現代漢語ABB式形容詞的內部結構硏究

윤애경 ( Ae Kyoung Yoon ) 한국중국언어학회 2015 중국언어연구 Vol.0 No.57

ABB식 형용사는 단음절 형태소 A와 첩음 형태소 BB로 구성된다. A는 그 성질에 따라 형용사성, 동사성, 명사성, 이렇게 크게 세 가지로 나눌 수가 있다. A가 어떠한 성질이든 ABB식 형용사 구조에 들어가게 되면 전체 구조의 영향을 받아 모두 어떠한 상태를 나타내게 된다. BB는 A가 나타내는 상태를 구체화하고, 이를 생동감 있게 묘사하는 기능을 한다. A와 BB의 조어력은 각기 다르다. 조어력이 강한 A는 많은 BB와 결합할 수 있지만, 조어력이 약한 A는 몇 개의 BB하고만 결합한다. 마찬가지로 조어력이 강한 BB는 많은 A와 결합하여 각기 다른 ABB식 형용사를 만들 수가 있지만, 조어력이 약한 BB는 결합할 수 있는 A가 제한적이다. 하지만 아무리 조어력이 강하다고 하더라도 A와 BB의 조합에는 일정한 제약이 따른다. 단음절 형태소 A 중에서는 색깔을 나타내는 A의 조어력이 강한 편이다. ABB식 형용사는 제한적인 언어로 무한한 색을 나타내는데 효과적이며, 색 이외의 다른 정보를 색깔 정보와 함께 동시에 나타낼 수 있다는 장점이 있다.

농촌 지역 결혼이주여성의 타자화 경험에 관한 현상학적 연구

윤애경 ( Yoon Ae Kyoung ),박철우 ( Park Chul Woo ) 한국게슈탈트상담심리학회 2024 한국게슈탈트상담연구 Vol.14 No.1

The purpose of this study is to analyze the otherization of marriage migrant women in rural areas of Korea from a phenomenological perspective. In order to do so, In-depth interviews were conducted with 6 married immigrant women who have fully experienced otherization among the migrant women who have lived in Korea for more than 10 years. As a result of analyzing this, 111 semantic units were derived, and based on this, 59 central meanings and 24 sub-themes that can be regarded as common experiences were constituted, which were finally categorized into 6 themes: ‘Marriage chosen with vague hope to escape poverty’, ‘recognizing that one’s expectations were wrong’, ‘facing the inherent limitations of marriage migrant women’, ‘not being treated as a human being by her husband and in-laws’, ‘facing unimaginable difficult realities’, ‘hope and subjectivation as a marriage migrant woman’. These results show that otherization of marriage migrant women is related to their marriage motives and international marriage methods like purchasing marriage, and is expanded by their closest relationships, husbands and in-laws. Therefore, in order to overcome the otherization and economic situation that do not meet their expectations, mutual respect in marital relationship and the establishment of boundaries in the nuclear family system need to be supported. To this end, the legal and institutional strategy for married migrant women should be further systematized. Finally, The implications and limitations of this study are discussed and future directions of the research are suggested.

한국소설에 나타난 베트남전 2세의 형상화 양상 -『붉은 아오자이』, 『사이공의 슬픈 노래』, 『슬로우 불릿』을 대상으로-

윤애경 ( Ae Kyung Yoon ) 우리어문학회 2014 우리어문연구 Vol.50 No.-

In this paper that targets the works dealing with the lives of the second-generation after the Vietnam War, it was examined what clues to solution to their conflict situations the writers suggest, and what meanings the means of description to embody them have. As the solutions to the absolute pain they go through, a variety of ways, such as family reconciliation, acceptance by destiny, ruinous resistance, are presented, and the means of description which express them and their meanings can be summarized as follows. First, the form of reminiscence which re-constructs the Vietnam War continues to awaken the appropriateness that the remembered past should accept the real scars of the war and create future-oriented relations. In addition, as it is specified as the transmission and share of memories among generations, the shift to family narrative which is both personal and a basic unit of the society is displayed. Second, the self-reflection mainly by the father generation shows a serious change of recognition of the Vietnam War from the other`s viewpoint to the origin of my pain. Even through the meanings of the fictitious embodiment of the second generation of the Vietnam War are eventually concluded into the general messages of the novels related to wars, they examine the distinct characteristics of the Vietnam War and the point where its nowness is manifested within the category of family and daily life, and deduct their meanings in the present.

윤동주 산문과 디아스포라 주체의 담화적 소통

윤애경 ( Yoon¸ Ae-kyung ) 우리어문학회 2021 우리어문연구 Vol.69 No.-

Yoon Dong-ju's prose works were written during certain years when he studied at the center of his colonized homeland as a member of diaspora away from his home. After studying in his colonized homeland away from his home over two occasions, he got to secure objectivity as an individual that saw his homeland as specific actuality pressed down by the oppression of the ruling Japanese rather than superficial ideality. In the field of living in his colonized homeland where he made his second visit, in particular, he withdrew inward and, at the same time, searched for his direction of action driven by his increasingly fierce pain and conflict, ending up erupting in multiple ways to reveal his will for active communication. He exhibited a pattern of adopting another type of writing called prose in addition to his active poetic creations at this time. The significance of his pattern can be understood at the level of discourse communication by a subject of diaspora possessing the characteristics of prose. His independence as a member of diaspora derived from his existential conditions was formed based on his understanding and sympathy for others and the expansion of his thinking of the world. Reacting to the contradicting situations of the militaristic colonial system that was growing more and more violent, his writing represented his direction of reflection not restricted to his inside and his shift of gaze to external others in his colonized homeland to show his orientation toward search for active communication clearly. Here, his locutionary conception of the independence of his homeland was inevitably based on the premise of others and their active roles in the process of discourse communication. In addition, he got to acquire specific meanings for his internal experiences as a subject of diaspora through other-like experiences in the process of discourse communication in which he as the speaker would make room for the discourse addressee's active and responsive understanding after finishing his own speech. These findings indicate that his prose works examined at the level of discourse communication had the strong nature of willful writing chosen to deliver his locutionary conception of others in colonized Joseon effectively rather than his simple personal writing containing his self-introspection.

안수길의 초기소설과 역사의식 연구 -「벼」의 인물형상화와 서술양상을 중심으로-

윤애경 ( Ae Kyong Yoon ) 우리어문학회 2004 우리어문연구 Vol.23 No.-

「신궁」에 나타난 토속적 생명력 연구

윤애경 ( Ae Kyong Yoon ) 민족어문학회 2005 어문논집 Vol.51 No.-

현대문학 : 전경린 단편소설의 환상성 연구

윤애경 ( Ae Kyung Yoon ) 배달말학회 2015 배달말 Vol.56 No.-

In this paper, the meanings of fantasy as the narrative device in order to effectively embody the description to find the identity as a female, which establishes the central axis of the world of Jeon Kyeonglin``s works, were examined. The fantasy in literature is its immanent method, and simultaneously, the outcome of the desire to overturn the actual system in that it````s produced and decided in the social context. The meanings of the fantasy in her novels, first, lie in that it reveals the dialectical relation between the reality and illusion. The female characters search for their identity, and yet ceaselessly show the rivalry with the reality, and their prospect is uncertain. The character composition connotates the overthrow that dissolutes a uniform figure through an animal motif. A goat, a wolf and a bird function as the media encouraging females who are leading an otherized life to become aware of their wild nature. Second, it implies the writer``s belief in the essence of life and transcendental consciousness. The females`` ontologistic lives are longing for an original life while repeating reincarnation, which is based on the transcendental consciousness of the present repressed life. As investigated above, the fantasy in Jeon Kyeonglin``s works is significant because it calls our attention to the contradictions of the reality even though it just exposes the irregularities and suppression of the patriarchal system and then goes back to the stable social order again. Moreover, in the respect that the yearn for women``s independent life is not merely females`` problem, but implies the writer``s consciousness pursuing autonomous rights of one``s own life and liberation and freedom from all oppressive ones, it``s meaningful that it delivers the writer``s interest in narrative and the depth of her critical mind in a more serious way.

해방기 삶의 탐색 태도와 그 의미-허준의 「잔등(殘燈)」론

윤애경 ( Yoon Ae-kyong ) 한국문학이론과 비평학회 2005 한국문학이론과 비평 Vol.26 No.-

< Jandeung >, which was written by Heo, Jun right after The Liberation, has been evaluated as a remarkably unique one in the history of korean novels by expressing an era of confusion, an era of The Liberation as a searching manner toward the world. This research examined its significance in the history of literature as a literature during the period of The Liberation, laying stress on the meaning implied by 'the spirit of a strict observer', in other word, 'the spirit of the 3rd party', which has been evaluated as a core value in < Jandeung >. The observing attitude of the character in the novel makes up of one axis as a searching operation for the objective meaning, while the subjective attitude of the value searching, which goes in line with the observer's objective attitude, does the other central axis. The observing attitude mentioned as a core of this work could be fairly evaluated by simultaneously revealing the meaning toward this directly-opposed attitude. This 'value-oriented viewpoint' is generally connected with the area of valuation which exists beyond the actual state. In this transitional period when it is impossible to coolly recognize the reality, this work, with objectively recognizing the reality of the period through the observing attitude and the value-oriented viewpoint and further drawing out the structure of 'the completed itinerary', has become a model in the literature of the Liberation period.

이청준 소설의 액자소설적 성격 연구 ―「병신과 머저리」를 중심으로

윤애경 ( Yoon Ae-kyung ) 한국문학이론과 비평학회 2008 한국문학이론과 비평 Vol.41 No.-

Chungjun Lee's attitude of recognizing reality that he understands it in various aspects and explores the truth of life is expressed as a polyphonic discourse of constructing a text and a stratified descriptive situation. In particular, his consideration of the aspect of effective statement is closely related to the question of narrative communication of 'how' to convey the shape of the truth he himself has got, which is revealed through the roles of a frame narrator and readers. The conflict of 'me' in a frame layer forming the main axis of this novel is made the foreground not only in the novel of 'an elder brother' introduced in the layer of the internal story but also in the elder brother who writes such a novel and in a polyphonic discourse through 'Hyein's letter' which 'I' comes to get in a frame layer. Through such a polyphonic discourse I am changed into the reflective subject who slowly confirms the conflict internal to me and deepens it. On the one hand, the internal story controlled by a frame narrator is conveyed to readers through the aspects of various descriptive situations, that is, objective summary description, direct quotation, annotative description and the description as an editor, and the effect of distance control by them. Eventually, his flexible attitude of recognizing reality through objectifying a speaker and his structure of a frame story in which he induces his readers to actively participate in it form one primary feature of his world of novel.

1960년대 소설에 나타난 소시민적 일상성과 자기세계의 양상

윤애경(Yoon, Ae-Kyung) 동아인문학회 2013 동아인문학 Vol.24 No.-

1960년대 소설에 나타난 소시민적 일상성과 자기세계의 양상을 이호철과 김승옥, 박태순의 작품들을 중심으로 살펴보았다. 60년대 사회는 한국전쟁 이후 자본주의적 근대화로 나아가고 있었고, 이 시기의 문학은 자연히 근대적 인간으로서의 개인의식의 탐구와 자아정립의 문제가 초점화 되었다. 그것은 구체적으로 근대화의 경험 속에서 해체되거나 변화되는 개인에 대한 성찰의 문제로 드러나는데, 특히 소시민적 일상성을 중심으로 형상화되고 있다. 이호철의 경우, ‘상황의 메커니즘’에 의한 체념적 순응을 보여줌으로서 소극적 자기세계를 보여주었다. 김승옥은 ‘의식의 조작’을 통하여 소시민적 일상성에 적극적으로 지향하였고 그 결과 몰주체적 자기세계를 형성했다. 박태순은 변모된 ‘현실의 객관적 인지에 의한 양가적 시선’과 비판적 자기세계를 조성했다. 이와 같이 소시민적 일상성을 통한 자기세계의 구축 양상에 있어서는 다양한 편차를 보이고 있으나 궁극적으로 근대적 주체로서의 자율적 개인의 형성에는 미흡하였음을 볼 수 있었다. I explored a petit bourgeois"s dailiness and the aspects of self-world, which had appeared in the novels of the 1960s, centering on Hochul Lee"s, Seungok Gim"s and Taesoon Bak"s works. After the Korean War the society of the 1960s aimed at capitalistic modernization. Thus, the literature in this period naturally focused on the questions of exploration of personal consciousness and self-establishment as modern man. It was concretely expressed as the question of introspection for an individual dissolved or changed in the experience of modernization. In particular, it was being formalized centering on a petit bourgeois" dailiness. By showing the abandoning adaptation by ‘situational mechanism", Hochul Lee displayed negative self-world. As a result of aiming positively at a petit bourgeois’ dailiness through ‘the manipulation of consciousness’, Seungok Gim formed non-subjective self-world. Taesoon Bak created ‘bivalent eyes by the objective recognition of reality’ changed and critical self-world. I could see that like it they were making various differences in how they constructed self-world through a petit bourgeois" dailiness, but that they did not ultimately form an autonomous individual as the modern subject.