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王慧开,(Wang, Hui-Kai) 호남대학교 인문사회과학연구소 2006 人文社會科學硏究 Vol.15 No.-
중국의 당대문학은 10년간의 문화혁명을 거치고서, 문학사상 새로운 시기를 맞이하게 되었다. 이 신구가 교체되는 전환기에는 사회구조 뿐 만 아니라 사람들의 관념도 새롭게 바뀌었다. 사회현상에 대해 극히 민감한 작가들은 소설 속에서 다양한 각종 인텔리 층의 형상을 만들어냈다. 이러한 형상의 변화는 객관적인 사회상황을 배경으로 한 문화언어와 주관적인 창작 주체의 자세가 잘 어우러져 당시의 복잡다단한 형세를 반영하고 있다. 본문은 창작물에 나타난 사회언어의 상황을 기초로 하여 전환기 이후의 소설에 나타난 인텔리 층의 형상 변화의 원인을 살펴본다. 여기에는 당시의 시대 정치적인 언어환경과 문화가치적인 언어환경을 포함한다. After the Cultural Revolution of a decade, a new era of the modern Chinese literature history, the transitional period we call it, came into being, when great changes have taken place to the political, economic and cultural patterns of society and people embraced, motivated and influenced by numerous and complicated ideology, conceptions and way of thinking. Sensitive to such great social transformation, writers created a wide range of sharp intellectual profiles. The diversity of such characterization reflects the complicated temporal narrative setting and mirrors subjective and objective stress and significant mental processes of the creators. This thesis studies the narrative setting related to the emergence of such images in novels of the transitional period, temporal backgrounds on politics, literature, ethics, linguistics and the growing reengineering and restructure in the knowledge field.
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王慧开,(Wang, Huikai),林常薰(Lim, Sanghun) 순천향대학교 인문학연구소 2019 순천향 인문과학논총 Vol.38 No.2
严歌苓作为优秀的海外华人作家,其创作的多变与成功,屡屡引起文坛轰动。 严歌苓以跨文化的视角考量东西方的历史文化,其作品对女性形象的建构与女性 命运的书写,尤其引人关注。严歌苓在《金陵十三钗》中塑造了一群在战时状态 中保全性命的妓女形象,这些妓女们面对战争,既有身体的躲避,也有身份的隐 藏,表现出开始的胆小莽撞、放浪沉沦,发展到流露善良真情最后主动献身牺牲 的无私伟大的边缘女性形象,由自私、风流低贱的“妖女”变化为善良复仇的“烈 女”及聪颖崇高的“圣女”,完成了独特的历史文学边缘女性形象建构。将文学历史 中的“妖女”、“烈女”和“圣女”的妓女形象融为一体,展现出立体化的妓女群像。 严歌苓的这种历史讲述和边缘女性形象创造与建构,都是超越历史和跨越国界的 永恒真诚的人性书写。 Yan Geling, as an excellent overseas Chinese writer, has caused a lot of sensation in the literary world due to the changeability and success of her works. Yan Geling considers the east and the west history and culture from a cross-cultural perspective. Her novel Flowers of war” in shaping the image of a group of prostitutes in wartime hiding, these prostitutes has both the escape of the body and the identity of the hidden. It shows the timid, reckless and unrestrained destruction at the beginning, develops to the selfless and great marginal female image that reveals kindness and true feelings, and finally takes the initiative to sacrifice herself. By the selfish, low and tasteful witch girl change to the kind revenge integrity and to the noble saint , completed the unique historical literature marginal female image construction. This will be show a three-dimensional portraits of prostitutes, integrate the witch girl and integrity and saints image of prostitutes in literature. Yan Geling s historical narration and the creation of female images on the edge are the eternal and sincere human writing that transcends history and borders.
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王慧开,(Wang, Hui-Kai),林常薰(Lim, Sang-Hun) 순천향대학교 인문학연구소 2017 순천향 인문과학논총 Vol.36 No.2
张爱玲在 『金锁记』 中成功塑造了在男权制度下由单纯少女转变为毒辣母亲的曹 七巧这一形象,这一形象与生态女性主义相结合反映了张爱玲的隐性的生态伦理关 怀与生态女性意识。通过这一形象展示了传统文化中男权统治社会中女性与自然同 一的“他者”地位,女性不仅是自然、家庭和社会与自我生态破坏的牺牲者,在一定 程度上也成为各种生态破坏的参与者,引出自然生态、社会生态与精神生态危机。 通过对 『金锁记』 的生态女性意识解读,展现张爱玲在小说创作中寄寓着建立人与 自然、人与人、人与自我和谐共处的生态意识与构建和谐社会的发展观念。 Eileen Chang in the Golden Cangue in shaping the success of the patriarchal by pure girl into a sinister mother Cao Qiqiao this image, the image and the eco feminist combination reflects the awareness of ecological ethics of care and ecological woman Eileen Chang. Through this image shows the traditional culture of male dominated society women and nature with a status of “the other”, women become nature, family and society and self - Eco vandals, draws out natural ecology, social ecology and spiritual ecology crisis. Golden Cangue symbolizes the establishment of the Eileen Chang people and nature, people and people, people and the ecological consciousness of self harmony and the construction of harmonious social development concept.
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