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- 저자 : 류성룡(Ryoo, Seong-Lyong) (검색결과 77 건)
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류성룡(Ryoo Seong-Lyong) 대한건축학회 2009 대한건축학회논문집 Vol.25 No.12
Regarding Sung-Nye Mun, an opinion has been put forward that the roof style and shape have been changed following the first construction in Cho-Sun Dynasty. This is a treatise examining that opinion. This opinion was stated in the report of the survey which was conducted at the time of dismantlement in 1962. At that time, the investigators surveyed the pieces of the building. And then, they announced that Sung-Nye-Mun had been changed from hipped-gable roof to hipped-roof. The bases of their opinion were as follows:-Firstly, there were several kinds of protruding corners on the end of Korean eaves and several kinds of square rafters along the outer-end of eaves. Secondly, a few features were adapted to the hipped-gable roof in the wooden structure and construction methods. Thirdly, when Sung-Nye-Mun was constructed in the early Cho-Sun Dynasty, other similar buildings also had hipped-gable roofs. Fourthly, the purlin was found shortened and changed from its original length and location. Originally, there were records regarding the date of building completion of that purlin. As a result of examining these bases, it seems more reasonable to say that the roof of Sung-Nye-Mun was changed from steep slope to gentle slope without changing the roof type, hipped-roof (Woo-Jin-Gak-Ji-Bung), not to say that it was totally changed from the hipped-gable roof (Pal-Jak-Ji-Bung) to the hipped-roof (Woo-Jin-Gak-Ji-Bung).
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주심포 팔작지붕 귀공포와 출목익공 팔작지붕 귀공포 비교 연구 - 귀공포 부재들의 결구 분석을 통하여 -
류성룡(Ryoo, Seong-Lyong),윤준섭(Yoon, Jun-Seop) 대한건축학회 2024 대한건축학회논문집 Vol.40 No.12
This study begins with the question of why hipped-and-gabled roofs are less common in Jusimpo architecture compared to Chulmok Ikgong or Dapo style buildings. Three building styles were analyzed: Jusimpo style without pseudo chumcha buildings, Jusimpo style with pseudo chumcha buildings, and Chulmok Ikgong style buildings. The analysis of six buildings revealed that the construction method, centered on the 45-degree member and the Soro for load transfer, varied in arrangement. The increase in hipped-and-gabled roofs in the Chulmok Ikgong style was found to be closely linked to the integration of the upper and lower members of the corner bracket sets. Additionally, an analysis of the corner bracket set characteristics at Jeonjugaeksa Seoikheon suggests that it retains the style of the early Joseon Dynasty.
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류성룡(Ryoo, Seong-Lyong) 대한건축학회 2014 대한건축학회논문집 Vol.30 No.6
This study is basically about multi-storied Buddhist-hall in 17th Century Temple. Until now we know that there are the whole bay set-back style and the half bay set-back style in the viewpoint of the column position between upper floors and lower floors in multi-storied buildings. And there are the angle beam type, the angle tie type, the high corner column type, none corner column type in the half bay set-back style. But the angle beam type was intensively used in multi-storied buddihist halls especially in 17th century. The eventually purpose of this study is to find out why the type of angle beam was only used in multi-storied buddhist halls in 17th. The angle tie type was only used in DaeUngJeon, BupJuSa. The angle tie was longer than the angle beam used in other 5 buddhist halls. So the angle tie was supported with the column. But the angle beam were strong than the angle tie. Because the angle beam was put in the column directly. It concluded that the people regarded structural stability of the multi-storied buddhist halls.
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조선전기(15~16세기) 주택건축의 특징과 변화 양상 연구
류성룡(Ryoo, Seong-Lyong) 대한건축학회 2012 대한건축학회논문집 Vol.28 No.10
In the Korean traditional houses, there are variable plan type like straight rectangular shape (some people calls Chinese letter一shape) and Korean letterㄱshape, ㄷshape & ㅁ shape, etc If the main building is straight rectangular shape, the kitchen is placed next the main room. But, in the others the kitchen is located in side or front. This study is based on the ideas why the kitchen is located on different place. It was found that there are three types(straight, parallel and special type) in the main buildings of Yang-dong folk village. The kitchen of straight type is bigger than main room, but the parallel type is opposite. The reason why the size is different is the main room is to be opened onto the yard for the straight type and in the other case, the kitchen is as well For the straight type, the size of building is comparatively small and closed but, the ground ia able to used more sffectively. For the parallel type, the big yard, home extensions and better residential environment are available To make the building like this style, in Yangdong village the shaped "ㄱ" buildings have the different height of the dori that meet in the corner pillar. But, for the front building of Gwan-Ga-Jung and Hyang-Dan the height of doris are same. The former has the strong regional characteristics but, in Choson and Koryo dynasty the former style was more likely to be used regardless of region.
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류성룡(Ryoo, Seong-Lyong) 대한건축학회 2018 대한건축학회논문집 Vol.34 No.8
This study is basically about the changing appearance of the big pavilion, Yeongnamnu in Miryang city belonging to the government guesthouse of Joseon dynasty. And the purpose of this study confirms that even if the appearance of the building has not changed, the function of the building changes because the reason why people think about the building is also different. First, looked at the appearance of architecture and the function of architecture that changes with the times. In the course of the research, the changes of pavilion were traced by dividing it into five from Koryô dynasty which was first established to the present. Then, tried to find out the change patterns by analyzing important events related to buildings or places in each period. As a result, the following facts were confirmed. 1. Because of the Buddhist repression policy in Joseon Dynasty, the Yeongnamnu changed from the temple pavilion to the government pavilion. 2. Throughout the Joseon Dynasty, Yeongnamnu was the representative scenic of Miryang City. 3. In the late Joseon Dynasty, Yeongnamnu was famous as a place where a woman named Arang devoted her life in order to preserve his fidelity. 4. Since 1910, Yeongnamnu has become an important cultural asset, and space has been widely used as a venue for various public events. 5. From 1945 to 1999, Yeongnamnu was used mainly for the events of Arang Remembrance and Miryang Culture Festival. And the inner space of Yeongnamnu was rarely used because people thought preservation is important.
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