한국의 조형미를 반영한 네일아트 표현연구 : 조선시대 전통혼례복의 요소를 중심으로

이연서(Yeon-Seo Lee),진부경(Bu-Kyung Jin) 한국인체미용예술학회 2021 한국인체미용예술학회지 Vol.22 No.3

21세기 뷰티 산업에서 눈부신 성장을 이룬 네일아트는 현대 여성들에게 개성과 자아를 표출하는 미적 수단으로써 표현의 폭이 더욱 확장되고 있다. 반면에 전통과 문화가 녹아든 고유문화는 우리의 삶에 근간이 되고 있지만, 현대에 들어 서구화된 삶으로 전통의 의미가 점점 퇴색되어 가고 있는 현실이다. 전통혼례복은 우리 고유의 역사와 전통이자 선조들이 남긴 소중한 문화유산 중 하나로 삶의 양식, 민족의 상징성이 정신적, 예술적으로 가장 잘 반영된 복식이라고 볼 수 있다. 이에 본 연구에서는 첫째, 조선 시대 전통혼례복의 이론적 고찰을 하고자 하며 둘째, 네일아트의 종류와 표현기법에 관하여 연구하고자 한다. 셋째, 이론적 고찰을 바탕으로 조선 시대 전통혼례복의 조형미를 기반으로 한 네일 디자인을 제안하고, 넷째, 완성된 네일아트 다섯 작품에 대한 디자인 분석을 하고자 한다. 본 연구에서는 조선 시대 전통혼례복의 오방색, 오간색과 문양을 활용하여 네일아트를 시도한 한 결과 전통혼례복의 조형미는 네일 디자인의 제작에 있어 활용도가 높을 뿐만 아니라 그 가치로도 충분하다는 것을 알게 되었다. 이에 후속연구에서는 더욱 다양한 시대 및 예술사조를 기반으로 저변성이 확대되어 네일아트 이외에도 다양한 미용 분야의 연구 범위가 확장되기를 바란다.

연극교사 전문성 확립을 위한 연극교과 PCK(D-PCK) 탐색

이연심 ( Lee Yeon Sim ),홍서현 ( Hong Seo Hyun ),오세곤 ( Oh Se Kon ) 한국연극교육학회 2019 연극교육연구 Vol.35 No.-

This study discussed the concept, characteristics and components of the PCK (Pedagogical Content Knowledge) - the core of teacher's professionality - and based on this, explored the concept and components of the PCK for drama subject-matter education(D-PCK). In doing so, it aimed at laying the theoretical groundwork for measures to extend professionality of drama teachers. For this, the study critically reviewed precedent research of other curriculums related with the subject of this study focused on literature review, and carried out research on mainly two areas as below. Firstly, it explored the concept, characteristics and components of the PCK. Secondly, it defined the D-PCK and explored its components to draw educational implications. As a result, the study defined the D-PCK as ‘the knowledge and skills for carrying out lessons in which teachers apply what they have for their knowledge of drama education to a given classroom situation and effectively convey it so as for learners to understand contents easily’. And in regard to components of the D-PCK, it drew ‘knowledge of the purpose of for teaching subject matter’, ‘knowledge of curriculum’, ‘knowledge of educational content’, ‘skills to express dramas’, ‘knowledge of pedagogy’, ‘knowledge of evaluation’, ‘knowledge of learning dramas’ ‘knowledge of teaching environment’ as well as totally 31 sub-factors. Building on this, the study explored the meanings of each component and educational implications, and suggested that the D-PCK could be an index for education of drama teachers for the expansion of their professionality. Based on these findings, the study suggested the necessity of establishment of drama pedagogy based on the D-PCK, development of criteria evaluating the appropriate D-PCK for drama teachers, experimental research to elucidate the formation and development levels of the D-PCK, research on instrument development for measuring and analyzing the D-PCK.

수퍼바이저의 지지와 상담자 소진 관계에서 역전이 관리능력의 조절효과 : Moderationg Effect of Countertransference Management Ability in the relationship between Supervisor Support and Counselor Burnout

이연옥(Yeon Ok, Lee),김옥진(Ok Jin, Kim),서명옥(Myong Ok, Seo),최보영(Bo Young, Choi) 한국교류분석상담학회 2021 교류분석상담연구 Vol.11 No.1

본 연구의 목적은 수퍼바이저의 지지와 역전이 관리능력이 상담자 소진에 어떤 영향을 미치는지 알아보고 수퍼바이저의 지지가 상담자 소진에 미치는 영향이 역전이 관리능력에 의해 조절되는지 검증하고자 하였다. 이를 위해 전국의 상담자 241명을 대상으로 수퍼바이저의 지지, 상담자 소진, 역전이 관리능력에 대한 설문조사를 실시하였다. 본 연구를 통하여 밝혀진 주요 결과를 요약하면 다음과 같다. 첫째, 수퍼바이저의 지지와 상담자 소진 및 역전이 관리능력과 상담자 소진은 부적 상관을 보였으며, 수퍼바이저의 지지와 역전이 관리능력은 정적상관으로 나타났다. 둘째, 위계적 회귀분석 결과, 수퍼바이저의 지지와 역전이 관리능력의 상호작용 효과는 상담자 소진에 유의하였다. 즉, 역전이 관리능력이 수퍼바이저의 지지와 상담자 소진의 관계를 조절하는 것으로 검증되었다. 이러한 연구 결과를 바탕으로 본 연구의 의의 및 후속 연구에 대한 제언과 시사점에 대해 논의하였다. The purpose of this study is to investigate how supervisor s support and countertransference management ability affect counselor burnout, and to verify whether the effect of supervisor s support on counselor burnout is controlled by countertransference management ability. For this, a questionnaire survey was conducted on 241 counselors nationwide about supervisor s support, counselor burnout, and countertransference management. The main results revealed through this study are summarized as follows. First, the supervisor s support and counselor burnout were negatively correlated. Also countertransference management ability and counselor burnout have a negative correlation. And supervisor s support and countertransference management ability have a static correlation. Second, as a result of the hierarchical regression analysis, the interaction effect of the supervisor s support and countertransference management ability for counselor burnout was significant. Thus, it was verify that the countertransference management ability controls the relationship between supervisor support and counselor burnout. Based on these results, the meaning, of this study suggestions and implications for subseguent research were discussed.

회화적 요소를 응용한 바디아트 디자인 연구 : 통일 신라 시대의 불교미술에 표현된 붓다를 중심으로

이연서(Yeon-Seo Lee),김연아(Yeon-A Kim) 한국인체미용예술학회 2020 한국인체미용예술학회지 Vol.21 No.3

In modern society, with its coexistence of diverse culture, it is a process of genuine cultural development to remember the beauty of the traditions in our cultural heritage and allow it to continue to evolve through art and cultural exchange and creative work. The truth and concept of religion are invisible in our daily lives. To expose it, help from art is needed. Buddhism, in which people realize truth on their own, samsara, and the redemption of all people are recognized as the highest values, has long been entwined with the history of the Republic of Korea. During the era of the Unified Silla Dynasty, Buddhism was beyond a mere religion and was an official state religion. Since it was directly connected with the country’s fate, Buddhist temple-related fine arts flourished. Therefore, this study attempted to reinterpret the images of Buddha based on a theoretical review of Buddhist concepts and characteristics of Buddhist art during the Unified Silla period and suggested new styles of both Korean and modern ambivalence by expressing pictorial element-applied design through body painting in a torso mannequin style. It is expected that these works would offer an opportunity to contemplate the meaning and value of Korean traditional patterns by expressing the Buddhist art of the Unified Silla Dynasty. It is also anticipated that they would be available as art and aesthetic cultural contents in a creative and diverse fashion.

시누아즈리(Chinoiserie)의 조형성과 미적가치를 반영한 바디아트 디자인 연구

이연서(Lee Yeon-Seo),김연아(Kim Yeon-A) 한복문화학회 2021 韓服文化 Vol.24 No.3

Chinoiserie began to flourish in the 16th century with the expansion of commercial trade between China and Europe and the Chinese fantasy. The modern era was when Chinoiserie flourished, and Chinoiserie developed extensively and conspicuously in various fields such as architecture, painting, ceramics, and furniture. This study investigated the characteristics of form and aesthetic value of Chinoiserie to activate the artistic mix of East and West by applying multifaceted motifs such as Chinoiserie to body art. Chinoiserie tends to indulge in the escapist pleasures of art, and the expression of Chinese images shows that China is mainly portrayed as a world of material abundance, amusement, and beauty. In addition, the Chinese style, which was perceived as a mysterious and unknown world, was mainly used in private spaces, and it was found that this was reflected in the fantasy of the East, especially China. A total of three designs of a plaster body reflecting the aesthetic form of body art, a field of plastic art, were expressed in the form of body art using Chinoiserie style works as an example. As a result of the study, it is possible to express various expressions and original works with a straightforward technique and new contents to design and express modern body art by taking inspiration from the elements of form and aesthetic characteristics based on Chinoiserie. It is expected that the contribution of this study will stimulate artistic convergence and develop into various contents with high utilization of body art.

전통혼례복을 응용한 뷰티아트 디자인 연구

이연서(Lee Yeon-seo),도주연(Ju-yeon Do) 한국인체미용예술학회 2018 한국인체미용예술학회지 Vol.19 No.3

A wedding is valuable cultural heritage and custom that has been passed down throughout history. The traditional wedding costume, which well reflects progenitor values, lifestyles and emotions, could add esthetic value to the relatively heavy concept of tradition with the addition of modern sensibilities. First, therefore, this study attempted to classify and analyze the types, features and traditional patterns and colors of the traditional wedding costume as theoretical research of the Korean traditional wedding costume. Second, it targets the investigation of the styles and previous studies used in other fields along with a theoretical review on art makeup. Third, this study intends to reinterpret art makeup, which contains modern elements with the traditional wedding costume. Fourth, it will suggest a new type of artistic expression without the use of conventional design and analyze the formative features of eight works (4 works for the torso and the model each). This study is meaningful in that it offers a chance to look back on the significance and value of Korean tradition through an analysis of Body art design using the traditional wedding costume and makes a contribution to the inheritance of traditional culture.

자포니즘의 특성을 응용한 아트메이크업 디자인 연구 - 우키요에 모티브를 기반으로

이연서(Lee Yeon-Seo),김연아(Kim Yeon-A) 한복문화학회 2021 韓服文化 Vol.24 No.4

In the 19th century, European society faced a turbulent period with the Industrial Revolution, forming a capitalist world market and transforming into an imperial society. The history of Western art, which sought endless challenges and quests in search of new artistic expressions, increased interest in Japanese culture and art through London in 1862 and the World Exposition in Paris in 1867. Japonism in European art went beyond shock and curiosity and became a turning point in art history. Ukiyo-e, which caused the Japanese craze in modern western society, had a significant influence on Edo period painting with a universal aesthetic and artistic value that could be enjoyed by all classes, not for a specific class. This study analyzed the trend of Japonism, which had a significant influence on the revival movement of modernist painting and decorative arts by transmitting the originality of Japanese aesthetics to French society. Based on the formative characteristics of Japonism, aesthetic values, and exotic motifs such as ukiyo-e, three makeup artworks utilizing traditional meaning and modern materials and characteristics were produced. Body art will inspire from Japanese art and create a new visual expression style in various ways to activate the artistic mix of East and West cultures and establish itself as a modern art while continuing the tradition. In addition, various contents with high utility value will be developed for body art.

호미 바바(Homi K. Bhabha)의 ‘혼종성’이 투영된 디아스포라(Diaspora) 내면에 대한 바디아트 표현연구

이연서(Yeon-Seo Lee),김연아(Yeon-A Kim) 한국인체미용예술학회 2021 한국인체미용예술학회지 Vol.22 No.4

Entering the 21st century, racial and cultural hybridity has become mainstream and people’s desire for art and design has increased. A diaspora, a group of people not belonging to any community, political party, or culture, become ‘the others’. They are confused with their identity and live in a modern hybrid cultural society. In today’s trans-national world, a diaspora’s hybrid identity plays a positive role in handling ‘global discourse’. First, this study investigates the fundamental meaning of a diaspora and Homi K. Bhabha’s hybridity, which explains the doctrine of creating a cultural boundary from a postcolonial perspective. Second, it derives two antagonistic cultures through the flow of aesthetic knowledge and design in a multifaceted perspective, such as art and philosophical concept, considering the confusion resulting from cultural conflicts as an aesthetic attribute of ‘opening’. Third, this study is significant in that it expresses the inner world of a diaspora, reflecting hybridity as a new form of bonding through the human body, taking Homi Bhabha’s third space as the creative space of cultural heredity. The ultimate goal of this study is to prove that body art can be transformed into a new form of formative art by converging open thinking about art/beauty elements and performing differentiated studies. Furthermore, it is anticipated that the study results would help set a direction for body art, taking the diaspora’s hybridity as an aspect for interdisciplinary studies across art, culture, and philosophy from a convergence perspective.

WAVE 하드웨어 암호 라이브러리에 적합한 효율적인 AES-CCM 구조 설계

이연철,서화정,김호원,Lee, Yeon-Cheol,Seo, Hwa-Jeong,Kim, Ho-Won 한국정보통신학회 2013 한국정보통신학회논문지 Vol.17 No.12

차량에서의 무선통신의 발달과 함께 WAVE(Wireless access in vehicular environments) 상에서도 보안에 대한 위험성이 증가하였다. 이를 위해 IEEE 1609.2로 스누핑, 도청과 같은 공격으로부터 메시지를 보호하기 위한 보안 서비스를 규정하였다. 이를 보안 라이브러리를 하드웨어 형태로 구현 가능하며 본 논문에서는 이에 적합한 AES-CCM 구조를 설계하였다. 동일 FPGA에서 비교 논문의 구조와 비교하여 27 % 적은 slice를 사용하였으며 기존 라이브러리모듈에서 레지스터를 공유하였을 경우를 고려하면 약 45 % 적은 slice를 사용한다. 또한 xc5vlx110t-2ff1136 상에서 1355 Gbits/s의 처리량을 보인다. According to developing wireless communications in vehicle, various security threat in the WAVE(Wireless access in vehicular environments) is increased. To protect this, IEEE 1609.2 specify services as for prevent message from attacks such as spoofing, eavesdropping and replay. It is possible to implement a hardware library for defending these attacks. In this paper, we proposed a efficient AES-CCM architecture for the hardware library in the WAVE. We compare our architecture to the previous one in the same FPGA. And our design uses less slices than 27 % of it and less slices than 45 % of it if we share registers that were used by other modules in the library. We also achieves a throughput of 1355 Gbits/s in xc5vlx110t-2ff1136.

근세 한ㆍ중ㆍ일 전통 혼례 복식미에 따른 바디아트 표현연구

이연서(Yeon-Seo Lee),김연아(Yeon-A Kim) 한국화장품미용학회 2021 한국화장품미용학회지 Vol.11 No.2

In the era of globalization, cultural identity on tradition as well as multinational culture has also become important in a modern society. Culture is formed by interactions with surroundings. From a research perspective, it is highly valuable to examine the essence of culture through comparative analysis against three East Asian countries (Republic of Korea, China and Japan) which are historically and geographically closely related to each other and analyze Korean ethnicity and national identity with traditional wedding dresses which are believed to be the epitome of cultural lifestyles. This study attempted to comparatively review the traditional wedding dresses of the three countries which have resplendent culture and history and express body art based on their aesthetic elements such as traditional patterns and color. According to analysis of their culture, the three countries have shared the foundation of culture such as nature-friendly ideology and harmonized worldview including eumyangohaeng (yin-yang theory and the five elements), natural inaction and Feng Shui theory. Furthermore, such traditional wedding dresses reflecting each country’s ethnic emotions and consciousness hierarchy imply eumyangohaeng–based colors and patterns reflecting shamanistic wishes along with fancy decorations. This study confirmed the extensibility of artistic expressions using tradition by creating body art based on the traditional wedding dresses of the Republic of Korea, China and Japan during the early modern period. It is anticipated that there would be further studies on many works which establish traditional identity.