가치체계에 의한 공간의 규정 가능성에 관한 연구

변대중 ( Dae Joong Byun ),장정제 ( Jung Jae Jang ) 한국기초조형학회 2007 기초조형학연구 Vol.8 No.2

현대 건축의 메타모포시스적 해석과 표현에 관한 연구

변대중(Byun, Dae-Joong) 한국실내디자인학회 2011 한국실내디자인학회논문집 Vol.20 No.1

The purpose of this study is to analyse the inclinations and expressions in contemporary architecture. Specially, we call this tendency and architectural movements as architectural metamorphosis. Metamorphosis in architecture present the core of the change of Forms and spirits in a change of outward shape and terrestrial identity. As in Ovid’s extended dramatic poem of change and transformation, Metamorphoses, all Souls are deathless, and migrates from one form to another. Like these stories in Metamorphoses, Ovid tells the soul never dies, but leaps one form to another, and can take any shape. So the architectural form, transformation and deformation in contemporary architecture means architectural sensations and cognitions can even approach the soul of form and shape under the transformation.<br/> The expressions and design strategies of metamorphosis in comtemporary architecture reveal continuous and sequential formations of space, linear structure with force and vector, rhythmical wavement and folding surface, lively wiggly flows of volumns and objects, and so on. Such qualities came from the periodical needs; separation of structure and surface, poly-surfacial movement, poly-sensual expression and experience, dematerialization and the dematerialized space, formless of non-formal architecture, digital architecture.<br/> Architecture of Metamorphosis is the ways and the needs of our period to overcome the static limits prohibits the liberal thoughts, to find the ways toward the opportunities and diversities and to unlock the imaginaire of the contemporary architecture.

현대 건축의 시간성 지각에 관한 연구

변대중(Byun, Dae-Joong),이영수(Lee, Young-Soo) 한국실내디자인학회 2011 한국실내디자인학회논문집 Vol.20 No.3

The purpose of this study is to analyse the diagrammatic design approaches and programmatic design approaches in contemporary architecture, so that this reveals the sequential systems of circulation in the space and liberal movement of the visitors in the buildings of those diagrammatic and programmatic architecture. Contemporary architecture generates the new forms and meanings through the dynamic visions and perspectives. Such a variation of sequential vistas and dynamic visions produce a perception of time and a potential movements of axis in the perspective. This study give the systematic body to the relations among visions, movements, sequences, forms, circulations and time. Diagrammatic and programmatic design approaches show the heterogeneous spaces and the informal architectures in contemporary architecture. Therefore, movements of various view points, differrentiations of objects in the perspectives, and multiple view frames appears in the designs of initiative architects. In conclusion, this study systemizes the concepts of time, sequential movements, and perceptions of events in contemporary architecture through the analyse of 18 architectural works of important architects in 2000s. And this shows details of the transitional movement of space and the perception of time in contemporary Architecture. The Being of the active time constructs formal transformations, spacial differentiations, accumulations of human behaviors, and movements of circulations involved with experiences of the field of senses. Therefore. Zeitlichkeit is perceived through concepts of the sequences of those spaces, forms, behaviors, and memories.

현상학적 지각체계에 의한 정위와 사건의 형성에 관한 연구

변대중(Byun, Dae-Joong) 한국실내디자인학회 2012 한국실내디자인학회논문집 Vol.21 No.1

Appreciating the aspect of modern architecture requires not only the comprehension of the nature of design and architects’ ways of thinking and expression but also observers’ views on buildings and their perceptive/cognitive stages. This calls for an in-depth study on the “system of phenomenological perceptions” that works as a new architectural experience system. The system of phenomenological perceptions makes it possible to specify the individual process of understanding architecture, that is, hands-on experiences, participations, feelings, perceptions, and cognition. The value of user experience and cognition has been emphasized by philosophical and aesthetical concepts as well. Therefore, in order to better appreciate the modern architecture, this study suggests theoretical consideration to “orientation and event” that are crucial elements in understanding a phenomenological view and materializing actual space formation. This offers the cognitive system with which we analyze modern architecture and comprehensive expressional methods. in other words, this study contemplates the system of phenomenological perceptions from an existential spatial perspective by structurizing the system of the orientation and the event in order to segmentalize users’ current locations, potential directions, the relations with spaces, continual vie’wpoints as well as buildings’ functions and interior and exterior division. The system of phenomenological perceptions helps understand and systemize modern architecture through a system based on relations between sensation, perception, cognition, sensitivity, and rationality. This creates a new cognitive system employing the concept of the orientation and the event, which is different from a normal cognitive system basing on the sense of vision. When observers appreciate space, they tend to relate the space to a certain event and to remember their experiences in it. During the process, they draw borders of the space in which the event takes place and give shape to their experiences including actions, movements, cognition and sensation. The process leads to the formation of “placeness,” and here, the concept of the orientation comes in as the location and the center of the placeness. This study proves that a determined orientation coupled with individual experience and events settles the placeness; detailed elements in the cognitive system have close relations with one another; the orientation, actions, events, and places are the factors that materialize observers’ architectural experience.

H대학교 학생휴게시설 계획안

변대중(Byun, Dae-Joong) 한국실내디자인학회 2007 한국실내디자인학회 학술대회논문집 Vol.9 No.1

비정형 현대 건축의 역동성과 방향성 표현에 관한 연구

변대중 ( Dae Joong Byun ) 한국기초조형학회 2012 기초조형학연구 Vol.13 No.3

현대건축을 이해하려면 이제까지와는 다른 좀 더 확대된 감각과 지각을 필요로 하며 합리주의적인 논리가 아닌, 형태와 공간을 감각하고 이해하는 현상학(現象學)적 지각이 필요하고 이성보다는 인간의 감각과 체험에 의하여 구체화된 건축의 내용들에 의해 파악되어야 하며, 또한 그것은 절대적인 디자인 원칙이나 논리에 의하기 보다는 현대건축이 보여지고, 내포하고 있는 역동적 운동성과 방향성 그리고 그 운동성이 갖는 궤적과 변형에 의하여 고찰되어야 한다. 본 연구는 비정형 현대건축을 이해하고 의미를 파악하기 위하여 이성적인 논리와 고전적인 형태 원리가 아닌 새로운 지각 체계가 필요하며 그러한 지각체계를 통하여 비정형 건축을 가늠하고자 하는 것이다. 따라서 비정형 건축이 어떠한 과정을 통하여 발전해 왔는가를 이론적으로 고찰하고 비정형 건축에 있어서 중요한 논의를 생산하는 힘의 역동성과 방향성을 중심으로 세부적인 표현 요소를 도출하였다. 비정형 현대건축은 복잡 다양한 양상을 보이고 있으며 그러한 디자인 전략과 표현의 방식을 이해하고 정립하는데 있어서 형태가 갖는 역동성과 방향성에 의한 세부 요소의 분석이 유용함을 확인하였다. 방향성을 갖는 비정형 현대건축의 형태 변형은 정형적 질서를 갖는 중심축과 균형을 해체하고 동선, 시선, 감각 등을 교란시키며 형태적 해석을 자유롭게 함으로써 비확정적이고 풍부한 공간 지각을 가능하게 한다. 또한 운동성과 방향성을 생산하는 힘을 내재한 건축 공간은 재료의 물성과 형태적인 해석을 자유롭게 함으로써 공간 경험의 다양한 가능성을 제시한다. The purpose of this study is to analyse and understand Dynamism and Directivity in contemporary informal architecture. Specially, we suggest the system of the perceptions so as to structuralize the architectural deformations of formal movements and metaphors begun from the modern movement. Therefore this study is to show how the informal architecture could began and be developed, how the contemporary informal architecture can be regulate and be recognized through the phenomena as the results from the dynamism and directivity. Through the informal architectural theories, this study researches the concepts of the informal architectures, the backgrounds from 19 and 20 centuries art movements, Art nouveau, informal, deconstructivism, post-modern and pluralism. In the 3rd chapter, the new sensation, presentation and free spirit of the new informal architecture are revealed and the developments of industrial production and technics are, too. Most of all, the digital softwares such as Autocad, 3D Max, Maya, Form-Z, Rhino, Sketchup became the important design tools and the path of the strategies for the informal architectural buildings. Through the analysis of this study, the informal architecture contains the dynamism and the directivity come from the 2 dimensional plane deformation, the 3 dimensional space deformation, and the structural deformation. So the informal architectures represent the collage`s overlap, the deformation of the scale, intentional distortion, repetition and rhythm, folding as the surface-enfoldment and intend themselves the dynamism, the tension, liberty and pluralism, possibilities and heterogeneous senses, continual and organic spaces, and so on.

시각적 차원에 의한 건축 공간의 개념 형성에 관한 연구

변대중(Byun, Dae-Joong) 한국실내디자인학회 2010 한국실내디자인학회논문집 Vol.19 No.5

This study proposes a thesis of architectural concepts and visual dimension systems, and the comparison between steps of spatial formation and dimensional alteration. The second chapter, to form the basis of this study, explains the dimensional alterations and changes of fundamental notion of space. In the third chapter, history of space, architectural formations, and changes of the viewpoint are analyzed as objects of study. The forth chapter presents the interrelation between dimensional alteration and the transition in fundamental notion of space, demonstrating that modern architecture has been born from these cultural movements. Lastly, the fifth chapter suggests possibilities on further studies and the following conclusions: First, architectural spaces have been changed, in accordance with the changes of culture, art and the tools that regulate architectural design. Proportional regulations by two-dimensional tools and depth through three -dimensional drawings are created. Second, architectural spaces gained depth by recognizing movement and time that have induced formations to change, creating various aesthetic backgrounds and attempts. Third, the aesthetic background and cosmologic spatial concept have led the visualization and changes of architectural experience. It created the design tools and shapes originated in dynamism and vitality. Forth, diversification of fundamental spatial concepts has become palimpsest and complex, and been divided into four dimensions; expressional two-dimensional space, perspective three-dimensional space, forth-dimensional space of time and experience, and imagery space formed by body movement. Fifth, architecture has been influenced by the elevated viewpoint that understands the whole world as a space. It has evolved from the two-dimensional proportion principle, change of depth and vanishing point to multidimensional space of movement and time. Sixth, changes of fundamental notion of space have arisen from changes of visual dimensions in times. In other words, space has been developed from two-dimensional space to multidimensional space by accepting visual dimension, grasping distance, direction, depth, height, velocity, movement, gravity, power and structure.

주상복합 공동주택 계획안

변대중(Byun, Dae-Joong) 한국실내디자인학회 2011 한국실내디자인학회 학술대회논문집 Vol.13 No.1

업무공간디자인 교육사례 연구

변대중(Byun, Dae-Joong) 한국실내디자인학회 2014 한국실내디자인학회 학술대회논문집 Vol.2014 No.6

디지털 미디어 연출을 통한 패션브랜드 공간 분석 - 패션브랜드 ‘NIKE’를 중심으로 -

이재훈(Lee, Jae-Hoon),변대중(Byun, Dae-Jung) 한국실내디자인학회 2022 한국실내디자인학회 학술대회논문집 Vol.24 No.1