거시적 관점에서 본 「史記」列傳과 小說의 관계

곽정식 慶星大學校 1992 論文集 Vol.13 No.3

古小說의 發生論에 대한 硏究史的 檢討

곽정식 慶星大學校 1999 論文集 Vol.20 No.2

This treatise is attempted to discuss about the evolution theory of Korean old traditional fiction. I epitomize the subject matters which are discussed in the upper parts a following. 1. The Legendary-genesis theory was very early presented by TaeJun Kin, and continually asserted by HeeSoong Lee, OwangSan Joo, YounJae Cho, SoungOui Pak, KiHyong Shin, YoeulKyu Kim, DoakSun Jang, KyuBok Jung etc. In addition, It was formulated as 'Legendary→Fiction' or 'Legendary→KaJounChe(imitation biography style)→fiction'. 2. The Biography-genesis theory was first presented by JongOub Cho and it was manifested all the more by JungSik Kwak. In other word, The Korean old traditional fiction was orignated on the narrative-literary refraction and transition of the biography. 3. The problem point at issue in the legendary-genesis theory is that the all of assertions was belong to the material for literary treatment. therefore There is the distinctly limitations on the legendary-genesis theory. In next, The darwinism which the legendary is switched over fiction, or ascended, developmented, must be conquered quickly. 4. Finally, We must correct the fixed idea of objectivity in the history-interpretations and study continually on the biography. only so, A developmental prospect will be rised to us about the genesis theory of the korean old traditional fiction.

古小說의 中間子 人物에 관한 硏究

郭正植 慶星大學校 1990 論文集 Vol.11 No.3

Till now, The study of characters in the Fictions has been inclined to excessively emphasize the main characters. For that reason, Many Students are almost indifferent to the Sub Characters. In general, They reckon Sub Characters as having somewhat significance rather in the fine parts than in the main plot, but Assaying process of work minutely slows that it is utterly a superficial view. In other words, The sub characters are not dull and flat at all. The Sub Characters function actively in developement of matters and play a leading role on occasion. Yet such a Sub Character meddles in a dispute that is formed between the main Characters who are in bilateral hostility and follows his oun line of conduct, so his play on the work are generally unresricted and functional effects on the developement of matters are remarkably manifold. Thereupon, Such a Sub Character should be discriminated from other sub characters in general meaning according to his relationship with the main characters and his functional disposition. I named him a middle character. A middle character's theory will be presumably valuable to understand the fiction. I have concluded as follows, in this view point, what has been mentioned above 1. A middle character's meddling in the complication between the two opposing main characters may bring about a qualitative change, therefore We can classfy the function of the middle characters in accordance with a tripartite relationship into peacemaking, guidance, estrangement, criticism, onlooking backing. 2. A middle character cannot be hardly created in the works which are excessively subjective or thematic. In othre words, A creation of middle character in works will go far toward distancing the subject in accordance with indirection the author's meddling. 3. The unreasonableness of surrealism Which is often appeared in the romance has been in reference to rather the middle characters than the main characters. 4. The masculine-middle characters cannot resolve fundamentally somewhat materialistic conflicts and often cease in course of a visible regulation, but the feminine-middle characters are often caused to bring on the match's qualitative change and play a leading role in connection with the personal or social unification. 5. Usually, the middle characters who are created in the works showing a struggling attitude in relation to ethical or moral influence are dull flat, but in the works aiming the stabilization, they function actively in developement of matters. 6. A onlooker or a backer doesn't help the solution of conflicts but are often caused to bring about an intricated problem. 7. The Yeonam's story(燕巖小說) by creating a middle character shows effectively a confrontation scene between the two opposing value or doctrine. 8. In the ethical of moral stories, it is a set pattern that an authoritative man meddles in the course of solving the conflict as a judge, accordingly we can concluded that a social status and a paterfamilias institution has been motivated in such a mode of stories. 9. A onlooker and a backer who is related to the author's critical spirit are inclined to rule the main character. 10. In works which are critical, an authoritative-middle character is included into the critical objects, but an unauthoritative one is excluded. 11. Pangia(溫侏) in the story of phan-sori(판소리) origin performs a double service as a guidence and a criticism, and a comic scene or a sarcasm is utterly due to pangja's duplication.

美國의 邊境精神과 韓國의 새마을運動精神과의 比較硏究

郭東憲,李瑛雨,李廷彬,申址湜 경북대학교 1988 새마을 硏究論叢 Vol.9 No.-

무릎골절 환자에 발생한 폐동맥의 안장 색전증 : An autopsy case report

정민희,채종민,곽정식 大韓法醫學會 1996 대한법의학회지 Vol.20 No.1

Pulmonary embolism is a complication principally in patients already suffering from some underlying disorder, such as cardiac disease or cancer, or who are immobilized for long periods. It appears to be particularly a disease of modern developed and industrialized countries. The incidence if believed to be much lower in African and Asian populations than in the Western world. Sudden death often ensues, owing largely to the blockage of blood flow through the lungs. Because of the rarity of the incidence, it seems worthwhile to present an example studied at autopsy. Pulmonary embolism was associated with sudden death in a hospitalized patient who was immobilized for long periods after fracture surgery. There was a large embolus from deep femoral vein lying at bifurcation of main pulmonary arteries, extending into left and right branches.

說話에 나타난 女性의 자아실현 양상 : <溫達> 이야기를 중심으로

곽정식 경성대학교 2000 論文集 Vol.21 No.1

This treatise is attempted to discuss about the aspects of woman's perfection of self in the folktales. I epitomize the subject matter which is discussed in the upper parts as followings. 1. <On-dal> Story could be recognized to a certain extent historical existence and allegiance and by documents fixation has been continued a fixed shape to a definite direction. therefore it meets requirements of our proper cultural text. 2. <On-dal> Story is dealt with men's desire that a man in poor and humble situation is successed in the rising of the social standing. and it is based in 'a royal princess story' which described women's desire of the perfection of self that a highborn princess who is banished by a father king, manifests the self possibility maximumly overcoming the difficulty and trial. 3. A princess has several characteristic traits, that is, humanly sincerity, subjective volition and bravery, discernment power of the life and the practical endeavor. By these characteristic traits she can overcome the difficulty and trial. 4. The perfection of self in a princess is revealed as the completion of marriage, the rising of social standing, wealth and prosperity in a concrete way.

小說時代의 출발에 관한 一考察

곽정식 慶星大學校 1994 論文集 Vol.15 No.1

제재적 측면에서 본 『홍길동전』의 형성 배경

곽정식 한국어문학회 2004 語文學 Vol.0 No.86

The purpose of this study is to research the formative background of 『Hongkildongjeon(홍길동전)』 in the view of materials. before anything else, Anyone could not deny that 『Hongkildongjeon(홍길동전)』 is preserving the several traits of mythological story in ancient times. but it is also preserving the traits of anti-mythological story. therefore I took a good look at the formative background of 『Hongkildongjeon(홍길동전)』 in the view of materials considering the joining of Hong, Kil-dong who was existed in Chosun dynasty period as the historical facts and Akijangsu-legend(아기장수전설), a child general story which is one of the many traditional legends. Hong, Kil-dong who existed in Chosun dynasty period was a popular hero and famous of a chivalrous robber. And Akijangsu-legend(아기장수전설), a child general story which is one of the many traditional legends had been reproduced new shapes with joining popular heros or anti-established persons. In the begining, these existed individually. but as soon as Hong, kil-dong who was a chivalrous robber had been transformed as a hero of the people. Hong, kil-dong as a hero of the people spontaneously joined with Akijangsu-legend(아기장수전설), expressly variation tyre or extrication type, that is a child general story which is one of the many traditional legends. In these system of veins, I presumed that Kososul 『Hongkildongjeon(홍길동전)』 was prodused in the process of joining Hong, Kil-dong who was existed in Chosun dynasty period and Akijangsu-legend(아기장수전설), expressly variation tyre or extrication type, a child general story which is one of the many traditional legends. in the view of materials. But I don't deny the writer's role. merely my opinion that Kososul 『Hongkildongjeon(홍길동전)』 was prodused in the process of joining Hong, Kil-dong who was existed in Chosun dynasty period and Akijangsu-legend(아기장수전설), expressly variation tyre or extrication type was presented as one of possibilities.

동화를 이용한 웹 구성 활동이 유아의 어휘력에 미치는 효과

곽준식,김순자,정정란 진주산업대학교 2002 論文集 Vol.41 No.-

The purpose of this study was to investigate the effect of fairy tale using webbing activation on reading vocabulary capacity of Young Children. The pretest-posttest control group design was used for this research. In the experimental group, webbing activation on contents after reading fairy tale was applied while comparison group followed ordinary class schedule without webbing activation. The subject were 60 of five years old children(31 boys, 29 girls) sampled form two kindergarten in J city located in the southern part of Korea. A total of 10 fairy tale listening sessions were executed. Before and after this program, pretest scores and posttest ones were obtained using vocabulary test. ANCOVA's using pretest as a covariance were applied for the statistical analyses. The results from the analyses were as follows: The children of experimental group using webbing activation showed higher scores in vocabulary test than the control group.

申在孝本 春香歌(男唱)와 完板 烈女春香守節歌의 對比的 考札 : 先後問題외 改作意識을 중심으로 The order relation and the adaptation consciousness

郭正植 慶星大學校 1991 論文集 Vol.12 No.1

The results of consideration on the order relation and the adaptation consciousness of the Sin Chaehyo(申在孝) version Chunhyang Ka(春香歌) (Namchang) (男唱) and the Chunju(全州) block print Yollyo Chunhyang Syujyol Ka(烈女春香守節歌) (33 leaves & 84 leaves) can be summarized as following, that is, Byoug-o(丙午) print 33 leaves which is more familiar with a group of the former Chunhyang chons in Pangja (房子)'s functional disposition is ahead of them, and 84 leaves is fallen behind the other prints. The Sin Chaehyo version Chunhyang Ka(Namchang) which lies between two others is positively against to the original Chunhyang chon's new creating meanings considering the external restrictions. Therefore, the 33 leaves is printed in 1846, not in 1906. The reasonableness, the adaptation principle that is reflected in the Sin Chaehyo version Chunhyang Ka(Namchang) acts as eliminating Pangja's duplicative functions, so Pangja of the Sin Chaehyo version is only an instrumental character who is faithful devoted to his master and cannot play dualism. In the results, Such a adaptation principle, that is, reasonableness did more harm than good reckon with the creating and intrinsic meanings of Phan-Sori(판소리) which is based in the humble classes's consciousness. These results are derived from Pangja's functional disposition. Pangja of Chunhyang chons could be created by Phan-Sori(판소리) that reflects the exalted popular consciousness in relation to the social evolution, so that the significance of Pangja's existence is the kernel heart realizing the Chunhyang chon regardless of Phan-Sori's comprehension and manifold.