조선 중기 서산대사와 벽암대사의 가사 유물에 대한 연구

강선정(Sun Jung Kang),조우현(Woo Hyun Cho) 한국복식학회 2011 服飾 Vol.61 No.3

The present research aims to consider the real remains of 2 suits of Kasaya owned by the Hwaeom Temple(華嚴寺) based on research results about Kasaya in the meanwhile. The present research on 2 suits of remains which are Royal gifts given to monk soldiers in case of a national crisis of the Joseon Dynasty has a big meaning in examining characteristics of Kasaya and grasping characteristics and structure of the 17th century`s Kasaya of the Joseon Dynasty through dense survey and analysis according to components. If examining characteristics of Kasaya, the Kasaya of the Great Monk Seo San(西山) is composed on the basis of an initial form of Sun and Moon Light Patch`s generation and the Kasaya of the Great Monk Byeok Am(碧巖) has a form that is separately attached through production of embroidery patch as a process of being settled down. If examining what surrounds gold thread in the girth and expression of Sumeru and Chaeunmun(彩雲紋), the composition of a form similar to an insignia badge, so because this is a Royal gift, this can be estimated as being analyzed in a Buddhism aspect by devising a design from the insignia badge at the time, with a meaning like an official uniform given to a monk. Although the insignia badge is a square, it seems that the Sun and Moon Light Patch is made as a rectangular form corresponding to the structure of Kasaya. In addition, it is thought that what the Samjoko(三足烏) idea which is a symbol of the Sun based on Buddhism and Taoism is used together with Yijoko(二足烏) even in expression of the Sun and Moon Light Patch in the Joseon Dynasty which was a Confucian country has a relationship with what a bird was expressed in the insignia badge of winged animals.

여성의 생활양식, 폐경증상 및 우울에 관한 연구

강선정(Sun Jung Kang),신경림(Kyung Rim Shin) 대한여성건강학회 2002 여성건강 Vol.3 No.1

송광사 영산전 석가모니불 복장직물에 관한 연구

강선정(Kang Sun-Jung),박윤미(Park Yoon-Mee) 한복문화학회 2016 韓服文化 Vol.19 No.4

Songkwang temple, located in Suncheon city, Jeonnam, is one of the old temples. In the process of plating a Buddha statue with gold, at Yeongsan shrine of Songkwang temple, November, 17, 2015, it opened the storing Buddihist articles in the Buddha statue, and it discovered a letter of vow, records, and fabrics, etc. In a letter of vow, it is written as storing in the Sakya Buddha Statue in January, 1662, and it entailed the list of benefactor. However, it is presumed that they were stored in the Sakya Buddha Statue in the same time, because it is identical the date of a letter of vow and list of benefactor of relic in storing in the Sakya Buddha Statue, Avalokiteśvara of Gwaneumjeon Hall, appointed as cultural treasure No. 1660 in August 25, 2010. For Avalokiteśvara statue of Yeongsan shrine, including a letter of vow, it is stored in the Sakya Buddha Statue the yellow wrapper(Hwangchopokja) and complex gauze with supplementary gold thread. A letter of vow is the woven fabric with plain weave, and yellow wrapper is the patterned fabric of lotus pattern. The complex gauze with supplementary gold thread is the rare designed textile with flat strips of gold thread on the ground weave of dark brown 4-end complex gauze. Particularly, it is the pattern, not investigated up to now, mixed pattern with lotus, fish, and yin-yang. As a result of analysis of flat strips of gold thread used in complex gauze with supplementary gold thread, gold(Au) is the main component, and it was identified Ag, Cu, Fe, and C, etc. as sub-detected element. Because it is clear the period of the Textiles Storing in the Sakya Buddha Statue at Yeongsan shrine and maintains the state of storing time in the Sakya Buddha Statue, including color, it has very important historical worth in the study of fabric history.

돈황석굴에 표현된 가사의 양식적 특성

강선정(Sun-Jung Kang) 아시아민족조형학회 2012 아시아민족조형학보 Vol.11 No.-

Mogao Caves are important cultural heritage in China. Moagao Caves are located in the center of northern Buddhistic culture. Investigating the surplice expressed in mural paintings in Mogao Caves can show the changes of the surplice. The changes of the surplice will be studied especially with noticing how the surplice changed from India, the birthplace of Buddhism, when it became Chinese Buddhism. There is not much real surplice handed down to nowadays, the value of mural paintings in Mogao Caves is very practical. In this paper, examine the surplice described in Mogao Caves. Second, classifying stylistic feature of surplice into Buddha and Buddhist. Finally, integrating the investigations to find a relationship between Indian Buddhist’s robe and Chinese Buddhist’s robe.

한국불교복식의 전개

강선정 ( Kang Sun-jung ) 한국불교사연구소 2016 한국불교사연구 Vol.10 No.-

본 연구는 불교전래에 따른 한국불교복식의 전개 과정을 가사를 중심으로 살펴보았다. 중국을 거쳐 한국에 불교가 전래되면서 승려복의 제일물인 가사는 3단계로 변화가 이루어졌음을 알 수 있다. 1단계는 삼국시대는 중국과의 교류가 활발히 이루어진 시기로 중국의 포교승과 삼국의 유학승들을 통해서 불교문화가 전래되면서 승려복식 또한 다양하게 전래되었는데 중국의 법의가 한국으로 많이 전래되어 한국과 중국에서 공통된가사의 형태였을 것으로 추측되며, 그 형태가 고려시대와 조선전기로 이어지게 된 것으로 보인다. 2단계 조선 중기 이후는 불교의 흐름이 선종계보로만 이어지고 있음을 알 수 있다. 특히 선종에서는 제자에게 법을 인가할 때 가사를 전하였기 때문에 존귀한 색상인 홍색으로 정해졌을 것으로 본다. 이때가 가장 한국적인 가사의 특징이 나타나는 시기로 홍가사에 일월광첩이 부착된다. 3단계는 조계종단과 태고종단의 분화가 가져온 가사의 변화이다. 전통 홍가사를 그대로 전승하여 발전시키고 있는 태고종단은 일반적인 변화과정에 속하며, 조계종단은 부처 당시의 근본가사에 의미를 두어 검박한 형태를 지향하면서 조선중기 이후 가사의 일반적인 유형에서 벗어난 새로운 가사의 형태로 변화한다. 이상과 같이 본 연구에서 살펴본 한국불교 가사의 형태는 불교의 전개 과정과 깊은연관을 가진다. 가사의 3단계 변화과정에서 볼 수 있듯이 종교복식의 일반적인 역사성을 보여주면서도 시대변화에 따른 다양한 변화도 함께 보여주고 있음을 확인할 수 있었다. This study examined the developing process of Korea`s Buddhist costume since the country`s introduction of Buddhism, focused on Buddhist priest´s robes. The first stage - the Three Kingdoms when interchange with China was active - witnessed diverse developments of Buddhist priest`s costume while Buddhist`s culture was introduced through China`s missionary monks and Korea`s monks studying in China. Which seems to have been passed down to the Goryeo Dynasty and the former part of the Joseon Dynasty. In the second stage of post-middle of the Joseon Dynasty, tradition of Buddhism was handed down only to Zen sect of Buddhism. Particularly during this period, Korea`s Buddhist priest´s robes - had symbolic lwolguangcheop (日月光貼) attached to red Buddhist priest´s robes. The third stage underwent changes of Buddhist priest´s robes owing to Buddhists` division into the Jogye sect and Taego sect. While the latter sect that had succeeded and developed the traditional red Buddhist priest´s robes experienced normal changing process, the former sect, putting emphasis on basic Buddhist priest´s robes at the time of the early days of Buddhism and so being oriented to humble form, changed to a new form shaking away from the normal patterns of Buddhist priest´s robes prevailed since the middle of the Joseon Dynasty. As per the findings of this study, the form of Buddhist priest´s robes in Korea`s Buddhism was closely related with the developing process of Buddhism.

조선중기 이후 가사(袈裟)의 유형과 변천

강선정(Sun Jung Kang),조우현(Woo Hyun Cho) 한국복식학회 2014 服飾 Vol.64 No.2

This is a theoretical and empirical study on Kasaya, the Buddhist monk`s robe, which is one of the traditional Korean costumes that has kept it original form, as well as it being the most symbolic ritual costume in Buddhism. The purpose of the study is to see the different types of Kasaya, and the transitions it has gone through since Mid Joseon Dynasty. The analysis was performed after categorizing Kasaya in the following manner: layers, the way to wear, symbolism in construction, sewing, etc. Having a variety of Ilwolguangcheop(日月光貼) is a feature of Korean Red Kasaya. In the beginning, Its shape was very similar to shape of Hyungbae(胸背), and this was a royal gift and had the same meaning as an official uniform for a Buddhist monk. So designs of the Cheop(貼) could have been transformed from those of Hyungbae with a Buddhist twist. The conclusion of the study is as follows: Double layered Kasaya shows its transition from double layer to single layer. The fastening ornaments have been simplified in all materials from Yeongja(纓子). The latch type and three-paired Yeongja type transformed into hook type and one-paired Yeongja type. Color is the most common feature above all, and it is mainly in red. The form of Korean Kasaya has a significant relation with development of Buddhism. The integration of the Zen sect would have influenced the integration of Kasaya, which shows diversity throughout the period.

김밥과 김초밥의 저장성 비교

김은정 ( Eun Jung Kim ),강선정 ( Sun Jeong Kang ),한영숙 ( Young Sook Hahn ) 한국식품조리과학회 2008 한국식품조리과학회지 Vol.24 No.1

청지각적 음성평가의 신뢰도와 정확도 향상을 위한 집중적 훈련 프로그램의 효과에 관한 연구

최양규 ( Yang Gyu Choi ),강선정 ( Sun Jung Kang ) 한국특수교육문제연구소 2010 특수교육저널 : 이론과 실천 Vol.11 No.4

주관적 음성평가는 음성장애 진단에서 기기를 이용한 객관적 음성평가 못지않게 중요하게 다루어지고 있다. 음성평가가 요구되는 임상현장에서 평가의 신뢰도와 정확도는 평가자가 갖추어야할 필수적인 능력이다. 이 연구는 음성평가 경험이 없는 실험참여자를 대상으로 단기간에 집중적으로 실시되는 컴퓨터로 자동화된 청지각적 음성평가 훈련 프로그램이 주관적 음성평가의 신뢰도 및 정확도를 향상시키는 지를 알아보고자 한 것이다. 청지각적 훈련프로그램에 참여하는 20명의 실험집단과 훈련에 참여하지 않은 20명의 통제집단의, GRBAS의 하위척도인 R, B, S에 대한 사전·사후 음성 평가 결과를 비교하여 청지각적 훈련의 효과를 검증하였다. 실험에 사용한 훈련프로그램은 E-PrimeTM을 통해 제작되었으며, 난이도에 따라 3단계로 구성되었다. 훈련의 각 단계에서 정확도가 80% 이상 도달하면 다음 단계로 진행할 수 있도록 설계되었다. 실험 결과, 청지각적 훈련을 받은 실험집단은 훈련 후의 사후평가에서 훈련 전의 사전평가보다 신뢰도와 정확도, 모두 향상되었으나, 훈련을 받지 않은 통제집단은 그렇지 않았다. 마지막으로 단기간에 음성평가 능력을 향상시킬 수 있는 효과적인 청지각적 훈련 시스템 구현에 지침이 될 수 있는 개선 사항이 논의되었다. The purpose of this study was to examine the effects of the computerized perceptual training program for improvement of the ability to evaluate voice quality. For such purpose, the experiment was performed for evaluating the reliability and accuracy for R, B, S rating of pathological voice samples. 40 college students participated in the experiment. A half of them were allocated in the experimental group with the perceptual training program including three steps according to the difficulty, other half of them allocated in the control group without the perceptual training program. The pre-test and post-test to rate R, B, S scale were taken before and after the perceptual training program. The findings of this study showed that the reliability and accuracy of R, B, S scales rating of experimental group after the perceptual training program were significantly improved than before that program. However the reliability and accuracy of the control group were not improved. The results suggested that the perceptual training program is effective for improvement of the ability to evaluate voice quality. In final section, the guidelines for the effective perceptual training system design and the follow-up researches were discussed.