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      • KCI등재

        Comparative Analysis of the Imaginary Creatures in“Classic of the Great Wilderness”(山海經)and "Strange Animals Book”(怪奇鳥獸圖卷)

        ( Yuxiao Dong ),( Juyoung Chang ) 한국디자인트렌드학회 2017 한국디자인포럼 Vol.56 No.-

        Background This study primarily discusses the links and connections of imaginary creatures illustrations between two ancient books: "Classic of the Great Wilderness"(山海經) and "Strange Animals Book"(怪奇鳥獸圖卷). And this study compares and analyses their similarities, and investigates on their historical links between China and Japan. The main aim of this study is to find the relation between two books, to explore the value of those ancient books and to investigate their potential of application to contemporary design and other areas. Methods Literature research: By studying the imaginary creatures illustrations of two books in libraries and museums, and reviewed imaginary creatures that appear in "Classic of the Great Wilderness" and "Strange Animals Book", and then analysed them on a comprehensive and detailed basis. Case research: Representative creatures that appear in both Chinese and Japanese versions were selected for the analysis and comparison. Comparative research: By comparing the images of the imaginary creatures that appear in the two books, the study analyzed their links and relations, and then discussed their heritage in innovating and developing the traditional culture. Result By comparing the images of the imaginary creatures that appear in the two books, the study found the relation between them, identified their similarities, and analyzed their differences. The imaginary creatures in "Classic of the Great Wilderness" gave a big influence to the creation of "Strange Animals Book" as a reference. The imaginary creatures after the integration of the Japanese local imaginary creatures culture system and gradually evolved into a variety of Japanese imaginary creatures images that some are still active now. Although "Classic of the Great Wilderness" was written hundreds of years ago, it remains a creative gem that offers insight for innovation. A close correlation exists between valuable cultural inheritance and innovation. Conclusion According to the description and images of various imaginary creatures in "Classic of the Great Wilderness", the imaginary creatures are used as a reference in the creation of "Strange Animals Book" for depicting cultural elements from China. A number of them have been disseminated through local Japanese culture, and many classic Japanese monsters images are still well known today, such as Tengu(天狗). And with the evolution of these traditional images, they were known and loved by more people, and were used in various fields. Important traditional books such as “The Classic of the Great Wilderness” and "Strange Animals Book" are priceless sources for creating contemporary design and inspiration. Those ancient books left a great wealth on the art of thinking and imagination, so they are worth letting more people learn and study their mystery.

      • KCI등재

        Illustrations of Imaginary Creatures from “The Classic of the Great Wilderness”(山海經)as Source of Inspiration

        ( Yuxiao Dong ),( Juyoung Chang ) 한국디자인트렌드학회 2017 한국디자인포럼 Vol.54 No.-

        Background This study primarily discusses the imaginary creatures and their illustrations found within the ancient Chinese book, “The Classic of the Great Wilderness (山海經)”. The main goal of this paper is to raise the people`s attention and understanding of "The Classic of the Great Wilderness". The purpose is to explore the value of this book and investigate its potential of application to contemporary design. Methods Three methods are used for this analysis. Literature research: Thoroughly analyzing "The Classic of the Great Wilderness" to achieve a comprehensive and detailed understanding, the paper analyzes the cultural characteristics and artistic features of traditional artistic images within the book. Character Analysis: This paper selects several representative images of interest, such as Gumiho, Emperor Jiang and tries to find similarities in the creative process of imagining these creatures. Comparative Research: by comparing the creatures image in“The Classic of the Great Wilderness”and the creatures in the film “Monster Hunt”and "monsters University". The similarities and differences are analyzed in order to inherit and develop the traditional culture. Result Although "The Classic of the Great Wilderness" was written many years before “Monster Hunt”and "Monster University" was created, similarities in design strongly connect the movie and the book. We can observe the extension of imagination from "The Classic of the Great Wilderness"” to “Monster Hunt.”and "Monster University". Conclusion Design consists of traditional and cultural elements. An important traditional book such as “The Classic of the Great Wilderness”is a priceless source for creating contemporary designs and a valuable source of inspiration. The mismatching of body parts, limbs and organs to creates monsters seems to be a universal cultural practice that has been going on since the ancient times. Discovering the book as a hidden creative gem from tradition can help us innovate. A close correlation exists between valuable cultural heritage and innovation.

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        Comparative transcriptome analysis to identify genes involved in terpenoid biosynthesis in Agriophyllum squarrosum, a folk medicinal herb native to Asian temperature deserts

        Yin Xiaoyue,Yan-Xia Liu,Qian Chaoju,Zhou Shanshan,Fang Tingzhou,Fan Xingke,Gao yuan,Chang Yuxiao,Yang Jian,Ma Xiao-Fei 한국식물생명공학회 2021 Plant biotechnology reports Vol.15 No.3

        Agriophyllum squarrosum is a folk Mongolian medicine with pleiotropic pharmacological and ecological economic importance endemic to Asian temperature deserts. Terpenoids play critical roles in biotic and abiotic stresses due to their antioxidative activities. Based on non-targeted metabolomic analysis, we detected eight terpenoids enriched in the above-ground tissues of A. squarrosum, however, the molecular mechanism underlying terpenoids biosynthesis in this desert medicinal plant is rarely understood. Here, a comparative transcriptome analysis of diferent tissues in A. squarrosum was conducted to identify 84 unigenes encoding key enzymes in the upstream backbone biosynthesis and 53 unigenes encoding the downstream enzymes for terpenoid diversifcation. Most of the upstream genes exhibited signifcant high expression levels in leaf, and some of which were validated by qRT-PCR. Phylogenetic analysis showed that two downstream gene families OSCs (oxidosqualene cyclases) and TPSs (mainly in terpene synthases -g subfamily) had undergone notable gene expansions in A. squarrosum comparing with the other Amaranthaceae plant species and Arabidopsis. Nevertheless, most members from these two gene families showed the tissue-specifc expression in A. squarrosum, which supported the diversifcation and tissue-specifc enrichment of terpenoids across above-ground tissues. Considering to the habitat characteristics of A. squarrosum, we proposed that the enrichment of terpenoids and the functional diversifcation of terpenoids biosynthesis enzymes were more or less involved into its adaptation to stressful environments of deserts. These results expand the available genetic information underlying terpenoid biosynthesis in A. squarrosum, and contribute to deeper researches on pharmaceutical and eco-agricultural applications in this desert medicinal plant.

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