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김용상(Kim, Yong-Sang) 원광대학교 인문학연구소 2015 열린정신 인문학연구 Vol.16 No.1
The rule of Lee Yun Taek"s playwriting lies in representation and contemporaneity. He insists that a work should be able to serve as text for performance and at the same time to gain the sympathy of contemporaries. For this aim, Lee Yun Taek uses such techniques as disorganization and reorganization. Disorganization and reorganization do not conflict with each other but are complementary concepts which separate and reorganize the elements of a play to make a new work having new significance. Lee Yun Taek borrowed the format of the "play in a play" in his work『Faust in Blue Jean』in a try to secure Korean contemporaneity by citing the contents of the original in a reduced form. He transformed the spatial and timely background of the original to the Korean version in the 90s, placing focus on critical events of the then times. The writer even ventured to reconstruct the figures of the original for the purpose of intensifying the dramatic meaning and fun. He didn"t change the names of the figures in the original to Korean ones to heighten the effect of strangeness or "Verfremdungseffekt". Usage of the names that are not well-matched with locality was designed to keep a certain distance from criticism concerning behaviors or awareness of the characters in the play. By typifying the plots of figures and characters of the play, the reality and sociality of the play could be amplified and their action became more predictable. 『Faust in Blue Jean』is an example of Lee Yun Taek"s playwriting technique <Now-Here-We> showing his efforts to detail in the drama the structures of Korean timely situation as well as political and social life by paraphrasing the original『Faust』. The writer pursued significance and fun simultaneously in his recreation of Western classical dramas. It is his unique approach to set himself free from sentimental realism which seeks for cheap and meaningless fun and from immature copycat playwriting which pursues only meaning with no fun.
경계요소법을 이용한 혼합형 음극방식 적용에 따른 수중 전자기장 감소 연구
김용상 ( Yong-sang Kim ),고상진 ( Sang Jin Ko ),이상규 ( Sangkyu Lee ),김정구 ( Jung-gu Kim ) 대한금속재료학회(구 대한금속학회) 2017 대한금속·재료학회지 Vol.55 No.8
In this paper, the influence of mixed-type (impressed-current and sacrificial-anode) cathodic protection on an underwater electromagnetic field was investigated using the boundary element method. The current applied for cathodic protection was reduced by installing sacrificial anodes in the stern region. Also, the potential difference produced by the propeller in the stern region was decreased, due to the effective potential distribution generated by the sacrificial anode. The underwater electromagnetic signature decreased at 18 ℃ and 5 m/s, but not at 6 ℃. The difference in current density produced by the environment influenced the intensity of the electromagnetic field. The dramatic decrease in applied current at 6 ℃ increased the maximum electromagnetic signature. Thus, while the mixed-type cathodic protection effectively reduced the underwater electromagnetic signature, the design of the mixed-type cathodic protection should be optimized based on the environmental conditions, due to the sacrificial anode effect. (Received March 7, 2017; Accepted May 8, 2017)