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RISS 인기검색어
- 검색키워드
- 저자 : 박신미 ( Shin Mi Park ) (검색결과 15 건)
- 무료
- 기관 내 무료
- 유료
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박신미(Shin Mi Park) 한국복식학회 2014 服飾 Vol.64 No.4
The purpose of this research is to classify the historical features of mid-to-late twentieth century Korean fashion with a focus on ‘Nora Noh’, who is a first generation Korean fashion designer. The specific questions of this research are as follows: how did mid-to-late twentieth century Korean fashion and the Nora Noh brand develop and what is the relationship between the two? What are the important features of Korean women`s fashion design in the mid-to-late twentieth century? What are the characteristics exhibited in each decade in Korean women`s fashion and Nora Noh`s fashion? This paper conducted the research by focusing on the Korean fashion development as a background of simplification in the way of dressing and specific historical incident. Researchers deployed a qualitative research method providing a systematic review of the previous studies by analyzing content as well as eleven oral statement interviews and the case study of Nora Noh. The result shows that Nora Noh is one of the first generation of Korean fashion designers who led fashion trend and system in Korea. The designer also influenced Korean commercial fashion in the 1970s and American fashion trends in the 1980s.
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20세기 패션과 예술의 상호차용화(相互借用化) 패러다임 특성 고찰
박신미(Shin Mi Park) 한국복식학회 2011 服飾 Vol.61 No.7
The purpose of this research is to classify that fashion and art in the twentieth century broadened the creative field by individually applying each other`s ideas or through collaboration. This paper analyses the work of individual artists and fashion designers who created work on the boundaries of fashion and art. These samples are selected to extract features related to specific periods as it is proposed that contemporary creation has been developed from a combination of fashion and art, sharing their distinct concerns. Accordingly, this research will focus on the collaboration between fashion and art in the twentieth century from the aspect of ``fashion into art``/``art into fashion`` in order to analyse the historical flow, and thereby examine the relationship between fashion and art. The cross-fertilization between fashion and art was initiated as an imitation of form in the early twentieth century, and led to a ``new cross-disciplinary form`` which exists on the boundary of fashion and art. This paper considers the relationship between fashion and art from the perspective of sharing intrinsic concepts and the creation of a new creative sphere. It analyses the characteristics of the works of fashion designers and artists whose works lie on the boundary between fashion and art.
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연구논문 : 패션스타일의 가변성에 나타난 차연적 이미지들의 특성 고찰
박신미 ( Shin Mi Park ) 한국의류산업학회 2014 한국의류산업학회지 Vol.16 No.5
The aim of this research is to classify intrinsic attribution of ‘la differance images’ which are core propositions of changeability of fashion style. The specific questions of this research are; what are the definition of ‘changeability of fashion’, ‘la differance’ and ‘supplement’ and what are the relationships?, how the la differance images which are intrinsic of changeability of fashion style exist? and what is intrinsic attribution of ‘ultimate la differant image’, ‘immediate la differant image’ and ‘la differant image of the trace’? The researchers deployed a qualitative research method providing a systematic review of the previous studies. In conclusion, the ‘supplement’ phenomenon and ‘la differant images’ shown in the changeability of fashion style, covers up the gap between the structural layers through the play led by supplement logic in the subconscious place of la differance of dialectical frame. They produce styles that have current value and become generalized la differant images of trace through the play of ‘la dissemination.’ These images repeat their individual play to reproduce a new different ‘la differant images’ and complete the aesthetics of harmony in the state of ‘reservation,’ ‘deferment’ and ‘postponement’. The images are ready to make history and they create ‘ultimate la differant images’ from the demand of different period, and tries to combine with ‘supplement’ within ‘the gap of la differance.’ This process endlessly repeats in the dialectical frame through the la differant’ play led by time and space, and it continuously produces new style that is required by different time and space.
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현대패션에 나타난 건축 공간을 활용한 이미지 구축현상 고찰
박신미(Shin Mi Park) 한국복식학회 2012 服飾 Vol.62 No.7
Contemporary fashion broadens its image in relation with architecture and incorporates architecture in its creative field. The aim of this research is to investigate the characteristics of ``architecture for fashion``in a social context and to verify the collaborative characteristics of post-1990s fashion and architecture. This paper describes architecture as a means of expressing contemporary style and identifies social consequences resulting from this. While high fashion in the early to mid-twentieth century followed a similar trend evident in architecture to directly apply architectural elements into the creativity of the works, high fashion from 1990 extended its creative field by using architecture to symbolically represent its image and style. In line with the possibility for fashion shows to be considered as a performance art, the potential of collaboration between architecture and fashion as an installation with audience participation is discussed. Architecture, for fashion, provides significant grounds for fashion to be recognized as a parallel, independent sphere of art. Contemporary fashion, either by itself or through collaboration with architecture, comprehends space in its zone of creation. The collaborative characteristics of post-1990s fashion and architecture is verified through case studies of the three fashion houses, ``Armani Group``, ``PRADA``and ``Comme des Garςcons.``
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차연적 놀이의 운동성과 대리보충 논리로 본 패션스타일의 가변성
박신미(Shin Mi Park) 한국복식학회 2015 服飾 Vol.65 No.3
The aim of this research is to classify the concept expressed in the mobility of la differant play, and supplement logic, which is process of the changeability of fashion style. The specific research questions are as follows: first question deals with the relationship between changeability and la differant images, and how la differant images are divided by each phase and how their circumduction play is proceeded. The second question is about the important features of the mobility of la differant play and the method of la differance play. The last topic of this study covers the supplement logic and the condition, and how supplement logic has been applied in the process of changeability of fashion style. This paper deploys a qualitative research method providing a systematic review of the previous studies. To sum it up, the mobility of la differant play is the root of power, which is controlling the changeability of fashion style, and the objective of the play is to outline new la differant images through spatialization of time. In addition, supplement logicis the method of la differant play and the purpose of the logic is to harmonize ``ultimate la differant image``, which is the phenomenological construction stratum in the state of sub-conscious changeability, and ``immediate la differant image``, which is the structural construction level stratum in the state of external changeability. This research proves that the intrinsic attribute of changeability is contained the mobility of la differant play and supplement logic.
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