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박은숙 ( Piao Yinshu ),박용애 ( Piao Yongai ) 중국한국(조선)어교육연구학회 2021 한국(조선)어교육연구 Vol.17 No.0
This essay studies Park Jong-Hwa and the image of Yeonsan Gun in his historical novel, Keunmsam-Eue-pee, through analyzing the differences between the historical and the fictional images. Keunmsam-Eue-pee is the first work which depicts Yeonsan Gun different from the historical records. After the Keunmsam-Eue-pee, in the complicated progress of Korean Modern History, Yeonsan Gun frequently appears in various medias such as novels, movies and plays ect., which testifies that the interests in the image of Yeonsan Gun as a common man with psychological complexity and worries are aroused. The novel Keunmsam-Eue-pee describes Yeonsan Gun from three pespectives: the son revenging for his mother, the king abusing power and violence, as well as the man with loneliness, unease and absence of emotion. That is to say, unlike the historically recorded Yeonsan Gun, in Keunmsam-Eue-pee, he is portrayed as a living man true to life. As the novel is composed when the Korea is under the rule of Japanese Imperialism, during that period, the destructive and rebellious image of Yeonsan Gun indirectly reflects the dissatisfactory and resistance against the Japanese Imperialism. In modern society, the reinterpreted image of Yeonsan Gun has renewed meaning that people should value the emotion and communication with others around.