주차관련 교통사고 특성 분석을 통한 주차문화 개선 방안

김상구(Kim Sang Koo) 대한토목학회 2007 대한토목학회논문집 D Vol.27 No.5D

현재, 자동차로 인한 많은 사회문제 중 주차로 인한 문제가 지속적으로 대두되고 이로인해 많은 정책들이 제시되고 있으나 대부분이 주차의 수요공급에 편중된 경향을 보이고 있다. 본 연구에서는 주차의 수요공급에서 벗어나 경기도 수원시에서 발생한 주차관련 교통사고를 도로종류, 주차위치, 행정구역, 시간, 사고차종 등의 변수로 빈도분석, 요인분석, 상관관계분석 등을 수행하였고, 그 결과 대부분의 주차관련 교통사고가 야간, 이면도로 및 교차로 유출입부에서 많이 발생하고, 도로의 종류와 주차위치가 사고의 주요인임을 알 수 있었다. 이를 토대로 수요공급 위주의 기존 정책들과 더불어 안전한 주차문화를 위해 일방통행제 도입, 교통 정온화 기법, 주차무인단속 등이 조화롭게 이루어져야한다는 결론을 도출하였다. Now, among the many social problems by the car, parking problem is continuously on the rise. To Improve this problem, many policies have been presented, but most alternatives are only concentrated on the demand & supply of parking. In this research, not only demand & supply of parking, but also the cause analysis, the frequency analysis, the correlation analysis for the traffic accidents related to the parking in Suwon are carried out. From these analyses, we can find out that most traffic accidents related to the parking are happened in the night, in the background roads, and at the inflow & outflow parts of the intersections. And the type of roads, the location of the parking are the major causes of the traffic accidents. Based on these results, we conclude that, with demand & supply policies of parking, the one-way traffic, the traffic calming, the automatic parking control must be harmonically performed, for the safe parking civilization.

Martin Heidegger의 파괴의 개념에 입각한 E. A. Poe의 The Narrative of Arthur Gordon Pym of Nantucket의 해석

金相九(Sang-koo Kim) 새한영어영문학회 1992 새한영어영문학 Vol.26 No.-

Donald Barthelme의 서술기법

김상구(Kim, Sang Koo) 새한영어영문학회 1994 새한영어영문학 Vol.30 No.-

신경심리ㆍ신경생리 소설-R. 파워즈의 『황금벌레 변주곡』,『갤러티어 2.2』와 D.F. 월러스의『끝없는 농담』

김상구(Sang-Koo Kim) 한국영미어문학회 2006 영미어문학 Vol.- No.79

  With the advent of 20th century the significance of the discourse of materials and materialities has been steadily indicated. Such a significance is obviously found in the fields of authentic literary theories, criticism, and cultural theories along with philosophy of science.   In this paper I will first propose the genealogy of the discourses of materials and materialities in Western literature and thoughts, then explain or bring forth in details what are the characteristics of materials or materialities and how they are shown in Richard Powers"s Galatea 2.2 and The Gold Bug Variations, and David Foster Wallace"s Infinite Jest.   In Galatea 2.2 there are doublings of characters: author/narrator and Helen as a character/IMP H as a doppelganger of Helen. In presenting the characterization of the real human, Helen and the perfect artificial network, IMP H, the author shows the difference between Helen and IMP H in terms of presence and absence of cognition and consciousness. That is, IMP H has no consciousness despite her real existence. Further, it becomes the criteria of the distinction of human and posthuman in the novel.   The Gold Bug Variations deals with, in short, what is the relationship of pure information to noise. Like proving it, Jan, the main character of the second plot of the novel, plays word- order game like a puzzle. At first, she does not recognize the meaning of the sentence. For the third letter "c" in the sentence is dropped. However, late the meaning of the sentence is finally and automatically restored by the function of cerebral neurons.   For another instance, Restler is reminiscent of his past school days, and, to his surprise, he finds it does not exist in a single way, but it has some relationship to other affairs or events.   For Jan"s playing game and Restler"s memory function, the author alludes and uses "chaos theory" as metaphor, Though the edge of chaotic state is very sensitive and complicated like the cases of Jan"s missed letter site and Restler"s memorable scene of his past school days, but like as order comes from disorder or chaotic state in ‘chaos theory’, such a physical and a psychological malfunction and distortion are solved and restored by the mysterious sparks of the protean (materials and materialities) in the human brain..   Also as an another example does the author indicate strong responses of deep emotion to the stimulator, crack and "Entertainment" together with the role of Madame Psychosis in Infinite Jest.   Thus, such materialistic presence in the novels will help us with the strict evaluation and lead to the exact understanding of the real nature of materials and materiality in literature and literary theories.

사회인류학과 정보이론의 상관 관계에 의한 문학 작품 해석의 방법

김상구(Kim Sang-Koo) 새한영어영문학회 2001 새한영어영문학 Vol. No.

Various literary (critical) theories are applied for the interpretation of literary works. Theories or principles of science and socio-anthroplogy are no exception. As one of the new interdiscplinary trends, the comelation of cognitive science to literary theories is the case. Supposing that wastes, pollution and taboos are out of their proper order, they lose their existential value and proper position. However, even though they are as a status of margin in a certain system or society, and if they serve enough to fully understand and have an access to a system or a society, surely they should have their own imperative. Mary Douglas, Michael Thompson, and Marshall McLuhan stand for it. Douglas indicates that trivial things are essentials for the structure of the whole frame, and Thompson also points out that if the rubbish tum into the durables, they will have litlle by little the sustaining values and everlasting existence in the flow of time. saying that the temporary things or objects quite reverse in the flow time Together with them, McLuhan puts that if cliches present themselves in the surface of a certain culture, they become the archetype of its category, then they have their own sustenance. Such socio-anthropological views do correspond to the establishment of the certainty of the meaning .Thus, these views have their objective as the proof of semiotic research methodology. it is because Michael Riffaterre has it that routine expressions and stereotyped phrases, as an aspect of culture, become significant and tells that the function of poetry is the sophisicated metamorphoses of cliches and descriptive systems. Therefore, as in socio-anthropology, no center, but margin has significance, and that in semiotics categories are emphasized in the restructure of inner world or a system, so, noise, equivocation, and redundancy are considered important in sending a message in information theory. It is resonant in literary texts. A literary text is full of much information, To put that a literary text is full of information is that, in a word, it has a big lump of information with noise, namely, equivocation, redundancy, and ambiguity. Such a noise, in a word, is manifested in the process of representing objects or describing scenes or characters in terms of language. Literary devices like as digression, catalogues, lists, and implosion, sludge of language are such effects. To prove that, I propose, as an example. Donald Barthelme's novel, and characteristics of Mennipean satiric mode, So, the more complicated or complex a literary text is, the more noisy in it with a lump of information in it is.

라캉적 글읽기 - 『 더블린 사람들 』 을 중심으로

김상구(Sang Koo Kim) 한국현대영미소설학회 1999 현대영미소설 Vol.6 No.1

This study investigates how Dubliners can be viewed through Jacques Lacan`s thought. Many critiques have researched how Joyce alludes to the Dubliner`s moral paralysis in Dubliners. Joyce had written a letter in which he wanted to betray the soul of that hemiplegia or paralysis which considers a city. In Dubliners, many of the characters act according to their own desires, but these desires are reflections of the desires of others. Many characters have their own gaze but no eye; likewise, there are many characters for whom the opposite is true, characters who have an eye but no gaze. For example, we see this in Araby, where one boy ardently wants to go to the bazaar, but in reality this is Mangan`s sister`s desire. It is she who wants to buy presents and other goods. The boy, then, represents one example of reflected and refracted desire. In Dublin, the city limits people`s lives like a net, represses their desires, confines them from escaping. In a sense, then, Dublin is a prison from which many of the characters simply cannot escape. This is significant in terms of theories about repressed desire. The Dubliners have no space for the expression of their desire because these desires are stifled by other characters and by the socio-economic structures that define the city. Though the characters live, metaphorically they are the dead. They live a death-in-life, in a no-man`s land, and they are not re-covered. Joyce insists that these kinds of people have a kind of paralysis and live in a gnomon`s situation. But in the last chapter, The Dead, we find the main character, Gabriel Conroy, having escaped from this situation. In the last chapter, it is only Gabriel Conroy who manages to escape from himself, to escape from the psychological paralysis that afflicts the other characters, and changes his unconscious world. Gabriel has escaped from what Lacan calls the pre-mirror stage, animal life. If we view Dubliners in light of Lacan`s theory, we can understand the Dubliners` unconsciousness. While they are limited in action or thinking, we can find the moral background. In Lacan`s famous formula: The unconscious is structured like a language. Lacan typically means several things. Firstly, Lacan interprets consciousness as being inextricably bound up with the unconsciousness. Secondly, Lacan pictures the unconscious as operating in terms of laws which resemble the laws of linguistics. In Dubliners, Joyce is interested in language, especially in the concept of paralysis. If we view language in Dubliners, we are offered very unique vantage points on the collective unconscious of Joyce`s Dublin.

타자 지향의 담론: 핀천의 "브이."와 블랑쇼의 "바깥"

김상구(Sang-Koo Kim) 한국영미어문학회 2004 영미어문학 Vol.- No.71

Thomas Pynchon manipulates the wide range of his heroine's characterization in V. from the different shapes of a woman to the various phenomena or forms of inanimate things, that is from Victoria Wren, Veronica, Vera Meroving to the name of a volcano, Vheissu. Pynchon's metamorphoses of V. characters are his discursive tactics in order to raise the question of human being's existential ontology through the house of language like Martin Heidegger's. Pynchon's such a linguistic tactic is like Maurice Blanchot's view of the essential feature of literature because of their same spirit to create works. The urgent thing is, for Pynchon, what V. means by. He believes that it all embraces various facts or clues, animate and inanimate organs, even ideas of polarities, ultimately to the annihilation of sameness and difference. So, if V. is a shape or has an identity, at the same time, it is a no-shape or doesn't have an identity. Also it is a meaning or has a meaning, but simultaneously, vice versa. In a word, it is a linguistic tactic of Other's otherness unconcernedly different from others' discourses. Furthermore, Pynchon's concept of this linguistic tactic is equivalent to that of Blanchot's "Outside" in The Space of Literature. In it, his "Outside" is related to the concept of space. He asserts that 'the other night,' neither night nor day, occupies an indeterminate space between them, an impossible space that is also "Outside", absolutely Other to the dialectic of affirmation and negation contained in image, indicating that his "Outside" emerges in the space between symbolic oppositions and exceeds their limited distinctions. Moreover, it is neither presence nor absence, real or imaginary, day or night. His "Outside" is all and none at once. "V." is like "Outside." Differently, "V." is the Other or the Other's otherness. Therefore, Blanchot's limitlessness, which the limit pursues to the endlessness, in his text becomes the "Outside" exactly. In here, Blanchot's literary text and Pynchon's V are on the same line. To conclude, Blanchot's literature is affirmation and simultaneously negation as "Outside." Such an attitude towards literature is the only way to find the impossibility in the possibility, namely, the origin. It is also true of Pynchon's V.

주일예배 구조에 관한 연구

김상구 ( Sang Koo Kim ) 한국복음주의신학회 2008 성경과신학 Vol.48 No.-

마녀들의 언어와 상징질서의 파괴: 『맥베스』를 중심으로

김상구 ( Kim Sang-koo ) 한국현대영어영문학회 2020 현대영어영문학 Vol.64 No.1

This paper attempts to interpret the language of the witches in Macbeth stimulates the inside of Macbeth, destroys the order of society, and at the same time implies the voice of the dominant. Macbeth’s plot is that those who condemn the king and seize it will eventually destroy. Shakespeare, however, is bringing this drama to the psychological and morphological level by giving Macbeth his inner conflict and distress. Macbeth evokes readers’ sympathy and compassion by showing the image of the wicked who is obsessed with power and forsaking humanity and morality, while also showing the moral conflict to resist the temptation of evil. Shakespeare accepts the ruling discourses of his time at Macbeth but also contains the voice of the other. This is like the paradoxical expansion of the witch’s “Fair is foul, and Foul is fair.” Macbeth consists of structures that prove this paradox from beginning to end. Shakespeare secretly deconstruct the advocacy theme in front of James I through the writing Paradox. (Chungwoon University)

츠빙글리의 예배 개혁과 그 특징에 관한 고찰

김상구 ( Sang Koo Kim ) 한국복음주의신학회 2011 성경과신학 Vol.58 No.-

본 논문은 츠빙글리의 생애와 예배 예전 및 그 특징을 연구하는 데 목적이 있다. 본론에서는 먼저 그의 생애를 네 단계로 구분하여 살펴보았다. 즉 출생과 교육과정, 취리히의 초기개혁, 종교개혁자로서의 활동, 취리히의 후기사역이 곧 그것이다. 이어서 필자는 츠빙글리의 예전 개혁을 살펴보았다. 그는 세 번의 예전 개혁을 시도하는데 먼저, 로마 가톨릭 미사를 비판하면서 제시한 『예배규범』(De canon missae epichiresis, 1523)이 있다. 여기서 그는 미사 전문(Kanon)을 대체하는 네 개의 새로운 내용을 배열하도록 제안한다. 둘째, 새로운 주의 만찬 규범인 『최후의 만찬 풍습과 행위』(Action oder bruch des nachtmals, gedechtnus oder dancksagung Christsi, wie sy uff osteren zu Zurich angehebt wirt im jar, als man zalt, 1525)를 제시하는데, 그것은 단순성과 간결성이 돋보이는 예전 작품이다. 셋째, 설교 중심 예배의 규범인 『취리히 교회의 풍습과 기독교 규범』(Christennlich ordnung vnd bruch kilchen Zurich, 1535)이다. 이것은 중세 후기 말씀 예배를 중심으로 발전시킨 것이다. 이를 통해 본 그의 예배 특징은 예배 예전의 단순성과 간결성을 강조하고, 중세후기 설교 중심 예배와 초대교회 전통에 기초를 둔 말씀과 주의 만찬의 통일성을 유지하면서도, 예배에서 특히 설교를 강조하며, 성가대를 중심한 교회 음악과 찬송을 폐지한 것이다. 본 논문은 이런 예전 개혁의 특징에 따라 한국 교회 예배 갱신의 방향성을 모색한 것이다. Ich bin in diesem Artikel uberlegt, wie das Leben von Huldrych Zwingli, seine liturgische Reformation und Charakteristika entfaltet wurden. Dafur beschreibe ich sein Leben im Vierschritt: seine Geburt und Ausbildung, erste Reformation in Zurich, die pastorale Tatigkeit als Reformierte, zweite Reformation in Zurich. Danach erwahne ich erste liturgische Schrift Zwinglis De canone missae epichiresis, die er im August 1523 veroffenlichte. In ihr kritisierte er den Kanon der romischen Messe. Zugleich legte er eine Komposition von vier neuen Texten vor, die den Kanon ersetzen sollte. Und ich stelle seine erste neue evangelische Abendmahlsordnung dar, namlich Action oder bruch des nachtmals, gedechtnus oder danksagung Christi, wie sy uff osteren zu Zurich angehebt wirt, im jar, als man zalt 1525. Sie ist in ihrer Einfachheit und Knappheit ein kleines liturgischen Kunstwerk. Danach beschreibe ich die Ordung fur den Predigtgottesdienst(Christenlich ordnung vnd bruch der kilchen Zurich 1525) in den Zurcher Kirchenornungen. Sie orientiert sich am Ritus des spatmittelalterlichen Pradikantengottesdienstes. Dadurch charakterisiere ich die Liturgie Zwinglis. Sie steht nicht nur in der Tradition des spatmittelalterlichen Pradikantengottesdienstes, sondern auch in der alten Kirche. Sie ist einfach und gewinnt den Predigtgottesdienst wieder. Er betont die Einheit von Wort-und Mahlteil sowie die Predigt im Gottesdienst, aber beseitigt die Musik und Gesang im Gottesdienst. Nach diesen Charakteristika der liturgischen Praxis Zwinglis stelle ich schließlich die Vorschlage fur eine Erneuerung des Gottesdienstes in koreanischen Gemeinden zusammenfassend dar.