생명의 심상공간 ― 무릉도원과 그 변주

김효민 중국어문학연구회 2005 중국어문학논집 Vol.0 No.34

鄭若曾의 『朝鮮圖說』에 대한 일고찰 — 明末 지식인의 한반도 인식 엿보기

김효민 중국문화연구학회 2023 중국문화연구 Vol.- No.62

Chaoxian Tushuo ( 朝鮮圖說 ), compiled by Zheng Ruozeng (鄭若曾, 1503-1570), an intellectual of the late Ming Dynasty, is the oldest standalone work related to the Korean Peninsula that contains a map, not only in China but potentially in the world. Chaoxian Tushuo is a rare geographical text related to the Korean Peninsula, crafted by late Ming Dynasty intellectuals, prompted by their security concerns. This work serves as a significant resource that provides insight into the perceptions of the Korean Peninsula held by Chinese intellectuals of the time. Despite limitations in information gathering, the compilers appear to have systematically selected and recorded information related to the Korean Peninsula, making the best use of the “latest” resources available at that time. Chaoxian Tushuo is structured like a local chronicle in line with the system of the Dynasty. This structure itself reveals its perception and understanding of the subject matter, underpinned by a fundamentally “Chinese” worldview that posits China above all. In this context, Chaoxian Tushuo reflects a “China-centered” perspective, highlighting Joseon as a model country under the Chinese order. At the same time, it presents an objective descriptive attitude, considering Joseon as an independent foreign country from a relative perspective. Occasionally, it goes further to express a sense of caution towards Joseon, showcasing a dualistic aspect in its viewpoint. From this perspective, Chaoxian Tushuo can be seen as one of the significant resources that help reaffirm how “China” restructured and reproduced itself through its representation of foreign lands. It also reveals how it fostered a “Chinese consciousness” of itself as a singular “nation-state”, particularly in its relationship with the Korean Peninsula. It is noteworthy that Chaoxian Tushuo features a standalone map of Joseon, provides detailed records of the major post roads and distances across the Korean Peninsula, discusses Dangun in relative detail, and consistently exhibits an awareness of Japan throughout the text when describing the Korean Peninsula. These distinct attributes can be seen as reflections of the temporal context and particularities of the late Ming Dynasty, both directly and indirectly.

상호주체성과 공존의 시각에서 본 《 紅樓夢 》 의 ‘情’ *

김효민 한국중국소설학회 2018 中國小說論叢 Vol.55 No.-

주지하듯 《紅樓夢》은 실로 풍부한 내용과 함의를 담은 작품이지만, 작가는 작품의 핵심에 대해서 대체로 ‘情’에 대해 이야기했다고 분명하게 개괄한 바 있다. 한편, 작가는 기존의 서사, 특히 才子佳人 서사에 대해 비판적 시각을 거듭 드러내며 《홍루몽》이 그것들과는 확연히 차별화된 작품임을 시사하고 있다. 그렇다면 작가는 과연 기존의 재자가인류 소설 등과는 다른 어떤 ‘정’을 그려내고자 했으며, 그것은 어떤 함의와 가치를 지니는 것인가. 본고는 오늘날 우리 사회가 욕망은 넘쳐나지만 정작 개인은 소외되고 병들어있는 현실에 대한 문제 의식에서 출발하여 《홍루몽》의 ‘정’에 대한 하나의 재해석을 시도해보고자 한다. 곧 일종의 존재론적, 관계론적 시각에서 ‘相互主體性’과 ‘共存’이라는 키워드를 중심으로 賈寶玉의 林黛 玉과의 知己之情, 여성 및 하층민에 대한 시각 등을 살펴보고자 하며, 이를 통해 읽어낼 수있는 사회적 의미와 인문적 함의를 새롭게 드러내보고자 하는 것이다. 물론 이러한 접근이 내용적으로 전혀 새로운 것일 수는 없겠으나, 하나의 ‘다시 읽기’ 차원에서 《홍루몽》의 인문적 가치를 오늘에 되새기는 시대적 독법으로서 일정한 의미를 가질 수 있을 것으로 생각된다. As everyone knows, Hongloumeng(紅樓夢) is a work containing the plentiful contents and implications while the author clearly summarized that the point of work was to talk about ‘qing(情)’. Meanwhile, repeatedly showing the critical viewpoint on the existing narrative, especially the narrative of ‘gifted scholars and beautiful ladies’, the author suggests that Hongloumeng is certainly a work differentiated from them. Then what kind of ‘qing’ different from the existing Chinese scholar & beauty novels did the author aim to describe, and what are the implications and values of it? Starting from a critical mind of the reality where individuals are alienated and sick even when the current society is filled with desires, this paper aimed to reinterpret ‘qing’ of Hongloumeng. In other words, focusing on keywords like ‘intersubjectivity’ and ‘coexistence’ in the ontological/relational perspective, it aimed to examine Jia Baoyu’s feeling of confidant with Lin Daiyu, and the perspective on women/lower-class people, and also to newly reveal the social meanings and humanistic implications. Even though this approach may not be something new in the aspect of contents, it could be meaningful as a reading method of the time to meditate the humanistic value of Hongloumeng in the level of ‘Re-reading’.

CMAQ 모델링을 통한 한국의 다환방향족 탄화수소 및 SOA 건강영향평가

김효민,Ross E. Russel,Shu Tao,송철한 한국대기환경학회 2021 한국대기환경학회 학술대회논문집 Vol.2021 No.10

다환방향족탄화수소(PAHs)는 국제 암 연구기관(IARC)에서 지정한 1급 발암물질으로 산화 반응을 통해 만들어진 2차 생성 물질(SOA) 또한 높은 독성을 가지고 있다. 한편 현재 사용되고 있는 화학 수송 모형(CMAQ)에도 다환방향족탄화수소의 반응식이 고려되어 있지만, 기체상의 나프탈렌만을 포함하여 제한적이고 화학 반응식의 정확도 또한 현저히 낮은 수준이다. 다환방향족탄화수소의 경우 휘발성에 따라 입자상과 기체상으로 모두 존재할 수 있기 때문에 각각에 대한 반응을 다르게 고려해야한다. 이에 본 연구에서는 CMAQ v5.2.1의 다환방향족탄화수소 모의 정확도를 향상시키고자 기존 KORUSv5.0 배출장에 북경대에서 제공한 PKU-PAHs 배출장 인벤토리를 추가하였으며 미국환경청(USEPA)에서 지정한 16종의 다환방향족탄화수소의 물리적 과정(Gas-to-Particle Partitioning, 수송, 건성침적, 습성침적)을 업데이트 하였다. 또한 ‘Gas-to-Paricle Partitioning’을 통해 나눠진 기체/입자상의 다환방향족탄화수소에 대해 각각 기체상 반응과 비균질반응을 추가하였다. 모델의 성능 평가를 위해, 한미 대기환경합동조사(KORUS-AQ) 기간의 유기 에어로졸(Organic Aerosol) 관측 자료와 비교 및 분석하였다. 발전된 CMAQ모델을 통해 모의된 다환방향족탄화수소 및 2차생성물질의 농도를 바탕으로 건강영향평가를 실시하여 암 위험성(CR)을 계산하였다.

논문 : ‘이가원본’을 통해 본 조선후기 《서상기(西廂記)》한글번역의 수용과 변용

김효민 중국어문학회 2012 中國語文學誌 Vol.40 No.-

淵民李家源先生曾於1974年刊行了所謂“阮堂譯本《西廂記》”(以下稱“李家源本”), 他根據其序文末尾的“前聖嘆後聖歎同一聖歎/鷄林後人金正喜識”這一記錄, 主張該譯本爲阮堂金正喜於1811年飜譯的韓譯本。之後至今, 這一直是被廣爲接納的說法。但是, 通過本硏究發現, 該譯本幷不是某一文士單獨飜譯的, 而是某人以旣有的“梁承敏所藏本系列”譯本爲主要底本, 把타改譯爲敍事體讀本的。李家源本的序文亦是將“梁承敏本系列”譯本之序文直接轉載的, 只是改譯者在타的末尾添寫了兩句, 假託名士金正喜之名而已。至於改譯者是誰, 現在無法考證, 而흔可能是生活在19世紀的精通於韓文的通俗文學愛好者, 而且假託金正喜之名的也就是改譯者自身。李家源本雖然是改譯本, 但在接受的主體性這一層面上, 改譯者考慮到朝鮮讀者的閱讀習慣, 把타改譯爲敍事體讀本, 幷注重於使行文愈加通暢流利, 讀本的可讀性隨之大爲提高。不僅如此, 在改譯過程中, 適當地融入了當時朝鮮的社會通念及民族情緖, 以便讀者接受得更自然一點。尤其, 把底本改編爲純韓文讀本, 使讀者更容易地接受幷享受改譯本本身, 這樣, 타獲得了作爲自足性讀本的意義。雖然該改譯本也有一些細小不足之處, 然而타的確寫下了朝鮮《西廂記》接受史的新一頁, 在這一點上, 我們對其獨特的文本價値應該給予充分肯定。

백신 접종 이후, 코로나19 백신 부작용 피해 보상의 정치

김효민 한국사회학회 2022 한국사회학회 사회학대회 논문집 Vol.2022 No.12

The Hegemony of Modernity and the Science of the Unknowable

김효민 한국과학사학회 2011 한국과학사학회지 Vol.33 No.2

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코로나19 이후, 홍대 인디음악 씬에 나타난 라이브 공연 문화의 하이브리드적 속성 연구 - 소셜 네트워크 분석을 중심으로

김효민 한국문화융합학회 2022 문화와 융합 Vol.44 No.3

This study was attempted to find out through social network analysis what attribute the semantic network structure related to the Hongdae indie music scene forms and clusters at a time when the paradigm of live performance is shifting around the world after COVID-19. In addition, by grasping the structural context of these networks, we tried to analyze the hybrid properties of the live performance culture appearing in the Hongdae indie music scene after COVID-19. For this purpose, ‘Hongdae’ and ‘Indie’ were set as collection keywords, and data for a total of two years from January 20, 2020, when COVID-19 first occurred in Korea, were crawled into Naver, Daum, and Google channels. Next, data purification and TF-IDF-based frequency analysis using ‘TEXTOM’ were performed. The main centrality and clusters related to ‘Hongdae’ and ‘Indie’ were analyzed through ‘UCINET6 Program’ and ‘NetDraw’ to investigate the structural context of the network. The research results are as follows. As a result of TF-IDF-based frequency analysis, ‘performance’ was the most frequent keyword, and ‘Hongdae’ was the highest connection value as a result of degree centrality analysis. Above all, ‘online’ shows a higher value of degree centrality than the results of frequency analysis, indicating that ‘online’ of Hongdae indie music has been formed since COVID-19. As a result of closeness centrality analysis, there has been a phenomenon of deterritorialization in which live performances and artistic activities continue beyond the boundaries of the Hongdae area after COVID-19, and live performances using digital space-based platforms run by public institutions, broadcasting stations, and companies. As a result of CONCOR analysis, it was found that after the outbreak of COVID-19, the subjects of the Hongdae indie music ecosystem have been freely trying new hybrid live performance methods by crossing the real and virtual space areas mediated by digital technology. Since the outbreak of COVID-19, members of the Hongdae indie music scene have applied various equipment and digital technology(DT) inside small performance halls around Hongdae to create variability in performance spaces and have been swimming in platform spaces and actual performance spaces. By referring to these research results, it is necessary to identify the hybrid live performance behavior of the Hongdae indie music scene brought about by the COVID-19 disaster and to discover legal regulations and new cultural policy agendas required in the pandemic era to maintain sustainability.

Symptom Features of Terminally Ill Cancer Patients and Depression of Family Caregivers

김효민,고수진,황인철,최윤선,황선욱,이용주,김영성 한국호스피스완화의료학회 2017 한국호스피스.완화의료학회지 Vol.20 No.3

Purpose: There has been very little study on the associations between patient’s symptoms themselves and family caregiver (FC)’s depression in the palliative phase. This cross-sectional study was to investigate the relationship between symptom features of terminally ill cancer patients and their FC’s depression. Methods: We performed a multicenter survey using the MD Anderson symptom inventory and the Hospital Anxiety and Depression Scale. A total of 293 patient-FC pairs were recruited from seven tertiary medical centers. A multivariate regression analysis was applied for identifying the relevant factors associated with FC depression and for estimating adjusted depression score of FCs. Results: Among various psychosocial factors, low FC quality of life, low social support, spouse, and more caregiving time were significantly associated with FCs’ depression. According to the presence of FCs’ depression, there were significant differences in some symptom characteristics of patients. Even after adjusting for the relevant confounders, depression scores were lower in FCs caring for patients who had negative symptoms (loss of appetite, P=0.005; drowsiness, P=0.024; and dry mouth, P=0.043) than in FCs caring for patients who had not. FCs caring for patients with severe appetite loss had lower depression scores than those with not severe one (P=0.039). Conclusion: Our result suggests that patient’s symptom characteristics might be helpful when evaluating a FC’s depression.

"과학의 승리"는 어떻게 선언될 수 있는가? 친자 확인을 위한 혈액형 검사가 법원으로 들어갔던 과정

김효민 한국과학기술학회 2019 과학기술학연구 Vol.19 No.1

The understanding of law and science as fundamentally different two systems, in which fact stands against justice, rapid progress against prudent process, is far too simple to be valid. Nonetheless, such account is commonly employed to explain the tension between law and science or justice and truth. Previous STS research raises fundamental doubts upon the off-the-shelf concept of ʻscientific truthʼ that can be introduced to the court for legal judgment.Delimiting the qualification of the expert, the value of the expert knowledge, or the criteria of the scientific expertise have always included social negotiation. What are the values that are affecting the boundary-making of the thing called ʻmodern scienceʼ that is supposedly useful in solving legal conflicts? How do the value of law and the meaning of justice change as the boundaries of modern science take shapes? What is the significance of ʻscienceʼ when it is emphasized, particularly in relation to the legal provisions of paternity, and how does this perception of science affect unfoldings of legal disputes? In order to explore the answers to the above questions, we follow a process in which a type of ʻknowledge-deficient modelʼ of a court—that is, law lags behind science and thus, under-employs its useful functions—can be closely examined. We attend to a series of discussions and subsequent changes that occurred in the US courts between 1930s and 1970s, when blood type tests began to be used to determine parental relations. In conclusion, we argue that it was neither nature nor truth in itself that was excavated by forensic scientists and legal practitioners, who regarded blood type tests as a truth machine. Rather, it was their careful practices and crafty narratives that made the roadmaps of modern science, technology, and society on which complex tensions between modern states, families, and courts were seen to be ʻresolvedʼ. 법과 과학을 근본적으로 다른 두 체계로서 보는 시각, 즉 사실 대 정의, 객관적 기술 대당위적 규정, 신속한 진보 대 신중한 절차의 대조가 나타나는 두 체계로서 이해하는 관점은그 단순함에도 불구하고 법의 결정과 과학의 지식 주장 간에 발생하는 긴장을 설명하기위해 관습적으로 활용된다. 이 대립구도는 때로 법이 과학의 진보를 미처 따라잡지 못한다는 해석과 비판으로 이어지기도 하는데, 그 한 사례가 관찰될 수 있는 장소가 친자확인을 둘러싼 법적, 과학적 공방이다. 법원이 현대 과학의 조력을 받아들여야한다는 주장은 주의 깊게 점검해보아야 할 또 다른문제들을 제시한다. 법적 분쟁의 해결에 조력을 줄 수 있는 “현대 과학”으로서 이해되는무언가의 경계가 구체화되는 과정에 영향을 미치고 있는 가치는 무엇인가? 현대 과학의경계 형성 과정 속에서 법이 수호해야 하는 가치와 정의의 의미는 어떻게 변화하는가? 특히 부성(paternity)의 법적 규정과 관련하여 혈연의 중요성이 강조될 때, “과학”의 의의는무엇으로 인식되며 이러한 인식은 법적 분쟁의 진행에 어떤 영향을 미치는가? 위 질문들에 대한 답을 탐색하기 위하여, 우리는 법원이 과학의 유용한 기능을 활용하지못하고 뒤쳐진다는 일종의 지식 결핍 모델에 가까운 해석이 특정한 형태를 띠고 사회적으로 유관한 집단을 모으게 되는 과정을 따라가 보고자 한다. 이를 위해 우리는 1930년대이후 1970년대까지 미국의 법원에서 친부 관계의 판정을 위해 혈액형 검사가 활용되기시작하며 나타난 일련의 논의와 변화에 주목하였다. 결론적으로 우리는 “진실을 확증해줄수 있는 도구”라는 틀 속에서 혈액형 검사의 “가치”를 정량화, 서사화하였던 법의학자들과법률가들이 지속적으로 만들어 나갔던 것이, 있는 그대로의 자연이나 진실 같은 것이 아님을 주장한다. 이들의 행위와 서사를 통해 만들어진 것은 근대 국가, 가족, 법원의 사이에서발생하는 복잡한 긴장을 “해결”해 줄 수 있는 과학기술에 대한 기대, 그리고 그에 “뒤쳐지지” 않는 근대 사회라는 로드맵을 구체적, 희망적, 전문적으로 그리는 방법이었다.