문화유산을 활용한 테마파크형박물관에 관한 연구

박소라(Park, So La),우성호(Woo, Sung Ho) 한국실내디자인학회 2013 한국실내디자인학회논문집 Vol.22 No.6

The number of visitors to historic sites and museums in Korea has been on a rapid decrease and in order to search for creative ways to work on the problem, the study proposed a theme park-typed museum with cultural heritage applied and reviewed spatial strategies for such theme park-typed museums. Applied methods of research of this study are as follows. First, in order to understand definitions and current situations of cultural heritage use and theme park-typed museums, the study went thoroughly over all sorts of literature and reports as well as findings of advance researches on how to make a use of cultural heritage. Based on the results of the investigations, the study determined characteristics of the theme park-typed museums with cultural heritage applied which the study was proposing and the characteristics were categorized by type. Considering those characteristics and types gained in the study, the study looked for cultural heritage-based theme parks and museums in the world which were good enough to be used as research subjects in the study from the aspects of profitability and level of awareness. The study examined those theme parks and museums in the world and in the end, it found out ways to adopt the findings to the situations in Korea and discussed expecting effects as well. As to the characteristics of the theme park-typed museums with cultural heritage applied, the study divided those characteristics into mutual cooperation, location, communicability, authenticity, maintainability, education, durability, narrativity, undailiness, interactivity and leisure. The types were categorized into ride, environment direction, cartoon character and souvenir by attraction pattern. When cultural heritage is used actively, it would improve competitiveness of historic cultural sites and museums in return, making people realize the iterative structure of excavation, conservation, maintenance and use of cultural heritage. That would create many kinds of added values, re-discovering culture of the country. At the same time, it would also create a new value of culture as well. Now, it is important for us to do harder with researches on how to evolve museums and exhibition spaces. Considering that, the study is believed to make a contribution to revival of historic sites and museums in Korea but also establishment of scientific strategies.

영화의 후속 시장과 영화 제작 및 유통 간의 관계에 대한 연구

박소라(Sora Park) SBS 2006 미디어경제와 문화 Vol.4 No.2

디지털 영상 미디어 기반 움직이는 오브제의 시간성에 관한 예술적 표현 방법에 관한 연구

박소라(Park, So Ra),전지윤(Chun, Ji Yoon) 한국디지털디자인협의회 2016 디지털디자인학연구 Vol.16 No.3

현대의 디지털 기술의 발달은 디지털 미디어의 확대 보급을 통해 실시간 정보를 생성하고 전달이 용이하게 만들며 엄청난 파급력으로 우리의 생활 속에 침투하고 있다. 이러한 디지털 영상 미디어의 확산으로 예술 분야에서도 새로운 미디어를 이용하여 이전과는 차별화 되는 표현 방법을 구현하고자 하였다. 특히 예술 분야는 디지털 카메라 출현으로 다양한 시각적 표현의 가능해 졌으며 이후 디지털 영상 미디어를 이용한 예술 작품의 제작이 용이하게 되었다. 그러나 디지털 기술의 진화로 인한 디지털 영상 미디어의 발전 속도에 비하여 예술적표현 도구에 대한 효과적이고 다양한 방법적 시도가 부족한 상황이다. 본 연구에서는 “움직이는 오브제의 시간성”을 디지털 영상 미디어를 활용하여 시각적 표현 방법을 효율적으로 활용하고자 다음과 같이 체계적으로 접근하고자 하였다. 먼저 디지털 영상 미디어의 특성에 대하여 분석하고 이를 운동성과 시간성이라는 주제적 접근에 있어서 예술 사조에서 일어난 시각적 표현 방법에 관하여 살펴보았다. 마지막으로 이러한 이론적 탐구를 기반으로 움직이는 오브제의 시간성을 시각적으로 표현한 작품〈dynamic hour〉를 구현하였다. 작품〈dynamic hour〉는 디지털 영상 미디어의 특성을 이용한 작품 사례로 향후 디지털 미디어를 이용한 시각적 표현 사례로 활용될 수 있기를 기대한다. Nowadays development of digital techniques promotes real-time generation of information through digital media, and brings unprecedented changes in our life. Driven by such digital image media, art field also seeks to implement expression methods set apart from before by using new media. In art field, in particular, artists now can express in various perspectives owing to the appearance of digital camera, and production of art works using digital image media is easier than ever before. Nevertheless compared with the development of digital image media at lightning speed by evolution of digital techniques, there is still no attempts effective and diverse enough to seek for artistic expression tools. In this study, the following systematic approach was done to express "the time nature of moving objet" visually with the use of digital image media. First off the characteristics of digital image media were analyzed, and the method of visual expression of mobility and time nature that occurred in the art field was examined. In the last "dynamic hour" the work that expressed the time nature of a moving object was implemented based on such theoretic exploration. "dynamic hour" is a work using the characteristics of digital image media, and this work is anticipated to be utilized as a model case of visual expression using digital media later on.

상대적 시장규모와 국가간 교류가 텔레비전 프로그램 수입에 미치는 영향에 대한 연구

박소라(Sora Park) 한국방송학회 2003 한국방송학보 Vol.17 No.4

OFDM에 기반을 둔 ETRI DAB 시스템의 대략적 주파수 동기알고리즘의 성능 분석

박소라(So Ra Park),이수인(Soo In Lee),정영호(Young Ho Jeong),김건(Geon Kim) 한국통신학회 2000 한국통신학회 학술대회논문집 Vol.2000 No.7

OFDM 수신기의 새로운 미세 FFT 윈도우 위치 복원 알고리즘

박소라(So Ra Park),김동규(Dong Kyu Kim),조홍배(Hong Bae Cho),최형진(Hyung Jin Choi) 한국통신학회 1998 한국통신학회 학술대회논문집 Vol.1998 No.7

짧은 동기 프리앰블을 갖는 4-FSK 시스템의 ST-FFT를 이용한 심볼 동기 알고리즘

박소라(So Ra Park),김영춘(Choon Young Kim),최형진(Hyung Jin Choi) 한국통신학회 1999 한국통신학회 학술대회 및 강연회 Vol.1999 No.4

가에타노 페쉐 사무공간의 특성과 디자인 방법에 관한 연구

박소라(Park, So-La) 한국실내디자인학회 2002 한국실내디자인학회논문집 Vol.- No.34

Amberlite에 고정화된 Lipase 제조 및 효소적 Interesterification을 이용한 반응 특성 연구

박소라(So Ra Park),이기택(Ki Teak Lee) 한국식품과학회 2014 한국식품과학회지 Vol.46 No.3

본 연구는 미생물로부터 유래된 5종(AH, AK, AY, PS와 R)의 lipase들을 Amberlite XAD 7에 흡착법으로 고정화 시킨 후 각 immobilized lipase들의 특성을 알아보았다. 고정화 전과 후의 단백질 함량 및 각 free lipase들과 immobilized lipase들을 이용한 interesterification 반응물의 지방산과 TAG 조성을 분석하였다. 또한, immobilized lipase에 있어 중요한 요인인 reusability를 확인하였다. Free lipase의 단백질 함량은 2.22-11.41%로 AH가 가장 높았던 반면, immobilized lipase에서는 AH, PS와 AK가 mg protein/g support이 높았다. 한편, 반응 특성을 알아보기 위해 카놀라유, PEE와 StEE를 기질로 하여 batch type interesterification을 진행하였을 때, free lipase의 경우 free lipase R을 제외한 다른 free lipase들은 반응시간이 1시간에서 72시간으로 증가함에 따라 총 포화지방산 함량이 증가하였으며 그 중 free lipase AH가 반응성이 가장 높았다. 또한, RP-HPLC를 통해 free lipase AK 반응물을 분석한 결과, 반응시간이 길어질수록 카놀라유(0시간)에서 볼 수 있었던 57.49 area%의 OOO가 6.53 area%로 감소하였다. 이는 각 free lipase들이 PEE와 StEE를 효소적 반응에 이용했기 때문이라고 판단된다. 한편, immobilized lipase AY와 R의 경우 반응시간이 1시간에서 48시간으로 증가하여도 카놀라유(0시간)의 총 포화지방산 함량과 큰 차이가 없었으나 immobilized AK의 경우 48시간에서 38.3 area%의 포화지방산 함량으로 가장 높은 활성을 보였다. 또한, 이를 사용하여 continuous type으로 반응하였을 때 유속이 느릴수록 효소와 기질 사이의 접촉 시간이 길어져 반응물의 총 포화지방산 함량이 증가함을 알 수 있었다. Reusability는 immobilized AK, AH와 PS 모두에서 두 번째 반복 반응을 하였을 때, 첫 번째 반응보다 총 포화지방산이 120-196.5% 증가하였다. 그러나 bounding protein 함량이 가장 높았던 immobilized AK는 support에 흡착되었던 free lipase AK의 탈착이 일어나 2번째 반응 후부터 활성이 감소한 반면, immobilized AH와 PS는 활성이 비교적 유지되었다. Immobilized lipases were prepared by physical adsorption using lipase AK, AY, AH, PS and R on Amberlite<SUP>®</SUP>XAD<SUP>®</SUP>7 HP resin. With the immobilized lipases (10%), structured lipid was synthesized by enzymatic interesterification of canola oil, palmitic ethyl ester, and stearic ethyl ester in order to study the reaction characteristics. Among the lipase, the highest protein content was obtained from lipase AH (11.41%) before immobilization, while the highest levels of bound protein was observed from immobilized lipase AK (63.91%). Immobilized lipase AK had the highest interesterification activity (38.3% of total saturated fatty acid). Lipase AK was also used for a continuous reaction in which the slow flow of reactant resulted in increased reaction rate. Reusability of immobilized AK, AH and PS increased at the second reaction (120-196.5%). However, the activity of immobilized AK, which had the highest bound protein content (63.91%) decreased after the third reaction, while the activity of immobilized AH and PS was maintained until the sixth reaction.

렘 콜하스의 건축에서 나타나는 밀집과 보이드를 적용한 디자인 방법에 관한 연구

박소라(Park, Sola) 한국실내디자인학회 2014 한국실내디자인학회논문집 Vol.23 No.6

Rem Koolhaas has pursued new architectural approaches with conventional ones. Around the 1990s when large-scale projects occurred with the union of Europe ahead, Koolhaas recognized the limits to the existing methods for responding to such changes. Accordingly, he came to use design methods based on ‘congestion’ and ‘void’ as strategical alternatives, which became the moment for him to leap forward from the previous working sphere based in Europe to becoming an architect who would be commissioned a number of large-scale global projects. Therefore, this study intends to investigate his design methods which utilized congestion and void, and to derive spatial characteristics from the projects based on such methods. First of all, the study looked into the historical background, definition and process of congestion and the void as design methods, and analyzed his projects to which such methods were applied by classifying them into the following categories: 1) the void that removes a space of singularity; 2) the void that penetrates space while making a flow; and 3) the void that is formed by vertical extrusion. Then, the characteristics of architectural spaces made in this way were identified as 1) the single-body appearance made by congestion and the following types of space made by the void: 2) the non-uniformly shaped space that looks like floating; 3) the flexible space with various flows and directions; 4) the space with virtual possibilities that embrace contingent events. This understanding of Rem Koolhaas’s design methods which were attempted in various ways at his critical turning point will be the foundation to understand the overall world of his works.