http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : 권주연 ( Kwon Ju Yeon ) (검색결과 6 건)
- 무료
- 기관 내 무료
- 유료
-
-
권주연(Ju Yeon Kwon),문윤섭(Yun Seob Moon) 한국환경교육학회 2009 環境 敎育 Vol.22 No.1
Global climate change is associated with all of the human activity, and its sudden change can be taken an issue of the serious environmental problem in our human society. The purpose of this study is to develope the goal and the content system for the climate change education. As a result, first, according to the questionnaires on climate change, students from Grade 3 to Grade 10 seem to interpret it as fragmentary perspectives. In addition, in terms of students' own actions as the corresponding strategy to climate change, the higher their grades were, the lower their actions were. Second, the development goal on climate change and its educational directions were set by reflecting students' perception. The education goal on climate change is to perceive the changing environment by understanding phenomena of climate change, to propose plans that can mitigate and adjust climate change through a variety of research, and to keep practicing the proposed plans as a member of a community for the global environment. Third, fields and items of educational contents to climate change were created and drawn out. The content system is composed of ‘basic science of climate change', ‘relationship with climate change', and ‘coping with climate change'. Furthermore, concrete contents for the climate change education in elementary school were suggested so that its goal and content system can be used in the existing curriculum.
-
권주연(Kwon Ju-yeon) 현대미술사학회 2008 현대미술사연구 Vol.24 No.-
Edward Hopper is a well-known American realist who consistently portrayed the motif of alienation in his art. His works depict deserted streets in the city or country, or people isolated in the midst of a city. These works represent the theme and sentiment of alienation and estrangement. Previously, studies on Hopper have centered on relating this alienation motif to the overall tendencies of American society during Hopper’s time, citing that he reflected the sentiment of the society of his era. This generated narrative-based interpretations, concluding that Hopper was a realist or a figurative painter. However, while viewing his works within social-cultural contexts remains dominant, there have been few remarks on Hopper’s interest in plastic features. This these aims to distinguish Hopper from other realism artists based on studies that discuss Hopper’s formalities. This these looks to emphasize his strenuous efforts in seeking plasticity and formative features. Furthermore, Hopper’s paintings will be related to Film Noir in the aspects of feminism, psychoanalysis and film theories. This will in turn give a new view of Hopper in contemporary discourse, and further expand interpretations of Hopper’s work by various perspectives. This these first examines the aspects of realism which were the mainstream in the American art world and society during Hopper’s time. In the early 20th century, American society greatly emphasized patriotism due to the drastic changes inside and outside of the country. These social and cultural aspects are commonly claimed to be what made Hopper a realist. However, when comparing Hopper’s works with those of John Sloan, Hopper’s interests in the plastic features of object forms and canvas composition can be traced. In this respect, this study will further discuss Hopper’s unique modernistic features in his realism paintings. His interests in formation of objects including architectural features, abstract expression of lighting, and multiple perspectives convey how deeply Hopper was interested in plastic features and his close attention to painting formality even though he was a realism painter. The modernistic aspects of his works are defined here to emphasize Hopper’s creativity in the respect of merging realism and modernism. Going through modernism was a starting point to further develop multiple interpretations without simply regarding Hopper as a modernist. Based on this, this these extends the discussion toward the relevance between Hopper’s paintings and Film Noir. These two share an understanding of the social context of the 1940s and 50s, and various discourses are applied to interpret this link. Both depict the corruption and hypocrisy of city life (and cityscape) and gender discourses with the radical change in gender roles of the time. In this respect, this these highlights the inevitability that caused the visualization of these phenomena in Hopper’s works and in films. In particular, it is worth mentioning Victor Burgin, who expanded gender discourse in Hopper’s works as the gender structure issue in a capitalistic world, expanding previous gender discourse that was limited to a social context perspective. Furthermore, Jacques Lacan’s psychoanalysis theory was applied to analyze how Hopper’s paintings and Film Noir represent the gaze mechanism in city spaces and within the stream of gender discourse. The gaze mechanism theory was adopted here due to the aspect of the voyeuristic gaze and Lacan’s gaze. Laura Mulvey is the early Lacanian who insisted that the socially constructed gender differences are shown in films in the domain of gaze. She regards the male as the absolute visual subject and discusses the male voyeuristic gazes in films. Brian O’Doherty defended Mulvey’s theory and expanded his arguments to the difference in visuality in Hopper’s paintings based on gender difference theory. On the other hand, Mulvey’s arguments were criticized by Laca
-
임정원(Jung-Won Im),권주연(Ju-Yeon Kwon),안손희(Son-Hee Ahn),윤은지(Eun-Ji Yoon) 한국콘텐츠학회 2018 한국콘텐츠학회논문지 Vol.18 No.10
목적 : 본 연구는 두경부암 환자를 돌보는 가족들의 돌봄 경험의 의미와 본질을 탐색하는 것을 목적으로 하고 있다. 방법 : 개인들의 공통된 체험의 본질과 의미를 기술하는데 적합한 현상학적 연구 방법을 이용하여 5명의 두경부암 환자 가족을 대상으로 심층 면담을 실시하였다. 결과 : 자료 분석 결과 24개의 주제, 9개의 주제 모음이 도출되었고, ‘충격적이고 막막한 미로 같은 현실’, ‘가족구성원의 신체상의 변화로 세상과 단절됨’, ‘가족 탈진’, ‘성숙한 돌봄을 위한 가족의 도약’의 4개의 범주가 드러났다. 결론 : 본 연구를 통해 두경부암 환자 가족의 돌봄 경험을 더 깊이 있게 살펴보고 이해할 수 있었다. 본 연구 결과를 기반으로 두경부암 환자 가족의 어려움을 지지해 줄 수 있는 전문적인 지지 프로그램의 개발이 마련되었으면 한다. Purpose : The purpose of this study was to explore the meaning and essence of experience of family members as care givers of patient with head and neck cancer. Methods : This study was based on the colaizzi’s phenomenological method, which describes the experiences about the family care givers. We had in-depth interview with family of five head and neck cancer patients. Results : Data was classified by 24 themes, 9 theme clusters and 4 categories. The categories are as follows: ‘Shocking and actuality like a deadly maze’, ‘Cut off from the world by changes in family’s physical image’, ‘Exhaustion of family’, ‘Take-off for mature care’. Conclusion : The results of the study provide useful information in understanding care givers’ experience of patient with head and neck cancer and establishing effective strategies to support these care givers.
-
-
ScienceON연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
