한국 NGO의 성과모형 개발에 관한 연구

박선경(朴善瓊) 한국지방정부학회 2005 지방정부연구 Vol.8 No.4

NGO활동이 여성의 정치자본에 미치는 영향 - NGO구성원과 비구성원의 인식차이를 중심으로

박선경(朴善瓊) 한국지방정부학회 2008 지방정부연구 Vol.12 No.1

  본 연구는 정치사회화이론에 근거하여 한국 여성들이 NGO의 활동을 통해서 획득한 정치자본을 조사하였다. 특히 NGO내부와 NGO외부라는 환경의 맥락을 강조하여 NGO구성원(회원, 상근활동가, 임원, 비회원자원봉사자 등 NGO에 소속되어 활동한 경험이 있는 여성정치가)과 NGO비구성원(NGO와 상호작용하지만 NGO에 소속되어 활동한 경험이 없는 여성정치가)의 정치사회화의 결과차이에 초점을 두었다. 분석결과에 의하면, NGO구성원들은 NGO의 활동요인들(감시요인, 시민권익보호요인, 시민교육요인, 갈등조정요인)중 ‘시민교육요인(평균 3.41점, 영향력 .425)’과 ‘갈등조정요인(평균 2.87점, 영향력 .340)’을 통하여 정치자본(지식요인 평균 3.13점, 태도요인 평균 3.03점, 네트워크요인 평균 3.03점, 기술요인 평균 2.76점 순으로 구성)을 획득하였다. 반면 NGO비구성원들은 ‘갈등조정요인(평균 2.46점, 영향력 .502)’과 ‘감시요인(평균 3.36점, 영향력 .328)’을 통하여 정치자본(지식요인 평균 2.39점, 태도요인 평균 2.19점, 네트워크요인 평균 2.17점, 기술요인 평균 2.11점 순으로 구성)을 획득하는 것으로 조사되었다. 여성들이 NGO내부와 NGO외부라는 서로 다른 정치의 장(field)에서 NGO를 통해서 획득한 정치자본에 차이가 있었다. 두 집단은 그들이 처한 환경의 맥락에서 정치사회화되는 것으로 볼 수 있다. 본 연구의 결과는 한국의 NGO가 여성들의 정치자본을 증가시키는 전략을 수립하는데 도움을 줄 수 있을 것이다.   The purposes of this study are, on the basis of the political socialization theory, to examine the cognitive differences of the female politicians as to how NGOs play an important role over the formation of their political capital, and to figure out the best method as to how NGOs can contribute to the capital formation of their members and non-NGO members respectively.<BR>  To inquire into the subject, various kinds of resources like books and articles regarding the subject are reviewed, to begin with, and a questionnaire survey is carried to 564 female politicians including NGO members and non-NGO members. And then, to analyze the questions, such methodologies as factor analysis and regression analysis are used.<BR>  Several of the research findings of this study are as follows<BR>  Such factors as ‘Citizen Education" and ‘Conflict Coordination" are very strong especially for the formation of NGO members. On the other hand, "Conflict Coordination" and ‘Inspection" appeared to have a strong effect on the political capital of non-NGO members. This means that political capital is formed in a certain political socialization in an environmental situation where she is. In addition, this study can also give a strategic idea as to which factors NGOs should have increasing interests in, for building up the political capital of NGO members and non-NGO members.

PUCCI작품을 통하여 나타난 특징에 관한 연구

박선경 한국디자인학회 1994 디자인학연구 Vol.- No.8

NGO성과에 관한 전문가들의 인식조사 : 법·정·행정 NGO를 중심으로 with an Emphasis on NGOs concerning the Law, Politics, and Public Administration in Korea

박선경 漢陽大學校 行政問題硏究所 2005 行政問題論集 Vol.20 No.-

오늘날 NGO의 역할과 영향력이 증대하고, 서비스공급의 한 영역을 담당하게 됨에 따라 NGO의 책임성문제가 크게 대두되고 있다. NGO관계자들 스스로도 그들의 영향력을 유지하기 위해서는 보다 더 책임감을 가져야 한다고 한다. NGO가 책임성을 확보하기 위해서는 성과관리를 통하여 국민의 신뢰를 얻어야 한다. 그래야만 국민들고부터 지지를 얻어 조직의 정당성을 확보할 수 있다. 본 연구는 이러한 점에 문제의식을 가지고 NGO도 조직의 한 유형이므로 조직론적 시각에서 NGO의 높은 성과에 관한 NGO전문가들의 인식을 조사해보았다. 분석결과에 의하면, NGO의 높은 성과에는 ①명확한 사명과 목표의 설정 ②전문성과 사명의식을 갖춘 인적자원의 확보 ③독립적인 자금출처의 확보 ④환경변화에 따른 지속적인 개혁전략의 개발 ⑤성과측정 및 평가 기준의 개발 ⑥조직의 정당성획득 ⑦민주적인 조직문화의 구축이 필요하다. Today, as the roles and influences of NGOs have been increasingly important. NGOs have been begun to consider their responsibility seriously. In fact, we beileve NGO will take important roles to improve our democracy. To secure their responsibility, NGOs have to gain the trust of the people with their high performances for the supports of the people and the justice of the organization. Therefore, this study examines the cognitions of professional managers elected from each NGO, with 30 variables collected from the research of organizational effectiveness, to bring about high performances of NGOs because NGO is a type of organlzation. The findings of this study are as follow: ①setting of clear mission and goal of organization ②security of human resources that have the specialty and a sense of mission ③security of independent funds source ④reinventing strategy management according to environment change ⑤development of performance measuring indicator for high perfomance of NGOs ⑥obtainment of organization justice and ⑦bullding up of the democratic culture of organization.

Pucci 작품에 나타난 조형적 특징에 관한 연구

박선경 한국디자인학회 1995 디자인학연구 Vol.- No.9

국보 제 263호 白瓷靑畵山水花鳥紋大壺에 대한 연구(Ⅰ)

朴仙卿 龍仁大學校 傳統文化硏究所 1997 丹豪文化硏究 Vol.- No.2

The So˘ngrihak(性理學) was not only a scholarly base of the higher class people but also a practical standard of their lives, by which lots of ritual ceremonies were performed. The ritual ceremonies were held in the Sadang(祠堂:ancestral shrines), the Hyanggyo(鄕校:Confucian local schools) and feast and meeting places of the higher-class families as well as the royal family. White porcelain ritual vessels were mainly used in the ritual ceremonies. The long and big white porcelain jar with the design of landscape, flower and bird in underglaze blue were frequently mentioned in the records of manners of ceremonies of shown in the drawings and paintings in Choso˘n(朝鮮). It was usually used as a vase. Specifically, the design of phoenix and peony, a couple of cranes and plum flowers with grass on this jar are the same as those in the ornaments and accessories used in the palace, which tells that this jar must have been used in the royal ceremonies. Its body shape is a standard example of white porcelain jars in underglaze blue produced in the 18th century, with the straight mouth, the full-rounded main body, the long stature with decreasing width toward the bottom. Such long and big jars had been made through the whole period of Choso˘n and there was only a slight timely difference in the body shape. In the 18th century, various subjects were frequently drawn in underglaze blue on the white porcelains such as the specific design of Tongjo˘ngch′uwo˘l(洞庭秋月:the lake with a fall moon), O˘ch′onso˘cho(漁村夕照:the sea village with a setting sun), phoenix, peony flower, crane plum flower, pink, weird rock found in this work. White porcelains were characterized as its genuine white color with wide empty parts even after the design were given. It was from special artistic thoughts of Choso˘n people and the design also had a special type of Choso˘n. In the early 18th century, the design was given in simple style, but they became more complex in the mid 18th century as those shown in this work. The landscape began to be decorated as a main pattern with no sub-design in the first half of the 18th century and changed into the style of various subjects with several sub-design. In the second half of the 18th century, stereotyped design in rough style were given in full scale on the body. The present work has two main types of design, a landscape and flowers with birds. The landscape can be estimated as an independent work considering its style and structure. Such landscapes as Tongjo˘ngch′uwo˘l and O˘ch′onso˘kcho belonged to the Sosangp′algyong(瀟湘八景: Eight Landscape of Sosang). Porcelains with those design with stereotyped subjects were made to the taste of the royal or higher-class people in the 18th century. This reflects their scholastic taste for the unworldliness and aestheticism which newly prevailed through the influence of foreign culture after the period of the "True-View" landscape painting(眞景山水). Moreover, the design of this work can be considered to have close relations with the introduction of Hwabo(畵譜:picture manual). The producing style of the landscape is very similar to that in the Hwabo usually made in woodblock print, from which we guess it was a result form making them in reference to the books. We can find very similar design in the 18th century fine art works or white porcelains in underglaze blue, which tells us that the Hwabo with stereotyped subjects offered not only fine art subjects to the official artists or high-class scholars but also references of the design on the ceramics. The Ponghwangmorando(鳳凰牧丹圖:the design of phoenix and peony) and the Ssanghakmaehwach′odo(雙鶴梅花草圖:the design of crane couple and plum flowers with grass) were designs which reflect the values of the then society. The design of crane and dwarf tree, which shows the influence of Ching(淸), reflects the tendency of enjoying safety of life and property and the higher class scholars' literary taste of unworldliness and estheticism. Specifically, the phoenix design with weird rocks is the same as that frequently found in royal ornaments, embroidered back and breast insignias, adornments and folding screens, which suggests that this work was used by the royal family. Such designs seem to have a model pattern. They are in an excellent realistic style with an earnest description in detail which cannot be seen in any other porcelain work. we can estimate form this that this work was produced for a special purpose as a best masterpiece. This work was produced by best artists of that time. This work reflects a new taste of higher class scholars in the later Choso˘n period and is estimated to have been produced not only as a ritual vessel but also as an ornaments. This work with unique design and majestic body shape is undoubtedly an important material for the study on the general tendency of the society, culture and art of the 18th century Choso˘n.

G.Kaiser의 「아침부터 자정까지(Von morgensbis mitternachts)」에 나타난 劇形式 硏究 : 개방형식(Offene Form)의 관점에서

박선경 이화여자대학교 교육대학원 1992 이화교육논총 Vol.3 No.-

Madeleine vionnet의 작품에 관한 연구II : 연구대상 작품의 제작되어진 패턴을 중심으로

박선경 服飾文化學會 1996 服飾文化硏究 Vol.4 No.1

Madeleine Vionnet, a representative designer of the 1920's, who made prefectly organized clothes with unique formativeness was the first to express fabric in a modern method and was called "The architect of fashion". This because she developed a three dimensional design by expressing cloth-she rejected corset, shoulder pad, etc-into elegant curved lines that do not stick to the body. By granting meaning to the beauty of the body and its movement in her own unique ways, she emphasized the formativeness in her work and gave shape to creative artistry. Expecially with the "Bias-Cut" she could express the lines of the body more flexibly and could make geometrical styles like the diamond shape dress or the triangle dress more effectively. Using the "Tierd Bias cut" and "Handkerchief point" she let the skirt hemline dangle irreguarly in geometrical forms, thus showing modern formative sense which forms a three dimensional solidness along the movement of the body. Thus far, analyzed how the contemporary trend of art was reflected in her designs by studying her work; also investigated through her artistic characteristics and pattern method. Also be tried to find out what can be learned through her artistic view and superb formativeness as a designer.

朝鮮時代 17세기 전반기의 鐵畵白磁

박선경 龍仁大學校 1998 용인대학교 논문집 Vol.15 No.-

The white porcelain of Chosen Dynasty has been recognized as an important cultural inheritance representing Korean industrial art, and the white pocelain painted in underglaze iron, with the white and blue porcelain, is an important genre of Chosen white porcelains which expresses great picturesque patterns. Despite the high evaluation for a long time, the existence of the white porcelain painted in underglaze iron has not been considered as much as that of the white and blue white porcelain. However, with the help of the academic research and development and from the viewpoint which puts more value on things with Korean flavor, the importance of white porcelain painted in underglaze iron in porcelain history is ganining attention again. Also, the meaning of white porcelain fainted in underglaze iron with a free-style pattern and a simple shape is increasing since it expresses time invariant art with creativity and awareness of beauty of Chosun Dynasty. On the other hand, vast amounts of research topics have been presented by the long production period of white porcelain painted in underglaze iron ranging from the beginning of Chosun Dynasty to 18 centry, which is discovered through the study of Kwanju govermental kiln, and by white porcelain painted in underglaze iron pieces collected in white porcelain kiln all over the country. This theses, as a basic research step, studies the development and the position of white porcelain painted in underglaze iron in Chosen porcelain history by establishing a period of white porcelain painted in underglaze iron in the stream of white porcelain development and by the characteristics of shapes and patterns of white porcelain painted in underglaze iron.

국보 제263호 백자청화산수화조문대호에 대한 연구(Ⅰ)

박선경 용인대학교 전통문화연구소 1998 丹豪文化硏究 Vol.- No.3