패션브랜드의 온라인커뮤니티 구축 사례에 관한 연구

곽태기,신재룡 한국복식학회 2005 춘계 학술대회 Vol.2005 No.-

디지털 시대적 환경에서 디지털 의류 개발 경향의 표현특성에 관한 연구

곽태기 한국패션디자인학회 2013 한국패션디자인학회지 Vol.13 No.1

본 연구는 디지털 시대적 환경에서 전개된 디지털 의류의 개발 경향에 나타난 컴퓨팅과 인간의 상호작용의 의미를 파악하고 이를 바탕으로 의복이 디지털기능과 합쳐진 디지털 의류의 표현특성을 고찰하였다. 21세기는 디지털 테크놀로지에 의한 컨버젼스 현상이 나타나면서 디지털 문화감성의 시대적 환경으로 발달되고 있다. 이로 인해 디지털 환경변화를 폭넓게 실현시켜줄 수 있는 디지털 기능이 의류분야에서 실용적으로 활용되면서 인체와 가장 밀접한 의복과 디지털 테크놀로지의 융합으로 신개념의 디지털 의류가 개발되고 있다. 디지털 의류를 시대적 환경에 맞추어 개발 경향의 표현특성을 분석한 결과 가상현실성, 디지털 융합성, 고기능성, 상호작용성이라는 표현특성을 도출하였다. 가상현실성은 디지털 시대의 IT기술 발전으로 인터넷의 가상공간 커뮤니티 형성과 가상현실의 시뮬레이션을 구현할 수 있는 매체환경으로 더욱 현실화 되고 있다. 디지털 융합성은 유비쿼터스 환경에서 디지털과 IT기술의 융합으로 탈 장르화 된 디지털 컨버젼스 환경의 새로운 디지털 소비문화가 형성되면서 패션분야에서도 첨단기술의 테크놀로지가 결합되었다. 고기능성은 섬유분야에서 하이테크놀로지의 발전으로 의류 신소재와 디지털 기술과의 결합을 통해 스마트 섬유가 개발되었다. 상호작용성에서는 스마트 테크놀로지 구현의 유비쿼터스 디지털 환경으로 인간과 컴퓨터의 상호작용을 위한 기술개발 경향이 인간중심의 디지털감성지향으로 발전하고 있다. 디지털 의류가 의류고유의 감성적 속성을 유지하면서 시대적 개발 경향의 표현특성을 접목하여 인간 삶의 질까지 향상시키는 편리함과 안전함으로 다양한 의류산업분야에서 고기능성의 미래형 디지털 의류의 개발이 이루어지고 있다.

Adobe Illustrator 9.0을 이용한 의류용 텍스타일 디자인 개발 : 전통문양의 캐릭터화 사례를 응용하여

곽태기,양수영 복식문화학회 2001 服飾文化硏究 Vol.9 No.3

This study is focused on apparel textile design process applying pre-developed Korean traditional motifs. Since the fusion culture is in trend, Orientalism or Oriental look is the center of attraction in fashion. Under the circumstances, developing the traditional resources as sophisticated Korean-style is the goal of the BK21 team. This study makes a move to achieve the goal. As n method of accomplishing this study, 4 trendy motif samples such as stylized letter, butterfly, peony, and female face are selected after investigating fashion magazines and fashion related websites. As a result pre-developed Korean traditional motifs are elected and revised using Adobe Illustrator 9.0. The newly revised motifs are applied to the textile pattern repeat farm. The completed textile patterns are simulated on the shawls to show their usages as one of souvenir items since the year of 2001 is the year of "Visit Korea" Key worlds: Korean traditional motifs(한국전통문양), fashion culture(퓨전문화), traditional resources(문화유산), textile pattern repeat form(텍스타일 패턴의 반복 배열 방법), souvenir items(관광상품).

캐쥬얼 브랜드 "Nextim" 로고를 이용한 패션디자인 이미지 개발연구

곽태기 한국복식학회 2005 춘계 학술대회 Vol.2005 No.-

디지털 의류(Digital Clothing)의 시대적 개발 경향 연구

곽태기(Tai Gi Kwak) 한국복식학회 2009 服飾 Vol.59 No.4

현대패션에 반영된 퓨젼이미지에 관한 연구

곽태기(Kwak Tae-Gi),신재룡(Shin Jae-Yong) 한국복식학회 2005 服飾 Vol.55 No.5

These new Phenomenon influences with the new terminology 'fusion' on the way of our life in all areas of our society including the clothes and foods. Along with post-structuralism, which aims at diversification and senses deconstructionalism is a characteristic of this time post-structuralism is based upon the deconstructionalism. Especially the arts in the modern society which is called an information-oriented society lack the totality of a text and become fragmentary, and therefore it follows that traditional values are destroyed and at last a new code such as fusion which is incomprehensible if we would be in mono-linear perspective. Dislikes toward excessively formative and orthodox elements of modern pictures and constructs ; features of kitschs and subcultures against materialism are revealed in diverse objects and materialism. In such a situation of mingling of diversifications with no time to evaluate an object, another diverse forms come into the world and there is no room for evaluating. Therefore, this study will make a light on what are tendencies in the fashion design from the end of 20C to the beginning of 21C, and foreground the concept of fusion in modern fashion which is relevant with digitals and its generative background.

Adobe Illustrator 9.0 을 이용한 의류용 텍스타일 디자인 개발 - 전통문양의 캐릭터화 사례를 응용하여 -

곽태기,양수영 복식문화학회 2001 服飾文化硏究 Vol.9 No.3

남녀대학생의 라이프 스타일과 한복의 평가기준에 관한 연구

곽태기(Tai Gi Kwak),남미우(Mi Woo Nam) 한국복식학회 2002 服飾 Vol.52 No.4

The purpose of this study was to investigate the relationship between lifestyle and the evaluative criteria of the Korean traditional costume. Hanbok and saenghwal hanbok. The questionnaires were administered to 291 (men: 102, Women: 189) university students in Seoul. Data were analysed by factor analysis, correlation coefficient, t-test. The results were as follows: 1) Factor analysis was used to determine the dimensions of the evaluative criteria of Hanbok, Saenghwal Hanbok and life style characteristics. The evaluative criteria dimensions were found to be different according to Hanbok, Saenghwal Hanbok. 2) In Hanbok, evaluative criteria were classified into comfort & easy care, prestige, design, fashion, suitability to yourself. 3) In Saenghwal Hanbok, evaluative criteria were classified into prestige, ease of care, design, appropriateness, brand. 4) The life style characteristics were classified into independence, activism, conservatism, and materialism. 5) There were the significant relationships between life style factor and clothing evaluative criteria. Especially for design in Hanbok and Saenghwal Hanbok was negative relationship with conservatism and positive relationship with activism, materialism, and independence.

혁명적 변화에 나타난 NEW FASHION 의 발생 및 특징에 관한 연구

곽태기(Tai Gi Kwak) 한국복식학회 2001 服飾 Vol.51 No.1

Particular historic events such as revolution and wars have given rise to fashion. Luxurious costume representative of the aristocratic culture since the French Revolution was changed into popular look with the collapse of the royal regime. With the restoration of the royal regime by Napoleon, rapid changes associated with the reemergence of the costume of aristocratic brought an opportunity for the revolutionary fashion of bringing about new fashion in the fashion field. Especially, the New Look presented by Christian Dior in 1947 shortly after the Second World War would be the typical style of revolutionary fashion. Accordingly, this study attempted to analyze the characteristics of new fashion regarding how new fashion occurred and developed in changes in revolutionary fashion after the Revolution and the War, in conjunction with the zeitgeist(time split) of rapid social changes. The ultimate purpose of this study was find out the significance of fashion as to how and why fashion changed in relation to the factors of changes in fashion in the history and create new future fashion by reinterpreting new aesthetic consciousness about the characteristic of new fashion found in changes in revolutionary fashion.

중국, 일본, 한국의 오리엔탈리즘패션에 나타난 토탈패션(Total Fashion)에 관한 연구

곽태기(Tai Gi Kwak),김은정(Eun Jung Kim) 한국복식학회 2002 服飾 Vol.52 No.5

As modern fashion trends show oriental motif since the transition of post-modernism, a number of great fashion designers such as Givenchy and Jean-Paul Gautier applied the concept of Orientalism to their fashion design. Total fashion is a trend in which make-up, hair-style, and accessories, together with clothing itself are considered a complete fashion as a whole, and sometimes appeals much to consumers. Given that the previous studies on Orientalism have focused only on clothing, this research aims at examining Orientalism with a total fashion approach to simultaneously study make-up, hair-style, accessories, and clothing, and showing that traditional oriental beauty is expressed by total fashion in which the past appeared again through the process of creative application. We analyzed the Orientalism total fashion from 1990 through 2001 and summarized the national differences among these countries in the following. First, China has a uniformed clothing, make-up, and hair-style as shown its traditional play, KyungKeuk and traditional costume, Chipao. Second, Japanese unique traditional costume has been passed on through its traditional costume, Kimono, and traditional play, Kabuki. Finally, in Korea, make-up, hair-style and the design of the traditional costume, Hanbok, as appeared in Myindo(means a picture of a beauty) painted in the Chosun Era are applied and reappeared without much change. It is advised to note that the Orientalism fashion to be discussed in this study is limited to China, Japan, and Korea in Asia.