「うつろふ」考 ー『古今集』를 중심으로ー

강순정 단국대학교 일본연구소 2014 일본학연구 Vol.43 No.-

The book 『Kokinsyu』 describes the affaires of human and natural using the verb 「うつろふ」 which means the change and extinction. The change in the affaires of natural depicts the autumn scenery by the poem about spring and fall in which portrays not only the decline but also the fall foliage. That is to be able to say that it s affected by thought recognizing after 『Kokinsyu』 considering the putting on autumnal tints as the weakening of life which are plants and trees. The change of the affaires of human describes the change of mental state between a man and woman where it shows special feature that a feeling of love is expressed step by step with the poetic representation of colors such as 「色なし」, 「染む」 and 「うつろふ」. Meanwhile the verb 「うつろふ」 of the extinction express the affaires of natural by describing plants and trees, it also expresses the new concept that the reflection of plants and trees on the surface of the water is regarded as the decline. The verb 「うつろふ」 of 『Kokinsyu』 is recited with keeping to a cadence of the poetry due to the distinct image of instant representation. However, it is tend to show the feature that the rhetorical changes are remarkable.

「うつろふ」考 -『万葉集』를 중심으로

강순정 단국대학교 일본연구소 2013 일본학연구 Vol.38 No.-

A study on 「UTSUROU」 -Focused on Manyosyu- The movement and transformation verb, 「うつろふ」 has various meanings, including ‘to move,’ ‘to be tinged,’ ‘to be transformed,’ ‘to be declined,’ ‘to fall,’ etc. In Manyosyu, this 「うつろふ」 is recited with distinctive meanings, such as the spatial movement, the change in color and the extinction, having the common feature that they are based upon ‘the lapse of time.’ 「うつろふ」 as the spatial movement has the externally located subordinate role so that it can convey the lapse of time rather than only the spatial movement. 「うつろふ」 as the change in color focuses on the continuous process of the change in color, concentrating mainly on the change of heart, one of the psychological changes of human beings. Even if 「うつろふ」 as the extinction focuses on the result of the extinction rather than the process of it, metaphorically reciting the decrepitude and death of human, and the vanity of human life through the voice of the natural phenomenon, the withering of the natural objects, it can be notified that there is always the underlying meaning, the lapse of time. As this kind of reciting manner is not maintained in Kokinsyu, it can be assumed that this multi-layered reciting manner is Manyosyu’s general and idiosyncratic one.

병원간호사의 관계지향 간호조직문화와 이직의도 간의 관계에 있어서 임파워먼트, 직무스트레스, 조직몰입의 매개효과

강순정 한국간호과학회 간호행정학회 2013 간호행정학회지 Vol.19 No.3

Purpose: The purposes of this study were to analyze the mediating effects of empowerment, job stress, organizational commitment and relation-oriented nursing organization culture on turnover intention of clinical nurses. Methods: Participants selected for the final analysis were 382 nurses working in 4 general hospitals. Data were analyzed through descriptive statistics Pearson correlation analysis (SPSS/WIN 17.0), and Path analysis (AMOS 18.0). Results: The study results are as follows: relation-oriented nursing organizational culture had no direct effect but had an indirect effect on nurses' turnover intention through empowerment, job stress, and organizational commitment, while job stress and organizational commitment had direct effects on turnover intention. The results also showed that empowerment had strong effect on organizational commitment, but job stress had very weak effect. Empowerment had an effect on turnover intention. Conclusion: These results indicate that establishment of relation-oriented nursing organization culture is imperative if clinical nurses' turnover intention is to be decreased.

지역정신보건간호사의 역할 및 활동, 그리고 방향성에 관한 연구

강순정,김여의,고영 용인정신의학연구소 1998 용인정신의학보 Vol.5 No.2

이러닝 강의시스템 품질이 학습자의 몰입과 참여도에 미치는 영향에 관한 연구

강순정(Soon-jung Kang),이동철(Dong-cheol Lee),김형길(Hyung-gil Kim) 한국인터넷전자상거래학회 2008 인터넷전자상거래연구 Vol.8 No.3

This study aims to clarify the theoretical ground of e-Learning and to seek effective strategies for a learner's flow and participation by coping with diverse educational demands required by a knowledge information society and aims to look at the quality of the e-Learning lecture system, an educational system suited to a new change. As a result of research and investigation, the study obtained the following results. First, as regards information quality, only sufficiency of information is shown to affect the learner's flow and participation. Second, as regards systems quality, the usability of a system was found to affect the learner's participation only, and accessibility was found to affect the learner's flow only. Third, only interactivity from among the teacher's traits was shown to affect both the learner's flow and participation, and lecture style was shown to affect the learner's flow only. This result demonstrates that the promotional function of communication via the teacher's appropriate feedback is a crucial factor.

「오노노 고마치 小野小町」의 가어(歌語) - 夢・海人・憂し・うつろふ를 중심으로

강순정(Soonjung Kang) 한국외국어대학교 외국문학연구소 2016 외국문학연구 Vol.- No.61

오노노 고마치는 그녀의 사가집인 『고마치슈』를 통해 ‘꿈’, ‘어부’, ‘우시’,‘우쓰로우’를 다용하였다. 그녀는 꿈이라는 공간을 통해 사랑에 대한 끝없는 갈망을 표출하였다. 특이한 점은 꿈을 허무한 공간으로 인지하면서도 꿈에서의 만남을 끝없이 갈망하였다는 것이다. 이는 꿈이라는 공간이 그녀에게 사랑하는 이와의 조우가 이뤄질 수 있는 유일한 공간이자 의지할 수 있는 도피처였던 것이다.어부의 노래는 주로 남성을 거부하는 여성이라는 고마치의 이미지가 중심을이룬다. 하지만 고마치의 거부는 신뢰를 주지 못하는 남성에 대한 강한 불신에서야기된 것이었고, 남성을 거부하는 모습으로 스스로를 지키려는 최소한의 노력이었던 것이다.남성에 대한 불신은 ‘우시’의 노래로 이어진다. ‘우시’는 타인으로 인한 괴로움이 아닌 내면에서 우러나오는 본연의 괴로움을 의미한다. 그녀는 남성과의 관계에서 오는 괴로움의 근원을 자신의 내면에 집중하여 찾으려 했다. 또한 그 내적우수를 겉으로 표출하여 해소하기보다는 스스로 감내해내고자 했다.만년의 고마치는 자신의 일생을 ‘우쓰로우’라는 가어와 꽃을 통해 상징적으로노래한다. 시간의 흐름에 따라 피고 지는 꽃과 같이 젊고 아름답던 자신이 늙고추해진 것을 당연한 세상의 진리로 받아들이고 담담하게 노래한다. 이는 인간이가지는 다양한 감정과 삶, 나아가 세상만사에서의 변화와 쇠퇴 그리고 소멸이라는 현상에 순응하고 체념하는 모습을 취하게 되었음을 의미하는 것이다.이처럼 이상의 가어들은 고마치에게 있어 독립적이지만 서로 유기적인 관계를가지며 그녀의 삶을 대변하는 중요한 가어로 작용하였고, 그녀의 일생을 순차적으로 되돌아 볼 수 있는 중요한 자료였던 것이다. Ono no Komachi expresses her endless desire for love using the spaceof the dreams. What is peculiar is that even though she realizes thedream as hollow space, Komachi endlessly longs for a meeting in thedream rather than desiring for it in reality. For her, the dream is the onlyplace where her meeting with her lover can be made, and the refuge onwhich she can rely.The song of fisherman is centered on the Komachi’s image thatreflects a woman who rejects men. Her rejection is, however, caused bythe strong disbelief in the men who could not earn her trust, and thisrejection of men was her littlest effort to protect herself. Komachi’sdistrust in men continues in the song of ‘ushi.’ ‘Ushi’ means the naturalsuffering emerged by itself, not that which is caused by others. Komachiconcentrates on the intrinsic suffering which exists in her internal self,rather than blaming the opponent. Besides, Komachi endures the innersorrow, instead of expressing it externally. Komachi in her later yearsmetaphorically sings her life using the poetic word ‘utsurofu’ and theflower. She sings dispassionately, accepting it as a eternal truth that she,once young and beautiful, is now old and homely, just like the wayflowers bloom and wither away as time goes by. This reflects the factthat Komachi takes the state in which she adjusts to the various feelingsand lives one can have, and further to the earthly phenomena such as thechange, wane and disappearance, and takes the world as it is.In this way, these poetic words, independent as they are, having theorganic relationship among themselves, function as the important poeticwords which reflect Komachi’s life, and they are important data withwhich we can recollect her life in consecutive order.

만성정신질환자의 직업재활 사례

황태연,한은선,이영문,강순정,정경선 용인정신의학연구소 1995 용인정신의학보 Vol.2 No.1