[시와 함께 하는 누정기행 1] 기쁘고 경사로운 누정, 희경루<SUB>喜慶樓</SUB>

임준성 고요아침 2017 오늘의 가사문학 Vol.- No.14

『광주읍지(光州邑誌)』 및 문헌 소재 희경루(喜慶樓) 제영시(題詠詩)와 누정문화 콘텐츠 활용

임준성 ( Lim Jun Sung ) 한서대학교 동양고전연구소 2017 동방학 Vol.37 No.-

본고는 15세기에 건립된 광주목 관아의 부속 누정 희경루를 대상으로 하여 그 제영시의 특성과 누정문화 콘텐츠 가능성을 살펴보고자 한 것이다. 희경루 제영시는 『광주읍지』 및 문헌소재 자료에서 현재까지 16편 21수의 작품이 존재하고 있으며, 시기적으로는 조선 전기와 중기가 대부분이고, 후기에는 거의 나타나지 않고 있다. 이는 희경루 누정의 건립과 중수 그리고 戰禍에 따른 변천과정에서 자연스러운 결과이다. 제영시에 대한 연구방법으로 건축학의 주요 개념인 공간성과 장소성을 도입하여 제영시의 시적 의미를 다양하게 드러낼 수 있는 토대가 될수 있음을 살폈다. 희경루의 공간적 특성은 주로 공적인 영역에서 이루어지고 있었다. 관리로서 갖춰야 할 소양과 덕목을 공적인 건축물에 의탁하여 개인의 서정을 토로하기보다는 임금의 은혜, 경로효친, 경세제민 등에 더 주안점을 두고 표출하고 있다. 희경루의 장소적 특성은 ‘광주목’이라는 구체적인 지명과 위치 그리고 자연환경으로 인해 접객과 교유 그리고 주변 풍광의 완상에 있다. 희경루 제영시 대부분이 이에 해당하며, 개인적 소회와 서정 그리고 만남과 이별의 장소적 특성을 가지고 있다. 누정문화 콘텐츠로는 울산 태화루 복원 사업의 사례를 통해 광주 희경루 복원 가능성을 타진해 보았다. 다행히 희경루는 적지 않은 수의 제영시와 16세기 후반에 그려진 <희경루방회도>는 복원사업 기초적 자료가 되고 있다. 향후 추진될 희경루 복원사업은 호남의 정체성을 드러내는 상징적인 건축물이 될 수 있을 것으로 보이며, 지역문화역사 교육은 물론 문화관광자원으로 적극 활용할 수 있을 것으로 전망한다. This article is about pavilion Heekyungroo built in the 15th century. Therefore, we talked about how to use the poetry and cultural contents that are targeted. So far, there are 16 works of 21 literary works related to Heekyungroo. Many literary works are of the Joseon Dynasty to the mid and late has hardly appear. As a method of studying poetry, we introduced the concept of space and place. The spatial characteristics of Heekyungroo were centered on the public domain. Instead of putting the basic literacy and virtue that management needs to have into public buildings, the emphasis is on the grace of the wage, the efficacy of the parents, and the management of the nation. The location characteristic of Heekyungroo is to appreciate the guest greetings and the surrounding scenery because of the local location and natural environment of Gwangju. In the case of reconstructing Taehwaroo in Ulsan City, I tried to explore the possibility of restoring Gwangju's Heekyungroo. I tried to relate the possibility to cultural contents. Fortunately, he has a large number of literary works. It is important to see the < Heekyungroo Banghwuido > drawn in the late 16th century. These two are the basic data of the restoration project. The restoration project of Heekyungroo, which should be promoted in the future, can be a symbolic structure that reveals the identity of Gwangju. It is expected to be able to actively utilize cultural and historical education as well as cultural tourism resources in the region.

광주목 희경루와 그 제영

김영국(Kim Young kook) 한국언어문학회 2015 한국언어문학 Vol.93 No.-

Heegyongru(喜慶樓) is a pavilion which was erected in 1451, that used to be located where the present Gwangju Post Office is, on Chuungjangro 2-ga, Donggu, Gwangju. It was there until 1914 and represented the Honam area. Through 19 pieces of poetry on Heegyongru, bibliographically examined in this study, the following was discovered: First, 8 pieces of poetry depicted the influence of the king(王化) and were recited by Lee Seok-hyung(李石亨), Sung Im(成任), Heo Jong(許琮), Yu Soon(柳洵), Kim Jong-jik(金宗直), So Se-yang(蘇世讓), and Song In-soo (宋麟壽) as envoys from the Ming Dynasty. Second, there were five poems that spoke about patriotism for the country and family written by Song Sun(宋純), Im Eok-ryeong(林億齡), and Im Je(林悌). Six pieces of poetry spoke about friendship and exchanges were recited by Jeong Cheol(鄭澈), Baek Gwang-hoon(白光勳), Shin Eung-si(辛應時), Lee Soon-in(李純仁), Gwon Byeok(權擘) and Kim Sang-yong(金尙容) including poetry by Jo Paeng-nyeon(趙彭年) speaking about unwillingness to separate. Third, the period when the seven pieces of poetry on Heegyongru were written ranged from 1451 (the 1st year of King Munjong) to 1487(the 18th year of King Sungjong) and 15 pieces of poetry were written over 74 years from 1530 (the 25th year of King Joongjong) to 1604(the 37th year of King Sunjo). In that most of the reciters of poetry on exchanges had the experience of reciting with envoys from the Ming Dynasty and the period when the poetry was written matches the period when literary envoys from the Ming Dynasty came to Korea, it is suggested that there is a correlation between them, but that is another challenge to be identified in future studies.

15세기 光州牧 邑號陞降과 喜慶樓

김덕진 조선시대사학회 2019 朝鮮時代史學報 Vol.- No.91

Shin Bo-an, a Moksa of Gwangju, tried to take the Gisaeng concubine of Noh Heung-jun, a resident of Gwangju. Learning this, Noh kicked Shin in 1430(12th year of King Sejong’s reign). This battery incident was reported to the central government after an investigation by the Gamyeong of Jeolla. As a result, Noh was beaten with a club and exiled to a frontier area, and Shin was degraded to Mujin-gun. It was the first case of degradation of Eup titles in Joseon Dynasty. The people of Gwangju were in a huge shock since the Gyesugwan they had enjoyed was given to Jangheung. They made efforts for its restoration, but it happened only 20 years later in 1451(the first year of King Munjong’s reign). Wishing to rejoice in the restoration of the Eup title for many years to come, they changed the name of Gwanrun in the renovation process from Gongbukru to “Heegyeong.” Since then, Heegyeongru became the symbol of Gwangju, but it had its name changed to Gwandeokjeong in the 18th century and disappeared in the early 20th century. 광주목사 신보안이 광주 사람 노흥준의 기생 첩을 차지하려고 하였다. 이 사실을 안 노흥준이 1430년(세종 12)에 신보안을 발로 걷어 차버렸다. 이 구타사건은 전라감영의 조사를 거쳐 중앙에 보고되었다. 이에 따라 노흥준은 곤장을 맞고 변방으로 유배를 갔고, 광주목은 무진군으로 강등되고 말았다. 읍호 강등은 조선왕조에 들어와서 처음으로 겪은 일이고, 그 동안 누리던 계수관마저 장흥에 내주어서 광주 사람들에게 큰 충격이었다. 그래서 광주 사람들은 복구를 위해 노력하였지만, 20여년이 지난 1451년(문종 1)에야 뒤늦게 성사되었다. 그때 광주 사람들은 읍호가 회복된 기쁨을 오래도록 누리기 위해 다시 짓고 있던 공북루란 관루 이름을 ‘희경’으로 바꾸었다. 이후 희경루는 광주의 상징이 되었지만, 18세기에 이름이 관덕정으로 바뀌고 20세기 초에는 사라지고 말았다.

광주목 희경루의 복원 연구

천득염,김민주,Cheon, Deuk-Youm,Kim, Min-Joo 한국건축역사학회 2010 건축역사연구 Vol.19 No.6

This Hee Kyeong Ru, a kind of "Nu-Gak" in Gwangju is a high storied old government official building memorizes the recovery of Gwangju area reputation. Hee Kyeong Ru, literally means, delightful and happy occasions. This kind of the buildings were build for the receptions and the banquets for the high government officials in travelling areas to areas. It provided very high formality as compared to the buildings in the mountains. Nu-Gak buildings have a lot in common, since they had been constructed under the influence of the then time period and for the common reasons. Several records about Hee Kyeong Ru can be found in the old literatures, poetries, pictures and atlases. Also, we can see the shape of the building and the location through the mark in the old map. According to the historic materials, Nu-Gak buildingsof other old goveenment offices with Hee Kyeong Ru are similar to that of the size and construction. So we can draw the common points of the existing old official buildings and could assume the original form of Hee Kyeong Ru. In conclusion, we need to restore Hee Kyeng Ru as the historical meaningful building and use it as a representative cultural building in Gwangju.

전통문화의 창조적 계승을 위한 문화공간 활용방안: 광주향교와 희경루를 중심으로

한종완,정성임 아시아.유럽미래학회 2022 유라시아연구 Vol.19 No.3

This study aims to explore ways to utilize cultural spaces for creative succession by examining the cultural significance and aspects of Gwangju Hyanggyo and Heekyungroo. To this end, the background and role of the emergence of Gwangju Hyanggyo Confucian School and Heekyungroo Pavilion, and the significance and succession patterns of traditional culture were investigated and described, respectively. Furthermore, it sought ways to utilize cultural spaces to creatively inherit the traditional culture of these cultural assets. As a result, it was found that Gwangju Hyanggyo Confucian School and Heekyungroo Pavilion were significant as cultural properties built under the influence of Neo-Confucianism in the Chosun Dynasty. The case of overlapping traditional cultural aspects possessed by these cultural properties was also investigated and analyzed. Through this, it was intended to propose a plan to inherit the unique traditional culture style possessed by Gwangju Hyanggyo and Heekyungroo, but to use these cultural spaces as hybrid cultural spaces. How to creatively inherit the traditions of scholar culture. It was possible to confirm that Heekyungroo Pavilion as a cultural space limited to performance culture such as Korean traditional music performances, excluding the spiritual culture enjoyed by Confucian scholars, would lose its historical significance. It is hoped that it will be reborn as a high-leaved cultural space supported by cultural communication and cooperation with Gwangju Hyanggyo in accordance with the suitability of the reconstruction site.