활천가족실 / 새벽 이미지

이안나 기독교대한성결교회 활천사 1982 활천 Vol.399 No.-

The Role and Value of the Women’s Informal Network : The Neighboring Women in the Book of Ruth (4:14-17)

이안나 장로회신학대학교 기독교사상과문화연구원 2021 장신논단 Vol.53 No.4

This paper argues for a re-examination of the role and value of the neighbor, that is, the informal network which has been overlooked in the psychological, social, and economic loss and suffering caused by the ongoing COVID-19. A research by Inga Jasinskaja-Lahti, Karmela Liebkind, Magdalena Jaakkola and Anni Reuter has shown that the interaction of the host network plays a large role in the study of the psychological well-being immigrants. This research proves that the role of neighbors formed as a host is crucial in reducing social and psychological conflicts. In addition, we can examine the role of ancient Israelite informal networks consisting of women through biblical texts and artifacts from archaeological excavations. These evidences show the significant value and role of informal networks in ancient Israel and highlight the need for a re-evaluation of the somewhat underestimated social contribution of women by bringing to the surface the role and value of the women’s informal network that were obscured in patriarchal societies. The importance of women's networks can be seen through the book of Ruth, which contains a positive evaluation of women's behavior even in a patriarchal society. In particular, this paper examines the function and value of informal women's networks through the anonymous Bethlehem women’s actions in chapter 4 of the Book of Ruth. Thus, this paper emphasizes that the role and value of informal networks in the ongoing crisis such as COVID-19 needs to be re-evaluated and underscores that it can bring a recovery back to our daily lives through informal networks.

몽골 고대서사 문학에 나타난 ‘막내’에 대한 형상과 사회 ・ 문화적 의미 고찰

이안나 한국몽골학회 2017 몽골학 Vol.0 No.50

This paper presents an investigation into the nature and sociocultural meanings of the youngest son in ancient Mongolian narrative literature. There was a convention of ultimogeniture among Mongolian nomads with the youngest son inheriting the household as "Guard of Fire" in the family and holding memorial service for the ancestors. Inheriting the household meant protecting the fire pot of the parents and becoming the pillar of the family. The Mongolian lifestyle was closely related to shamanism based on natural faith, and the concept of the youngest son had something to do with the shamanic world view in many parts. In Mongolian myths, Polaris, the ultimate guardian star of the Mongols, was connected to the youngest son because he had played his roles as the center to keep the family intact. In ancient Mongolian narratives, the youngest son was the third or ninth child in the family, which had something to do with the shamanic concept of holy number. In ancient Mongolian narratives, the youngest son became resourceful in life through much hardship and experience and achieved wealth and fame based on assistance from a helper or his innate wits, which demonstrates the popular nature of narrative literature and reflects the concept shared among the Mongols that the youngest son was under divine protection as the source of abundance and the pillar of the family. It can be found in many biographies of historical figures. The youngest son becoming a king was not a form of family power in narrative literature, but the tales tell that there were some correlations between the local leader(king) and the youngest son.

복싱운동이 성인여성의 신체조성과 신체적 자기개념에 미치는 영향

이안나,장인현 대구경북체육학회 2012 체육연구 Vol.8 No.1

고령자고용촉진정책에 관한 연구

이안나 건국대학교 사회과학대학 1996 社會科學論叢 Vol.11 No.-

문화적 공감태도와 성격특성이 작업치료 전공 학생의 문화적 역량에 미치는 영향

이안나,이수휘,전현정,채명훈 대한지역사회작업치료학회 2020 대한지역사회작업치료학회지 Vol.10 No.2

목적 : 본 연구의 목적은 작업치료 전공 학생들의 문화적 공감태도와 성격 특성이 그들의 문화적 역량에 어떠한 영향을 미치는지 파악하여 다양한 문화적 배경을 지닌 클라이언트를 대상으로 작업치료를 수행할 작업치료 전공 학생들의 문화적 역량 향상을 위한 기초자료를 제공하고자 한다. 연구방법 : 본 연구를 위해 전라남도 및 광주광역시 소재 대학에 재학 중인 155명의 작업치료 전공 학생들을 대상으로 2019년 8월 20일부터 2019년 9월 20일까지 온라인 설문지를 통해 일반적 특성, 문화적 공감태도(SEE), 성격요인 (BFI), 문화적 역량(CCAI) 설문지를 사용하여 설문을 실시하였다. 연구대상자의 일반적 특성과 문화적 역량의 평균 을 알아보기 위해 기술통계분석을 실시하였고, 성별에 따른 문화적 역량 차이를 알아보기 위하여 t-검정을 실시하였 다. 또한 문화적 공감태도, 성격요인, 문화적 역량의 상관관계를 알아보기 위해 상관분석을 실시하였다. 마지막으로 문화적 공감태도와 성격요인이 문화적 역량에 미치는 영향을 알아보기 위해 위계적 중다회귀분석을 실시하였다. 결과 : 본 연구 결과 문화적 역량은 성별에 따른 차이가 없는 것으로 나타났고, 문화적 공감태도와 성격요인은 문화적 역량과 정적상관이 있는 것으로 나타났다. 또한, 문화적 역량에 영향을 미치는 요인은 문화적 공감태도(β=.357), 성 격요인 중 개방성(β=.253)순으로 나타났다. 결론 : 본 연구는 작업치료 전공 학생들의 문화적 공감태도와 성격요인이 문화적 역량에 미치는 영향을 살펴봄으로써 그들의 문화적 역량을 향상시키기 위한 교육 프로그램에 대한 기초자료로 활용될 수 있을 것이다. Objective : The purpose of this study is to examine the effect of cultural empathy, and personalities on cultural competence among university students of occupational therapy. Methods : One-hundred and fifty-five university students of occupational therapy in Jeollanamdo and Gwangju completed questionnaires consisting of a demographic questionnaire, the Scale of Ethnocultural Empathy(SEE), Big Fie Inventory(BFI), and (CCAI). To determine the relationships among demographic variables, cultural empathy, personalities, and cultural competence, descriptive statistics, Pearson correlation analysis, and regression analysis were analyzed by using SPSS 24.0 for Windows. Results : The results of the study showed the differences in neuroticism and conscientiousness by gender. Also, there were positive correlations between cultural empathy, personality, and cultural competence. Lastly, cultural empathy(β=.357), openness(β=.252), and school year(β=-.148)were significant predictors of cultural competence. Conclusion : The results of this study clarified the relationships among cultural empathy, personality, and cultural competence, and will provide data for the education program to enhance the cultural competence of undergraduates of occupational therapy.

몽골 영웅서사시에 나타난 여성 캐릭터의 유형과 특성- 부랴트 「아바이 게세르」를 중심으로 -

이안나 한국몽골학회 2014 몽골학 Vol.0 No.36

This study set out to investigate the types and characteristics of the fourwomen that were the center of the Abai Geser epic and the embodiment ofeach femininity in the epic according to the four structural forms offemininity by Toni Wolff, one of Carl Jung's pupils. Manzan gurme grandmother, the mother goddess and the Maternal type,takes the most natural form and is presented as the positive form of themother. She is manifested as the representation of the brightest and wisestin the epic. As the god that created the Great Bear and the galaxy and thegoddess that governs birth and rearing, death and reincarnation, andhealing, she resolves all kinds of problems happening in the epic and is themastermind behind sending out Geser out to the human world and havinghim restore peace on the ground. Representing Hetaira, Urmai goohon is a tempter armed with the utmostbeauty that cannot be rivaled in the world, becoming a major factor tocause confrontations and conflicts between the protagonist and antagonist. While playing her roles on the side of the protagonist, she is also free enough to choose monster, the opposite force, as her spouse in pursuit ofher instinctive tendency. Alma mergen of Amazone is an independent and self-contained womanand a typical positive character along with the mother goddess Manzangurme grandmother. She is manifested as the most ideal spouse for Geser. Possessing wisdom, wits, and faith in addition to incredible bravery, shedisplays the characteristics of a whole person. Placing greater importanceon her own choice than relationships, she sometimes engages in extremeacts and shows very threatening characteristics. Yargallan of Mediale is a problematic character, who cannot confrontthe world on her own and becomes a victim herself. Lacking rationalthinking in distinguishing her personal things from those belonging to thepublic, she also becomes a perpetrator. Even though she has spiritualfeatures, she fails to use them for the good of the community, getsoverwhelmed by her unconscious desire, and thus becomes a negativebeing.

평화를 위한 투쟁 : 1959년 라이프치히의 ‘국제 그라휘크 전람회’

이안나,홍성후 근대서지학회 2021 근대서지 Vol.- No.23

경주 고적 안내 『新羅文化와 慶州古蹟』 해제

이안나 근대서지학회 2022 근대서지 Vol.- No.25

몽골 구전설화에 나타난 ‘수중 이계 여행’과 ‘물고기 색시’ 모티프의 상징적 의미 고찰-<꿈쟁이 젊은이>를 중심으로-

이안나 한국몽골학회 2023 몽골학 Vol.- No.73

Folktales have long been transmitted, embodying the life issues and wishes of people in interesting symbols and reflecting the fundamental collective unconsciousness of the human mind. This study set out to investigate the inner world of the main character’s ego and examine his journey of finding his “self” deep in his unconsciousness in The Young Man, The Dreamer, which is a folktale whose storytelling unit is a dream. There is a young man made by the king to dream a dream for the king’s greater desire. One night, he dreams of becoming a king himself and is banished to a distant sea, where he saves a fish, travels a different world at the underwater palace of the Dragon King, and takes the fish as his wife, thus realizing his dream of becoming a king himself. Here, the man on a white horse that brings the young man to the underwater palace represents the inner “spirit”(Geist) of the main character that guides him. The underwater world represents his unconsciousness. The fish lady, who is the yellow dog brought from the underwater world, represents “anima,” which is the female character of his unconsciousness. The Dragon King at the underwater palace represents the archetypical image of his “self”. The king that puts the young man in hardship represents the “negative father image” inside the main character. Taboos or prohibited matters in this kind of tales have an attribute of being broken, which expands an event and prolongs time for the main character’s maturity while training the inside of the main character and assisting him with his complete self-growth. The narrative of this folktale shows the process of the dreaming young man living in a deficient mundane world opening up his unconsciousness through dreams and seas and tells a story of finding his anima and exploring his “self” as the transcendent center of his spirit.