있음을 확인하였다. We divide networks of an organization into internal network and external network to distribute the load of web server, and allocate separate web server for each network. The performance of web server for internal networks can be affected seriously by RTO(Retransmission Timeout). The value of RTO set by default in the OS of an web server is so large that it degrades the performance of web server. Therefore, this paper suggests not useing but applying conventional algorithm to calculate RTO, but to apply newly controlled value of RTO, and it showed improvement of the performance of web server.

고객지향성, 고객관계관리 및 점포운영활동이 소상공인 창업성과에 미치는 영향 : 한식음식점을 대상으로

김진희( ,Kim, Jin-Hee),양동우(Yang, Dong-Woo) 한국창업학회 2018 한국창업학회지 Vol.13 No.2

본 연구는 소규모 한식음식점 운영자의 고객지향성과 고객관계관리 및 점포운영활동이 성과에 미치는 영향에 대한 연구를 통해 예비 창업자 및 창업 관련 종사자에게 고객지향적 사고와 경영관리능력의 중요성에 대한 정보를 제공하고자 한다. 이를 위해 서울시가 소상공인 컨설팅 지원과정에서 한식음식점 대표자를 대상으로 벌인 경영진단 설문조사 결과를 실증분석 하였다. 연구 결과 고객지향성은 고객관계관리 및 점포운영활동에 영향을 미치는 것으로 나타났고, 점포 운영활동 또한 성과에 영향을 미치는 것으로 나타났다. 점포운영활동은 고객지향성과 성과와의 관계에서 부분 매개하는 것으로 나타났다. 소규모 한식음식점의 경우에도 사업성과를 내기 위해 서는 경영자가 고객지향적 사고 및 점포운영능력까지 갖추어야 한다는 시사점을 제공하고 있다. The purpose of this study is to make a case to the importance of customer orientation and business administration ability for aspiring startup founders and entrepreneurs involved in small scale Korean restaurants industry. Specifically, we examined the effects of customer orientation, customer relationship management, and store management activities on start-up performances of small Korean restaurants. An empirical analysis is performed with the data collected through the managerial diagnosis survey on the Korean restaurant owners, which was done in the Seoul Metropolitan Government s consulting support process for the small businesses. The results showed that customer orientation affects both customer relationship management and the store operation activities, while the store operation activities influenced the overall performance. That is, store operation activities were found to partially mediate the relation between customer orientation and performance. The results imply that even in the case of small-scale Korean restaurants, owners and/or managers should have customer-oriented perspectives along with the store operation capabilities for the improvement of profitability.

X-선 조사로 생긴 흰쥐 폐장 상해의 형태학적 변화: Captopril에 의한 폐장 상해의 경감 효과

김진희,Kim, Jin-Hee 대한방사선종양학회 1999 Radiation Oncology Journal Vol.17 No.3

목적 : 방사선조사 후 발생하는 폐손상을 형태학적 측면에서 평가하고 captopril의 방사선조사 후 폐손상의 경감효과가 있는지를 확인하고 captopril의 방사선에 의한 폐손상의 영향에서 TNF-${\alpha}$와 TGF-${\beta}$의 변화을 알아보고자 하였다. 재료 및 방법 : Sprague-Dawley 종 수컷 흰쥐 30마리를 골라 방사선조사만 한 군, 방사선조사 후 captopril을 투여한 군으로 나누어 실험하였다. 방사선조사는 10 Gy, 20 Gy, 30 Gy를 우측 폐에 조사하였다. 방사선 단독 조사군은 방사선조사 후 각각 12 시간, 11주 후에 도살하고 방사선조사 후 captopril을 투여한 군(captopril 500 mg/L를 증류수에 타서 먹임)은 11주(fibrotic period) 후에 도살하여 광학현미경과 전자현미경으로 관찰하였다. 결과 : 방사선조사 후 12 시간내의 실험군의 폐는 부분적으로 폐실질의 허탈과 경화가 방사선조사량이 많아질수록 그 정도와 범위가 증가하였다. 방사선조사 후 11주에는 방사선 단독 조사군에서 폐섬유화의 정도와 범위가 방사선조사량이 많아질수록 증가하였고 captopril을 함께 사용한 군에서 방사선조사 단독군에 비해 폐섬유화의 경감효과가 현저하였다. 방사선 단독군에서는 방사선량이 많아질수록 비만세포의 수는 급격히 증가하였으며 Captoprll을 사용한 군이 사용하지 않은 군과 비교하여 비만세포 수의 증가 정도는 현저히 낮았고 교원질 침착의 정도도 현저히 감소되었다. TNF-${\alpha}$, TGF-${\beta}$는 방사선조사 직후(12 시간) 군에서는 방사선량이 증가함에 따라 그 발현이 증가하였으나 방사선조사 후 11주군에서는 TGF-${\beta}$는 방사선량이 많아짐에 따라 그 발현이 증가하였으며 captopril 투여군에서는 그 발현이 다소 감소하였다. Captopril을 사용한 군에서는 교원질의 양은 증가하였으나 방사선 단독군에 비해 교원질의 양이 적었고 혈관주위 비후의 정도와, 모세혈관의 변화정도, mast Cell의 수와 탈과립, 섬유모세포의 수도 적었다. 결론 : 방사선조사후 방사선 폐렴에서 captopril 영향은 방사선에 의한 비만세포의 출현을 억제시키고 교원질의 침착을 감소시킴으로써 방사선에 의한 섬유화를 예방할 것으로 생각된다. TNF-${\alpha}$와 TGF-${\beta}$의 발현은 방사선조사 후 초기에 증가하며 TGF-${\beta}$는 방사선조사 후 만성기에 방사선량이 많아질수록 발현이 증가하는 것으로 판단되었다. 본 연구 결과는 Captopril이 방사선조사 후 발생하는 폐손상을 감소시키는 기전을 밝히는 향후 연구에 중요한 자료가 될 것으로 생각된다. Purpose : To assess the histomorphologic changes in the rat lung injury induced by radiation, to determine whether captopril reduces the rat lung injury and to evaluate change in TNF-${\alpha}$ and TGF-${\beta}$ in rat lung damage by radiation and captopril Methods and material : Right lungs in male Sprague-Dawley rats were divided irradiation alone (10, 20, 30 Gy) or radiation (same dose with radiation alone group) with captopril (500 mg/L). Radiation alone group were sacrificed at twelve hours and eleven weeks after radiation and radiation with captopril group (captopril group) were sacrificed at eleven weeks after radiation with captopril. We examined the light microscope and electron microscopic features in the groups. Results : In radiation alone group, there were patch parenchymal collapse and consolidation at twelve hours after radiation. The increase of radiation dose shows more prominent the severity and broader the affected areas. Eleven weeks after radiation, the severity and areas of fibrosis had increased in proportion to radiation dose given in the radiation alone group. There was notable decrease of lung fibrosis in captopril group than in radiation alone group. The number of mast cells rapidly increased with increase of radiation dose in radiation alone group and the degree of increase of mast cell number and severity of collagen accumulation more decreased in captopril group than in radiation alone group. In radiation alone group, expression of TNF-${\alpha}$ and TGF-${\beta}$ increased according to increase of radiation dose at twelve hours after radiation in both group. At eleven weeks after radiation, expression of TGF-${\beta}$ increased according to increase of radiation dose in radiation group but somewhat decreased in captopril group. In the captopril group the collagen deposition increased but less dense than those of radiation alone group. The severity of perivascular thickening, capillary change, the number and degranulation of mast cells more decreased in the captopril group than in the radiation alone group. Conclusion : It is concluded that the effect of captopril in the rat lungs after radiation was considered to be due to its effect on inhibition of mast cells and reduction of collagen deposition, and captopril may be protect in lung damage after radiation. We observed expression of TNF-${\alpha}$ and TGF-${\beta}$ increased at the early phase after radiation and expression of TGF-${\beta}$ increased in proportion to increase of radiation dose at the chronic phase after radiation. This results will contribute to future investigation in reduction mechanism of captopril in lung damage after radiation.

『청록집』에 나타난 ‘자연’과 정전화 과정 연구

김진희(Kim Jin-hee) 한국근대문학회 2008 한국근대문학연구 Vol.9 No.2

청록파는 한국시문학사에서 '자연'에 관한 전통적인 서정을 구현한 주요한 유파로 평가되어 왔으며,『청록집』역시 자연시의 '정전'으로 인식되어 왔다. 이런 평가는 청록파가 1930년대의 순수문학을 계승하여 한국시의 '순수서정'을 심화, 발전시켰다는 문학사적 평가의 적극적 계승에 의해 지속되었는데, 이는 중심 문단의 문학적 권위와 미학이 문학사적 평가의 중심에 서 있었기 때문이기도 한다. 본 연구는 문학사에서 정전으로 인식되어 온 청록파의 위상을 비판적으로 검토하면서 한국근대시사에서 자연시 장르의 특성과 문학사적 의의를 고찰하고 있다. 청록파와 전통 자연을 관련시켜 최초로 문학사적 평가를 내린 김동리의 해석이 지속적으로 문학사의 권위로 작용하면서 후대 연구자들의 평가에 영향을 주었음을 비판적으로 고찰하고 있다. 또한 나아가 이런 비판적 이해를 바탕으로 실제적으로 어떤 측면에서 청록파가 전통과 관련되고, 당대의 자연시와는 어떤 관련성을 가지면서 자신들의 독자적인 미학을 갖는지 설명하고 있다. 문학적으로 자연에 관한 전통적인 사유란 시에 자연을 중심에 두는 것이다. 그런데 청록파 시인들의 작품을 분석해보면 시적 자아인 '나'의 정서를 투영하고 있다. 그들은 자연 그 자체의 본질을 통해 인간과 관련된 생에 대한 윤리나 삶의 가치를 드러내기보다는 시인 자신의 정서를 투영하기 위한 대상으로 등장시키고 있다는 점에서 근대적이다. 청록파 시인들을 추천한 정지용은 '신'(新)이라는 수식어를 통해 이들의 미학이 기존의 미학과는 다르다는다는 점을 강조했다. 그럼에도 이들의 자연을 전통과 관련시키면서 민족, 향토 등을 환기시키는 것은 정치적, 이념적으로 관념화된 해석과 평가를 무비판적으로 계승한 것이다. 한편 생명의 공간으로 비유되는 자연이 현실이 배제된 초역사, 초현실의 탈역사성을 환기시킨다는 점은 한국 자연시 장르 전반의 탈역사성에 영향을 주고 있다. 또한 현실과 유리된 자연 공간과 여성성이 관습적으로 연결됨으로써 여성성을 탈역사화, 탈정치화 시키고 있을 뿐만 아니라 '자연-여성' 공간을 외세와 근대, 남성의 수탈 공간으로 정당화하고 있다. 때문에 1950년대 이후 시문학사에서 서정-자연시는 역사나 현실사회의 변화와는 유리된 지점에 위치하게 되었으며, 반드시 '순수'의 이름으로 정치, 사회적 현실과는 유리된, 내면화되고, 여성화된 미학적 표현이라는 장르적 특성을 갖게 되었다. 이런 논의들에 대한 비판적 고찰을 토대로 자연과 청록파를 재고할 때 그들의 시는 근대서정시의 리리시즘과 애상성, 그리고 환상성과 여성적인 자연에 대한 그리움의 미학을 보여주고 있다. 이런 특성은 정지용이 지적한 바, 신(新)자연으로 시문학사에서 '자연'의 전통을 창조한 것으로 평가할 수 있을 것이다. The school of Chenglok has been evaluated as a principal school which realized the traditional lyricism on the 'nature' in the history of the Korean poetry, and Chenglokcip (collection of Chenglok poems) has also been recognized as the canon of nature poems. This assessment was made possible by the positive succession to the literary criticism that the school of Chenglok inherited the 'pure literature' of the 1930s and deepened and developed the 'pure lyricism' of the Korean poetry. This can be ascribed to the fact that the literary authority and aesthetics of the central literary world were crucial for historical evaluation of literary schools. The study of this paper examines the genre characteristics of nature poems and their literary implication in the history of modern Korean poetry, while critically reconsidering the status of the Chenglok school which has been canonized in the history of literature. In this light, a critical investigation is made into Donglee Kim's interpretation which initially defined the Chenglok school with regard to the traditional nature, and which in turn continuously serves as such an authority for the literary history that influences on the later researchers' evaluations. Based on this critical understanding, an account is presented as to how the Chenglok school could hold its own unique aesthetics while having substantial relevance to the tradition and the contemporary nature poems in one way or another. In terms of literature, thoughts on the nature is traditionally defined as putting the nature in the center of poem. However, the works by the Chenglok school reflect the sentiment of the poetic ego, 'I.' Rather than revealing the ethics or values of human life via the essence of the nature itself, they exploit the nature as an object on which the poet himself can reflect his feelings. In this sense, they can be called modernistic. Jiyong Jung, who recommended the Chenglok poets, emphasized that their aesthetics is different from the existing one by using a modifier, 'new.' Albeit that, their reminding of the nation and native land by virtue of associating the nature with tradition is uncritical inheritance of the politically, ideologically ideated interpretation and evaluation. On the other hand, their poems influence on the de-historicization of the Korean nature poetry in general in that the nature, which is likened to the space of life, is reminiscent of de-historicization, i.e. sur-historicism and surrealism to the exclusion of reality. In addition, the space of nature, which is isolated from reality, and femininity are conventionally connected to the extent that it made femininity de-historicized and de-politicized, not only did it justify the space of 'nature-woman' as the space to plunder for outside power, modernism, and manhood. Therefore, the lyric nature poetry has been viewed as alienated from history and reality since 1950s in the history of poetic literature. It came to have the genre characteristics of internalized and feminized aesthetic expression which, necessarily in the name of 'purity,' is removed from political, social reality. Based on critical investigation of these discussions, reconsideration of the nature and Chenglok school reaches a conclusion that their poems show the aesthetics which includes the lyricism and lamentation of modern lyric poems, fantasy, and yearning for the feminine nature. This characteristic, as Jiyong Jung pointed out, can be evaluated as having established a tradition of 'nature' as new nature, in the history of poetry.