실내 공간과 가구의 상호관계성 연구

백정민(Baek, Jung-Min),허범팔(Hur, Bum-Pall) 한국실내디자인학회 2011 한국실내디자인학회논문집 Vol.20 No.3

Interior design has diverse functions and roles according to recent changes in life and cultural style. As the meaning of space varies, the furniture as another element of the space should also be planned and included in the beginning of the project to accomplish its functional role on the finished space and not only be placed. The relationship between Interior space and furniture should be studied and understood at the same realm because they have a complementary relationship. The final destination of design, which is very challenging to accommodate people, the designer needs to approach to the interior space and furniture in a cognitive view. The study of Semiotics views in a knowledgeable and epistemological way every element as a sign and by the relationship of their characters it makes to understand the structure of the signs. Charles Sanders Peirce, a leader of Semiotics in USA, classified the structure of Sign into Representamen, Object and Interpretant to complete the theory which could systematically describe physical characteristic and function of the Sign and its significance in practical use. Peirce stated that all nine types of Sign would be generated if each structure of Sign in combined with three categories of Sign such as Firstness, Secondness, and Thirdness. In this study, based on Peirce’s nine types of Sign, the interrelationship between space and furniture in interior design was investigated with examples in Living Space, Office Space, and Commercial Space, respectively. In the category of Representamen, which can be classified into Qualisign, Sinsign, and Legisign, it is a feature of Living Space to be expressed in harmonized and stabilized ways. In Office Space vertical/horizontal elements and open expression are differently showed depending on fields. And splendid and interesting expressions are showed in Commercial Space. In the category of Object, which can be classified into Icon, Index, and Symbol, each function of Sign has distinctly been showed as Symbol in Living Space, Index in Office Space, and Icon in Commercial Space, respectively. In the category of Interpretant, which can be classified into Rheme, Dicisign, and Argument, it was found that space image of Living Space is transferred to human being, Office Space regulates human being, and Commercial Space binds human being with the space. In conclusion the function of the interior space and the furniture could be explained in another way with re-interpretation of interrelationship among interior space elements in the concept of Semiotics. It is expected that interpretation with Semiotics in interior design will grow to new theory of design.

중국 신중식(新中式) 실내 스타일의 상공간 적용방법에 관한 연구

왕세학 ( Shixue Wang ),김주연 ( Jooyun Kim ) 한국공간디자인학회 2017 한국공간디자인학회논문집 Vol.12 No.3

(연구배경 및 목적) 중국은 지금 다문화가 병행하여 발전하는 정보화 시대이며 인테리어 디자인 스타일 또한 다양한 트렌드를 나타내고 있다. 신중식 실내 스타일도 그 중 하나이다. 중국의 전통적 느낌이 나면서도 현대적 디자인의 세련된 장점을 그대로 유지하여, 자연스럽게 융화시켜 현대인들의 미에 대한 기준을 찾는 공간 스타일이다. 본 연구는 중국 신중식 실내 스타일의 긍정적인 가치와 맥락을 이해하고, 신중식 실내 스타일의 주요 디자인 특성을 파악함으로서 상공간을 중심으로한 디자인 적용방법을 도출함에 그 목적이 있다. (연구방법) 중국 신중식 스타일은 문헌고찰을 통해 개념을 정립하였는데, 4가지 적용 방법의(문양, 색, 재료, 가구) 개념을 정리 한 후 그의 따라 표현되는 7가지 공간 특성을 도출하였다. 그리고 사례연구를 통해 신중식 스타일의 적용 방법과 공간 특성으로 분류하여 분석 하였다. (결과) 사례분석을 통해서 신중식 스타일의 어떤 디자인 적용 방법을 사용하고 또한 그 디자인 적용 방법에 따라 어떠한 공간의 특성으로 나타나는지 도표로 산출하여 결과를 종합적으로 도출하였다. 5가지 사례분석을 문양, 색, 재료, 가구의 4가지 적용 방법 특성에 따라 종합적으로 분석하면 각 사례마다 강조하는 적용 방법을 통해 다양한 공간 특성이 색다르게 나타남을 알 수 있다. 전통 가구 적용방법에서는 활용성이 필요하지만 현실적으로 많은 부족함을 나타낸다. 신중식 실내 공간을 디자인 할 때 공간의 기능에 따라 방법을 다르게 적용하고 재료와 가구에 방법을 더 치중적으로 적용하면 상공간 안에 신중식 스타일을 더욱 깊이 나타낼 수 있다. 또한 문양, 색, 재료, 가구, 네 가지 적용 방법을 다섯 개의 사례 분석을 통해서 각각의 적용 방법의 유형에 대해 분류하여 적용 비율을 도출하면 문양 적용 방법 중에서 기하문양, 색 적용 방법 중에서 흰색, 재료 적용 방법 중에서 목재와 가구 적용 방법 중에서 병풍의 비율이 가장 높게 나타낸다. 이런 높은 비율의 적용 방법을 위주로 사용한다면 현대 실내 공간에 더욱 신중식 스타일의 공간을 보여 줄 수 있을 것이다. (결론) 신중식 실내 공간을 계획할 때 특히 각각 디자인 적용 방법의 특성을 강조하여 공간을 디자인 한다면 새로운 중국 전통 스타일의 분위기를 느낄 수 있는 상공간을 만들 수 있고, 또한 이런 다양한 적용 방법을 새롭게 제안하고 발전시키는 것이 중요하다. 신중식 스타일 적용 방법의 색다른 시도와 상공간 특성의 상호 관계는 새로운 유형에 의해 독특한 신중식 실내 공간을 구성하며, 중국 전통문화를 창의적이고 실험적으로 활용하는 것이 재현되어 중요한 시너지 요소가 될 수 있다. (Background and Purpose) China is currently witnessing the simultaneous development of information and multiculturalism. However, different trends in interior design remain in style, including the New Chinese Interior Style. This style is characterized by the natural integration of traditional Chinese style with a sophisticated modern design, proposing updated traditional aesthetic standards to modern people. The purpose of this study is to understand the context and value of the New Chinese Interior Style when applied to commercial interior spaces, in order to examine characteristics of conventional sites. (Method) Based on examples in which the New Chinese Interior Style was applied to commercial spaces, four application methods (pattern, color, material, furniture) and resulting spatial characteristics were investigated in this study. Based on notable cases in China, the creation process and seven spatial characteristics(symbolism, openness, diversity, contrast, materiality, harmony, utility)of the New Chinese Interior Style were examined. Characteristics of commercial interior spaces based on this style of design were largely divided into three categories - functional, ornamental, and expressive. - By discussing problems affecting each of these types of commercial spaces, this study investigates ways to improve the value of the New Chinese Interior Style within the context of commercial design. (Result) Based on the spaces examined, this study presents a diagram of findings related to the use of specific design application methods and the spatial characteristics of each application method. In these results, different types of interior spaces displayed different characteristics according to the application method employed. These results suggest that, although usability is the most important factor in applying traditional furniture designs, it is practically absent in current design applications. Methods used to apply New Chinese Interior Style elements within a space vary according to the function of the space, and presenting multiple examples of applying decorative materials to traditional furniture can enrich the use of New Chinese Interior Style in commercial spaces. The rate of application for the four methods (ornament, color, material, furniture) is deduced by classifying the type of each application method through a five case analysis: the rate of geometric ornament in the ornament application method, white color used in the color application method, wooden furniture used in the material application method, and folding screen in the furniture application method appear most often. (Conclusion) When designing spaces using the New Chinese Interior Style, emphasizing the spatial characteristics(symbolism, openness, diversity, contrast, materiality, harmony, utility)of different design application methods can help create a commercial space with added aspects of traditional Chinese atmosphere, and it is important to propose and develop various application methods for including such designs. The correlation between new application methods and characteristics of commercial spaces can help create unique interior designs using the New Chinese Style and bring out synergy by creatively and experimentally updating traditional Chinese styles.

현대 종합병원 공용공간구성의 사용자중심적 실내디자인 특성 연구

김정아(Kim, Jeong-Ah) 한국실내디자인학회 2014 한국실내디자인학회논문집 Vol.23 No.5

As patients prefer large scale hospitals recently, the interior design of general hospitals are conspicuously improving. In the past, most patients visit hospitals to get treatment on diseases; however, recently patients visiting hospitals for the early prevention of disease is rapidly increasing. Accordingly, contemporary hospitals should meet the wish of patients who want to get medical service in more clean and comfortable environment. The existing studies on hospital interior design were mostly limited on analyzing the functionality of each space; however, studies on the interior design of common use space, which is open to all hospital users, are required now. Accordingly, this study classified the common use space in contemporary general hospitals into lobby space, corridor space, waiting space and resting space. The interior design characteristics of each space were classified into; connectivity with external environment, level change by void, introduction of natural elements, dynamics of space and variety of color. Then a case analysis was done by selecting 12 common use spaces in overseas general hospitals. According to the analysis result, the interior design characteristics were more conspicuous in the sequence of corridor space, lobby space, resting space and waiting space. The interior design elements such as overall space arrangement and material-finishing were relatively acceptable; however, the aspect of a user"s environmental behavior, in other words, the psychological aspect, which can lead a patient to natural healing, was relatively insufficient. It is believed that an in-depth interior design focusing on practical users would enable various spatial behaviors. It is hoped that this study would be a help to the interior design of domestic general hospitals as a guideline.

현대 문화시설 내부공간의 내·외부 관계성에서 나타나는 표현특성 및 표현요소에 관한 연구

박희경,공순구 한국공간디자인학회 2018 한국공간디자인학회논문집 Vol.13 No.1

(Background and Purpose) The changed look of architecture that appears in today’s rapidly changing world has a sufficient variety of shapes and spaces to lead the cultural flow of society. In this light, I analyze the interior-exterior relationality and expression characteristics and elements of indoor space, continuing from the interior-exterior boundary defined by the appearance of architecture. I also examine their connection as it is expressed in space. (Research Method) I perform a theoretical examination of interior and exterior spaces by understanding changes in architectural spaces throughout history, grasping the most fundamental concepts and attributes as well as identifying the expression characteristics and elements required for case analyses. The criteria for selecting cases for the study are established by society and culture, which are semantic attributes that form interior and exterior spaces for analyzing earlier studies pertaining to architectural space. The related vocabulary and analytical theories extracted from earlier studies are constructed into a common elemental vocabulary, and the appropriateness of elements selected through the theoretical review is indicated. Accordingly, I distinguish the expression characteristics and elements that belong to the basic principles of composition . The case study is used to identify the types and characteristics of expression elements extracted through a theoretical examination and determination of scope. The case studies show similarities and differences in the use of space (Summary Table 1); characteristics of spaces based on the case studies are identified in Summary Table 2 . (Results) The case study analysis in Summary Table 1 indicates that the relationships between space and areas are closely related to the locations in which the interior and exterior of the architectural spaces are formed; as a result, I have analyzed spatial areas and characteristics in Summary Table 2. Additionally, I could comprehend the connectivity in which the expression elements of space form relationships. (Conclusion) My analysis shows that the expression characteristics of architectural space, which start in the interior-exterior boundary, determine the type and transparency of materials by the degree of their relationships, serving as crucial clues when deciding on the characteristics of the connected indoor space and the arrangement for its various uses. These factors influence the directionality of the expression elements. My analysis shows that they these elements have an impact on the selection of materials and their physical construction. (연구배경 및 목적) 오늘날 급변하고 있는 시대에서 나타나는 건축의 변화된 모습은 사회의 문화적 흐름을 주도할 만큼 그 형태와 공간적 모습이 다양하다. 이에 건축의 외형적 형태에 의한 내·외부 경계로부터 이어져 내부공간에 표현되어 나타나는 모습에서 내·외부 경계의 관계성과 그로인해 나타나는 내부공간의 표현특성과 표현요소를 분석하고 그것들이 어떤 연관성을 가지고 있으면서 공간에 표현되고 있는지 분석하고자 한다. (연구방법) 건축공간의 역사적, 시대적 변화 속에서 건축공간의 이해와 그것의 가장 근원적 개념과 속성을 통해 내·외부공간의 이론적 고찰을 하고 사례분석에 필요한 표현특성과 표현요소를 도출한다. 본 연구의 진행에 있어 사례선정 기준은 내·외부공간을 생성하는 의미론적 속성이라 할 수 있는 사회적, 문화적 측면에서 그 기준을 정하고, 건축 공간 및 내·외부공간과 관련된 선행연구를 분석한다. 선행연구를 통해 추출한 연계어휘와 분석이론은 공통된 하나의 요소적 어휘로 구성하여 앞서 고찰한 이론 고찰을 통해 선정된 요소의 당위성을 명기하고, 이것을 토대로 건축공간의 기본적 구성 원리에 해당하는 표현특성과 내부공간의 표현요소로 구분한다. 그리고, 그것의 이론적 고찰로 추출된 표현요소들의 유형 및 특성들을 도출하고 그 범위를 정하여 사례분석을 진행한다. 사례분석으로 나온 내용은 먼저 용도적 측면에서 나타나는 공통점과 차이점을 종합표-1에서 결과로 도출하고, 종합표-2에서는 그것을 토대로 나타나는 공간의 특성을 영역별 측면에서 결과를 도출한다. (결과) 사례분석을 거쳐 종합표-1에서는 인간과 시설물과의 관계가 건축공간의 내·외부의 형성위치와 밀접한 관계가 있는 것으로 분석되어졌으며, 그 결과 종합표-2에서 공간의 영역과 성격을 분석할 수 있었다. 또한, 공간의 표현요소들이 서로 어떤 연결성을 가지면서 그 관계를 형성하는지를 파악 할 수 있었다. (결론) 내·외부의 경계에서부터 시작되는 건축공간의 표현특성은 그 관계의 정도에 따라 형태와 재료의 투명성이 결정되어지며, 이어지는 내부공간의 성격과 용도 배치를 결정짓는데 중요한 단서가 되는 것으로 분석되어졌고, 그것과 이어지는 내부공간은 공간의 용도와 부합하여 표현요소의 방향성에 영향을 미치고 있었다. 또한, 재료 선정과 그 재료의 물리적 구축까지 함께 결정지을 수 있는 부분으로 분석되어졌다.

실내조경 수공간의 이용만족도 요인 평가

진금해,최만봉,노재현 한국조경학회 2003 韓國造景學會誌 Vol.31 No.1

The purpose of this study is to analyse six different factors of water space that influence interior landscape architecture of officers and commercial spaces. Six different factors of water space that influence interior landscape architecture are the height of the water space, the design form, the blending with the location environment, location, general satisfaction with the water space, and general satisfaction with whole space. The results of this study are as follows: 1. Water space of commercial space was bigger than office space. The satisfaction is the highest in 0∼0.6M(B2) of office space and 3.5M(C6) of commercial space. The cascade form in the office space and large water volume design in commercial areas, which supplies abundant sound and water volume, were the highest. 2. In the analysis of preferences, the design form and the general design of the office space influences satisfaction levels. The height of the water space, and a combination of other factors influence general satisfaction. Water space influences commercial areas in higher degrees. 3. The items were most desired or satisfactory for interior landscape architecture were a cascade, water fall, and small water fountain. 4. A place introduced with water space had higher satisfaction levels. Water space produces higher than general satisfaction and indicates water, space alone cannot make general interior space satisfactory, although it can make interior landscape architecture space satisfactory. 5. There is more general satisfaction in commercial space than in office space. 6. The design of water space influences overall satisfaction: a rest area of office space needs an impressive and aggressive approach, while the office space should harmonize with its surroundings, as a commercial space.

빛과 그림자의 시간성 관점에서 본 성당건축 실내공간에 관한 연구

최정진(Choi, Jung-Jin),김문덕(Kim, Moon-Duck) 한국실내디자인학회 2009 한국실내디자인학회 학술대회논문집 Vol.11 No.2

The study finds out the constitution of catholic Missa programs and interior space and with the understandings of light and shadow"s temporality and catholic churches interior space, the temporality feature and symbolic meaning of light and shadow shown in the space will be comprehended. The result of the study is as follows. Thanks to its physical properties, light is differently represented in space according to directions and kinds. Shadow has color and shape which form various images in space according to light"s properties. Such light and shadow show the temporality feature which changes diversely in accordance with the flow of time. The temporality feature of the light and shadow can be summarized into the three factors; trace, movement, and flow. Plans of a Catholic church and types of the ceiling make different quantities of light come in, which creates diverse atmosphere and mood in space. The temporality that the light and shadow has in interior space of a Catholic church building is closely related to the symbol of the religion space and it is concluded that a christian Missa program should be carefully planned in consideration of the temporality. Likewise, the temporality of the light and shadow in interior space can express the space in a variety of ways. They not only have symbolic meaning as religious space, but also, at the same time, satisfy design factors which decorate the space beautifully and affluently. Through the study, it is considered throughly that light does not simply play a role as illumination, but influence people psychologically and physically. In addition, the light should be appreciated as unlimited value considering its design factors and this thesis wants to be a springboard for the field.

‘연속된 공간, 내부 사회’에 관한 논고

김명식(Kim, Myungshig) 한국실내디자인학회 2015 한국실내디자인학회논문집 Vol.24 No.2

The paper begins with the idea of the society of the continued rooms that building connects architectural space (building interior) and urban open space (urban interior) or countryside/rural open space (territorial interior). It gives an account of, through literature review, a theoretical possibility of integrating not only architecture and urbanism but also architecture and countryside/rural planning. The first site explores the continuously articulated and connected spaces between building interior, urban interior, and territorial in understanding Alberti’s analogy, “A house is a little city.” (1452) The second site illustrates architecture as an open boundary and a spatial medium which makes building, urban, and territorial interiors connect and makes them continuous. There is an opportunity of reading the continued relations and the continua of spaces. The third site deals with the form of building that architecture creates for building interior (society of rooms) and urban interior (society of urban rooms), and moderates the interiors. The last site clarifies the territorial interior (society of countryside/rural rooms) that constitutes homogeneous spatiality moderated by architecture between building interior and urban interior. The paper discusses the society of the continued interiors(building/urban/territorial interiors) that ought to be a fundamental truth in the field of every project which deals with a unit of space. It logically clarifies the society of the interiors, not isolated and blocked off but multilayered and continued. It comes to the conclusion that the territorial interior should be subsumed under the design field and the society of the continued rooms ought to be considered as a united object of space in the fields of interior architecture/design, architecture, landscape, urbanism and countryside/rural planning. Ultimately, it aims at offering a departing point of discourse and a theoretical foundation for the future studies on urban interior and territorial interior.

스마트 모빌리티 실내 공간 디자인 방향에 관한 연구

송규호 ( Song Kyuho ) 한국공간디자인학회 2021 한국공간디자인학회논문집 Vol.16 No.8

(연구배경 및 목적) 본 연구에서는 근미래에 스마트 모빌리티 기술이 점점 고도화되어 미국 SAE 기준 자율주행 단계인 ‘완전 자율주행’의 시대가 점점 가까워짐에 따라(Lee, & Ban, 2020) 근미래 스마트 모빌리티 시대의 실내 공간의 디자인 방향성에 대해 연구해 보고자 한다. 본연구에서 지칭하는 ‘근미래 스마트 모빌리티 시대’는 친환경적인 전기를 동력으로 완전 자율주행이 가능한 수준의 자동차가 대중적으로 일반화된 시대를 말한다. 근미래에는 모빌리티가 더 이상 이동수단의 기능에만 머물지 않을 것이며, 사람들은 모빌리티 실내 공간에서 다양한 활동을 할 것이다. 이에 본 연구에서는 근미래 스마트 모빌리티의 실내 공간 변화를 예측하여 정리해보고 우리 사회에서 모빌리티 실내 공간이 갖는 의미에 대해 살펴보고자 한다. (연구방법) 본 연구에서는 근미래 모빌리티 산업의 관련기사, 포털사이트, 통계청, 교육청, 문부과학성 자료 등을 바탕으로 자동차가 어떤 방향으로 발전될 것인지 분석, 예측한다. 설문조사, 인뎁스 인터뷰, 아이데이션 워크숍 등의 방법을 통해 인사이트를 도출하고 이를 기반으로 스마트 모빌리티 실내 공간 디자인에 활용할 수 있는 유의미한 인사이트를 도출한다. (결과) 스마트 모빌리티 실내 공간은 편안한 휴식 및 여가활동, 개인 업무에 최적화 된 비즈니스 활동으로 발전할 것으로 예측된다. 크게 이 두 분류에서 다양한 콘텐츠 서비스가 결합되어 자연스러운 사용자 경험으로 이어져야 한다. 모빌리티 실내 공간에서 좌석 시트는 공간의 대부분을 차지하고 사용자의 동선 및 공간의 사용에 가장 중요한 부분을 차지한다. 또한 모빌리티 실내 공간의 연결성과 확장성에 대해 인지하고 모빌리티 공간을 이동만을 위한 공간이 생활 공간으로 재해석 되어야 할 것이다. (결론) 본 연구는 완전 자율주행차 개발이 빠른 속도로 발전되고 있는 가운데, 스마트 모빌리티의 정의를 하고 모빌리티 실내 공간의 발전 방향에 대해 연구하였다. 스마트 모빌리티 실내 공간은 사용자 기반을 중심으로 디자인이 되어야 할 것이며, 단순 이동수단이 아닌 인간의 생활 공간으로 인식되어야 한다. 그 변화의 가장 중심에는 운전대가 없어진 실내 공간이 될 것이다. 자동차 안에서 이용할 수 있는 다양한 액션 콘텐츠에 따라 스마트 모빌리티 실내 공간은 유연하고 확장 가능한 공간이 되어야 한다. 본 연구의 결과에 이어 향후 스마트 모빌리티에서 사용가능한 새로운 개념의 가구 시스템 뿐 만 아니라 모빌리티 스토어 및 모빌리티 오피스 등 다양한 영역의 모빌리티 생활 공간으로 연구 범위를 넓혀보고자 한다. (Research Background and Purpose) With smart mobility technology expected to advance further in the near term, and the era of “completely autonomous driving,” according to the US SAE standard, approaching (Lee, & Ban, 2020), this study aims to carry out the design direction of the interior space of automobiles, in line with the smart mobility era. The “smart mobility era” refers to a period in which vehicles are capable of fully autonomous driving powered by eco-friendly electricity, transforming into a generalized transportation system. Mobility will no longer be limited to the function of transportation, and will start to engage in various activities inside the automobile. Therefore, the objective of this study is to predict the changes in the inside space of smart mobility in the future, and examine the meaning of mobility space in our society. (Method) This study analyzes and predicts the direction in which automobiles are expected to develop, based on related articles, portal sites, National Statistical Office, Ministry of Education, and Science and Technology related to the upcoming mobility industry. Through surveys, in-depth interviews, and idea workshops, meaningful insights are derived, which can be used for smart mobility space design. (Result) It is predicted that the interior space of smart mobility will develop into a comfortable space for resting and leisure, and a personal work space optimized for business activity. For these two purposes, various services should be combined which leads to a natural user experience. The seating arrangements will move flexibly, but it should be designed based on the user scenario according to the purpose. In the mobility interior space, the seats occupy most of the space and take up the most important part in the user’s movement and space. Recognizing the connectivity and scalability of the interior space of automobiles, the space for transporting should be reinterpreted as a living space. (Conclusion) This study defined smart mobility and studied the development direction of the mobility space while the advancement of fully autonomous vehicles is developing at a rapid pace. The smart mobility space should be designed based on the user and recognized as a living space rather than just a simple means of transportation. The biggest change is expected to be the interior space without the steering wheel. According to the various activities available in the vehicle, the interior space of smart mobility should be a flexible and expandable space. Following the results of this study, we intend to expand the scope of the research not only to a new furniture system used in smart mobility, but also to a new space such as mobility stores and mobility offices.

시지각적 특성에 따른 경계의 모호성에 관한 연구

김예진 ( Ye Jin Kim ),이규백 ( Gyoo Baek Lee ) 한국기초조형학회 2012 기초조형학연구 Vol.13 No.5

본 연구는 다양한 유형의 모호한 경계를 표현하는 데 있어 중요한 요소가 되는 인간의 공간인지에 주목해 원인과 특성을 파악한다. 인지의 수단이 되는 시지각적 특성을 중심으로 실내공간에서 표현되어지는 모호한 경계의 유형과 특성을 밝히고자 한다. 연구의 방법으로는 관련된 선행연구와 문헌을 통해 공간의 시지각적 공간인식의 개념과 특성 그리고 프로세스에 대한 이해를 바탕으로 현대 실내공간에 나타나는 실제적 현상들, 즉 공간에서의 모호한 경계를 유발하는 형태들에 대한 디자인적 유형과 특성을 밝히고자 한다. 연구의 결과는 다음과 같다. 첫째, 공간은 형태를 규정할 수 있는 물리적 요소와 영역을 규정할 수 있는 감각적 요소로 분류한다. 둘째, 시지각적 공간인지 유형은 시선의 방향, 공간의 깊이, 요소의 중첩으로 분류한다. 셋째, 시선의 방향은 정면단수시점과 양면복수시점, 그리고 사방복수시점으로 분류하며 내-외부 상호관입으로 인한 운동감으로 인해 시각적 지향점이 나타났다. 넷째, 공간의 깊이는 시각의 시점, 요소의 변화, 감각적 원근감으로 분류하며 내부요소와 관계하는 무한한 경계를 가진다. 다섯째, 요소의 중첩은 혼성, 시각의 연속, 영역의 차단으로 분류하며 공간의 내-외부를 조절하는 동시성을 가지고 독립적이면서 새로운 영역으로의 변형이 가능하다. This research analyze the causes and characteristics focusing on human`s spatial cognition that is a very important factor to showed up ambiguous boundary of varied types and determine types and characteristics of ambiguous boundary in an interior space concentrating on characteristics of Visual Perception as method of perception. As methods of the research, studying the precedents and similar researches on a visual cognition of the spatial awareness concepts and the processes of researches to define the factual phenomenon of the modern interior space: it defines the characteristics and the patterns of various types of an ambiguous boundaries in a space. The outcome of the research is such as following, a type of space is categorized as a physical property, which defines the form, and a sensible property, which defines the territory. Visual-cognitive space types are sorted by a direction of vision, a depth of space, and a reiteration of elements. A direction of vision can be sorted as a front-faced single perspective, a double-faced multiple perspective, and a multi-faced perspective, and visual-cognitive perspective shown through a movement occurred by an inter coursing between interior and exterior space. A depth of space is categorized as a perspective of vision, a transition of element, and a sensual perspective to interior space, and has limitless boundaries of related interior elements. A reiteration of element can also be classified as a mixture of space, a continuity of vision, and a block out of territory. It also has simultaneity in controlling both interior and exterior space in order to modify a space to a new independent level.

사용자 중심의 주거 실내공간 감성평가도구 개발

박지민(Park, Ji-Min) 한국실내디자인학회 2014 한국실내디자인학회논문집 Vol.23 No.5

The purpose of this study is to develop the user-oriented housing interior space sensibility evaluation tools: The user-oriented housing interior space sensibility evaluation tools shall be developed through the systematic selection process of the extracted housing interior space images, which were linked with the adjectives of sensibility evaluation selected for the housing interior space preferred by the user from the specific words of the sensibility extracted to identify the characteristics of the user"s sensibility which is recently being changed. In the results of analyzing the words of sensibility for the residential space preferred by the users with 48 pairs of adjectives. The user-oriented sensibility assessment tool was built by extracting 8 sensibility factors of "cozy", "practical" "cheerful", "traditional", "unique", "congenial", "sensuous", and "gorgeous" in the exploratory factor analysis. The image scale was constructed in two-dimensions of the sense of space and the type of space for the residential interior space images. The dimension of the "sense of space" is explained by the axis of open-closed and the dimension of "type of space, is explained by the axis of "natural-artificial". Such a structural model of the residential interior design attributes were divided into 8 groups. And the 42 images representing each group were selected and the user-oriented residential interior space image tool was built by adding user"s selective elements.