영국 유아원 교사의 스토리텔링 방식

곽정인(Kwak, Jung-In),나귀옥(Nah, Kwi-Ok),김경희(Kim, Kyoung-Hee) 한국열린유아교육학회 2017 열린유아교육연구 Vol.22 No.4

본 연구의 목적은 스토리텔링의 교육적 가치에 대한 중요성을 인식하고 있는 영국 유아원 교사의 스토리텔링 방식을 질적 연구방법으로 고찰하고 분석함으로써 우리나라 유아교육기관의 교수전략에 대한 기초자료를 제공하는 데 있다. 이를 위하여 영국의 공립유아원 만 3세반 한 학급의 교사와 유아들을 대상으로 참여관찰 하였으며, 교사를 대상으로 면담을 실시하였다. 수집된 자료는 개방코딩 방식을 토대로 범주화하여 분석하였다. 연구결과, 동화를 중심으로 한 영국 유아원 교사의 스토리텔링 방식은 ‘상상하도록 말로 들려주기’, ‘다양한 극화경험 제공하기’, ‘상상적 체험이 가능한 놀이환경 조성하기’, ‘유아가 나만의 스토리를 만들도록 돕기’로 나타났다. 이러한 연구결과는 다른 문화권에서 이루어지는 스토리텔링 방식을 이해함과 동시에 스토리텔링이 이루어지는 교육현장의 맥락을 깊이 있게 살펴볼 수 있으리라 기대한다. The goal of this paper is to provide basic information of instruction strategy in children education institute of Korea through qualitative research examination and analysis of the storytelling method used by England nursery teachers, who recognize the importance of educational value in storytelling. For that, close observation of teachers and children from 3-year-old class in England’s public kindergarten was performed along with interviews on the teachers. The collected data were categorized and analyzed based on the open coding method. The result showed that the teaching methods through storytelling focusing on fairy tales included following: ‘let’s imagine a story,’ ‘provide a variety of dramatic experiences,’ ‘create an imaginative play environment,’ and ‘help your child to create his own story.’ The result of this study is expected to help understand the storytelling method in other cultures and to help deeper observation on the context of the educational field where storytelling is done.

마늘 유전자원 및 육성계통의 원예적 형질과 유전적 근연관계 분석

곽정호(Jung-Ho Kwak),박미영(Mi Young Park),김기택(Ki Taek Kim),채원병(Won Byoung Chae),김대영(Dae-Young Kim),박수형(Suhyung Park),정승룡(Seung-Ryong Cheong),윤무경(Moo Kyoung Yoon) 한국원예학회 2013 한국원예학회 학술발표요지 Vol.2013 No.5

<雲水誌>의 중국 역사 수용 양상과 그 의미

곽정식(Kwak, Jung-Sik) 한국문학회 2009 韓國文學論叢 Vol.53 No.-

이 글은 <운수지>에서 중국 역사의 수용이 어떻게 이루어지고 있으며,역사 사실을 바탕으로 작가가 어떻게 작품 내용을 허구화하는지 알아보고,또 이를 통해서 그 의미하는 바가 무엇인지를 살펴보려는 데 목적이 있다. <운수지>는 중국 南宋의 對金․對元抗爭이라는 역사적 사실에 바탕을 두되 작가에 의해 허구적인 재창조가 적극적으로 이루어진 작품이다. 먼저 金의 兀朮과 내통한 간신 秦檜․萬俟卨의 모함과 계략에 의해 충신 岳飛가 억울하게 죽었다고 하는 宋史의 사실 기록과는 달리 <운수지>에서 작가는 婚事문제로 私怨을 품은 王甲의 두 딸이 진회․만사설의 배필이 되어 악비의 寃死를 주도하는 것으로 그려냄으로써 난신적자의 부도덕성을 한층 강조하는 방향으로 재창조하였다.이어 옥황상제가 주재하는 사후세계를 배경으로 충의지사와 난신적자의 환생담을 결구하고,이를 바탕으로 남송의 對金․對元抗爭을 동시적으로 수용하는 가운데 송조 중흥의 허구적인 서사가 전개되는데,이때 진회․만사설과 그들의 처를 金․元의 태자․공주로 설정하여 이민족 오랑캐와 동일시함으로써 민족적 적개심을 반영하고 忠義의 뜻을 되새기게 하는 한편,충의지사중 악문용을 제외한 8인을 여성인물로 설정하고 이들을 중심으로 전개되는 남녀 결연담을 통해 소설을 읽는 재미와 함께 바람직한 결혼관을 제시하고자 하였다.끝으로 <운수지>에서 朱元璋의 明나라 건국을 계기로 송조 중흥의 허구적인 서사가 마무리되고 있는 것은 작가가 春秋의 大一統主義에 입각한 中華的正統論을 수용한 결과라고 할 수 있다. This paper aims at recognizing the literary acceptance of chinese history and considering it's meaning in <Unsoochi>. As the time background of <Unsoochi> is just apart of history and also the principal characters are just connected the existential persons of history, we check the historical facts which areappeared in <Unsoochi> from 『Songsa』. <Unsoochi> is awork which describes the wrangle of South-Song dynasty against Gum and One as the other race's nation. <Unsoochi> generally referred to the record of『Songsa』when it was centering on the informations about characters and incidents. On the other hand, the relationship among the wrangle of South-Song dynasty against Gum and One as the other race's nations. was changing or expanding positively on the basis of historical record. From <Unsoochi>, we can find the positive acceptance of chinese history concerning the conflict between Akbi and Zinhwe as faithful retainer and traitor of South-Song dynasty. The writer is trying to explain the reason for the historical facts why Akbi died under a false accusation and failed in there construction of Song dynasty, This content is filled with fighting,revenge and sexual relationship between faithful retainer and traitor by the writer's extreme imagination. Though the historical facts are mentioned in fragments, we can find out that the author not only has deep knowledge of the wrangle against Gum and One as the other race's nations in the history of South-Song dynasty, but also in aware of <Mumokwangjungchungnok> as a chinse novel. This work showed us racial animosity and legitimism of Chinese.

다문화가정 가족탄력성이 아동 정신건강에 미치는 영향 연구 -정서적 지지의 매개효과를 중심으로-

곽정심 ( Kwak Jung Sim ),정문경 ( Jeong Mun Gyung ) 한국사회복지경영학회 2020 사회복지경영연구 Vol.7 No.1

본 연구는 다문화가정 가족탄력성이 아동 정신건강에 미치는 정서적 지지의 매개효과의 영향을 규명하고 정서적 지지 및 아동 정신건강이 높아짐에 따른 관계성을 도출함으로써 다문화가정 아동의 정신건강에 도움이 될 수 있는 기반 마련과 함께 정서적 지지 및 정신건강증진방안을 모색한 연구이다. 본 연구결과는 다음과 같다. 첫째, 다문화가정 가족탄력성이 아동 정신건강에 영향을 미치는 것으로 나타났다. 둘째, 다문화가정의 가족탄력성이 아동의 정서적 지지에 많은 영향을 미치는 것으로 나타났다. 셋째, 다문화가정의 정서적 지지가 아동 정신건강에 많은 영향을 미치는 것으로 나타났다. 넷째, 다문화가정 가족탄력성이 아동 정신건강에 미치는 영향관계에서 정서적 지지는 강력한 매개효과가 있는 것으로 나타났다. 이러한 연구결과로 볼 때 다문화가정 가족탄력성이 아동 정신건강을 높이기 위해서는 정서적 지지가 강화되어야 함을 시사하고 있으며 연구결과를 토대로 실천적 함의를 제언하였다. The purpose of this study is to examine a relevance of the mediating effect of Emotional Support to the relationship between Family Resilience in Multicultural Families and their children's Mental Health. Also, this study seeks to promote enhancing Mental Health as well as Emotional Support. The results are summarized as following : First, Family Resilience in Multicultural Families affects their children's Mental Health . Second, Family Resilience in Multicultural Families has a significant affect on their children's Emotional Support. Third, Emotional Support in Multicultural Families has a significant affect on their children's Mental Health. Fourth, Emotional Support has a strong mediating effect on the relationship between Family Resilience in Multicultural Families and their children's Mental Health. These results lead to a conclusion that Emotional Support should be strengthened in order for Family Resilience in Multicultural Families to enhance their children's mental health, and suggests practical implications following the research.

소포자 배양을 통한 뿌리혹병 저항성 양배추 계통 육성

곽정호(Jung-Ho Kwak),박미영(Mi Young Park),채원병(Won Byoung Chae),김대영(Dae-Young Kim),박수형(Suhyung Park),정승룡(Seung-Ryong Cheong),윤무경(Moo Kyoung Yoon) 한국원예학회 2013 한국원예학회 학술발표요지 Vol.2013 No.10

〈韓氏報應錄〉의 형성 과정과 소설사적 의의

곽정식(Kwak Jung-sik) 한국어문학회 2009 語文學 Vol.0 No.105

The purpose of this study is to research the formative process and the significances of Novel-History of 〈Han-ssi Boung nok(한씨보응록)〉. In our korean old classical fiction history, 〈Han-ssi Boung nok〉 came into being from the effect of 〈Suho chi(수호지)〉 which had been introduced from China. 〈Han-ssi Boung nok〉 was lined up several parts with the substances of 〈Suho chi〉, and the configuration of character, as a hero Han Myunghwe (한명회) imitated 108 jolly fellows of 〈Suho chi〉. As well as 〈Han-ssi Boung nok〉 could be come into being by reconstruction Han Myunghwe(한명회) as a devoted retainer into jolly fellow of 〈Suho chi〉 with the realization of 〈Hong Changgun jeon(홍장군전)〉 as a momentum. and because of this, 〈Han-ssi Boung nok〉 accepted the substances of 〈Hong Changgun jeon〉 partially. Meanwhile 〈Han-ssi Boung nok〉 accepted the various tradditional legendary literatures positively and reorganized boldly, but accepted historical facts of Myunghwe(한명회) as a existential human fragmentary and superficially. Finally, Concerning the significances of 〈Han-ssi Boung nok〉 in the novel-history, I discussed in two points of view. in the first place, because that is one of a few works which are considered the effects of 〈Suho chi(수호지)〉, and at the same time it aims counteraction against the control and suppression of an immoral foreign power by inspiration the militaristic spirit, chivalrous and justice spirit.

〈雲水誌〉의 敍事 構造的 特性 硏究

곽정식(Kwak Jung-Sik),이재식(Lee Jae-Soon) 경성대학교 인문과학연구소 2008 인문학논총 Vol.13 No.2

본 연구는 조선조 후기의 장편국문소설인 〈운수지〉를 대상으로 서사 구조적 특성에 관해 논의하는 것을 목적으로 한다. 우선 〈운수지〉는 다양댄 서사 구조를 원용하고 서사의 편폭을 계속 확장하는 가운데서 서사의 중심축이 분화되는 것으로 나타나는데, 우선 도입부에서는 서사의 중심축이 宋나라 충신 岳飛를 중심으로 그의 가문에 놓여져 있다. 그러나 岳飛의 사후에 옥황상제에 의하여 충의지사들이 신선으로 인간 세상에 적강하는 것을 계기로 서사의 중심축은 9인의 충의지사의 가문으로 분화, 확대되고, 또 이로 인하여 9인의 충의지사들의 가문이 서로 대등한 비중을 지니게 된다. 또한 〈운수지〉에는 서사 전개상 중요한 사건으로서, 옥황상제에 의해 충의지사와 난신적자가 인간세상에 적강하거나 환생한다는 것, 그리고 원나라 과거에 장원급제하여 부마 간택을 받은 악문용이 大宋憤義將軍이라 자칭하고 문경천, 육봉일 등과 宋朝 中興의 뜻을 같이하게 된 것, 요·금에 이어 원나라를 정벌하고 마침내 송조를 중흥한 충의지사들이 천하를 吳王에게 맡기고 西湖에 은거하여 풍월주인으로 돌아간 것 등을 들 수 있는 데, 이와 같은 사건 전개를 위한 국면 전환이 오랜 시간에 걸쳐 여러 사건이 진행되는 가운데서 단계적, 점진적으로 이루어고 있는 바 이러한 단계적 서사 진행을 통해서 독자들에게 긴장감과 흥미를 유발하는 효과를 얻고 있다. 아울러 〈운수지〉에서는 충의지사와 난신적자라는 서로 대비되는 두 人物群을 설정하고, 이들의 덕성과 행적, 결말 등을 비교하는 한편, 몇 차례 관계의 역전을 거듭한 끝에 충의지사들이 최종적으로 승리를 거두는 결말을 통하여 忠節意識의 鼓吹와 같은 전통적인 주제를 효과적으로 그려놓았다. The purpose of this study is to research the narrative structural traits of 〈Unsoochi〉, a korean classical novel. I epitomize the subject matters which discussed in the upper parts as following. The first narrative structural trait is a specialization of the central axis. In the part of the introduction the central axis of the narrative is placed on Ak Bi's family. But in the part of the development the central axis of the narrative is specialized and magnificated along the nine familys who are men of loyalty and uprightness. The second narrative structural trait is the gradual development of the narrative. the important events in 〈Unsoochi〉 are the banishment of men of loyalty and uprightness, the stirring up to revive the Song Empire by men of loyalty and uprightness and enjoying to converse with nature. These events are combined to turnover the aspect of affairs in the narrative development, though these diversion is not accomplished once for all or rapidly, but step by step, gradually for a long time. and these gradual progress of the nan-ative arouse reader’s a state of tension and the interest. The last narrative structural trait is contradiction of characters and the relation-reversion. there are setted up two contradiction characters in 〈Unsoochi〉. though the author described effectively the traditional subjet matter by the triumph of men of loyalty and uprightness, comparing one with another in the moral character, the achievements and the death of two contradiction characters, and repeating several relation-reversion.

양배추 주요 유전자원의 원예적 특성에 따른 품종군 분류

곽정호(Jung-Ho Kwak),박미영(Mi Young Park),채수영(Soo Young Chae),양은영(Eun Young Yang),이우문(Woo Moon Lee),윤무경(Moo Kyoung Yoon),최근진(Keun Jin Choi) 한국원예학회 2014 한국원예학회 학술발표요지 Vol.2014 No.5

여성영웅소설의 존재양상과 역사적 전개

곽정식(Kwak Jung-Sik),강화수(Kang Hwa-Su) 경성대학교 인문과학연구소 2004 인문학논총 Vol.9 No.-

The purpose of this study is to research the existential types and historical development of the novels of female hero. therefore, the result is as follow; First, the type of 'A' is the form of heroine who escapes an imminent dager. To see the most important features that the novel of Female Hero has orderly structure is as follow. Baby betrothal-Primary test(=Separation from family)-Marriage forced (=Breaking off a marriage engagement)-Trial conquest by rescuer-Receiving instruction-Applying for the state examination court appearance-Rising in the world and gaining the fame -Position disclosure-Marriage. The motif of 'Betrothal' begins and the motif of 'Marriage' ends lastly in this type. Therefore the structure of the meeting and parting of men and women appears in this type. The type of 'A' can be subdivided into the type of 'A-1', that of 'A-2' and of 'A-3' according to the degree of a heroic deed between hero and heroine in the motif of 'Going to war and paying tribut-e'. Second, the type of 'B' is the form of heroine who refuses the view of men and women in the patriarchal society of the day. The basis of this type is the structure of the opposition and reconciliation of men and women which appears after a marriage. the type of 'A' is transformed into the type of 'B-1'. The type of 'B-1' can be divided into the first haif and the second half on the basis of the motif of 'Marriage' . The structure of the meeting and parting of men and women appears in the first half of the work. The structure of the opposition and reconciliation of men and women appears in the second half of the work. Therefore the type of B-1' is endowed with all the two bases of the types of 'A' and 'B' and is considered to a form in a transition period. Third, the type of 'B-2' where the motif of 'Betrothal' disappears escapes from the structure of the meeting and parting of men and women. This type shows the structure of the opposition and reconciliation of men and women which comes out after a marriage. First of all, the basis of this type is the motif of 'Wearing men I s clothes' which is presented at first in the work. This motif means the heroine who refuses the view of men and women in the patriarchal society of the day from her child wood. Forth, the type of 'C' is the form of heroine who realizes the two sexes. The motif of 'Wearing men's clothes' is not temporary but conducting a funeral in a male attire. The Disclosing her identity just before the death is the basis of this type. Protagonists of the novel of Female Hero who lived a consistent life as a heretic of the times threw away her whole life as a comtemporary topic and presented the aim to which the patriarchal society of the day pointed. Fifth, this thesis presents 〈Syeljyejeon〉 and 〈Yewajeon〉 as a supporting evidence. 〈Syeljyejeon〉 estimates a created period in the late seventeenth century and 〈Yewajeon〉 estimates the created period in the eighteenth. From this viewpoint it can be said that the novel of Female Hero was formed and passed by a full-dress development pross through the eighteenth century. Sixth, all these types show clearly the development of the novel of Female Hero. The novel of Female Hero once reached completion with the type of 'A', then transformed into the type of 'B' and 'C'. The type of 'A' can be subdivided into the type of 'A-1', that of 'A-2' and of 'A-3'. The type of 'B' can be subdivided into the type of 'B-1' and 'B-2'. The type of 'B-2' can be transfomded into the type of 'C'. The type of 'A' is the form of the formative piriod and a typical form. The type of 'C' is the completed form.

19世紀 베트남의 「大南行義列女傳」연구

곽정식(Kwak Jung-Sik) 경성대학교 인문과학연구소 2002 인문학논총 Vol.5 No.-

The purpose of this study is to research the phases as a biography, the writer's attitude and the literature-historical meaningness of 「Dai Nam henguye yeolyeochon(大南行義列女傳)」 of VietNam's in the 19th century. I epitomize the subject matter which is discussed in the upper parts as followings : 1. The writing times of 「Dai Nam henguye yeolyeochon(大南行義列女傳)」 1) Henguyechon(行義傳) 13 volumes and the yeolyeochon(列女傳) 12 volumes are written separately between the 1802 and 1847. 2) The first editing of 「Dai Nam henguye yeolyeochon(大南行義列女傳)」 is accomplished between 1841 and 1847, the government period of THieu Tri(紹治) in upper limit. 2. The results of the contents in 「Dai Nam henguye yeolyeochon(大南行義列女傳)」 are as followings ; 1) Henguyechon(行義傳) 13 volumes are constituted with the episodes about the man's social integrity in the home or in the society and yeolyeochon(列女傳) 12 volumes are constituted with the episodes about the woman's faithfulness as domestic integrity. 2) Henguyechon(行義傳) 13 volumes and yeolyeochon(列女傳) 12 volumes are all dependent upon the explanation or the explanatory description in an account mode. However it is derived from the ideological pointing in motives of the writing. 3. The literature-historical significances of 「Dai Nam henguye yeolyeochon(大南行義列女傳)」are as followings ; 1) The literary production which was born by the aspiration after political equilibrium. 2) An expediency of the social enlightenment. 3) The artistic representation of the spirit of independence or the racial identity of VietNam.