영어의 縮約현상과 韻律영역

李鳳炳 大田大學校 1989 論文集 Vol.8 No.1

해당정보 없음

T.S. Eliot의 FOUR QUARTETS(Ⅰ) : 그 주제를 중심으로

이봉국 연세대학교 인문과학연구소 1975 人文科學 Vol.33-34 No.-

Eliot's Four Quartets has been the center of numerous discussions among the critics of his poetry. This is a happy discovery, since I have been concerned with the poem for the past ten years since Eliot's death. The Waste Land could be termed a poem of pure art composed on the basis of Impersonal Theory of Poetry when he was in his thirties; whereas, Four Quartets could be interpreted his master. piece in which the mature Eliot in his fifties are personified in his song of faith, love, and hope. I have attempted to show his use of musical analogies in the composition of Four Quartets in terms of its themes. As he manifested in his Music of Poetry in 1942, he professed that a poet mihgt gain much from the study of music. He himself said that he does not have the technical knowledge of music himself, but he believed that the properties in which music concerns the poet most closely, are the sense of rhythm and the sense of structure. Despite his belief that too much use of musical analogies would result in an effect of artificiality, he knows that a poem, or a passage of a poet, may tend to realize itself first as a particular rhythm before it reaches expression in words, and that this rhythm may bring to brith the idea and the image. Although he does not say that this is an experience peculiar to himself, he favors the sense of recurrent themes, which he feels as natural to poetry as to music. It is my contention that as to musical analogies he used in Four Quartets, he had in mind possibilities for verse which bear some analogy to the development of a theme by different groups of musical instruments. And at the same time, these analogies extend to possibilities on transitions in a poem that are comparable to the different movements of a sympony or a quartet and the possibilities. of contrapuntal arrangement of subject-matter. As he manifested these in Four Quartets, a germ of poem was quickened in the concert room rather than in the opera house. With these musical analogies, I have attempted an explication of the poem in terms of his view of time, in the celebration of Eliot's ever-lasting poem of masterpiece.

英·美語文學에 관한 硏究論文 實態調査 및 資料蒐集

李鳳國,李君喆,白基德 연세대학교 인문과학연구소 1966 人文科學 Vol.16 No.-

Macbeth의 世界 : 그 字宙秩序觀을 中心하여

李鳳國 연세대학교 인문과학연구소 1962 人文科學 Vol.8 No.-

A theme central to Macbeth may be human ambition or temptation leading to crime. Be that as it may one thought seems to underlie the process of evil's birth, growth and consummation as represented in the poetic drama : it is the Elizabethan conception of the universe or a view of order. In form and in content Macbeth heavily leans on the idea of "chain of being" and of "correspondence". "My single state of man (Ⅰ, ⅲ, 40)" shows the idea of "body politic" of the age. Scenes of natural calamity (Ⅱ, ⅲ, 36-; Ⅱ, ⅳ, 1-; Ⅰ, ⅴ, ⅲ, 159-) are seen as nature's "correspondence" to destruction of order in the form of the murder of King Duncan. Macbeth may in fact be read better in association with the contemporary conception of cosmic order. Projected into a setting where nature unfolds its drama-order destroyed and restored corresponding with the order destroyed by the regicide and later restored -Macbeth reaches the solemn heights of sweeping majesty. This paper delineates the parallel developments with Macbeth's course of action on one hand with nature's course in correspondence on the other. In Macbeth the state symbolized by King Duncan represents the macrocosm, his murder disturbs it and two of its microcosms, i.e., the Macbeth, are caught up in a spiral of causality. Action and reaction ascend in a concentric spiral development while character and plot blend into the play's symbolic imagery. Macbeth by killing Duncan destroys order itself and values as a whole, himself with them. A world with its order destroyed is a world with its values and indeed its meaning voided. In Macbeth order is both a medium and the signification of determinist relations which are corollary to the Elizabethan philosophy. It is a peculiarly Shakespearean technique of tragedy, and Macbeth gives poetic meaning to order.

Shakespeare 舞臺藝術의 特質 : Hamlet의 構成을 中心하여 With refernece to the Construction of Hamlet

李鳳國 연세대학교 인문과학연구소 1959 人文科學 Vol.3 No.-

Shakespeare, the greatest dramatist of all time ,"help, a mirror up to nature for an audience in the Globe Theatre. It stage was different in so many respects from present day theatres that we can hardly appreciate the excellence of his dramatic art without some understanding of the peculiar conditions of his theatre. Therefore, it seems to me that a fundamental way of approaching Shakespeare's drama to understand the conditions which the tried and competent dramatist had to take into account in building his plays and to try to understand what he as a dramatist was striving for on his stage. It will at least help us by increasing our understanding of his craft. From this point of view I considered the various characteristics of Shakespeare's theatrical art in relation to with the stage practice of his day and tried to show the exquisite adaptation of the construction of Hamlet to the limitations of his stage.

중화의 조건

이봉형 충남대학교 어학연구소 1999 언어 Vol.20 No.-

계층적 표현을 응용한 형상 인식에 관한 연구

허봉식 동의공업대학 2001 論文集 Vol.27 No.1

In this paper, we presented a hierarchical shape matching algorithm utilizing hierarchical representation scheme for planar curves. A hierarchical representation tree for a given shape is transformed into normalized error signature(NES). NES is then used for hierarchical shape matching For which, thresholded NES is dynamically extracted for level-matching. Experimental results show that the proposed method is useful for efficient shape matching. However, more robust shape signature must be designed to distinguish convex-concave shapes exactly in the future.

T.S. Eliot의 藝術秩序觀 小考 : 그 傳統과 個性의 問題를 中心하여

李鳳國 연세대학교 인문과학연구소 1963 人文科學 Vol.10 No.-

In Poetry and Drama (1951) T.S. Eliot sums up his literary activities: "…it is ultimately the function of art, in imposing a credible order upon ordinary reality, and thereby eliciting some perception of an order in reality, to bring us to a condition of serenity, stillness, and reconciliation." It would appear that his sense of history had been established by the time of his first anthology, Prufrock and Other Oservations (1917). He ranged through European literary tradition in search of values, and his effort brought to him a sense of order and his impersonal theory of poetry, both of which he represents in "Tradition and Individual Talent." By 1922 Eliot lays a new landmark in English poetry with "The Wasted Land" in which he embodies his ideas in verse. Starting with "Tradition and the Individual Talent" this paper surveys the course of his ideological development of Art as an order ending in Poetry and Drama.

複合模型과 高次對稱性

朴鳳烈 서울대학교 1969 서울대학교 論文集 Vol.20 No.-

The dynamical connection between various compound models and higher symmetry will be investigated by the method of current algebra. It will be shown that both quark and triplet models will be qualitatively valid for generating the higher symmetry.

神의 죽음 神學 : 最近 特히 歐美에서 論議되고 있는 기독교 사상의 새로운 움직임 The Contemporary Christian Thought emerged in the European and American Theological Discussions

朴鳳琅 건국대학교 1967 學術誌 Vol.8 No.1

This is a study on the movement which has been taking place in the Christian churches of the Westrn world, especially in the American Scene in the first part of the post 20th century, often called "New Theology," or "Radical Theology," but generally "Death of God Theology." The origin of this movement is not without identifiable in certain particular persons or writings as shown in this thesis. But it is the present writer's observation that this radical Christian movement will adequately be understood only by pointing to a certain claim of the spirit of the time. The expression, death of God, implies the negative element of the modern consciousness. It is an agony in which the modern church experiences her life in the midst of the radically changing cultural climate of the post·modern era. Death of God Theology is not to be identified with Atheism either in terms of Anti-theistic Atheism, or naturalistic, materialistic Atheism, but to be understood in terms of a certain theological position which claims to accept the fact of the modern scientific, atheistic world view and to establish their christian insight within the context of the atheistic position. It is this sort of Gospel of christian Atheism, or theological claim that calls for our special attention here. In this thesis the present writer attempts to investigate theological implications of the five radical theologians, analizing their thoughts and claims in the context, first of the traditional christian thought, but especially of the present christian situation. The pivotal question in this thesis is what God would they mean when they say God is dead. Readers will find that their answers are varied. However the common denominator which underlies all their writings is the sense of loss. This sense of loss wall give the characteristic to this movement. The thesis includes seven chapters. The first two of these will serve as an introduction to the understanding of the death of God movement, while the remaining chapters deal with the five voices of the contemporary Death of God Theology. Readers are suggested to follow the main subject of each chapter and its subdivisions with special attention. They are as following : 1.The New Challenge 2.The Origin of the Death of God Theology What is the Death of God Theology? How this movement arose? Who are Death of God Theologians? Main sources 3.The Proclamation of the theological revolution : John Robinson The request of the theological revolution The End of Theism God as a Depth of Being The beyond in the midst : Christ Criticism and Conclusion 4.Atheistic Christology : Thomas Altizer The demand of the Death of God The Death of God as that of the historical christian God Nirvana and the Kingdom of God God as the Incarnate Christ Criticism and Conclusion : on the atheistic Christology 5.The New Optimism : William Hamilton Hamilton and the radical theology movement The Death of God The Obedience to Jesus and the new Optimism The Interpretation of Bonhoeffer's 〈Prisoner for God〉 Criticism and Conclusion 6.Post-Christian Era : Gabriel Vahnian What Vahnian attempts to do The Modern Promedeus : The scientific Humanism The Revolt of Science The religious deviation : Man's Religiosity The way out : the Secularization of Christianity and the Demythlozisation of the Gospel Criticism and Conclusion 7.To Speak of God in the Secular Fashion: Harvey Cox The Significance of Cox in modern theology What is meant by the Death of God? To speak of God in the Secular Fashion Criticism and Conclusion 8.The Final Conclusion