중국 당대 조선족의 현실 수용의 방식과 그 의미 - 황봉룡의 희곡을 중심으로 -

차희정 한중인문학회 2010 한중인문학연구 Vol.30 No.-

본고는 황봉룡의 희곡에서 두드러지는 조선족의 적극적 현실 동화와 순응의 태도에 주목 하고 그것에 내재된 궁극적 의도와 목적이 무엇인가를 찾아보고자 하였다. 구체적으로 중국조선족의 현실 인식과 수용의 방식이 가지고 있는 의미를 찾는 것인데 이는 소수민족으로서 중국에서 살아가는 조선족의 주체 구성과 정체성의 문제와도 관련이 있다. 연구는 중국 동북지역으로 이주한 재만조선인의 삶과 중화인민공화국 건립 이후 조선족의 삶에 습합된 불평등과 차별의 모습을 살펴본 후에 그 과정에서 당대 조선족이 중국의 사회 역사적 현실에 동화, 순응하는 양상을 좇아가며 그들의 현실 인식과 수용의 방식을 관찰, 분석하고 최종적으로는 조선족의 현실 수용 방식이 담지한 의미를 구명하는 것으로 진행되었다. 연구 결과 조선족이 중국 당대의 격변적인 환경 속에서 겉으로는 체제를 찬양하고 그들의 동화주의 정책에 적극적으로 호응하고 있는 것처럼 보이지만 과거의 기억을 공유하는 것을 통해서, 몰입의 경험을 지속하여 최고의 자신을 발견하는 것을 통해서 주체적으로 중국 당대 현실을 살아가려고 했음을 확인하였다. This paper focuses on noticeable active assimilation to reality and adaptive attitude among Korean Chinese portrayed in drama by Bong-ryong Hwang and examines the inherent ultimate intentions and objectives. Specifically, it is to find the significance of the way in which Korean Chinese recognized and accepted their reality; it is also associated with subjects and identity of Korean Chinese living in China as the minorities. This study examines life of Korean living in Manchuria who emigrated to northeastern part of China and inequality and discrimination attached to life of Korean Chinese after the foundation of People's Republic of China; observes and analyzes Korean Chinese's assimilation and adaptation to their reality in terms of the society and history; and lastly, defines the significance of the way in which Korean Chinese accepted their reality. The study result shows that Korean Chinese, during the convulsion of the time, pretended they supported the government system and assimilation policy; however they shared the memories of the past, maintained the experience of immersion and found their best qualities to live life in China autonomously.

“We’ve all lost our children”: Accidental Death, Vengeful Justice, and American Father in Russell Banks’s The Sweet Hereafter

차희정 21세기영어영문학회 2013 영어영문학21 Vol.26 No.2

Russell Banks (1940~), a prolific and bestselling American writer, is widely acclaimed for his realistic and bruising characters who are locked in class and race conflict and attempt to escape the brutal existence and a pervasive anxiety about money. Indeed, his novels have achieved significant critical acclaim and widespread commercial success. In his sixth novel, The Sweet Hereafter, revolving around a school bus accident, likewise, Banks reveals the various ways ordinary American individuals and their community as a whole react to the tragic event. This paper examines Banks's portrayal of individual healing and communal redemption in terms of guilt, blame, justice, and recovery. In The Sweet Hereafter which raises the uncomfortable question ‘who is to blame for a tragic accident causing the loss of innocent children?’ Banks's unique, realistic, and limited narrative structure with the perspectives of four individual narrators such as a school bus driver, an eyewitness, a New York City lawyer, and a fourteen-year-old survivor successfully makes it possible for the reader to fully understand how differently individuals cope with grief and loss from the tragedy and their lives can be changed.

해방전후 여성 정체성의 존재론적 구성과 이주 —임옥인의 「越南前後」를 중심으로

차희정 한국여성문학학회 2009 여성문학연구 Vol.22 No.-

This study is to explore and identify the characteristics of ontological organization of women's identity within the context of ‘emigration’ during the Liberation period. A series of ‘significant events’ from Japan's oppression and the liberation from it to ideological conflict, disunion and division was a powerful agent to retrieve individual identities. Finding and acquiring identities and independence for women to establish their own identities after the Liberation were developed by the willingness and desire for education during the later period of Japanese regime. Both educators and students were motivated to establish their own identities while they learned how to read and write and practical knowledge. However, blind pursuit of ideology still existed which could impair the individual identity and self-consciousness; therefore women expressed strong will not to be trapped in an ideology as they explored their own way for self-realization. Women during the Liberation period established their own identities as they were facing and fighting the reality. The main character's will for education, humanism and post-ideological thinking and behaviour embody the idea of identity while encouraging emigration as an element of the identity. In conclusion, emigration is an element of women's identities as it completes women's identities during the Liberation period. 본고는 해방기의‘이주’에 집중하여 여성 정체성의 존재론적 구성의 양상을 이주와의 관련 속에서 살펴보고 그 특징을 밝히는 것에 그 목적을 둔다. 일제 의 폭압과 그것에서의 해방, 해방기의 이념 대립과 민족 분열, 분단까지 일련 의‘중대 사건’들은 개인이 정체성의 구성과 자아 회복 등을 실천하는 데 강력 한 기제로 작용하였다. 해방 이후 여성의 정체성 구성을 위한 자아 찾기와 주체성 획득은 일제 말 계몽의 의지와 노력에 기반하고서 진행되었다. 교육의 수여자나 수혜자 모두 는 정체성 구성의 동기를 부여받는 동시에 글을 배우고 생활에 도움이 되는 등의 실제적 교육을 실천하였다. 그러나 맹목적으로 이데올로기를 추종하는 현실은 개인의 정체성과 자아의식을 끊임없이 훼손하기 때문에 여성은 이념 에 갇히지 않으려는 강한 의지를 표출함과 동시에 이주를 통해서 자아실현의 기획을 창출한다. 해방기 여성은 현실과 충돌하고 저항하는 속에서 자기 정체성을 구성하였 다. 주인공의 교육 사업에의 의지와 인간애, 탈 이념적 사고와 행위 등은 정체 성을 구성하면서 동시에 정체성 구성의 요소로서 이주를 추동한다. 최종적으 로 이주는 여성 정체성을 구성하는 요소인 동시에 해방기 여성 정체성을 완 성하고 있는 것이다.

터키 여성의 두 번 죽기: 엘리프 샤팍의 [명예]

차희정 문학과환경학회 2019 문학과 환경 Vol.18 No.4

This paper introduces the Turkish Muslim female writer Elif Shafak unfamiliar in Korea and reads her ninth novel Honour as an ecological feminist text. Set in Turkey and Britain, Honour, the Turkish-Kurdian immigrant family narration, issues the sexist and oppressive practice of “honor killing,”still in Islamic society, as a multicultural issue in Western society. The novel, with its author-specific formal techniques, recreates the uncomfortable topical elements of Islamic cultural regulation, gender roles, suicide, infidelity, gambling and honor killings from various angles, realistically and sometimes abstractly. In other words, with formal techniques such as realistic or unrealistic elements, dreamy memories and illusions, linguistic imagination and magical realism, the novel demonstrates the resistance consciousness to the male-centered society and cultural norms and the dilemma and growth pain of various characters living on the boundaries between tradition and modernity. From the ecological feminist perspective, this paper analyzes the novel in terms of the destructive relationship between muslim men and women trapped in patriarchal system with the growth of muslim immigrant children, focusing on the tragic event of honor killing. And it examines the cyclical life and death of muslim twin sisters in dynamic space of Turkey and Britain separated ethnical, culturally, racially, politically and economically. Especially, by expanding the concept of Maria Mies and Vandana Shiva, the paper enhances the value of global solidarity based on the diversity and interconnection between women, between women and men, and between humans and other living things, beyond the regional, cultural and religious differences through reading the unfamiliar Muslim work in unfamiliar areas. 이 논문은 국내에서는 생소한 터키계 무슬림 여성작가 샤팍을 소개하고 그녀의 아홉 번째 소설 『명예』를 생태여성주의 텍스트로 읽고자 한다. 『명예』는 터키와 영국을 배경으로 한 터키-쿠르드 이민가족사를 전하면서 이슬람 사회에서 여전히 행해지는 명예살인이라는 성차별적이고 억압적인 관행을 서구 사회의 다문화 이슈로 쟁점화한다. 소설은 작가 특유의 형식적인 기법으로 이슬람 문화적 규제, 성역할, 자살, 불륜, 도박, 명예살인이라는 불편한 주제적인 요소들을 다양한 각도에서 사실적으로, 때론 추상적으로 재현한다. 즉 현실적 또는 비현실적 요소, 몽환적 기억과 환상, 언어적 상상력과 마술적 사실주의 등 형식적 기법들이 남성중심 사회와 문화 규범에 대한 저항의식 그리고 전통과 현대의 경계에서 살아가는 다양한 인물들의 딜레마와 성장통을 보여준다. 이 논문은 생태여성주의적 관점에서 명예살인이라는 비극적 사건을 중심으로 가부장적 체제에 갇힌 무슬림 남성과 여성의 대물림되는 파괴적 관계를 무슬림 이민자 자녀들의 성장통과 함께 분석하고 터키와 영국의 민족적, 국가적, 문화적, 인종적, 정치적, 경제적으로 분리된 공간에서 무슬림 쌍둥이 자매의 순환적 삶과 죽음을 살펴본다. 특히 마리아 미스와 반다나 시바의 개념을 확장하여 낯선 지역의 생소한 무슬림 작품 읽기를 통하여 지역적, 문화적, 종교적 차이를 넘어서 여성들 간의, 여성과 남성 간의, 그리고 인간과 다른 생명체 간의 다양성과 상호연관성을 기조로 한 전지구적 연대의 가치를 제고하고자 한다.

현경준 소설에 나타난 가(家)족의 회복과 공간의 의미 : <流氓>, <도라오는人生>, <마음의琴線>을 중심으로

차희정 한중인문학회 2013 한중인문학회 국제학술대회 Vol.2013 No.1

유방의 낭성과다분비관내암종의 세침흡인 세포학적 소견 - 2예 보고 -

차희정,엄대운,서재희,Cha, Hee-Jeong,Eom, Dae-Woon,Suh, Jae-Hee 대한세포병리학회 2003 대한세포병리학회지 Vol.14 No.1

Cystic hypersecretory carcinoma of the breast is a rare variant of ductal carcinoma of breast, first described in 1984 by Rosen and Scott. Histologically, it is characterized by the formation of dilated ducts and cysts containing an eosinophilic secretory product resembling thyroid colloid. Cytologic findings show a few clusters of atypical ductal epithelial cells in amorphous proteinaceous material with clacking artifact. Differential diagnosis include mucinous carcinoma and benign mucocele-like tumor. We present two cases of fine needle aspiration cytology of cystic hypersecretory intraductal carcinoma of the breast with a review of the literature.

산드라 시스네로스의 『까라메로』와 크리스티나 가르시아의 『쿠바어로 꿈꾸기』에서 그려지는 라틴계 미국여성 되기

차희정 한국비교문학회 2011 比較文學 Vol.0 No.54

This study is based on historicized, analytical, and discursive readings of the coming of age stories by American women writers, geographically, historically, culturally, and politically grounded. I delve into the developmental processes of daughter-narrators to become American Latinas in Mexican American writer Sandra Cisneros's Caramelo (2002) and Cuban American writer Cristina Garcia's Dreaming in Cuban (1992). In terms of becoming an American Latina, as "border women" or "subaltern women," the daughter-narrators, Mexican daughter Celaya and Cuban daughter Pilar, come to realize the internally and institutionally marginalized self and undergo an ongoing transformation. The process of becoming an American Latina is cultural, subversive, ongoing, and transformative. In other words, a sense of Latina-self in American society is not fundamentally secured but critically transformative in relation to (grand)mothers and in historical, political, and cultural shifts. First of all, I discuss a brief history of Mexico and Cuba in relation to the United States in order to more fully understand Latino/a sensibility and position in American society. Even though I do not attempt to provide a comprehensive history, given the complexity and scoop of such an endeavor, my attempt to present a brief history should be considered provisional. By rewriting the stories of diaspora family histories and raising the questions of identity, memory, and home, the daughter-narrators challenge the racial and sexual stereotypes produced by dominated historical and cultural account in a white-centered society. Their becoming processes are not limited by cultural and historical boundaries; their ongoing journeys revolve around the fact that home is a symbolic, representative, imaginative, and material metaphor. In the end, throughout this study, drawing on the developmental narratives in dynamic contexts of cultural shifts and political economic changes, I strive to point up the ongoing transformations and the creative articulations of American Latinas in struggling and resisting the politics of race, class, gender, and sexuality that limit their opportunities for self-development to be active speaking subjects in a feminist sense.

The Scarred Women of Color Between Two Worlds in Edwidge Danticat's Breath, Eyes, Memory

차희정 한국영어영문학회 2008 영어 영문학 Vol.54 No.3

Juxtaposing historical and autobiographical facts and incorporating Haitian myths, oral traditions, folklores, cultural practices, diasporic experiences, and displacement, in Breath, Eyes, Memory (1994), Edwidge Danticat describes the growth and development of a daughter of color in America in relation to the life and death of a traumatized mother of color who goes through unspeakable brutality. In other words, drawing upon the unsettled relationship between the tradition-oriented mother and American daughter of color, Danticat not only questions a patriarchal concept of femininity and cultural practice of virginity-testing but also makes manifest political, cultural, and sexual violence against women of color whose bodies are scarred through interactions of patriarchal sexism, capitalism, and racism. After all, in this essay, by exploring a transforming process of the daughter of color in mourning for the traumatized mother’s death and inheriting female struggle, strength, weakness, failure, and subversive wisdom, I wish to argue the healing process of a politically and culturally scarred female self in terms of remembering and retelling which enriches the reader’s awareness and consciousness. Juxtaposing historical and autobiographical facts and incorporating Haitian myths, oral traditions, folklores, cultural practices, diasporic experiences, and displacement, in Breath, Eyes, Memory (1994), Edwidge Danticat describes the growth and development of a daughter of color in America in relation to the life and death of a traumatized mother of color who goes through unspeakable brutality. In other words, drawing upon the unsettled relationship between the tradition-oriented mother and American daughter of color, Danticat not only questions a patriarchal concept of femininity and cultural practice of virginity-testing but also makes manifest political, cultural, and sexual violence against women of color whose bodies are scarred through interactions of patriarchal sexism, capitalism, and racism. After all, in this essay, by exploring a transforming process of the daughter of color in mourning for the traumatized mother’s death and inheriting female struggle, strength, weakness, failure, and subversive wisdom, I wish to argue the healing process of a politically and culturally scarred female self in terms of remembering and retelling which enriches the reader’s awareness and consciousness.

알렉산더 웨인스테인의 SF 단편소설 「애프터 양」(“After Yang”): 탈인간과 탈인종 그리고 공존에 관한 소고

차희정 동국대학교 영어권문화연구소 2023 영어권문화연구 Vol.16 No.3

Due to the rapid advancements in science and technology, commonly referred to as the Fourth Industrial Revolution, it is plausible that humans and intelligent robots will coexist in the near future, resulting in new social changes and problems that call for continuous exploration and analysis. As a result, in the Fourth Industrial Revolution and the post-human era, it is inevitable that the underlying inquiries of what is a human being and further who is a human being will re-emerge. This paper explores the coexistence of technological creatures such as androids and clones in the science fiction short story “After Yang” by Alexander Weinstein. It also examines the otherness of androids and clones as they enter the realm of human physical, mental, and emotional labor, and analyzes how ongoing racism is portrayed in the story. By discussing the concepts of post-human and post-race, the paper analyzes communities of emotion and memory, the evolution of race perceptions, and the imperative for coexistence. Ultimately, it concludes that “After Yang” prompts readers to consider whether a future of post-human coexistence and post-racial mutual acceptance is possible in a constantly evolving world.

The Gendered Bildungsroman: Becoming the Artist as A Young Mother in Phelps’s The Story of Avis and Chopin’s The Awakening

차희정 미국소설학회 2007 미국소설 Vol.14 No.2

The Gendered Bildungsroman: Becoming the Artist as A Young Mother in Phelps's The Story of Avis and Chopin's The AwakeningHeejung ChaA general definition of the term Bildungsroman originated in Europe in the eighteenth century is based on 'a novel of formation,' which describes the protagonist's growth from childhood to maturity as a process of self-development. In the traditional Bildugnsroman, the self exclusively refers to the white Western-European male self in which a rebellious self reconciles with modern bourgeois social order and hegemonic patriarchal cultural norm. However, in terms of the gendered Bildungsroman, I argue that women writers reconfigure the general pattern of a literary genre and reinvent a transformed genre to counter-narrate predominant cultural assumptions which constrain women's existence in a male-centered society. By examining two female protagonists, Edna Pontellier in Kate Chopin's The Awakening(1899) and Avis Dobell in Elizabeth Stuart Phelps's The Story of Avis(1877) in terms of self-development as a female artist and female confinement, I explore the psychological conflict resulting from a patriarchal social structure and norms between socially approved and praised motherhood and artistic self-longings; that is, a conflict between a public existence(socialization) and a private passion(individual autonomy). In fact, calling in to question an institutionalized marriage, compulsory motherhood, and submissive femininity, Phelps and Chopin presents a viable narrative model for rethinking sex and gender differences in the context of female resistance and struggle to fulfill self-realization.