TM 유형 중국식 레스토랑의 전통성 표현 특성 연구

김지은(Kim, Ji-Eun),오혜경(Oh, Hye-Kyung) 한국실내디자인학회 2012 한국실내디자인학회논문집 Vol.21 No.5

The objective of this study was to analyze the characteristics of traditionality expressions at modernized Chinese restaurant in Hong Kong. As a case study, the study examined 12 modernized Chinese restaurants in Hong Kong. The gathered data were categorized and examined according to the ways of traditionality expressions, which included reproduction, transformation, and reinterpretation of traditional components. Each of the components was measured for the amount of traditional or modernity expression on a five-point scale. The five-point scoring system put an emphasis on tradition; 1 point was given to principal modernity(modernity: 90-100% + tradition: 0-10%), 2 points were given to principal modernity + auxiliary tradition(modernity: 70-90% + tradition: 10-30%), 3 points were given to the same ratio between tradition and modernity(modernity: 40-60% + tradition: 40-60%), 4 points were given to principal tradition + auxiliary modernity(modernity: 10-30% + tradition: 70-90%), and 5 points were given to principal tradition(modernity: 0-10% + tradition: 90-100%). The analysis performed according to those criteria and methodologies led to the following findings and conclusions: TM style, in which modernity was principal, usually did transformation and reinterpretation of traditionality. As for the design attributes of the styles, the TM style, they processed a majority of the spatial components as modern or reinterpretation of traditionality, which would be easily considered to be modern without careful observation, and applied a small amount of direct reproduction or transformation, which gives out a direct hint at traditionality, to attract more attention. Many of the spatial components did not express traditionality directly, expressing it indirectly or metaphorically. Traditionality was expressed in a small number of the spatial components, thus serving as a focus or impact point in the given space.

한복 입기를 통해 본 전통의 개별적 실천과 전통성의 지속 -A 한복동호회 사례를 중심으로-

주도경 국립민속박물관 2017 민속학연구 Vol.0 No.41

This study examines how tradition of hanbok is practiced in different manners and meanings from the past and the maintenance of traditionality in the process through the case of a hanbok club. This research is based on the ethnographic study of a hanbok club, which mostly consists women and men in their 20s to 40s. In recent years, hanbok has been experienced as an exotic culture among young generation. This phenomenon indicates how alienated tradition is from daily life. There has been an effort to restore the tradition chiefly by the nation and the capital for political and economic purposes, and researches concerned with tradition have tended to center around these issues. This paper attempts to focus on the practice of tradition by individuals and individual groups as main agents rather than the nation and capital. As a case, it deals with wearing hanbok, which is now conducted by individuals on their own accord. hanbok, which is worn to individual bodies, is appropriate for displaying individual practice. The present article also focuses on the point that hanbok is a clothing and a tradition at the same time. Many scholarly works addressing hanbok as a clothing have taken the materiality of hanbok as its focal point. This article takes consideration of behaviors of people using the material as well as physical materiality. With the viewpoint that material is not merely utilized by human in a unilateral way but has an agency which reproduces and transforms human culture, it presents the aspect the material mediates culture and human. Thereby it reveals how traditional culture is practiced and continues through the medium of hanbok. The empirical case of this study led to the following observations. Hanbok wearing of hanbok club is not projected by the nation or intended to preserve national tradition. It is difficult to be interpreted as commercial consuming since club members generally wear custom-made traditional hanbok rather than ready-made hanbok which is manufactured as fashion merchandise. hanbok club members wear hanbok for individual purpose instead. Wearing hanbok entirely depends upon individual decision, and hanbok is customized according to individual preference. As hanbok has a dress code such as a formal wear worn in limited situation, wearing hanbok in situations that conflict the dress code distinguishes club members from others and allows them to express themselves. If individual expression was the only purpose, clothing other than hanbok can be employed. The fact that hanbok is traditional clothing operates as a ground of social approval of wearing clothes opposed to dress code. Wearing hanbok other than limited situations is breaking the code in a sense of clothes wearing, but this is counterbalanced by the ideology that hanbok is a national tradition and ought to be preserved. Traditionality provides a foundation and legitimacy to wear hanbok. Traditionality is also a standard distinguishing hanbok and clothes which is ‘not’ hanbok. Rental hanbok and clothes designed with hanbok motif are not classified as hanbok because they add non-traditional elements or miss traditional elements. Besides, traditional custom-made hanbok, not ready-made hanbok, is considered as the most ‘authentic’ hanbok. Through the contrast of ready-made clothes which is also not classified as hanbok, meaning and value of indigenousness is given which is derived from traditionality. Traditionality operates in wearing hanbok among hanbok club members both consciously and unconsciously. The point that hanbok is clothing plays a significant role in carrying on tradition. To hanbok club members, hanbok is conceived and experienced as clothing that can be worn in any situation. Clothes, which can be worn in any time, in any place, without having specific technique, leads to everyday practice. In addition, since clothes are worn through one’s own body, they adhere closely and is experienced directly. Especially for th...

한국 현대 주거공간에 반영된 전통성 표현 연구 -1990년대 이후 전통성이 표현된 단독주택공간을 중심으로-

이영원 ( Youngwon Lee ),윤성호 ( Sungho Yoon ) 한국공간디자인학회 2015 한국공간디자인학회논문집 Vol.10 No.4

(연구배경 및 목적)조형성과 기능을 강조하는 현대 주거건축에 반해 전통 주거건축은 자연과 건축, 건축과 인간이 소통 하는데 중점을 두었다. 내·외부의 조화, 사람과 자연의 소통이 이루어졌던 한국 전통주거공간에 주목할 이유이다. 이러한 주거건축에서 전통성의 가치는 1990년대부터 여러 작가들의 작품 활동으로 인해 보다 많은 관심이 일어났다. 전통 주거건축의 가치를 재조명하게 되었고, 그 가치와 특성을 주거공간에 부여함으로써 서구식 주거의 단점을 보완한 현대주거공간을 계획하는 움직임이 활발하게 논의되고 있다. 전통주거공간의 형태를 그대로 모방하는 것이 아닌 구성 원리와 의도를 이해하고, 현대적으로 재해석하여 계획하는 것이다. 한국인에게 적합한 주거문화 형성을 위하여 현대 주거건축에서의 전통성 표현의 경향과 변화를 파악하고자한다.(연구방법)본 연구에서는 문헌연구를 통해 전통의 개념을 알아보고, 주거공간의 일반적 특징을 사회적 배경, 배치, 평면, 입면, 구조, 재료, 환경조절로 나누어 고찰한다. 앞서 고찰한 전통 주거건축의 특징을 바탕으로 전통성이 표현된 현대 주거공간의 사례를 분석한다. 이를 통해 현대주거공간에 적용되어진 전통주거의 현대적 해석과 적용가치에 대하여 타당성을 부여한다. (결과) 대부분이 마당 중심의 평면으로 마당을 감싸는 형태의 배치를 하고 있으며, 전통주거공간의 채 분화로 이해 할 수 있는 건물매스의 분절과 결합 양상이 많이 나타나 시각의 변화가 다양하게 일어나는 사이공간이 자연스럽게 생겨났다. 또한 내·외부를 연결하는 방식과 동선이 전통요소를 적극적으로 도입하여 다양하게 변화하고 있었다. 이상의 연구 결과를 종합하여 보면, 현대 주거건축에서는 자연과의 관계를 고려한 공간 구성방식이나 개념적인 측면을 적용하는 시도가 많이 나타나고 있음을 알 수 있다. (결론) 본 연구는 현대주거공간에서의 전통성 표현경향과 변화를 파악하는 것을 목표로 하여, 앞서 고찰한 전통주거공간의 특징을 통해 현대적 의미를 모색하고, 그 해석에 따른 사례지 분석을 하였다. 자연과의 관계를 고려한 전통공간의 구성방식이나 개념적인 측면을 적용하는 시도와 변화는 궁극적으로 삶의 질을 높이는 주거환경과 전통에 대한 가치회복이라 할 수 있다. 현 시대에 맞게 전통을 재해석하여 우리나라만의 독자적인 미래 주거환경으로 가꾸어야 할 것이다. (Background and Purpose)Korean traditional residential design has focused on the relationship with the surrounding natural environment and communication between the architecture and humans. However, contemporary residential design has emphasized more values at form and function. The combination of internal and external communication between people and nature inherent in Korean traditional residential design has led to its ongoing attention from scholars. The reassessment of traditional dwelling designs attracted increased focus from 1990, with a number of new projects and architects who aimed to refocus the value of traditional residential construction. Active discussions have taken place on how contemporary residential spaces overcome the shortcomings of Western housing by providing values and attributes that directly complement the living space. Not imitating Korean traditional structures. Understanding the organization principles and intentions of traditional housing and plans to reinterpret these in a modern style, along with the formation of suitable residential culture for Koreans by understanding the characteristics and changes within traditional representations of housing today. It also investigates the development patterns that evolve according to modern living spaces, and the continuation and transformation of tradition. (Method) This study identifies the features of traditional residential architecture through a literature review, and considers the features of such architecture in terms of background, place, plan, elevation, structure, materials, and environmental control. Based on the characteristics of traditional residential architecture, we also analyze the case of modern living spaces. (Results) Most of the center plane of the yard which are in the form of arrangement surrounding the yard, appeared a lot of segments, combined with aspects of the building mass that can be understood by differentiation of the traditional residential space while the space between that various changes in time occurring naturally arose. Similarly, copper used to connect the internal to external space on modern housing has been changed by actively introducing traditional elements. Contemporary dwelling projects also emphasize aspects and methods of spatial configuration that consider the spatial relationship between nature and architecture. (Conclusions) This study aims to identify trends and changes in the traditional compared to contemporary living spaces, and explores modern structures through a prior review by the traditional features of residential spaces, and an analysis of case studies. The changes in housing can be seen to be intended to improve quality of life and recover traditional values. The traditional architectural identity should be reinterpreted to generate indigenous residential environments.

베이징지역 레스토랑 공간구성요소에 나타난 중국 전통성 표현 특성 연구

원단단(Yuan, DanDan),오혜경(Oh, Hye Kyung) 한국실내디자인학회 2016 한국실내디자인학회논문집 Vol.25 No.1

The objectives of this study is to analyze the characteristics of Chinese traditionality expression at restaurants in Beijing area. 12 restaurants were selected and visited for the investigation research. The results were as follows. First, traditional reproduction was found mainly manifested through the reproduction of traditional ornaments, in particular, the facade and interior element ornaments. Second, Traditional transformation was mainly manifested in replacement material while changing the shape slightly, or to stretch or shorten prototype shape and other negative deformation methods which did not largely out of the scope of traditional reproduction. Third, Traditional reinterpretation was expressed by abstract, symbol or metaphor on designs, usually people can not directly recognize the traditional archetype. When compare with traditional reproduction or traditional transformation, traditional reinterpretation was relatively fewer, however, in this study the traditional reinterpretation and traditional transformation have same numerical result. Reinterpretation as a positive performance method of traditional modernized, it was encouraging the phenomenon, especially in the ceiling design. Chinese traditional cloud patterns have been three-dimensional and diversification of use. And in the wall design, traditional elements have been extremely simplistic or adopted a wide variety of traditional elements, it may be preferred in diversity. In addition, furniture was tinge traditional elements in modern form, lighting was added symbolize color or picture on the traditional lighting which shape was simplified to emphasize space’s traditional. But the facade, sign board, floor, and window element seems the range of variation was not wild, promote more use the positive traditional reinterpretation method.

논문 : 전통성 인지요인 및 인지정도에 관한 연구 -전통한옥에 사용한 벽재(璧材)를 중심으로-

주한나 ( Han Nah Ju ),이현수 ( Hyun Soo Lee ) 디자인융복합학회 2013 디자인융복합연구 Vol.12 No.6

본 연구는 최근 한국의 전통성과 함께 대두되고 있는 한옥의 정체성과 나아가야 할 방향에 대한 내용을 다루고 있다. 선행연구를 통해 한국의 전통 건축물이 갖는 전통성 인지요인을 도출하고, 설문조사를 통해 건축물의 전통성과 연결하여 어떤 요인이 높게 인지되는지 측정하고자 한다. 추출된 전통성 인지요인과 3D Max를 이용한 이미지 제작을 통해, 전통한옥 공간의 벽재(壁材)를 변화시켰을 때 인지되는 전통성의 인지정도를 측정하는 것이 연구의 주요 내용이다. 전통 건축물이 갖는 전통성 인지요인은 총 24개 항목이다. 그 중에서 여백미, 비균제미, 단아미, 자연미, 적조미가 상위 5가지 요인이다. 전통성 인지요인을 인지하는 정도는 건축을 전공한 사람들이 그렇지 않은 사람들에 비해서 높았지만, 항목 별 인지 순서는 두 집단 간에 비슷한 정도를 보였다. 전통한옥 공간에 벽재(壁材) 사용을 달리 하였을 때 사용자가 느끼는 전통성은, 전통성 인지요인의 항목 별 인지정도와 공간 전체에서 느끼는 전통성의 인지정도가 상이하다. 항목 별 순위는 회灰, 유리, 벽지, 대리석타일, 콘크리트, 도기타일 순으로 전통성 인지정도가 높다. 전체 공간에서 느껴지는 전통성은 회灰, 벽지, 유리, 도기타일, 대리석타일, 콘크리트 등의 순이다. As the issues about Korean identity have begun to surface, it is necessary to look for what the identity of Korean traditional house is. This study aims to search the aesthetic factors of the Korean traditional house and measure which factors show high degree of traditionality. This study investigates experimental questionnaire. The cognitive degree of traditionality was also measured by the evaluation tool consisted of aesthetic factors embedded within 3D images. As a result, totally 24 aesthetic factors were extracted and 5 among them listed high grade were beauty of space, proportion, elegance, nature, and calm-grief. The cognitive factor-based and whole image-based degree of traditionality was measured differently. factor-based cognitive degree was obtained in order of using original material, glass, wall paper, marble tile, exposed mass concrete, and pottery tile. On the other hand, using original material was the most traditionally recognised and then wall paper, pottery tile, marble tile, and exposed mass concrete were identified by following order.

현대화 된 중국식 레스토랑에 나타난 전통성 표현 특성 연구

오혜경(Oh, Hye-Kyung) 한국실내디자인학회 2012 한국실내디자인학회논문집 Vol.21 No.4

The objective of this study was to analyze the characteristics of traditionality expressions at modernized Chinese restaurant in Hong Kong. As a case study, the study examined 12 modernized Chinese restaurants in Hong Kong. The gathered data were categorized and examined according to the ways of traditionality expressions, which included reproduction, transformation, and reinterpretation of traditional components. Each of the components was measured for the amount of traditional or modernity expression on a five-point scale. The five-point scoring system put an emphasis on heritage; 1 point was given to principal modernity(modernity: 90-100% + tradition: 0-10%), 2 points were given to principal modernity + auxiliary tradition(modernity: 70-90% + tradition: 10-30%), 3 points were given to the same ratio between tradition and modernity(modernity: 40-60% + tradition: 40-60%), 4 points were given to principal tradition + auxiliary modernity(modernity: 10-30% + tradition: 70-90%), and 5 points were given to principal tradition(modernity: 0-10% + tradition: 90-100%). The analysis performed according to those criteria and methodologies led to the following findings and conclusions: Traditional components were most reproduced in the ornaments placed all over the restaurant and applied to the chirography of the restaurant logos, walls, and windows/doors in a big number. The methodology of transforming tradition was evenly applied to each of the spatial components. With the most transformations occurring to the lattices, there were many different ways to transform tradition including the partition, chirography, pattern, red lantern, furniture and ornament, and traditional materials that were turned into modern ones. Few examples of reinterpreting tradition were observed in the restaurant titles, inside floors, and ceilings, but plenty of examples were found in the walls, windows/doors, lighting, and furniture in a range of ways. Most of them reinterpreted the traditional forms and added altered patterns to them to remind customers of tradition. In short, all of the three ways of expressing tradition were actively applied to each component in an array of ways.

뉴욕 소재 일식당의 레스토랑 토탈 코디네이션과 전통성 표현 방법에 관한 연구

이지현(Lee, Ji-Hyun),오혜경(Oh, Hye kyung) 한국실내디자인학회 2010 한국실내디자인학회논문집 Vol.19 No.5

The objectives of this study are, first, to define the concept of restaurant total coordination and establish its components as a design strategy for planning and managing all elements comprising a restaurant, and second, to survey the total coordination of Japanese restaurants in foreign countries and examine how traditionality, which is an element for globalizing Japanese restaurants, is expressed. This study was conducted through literature review for defining the concept of restaurant total coordination and extracting its components and a field survey for analyzing the current state of restaurant total coordination and traditionality expression methods. The results of this study are as follows. First, Japanese restaurants categorized into Type A with relatively high traditionality expression(3.3 or higher) were 25% of the surveyed restaurants. These restaurants showed the traditional characteristics of Japanese style as they are without contemporary adaptation for all components of restaurant. Second, 41.7% of the restaurants were categorized into Type B with traditionality expression between 1.7 and 3.3. They were mostly popular casual restaurants at which people can enjoy Japanese food comfortably. In visual and spatial design elements, traditional and contemporary styles appeared in the equal percentage, and decoration, table setting and food design were styled according to Japanese traditions. Third, 4 cases(33.3%) were categorized into Type C with traditionality expression below 1.7. Because they were fine dining restaurants that sold high priced dishes, formality and consistency were also high. Through all design elements including visual, spatial, table setting and food design elements, elegant and simple contemporary images were dominant. The results of this study will be used as basic materials to establish the concept of total coordination that views the visual, spatial, table setting and food design elements comprising a restaurant, which were approached separately in previous studies on restaurants, together from the viewpoint of integrative deigns, and to make design strategies for globalizing Korean restaurants based on Japanese restaurant cases.

한국 현대시론에서의 ‘전통’ 연구 - 조지훈의 전통론과 순수시론을 중심으로

김윤태 한국전통문화대학교 한국전통문화연구소 2014 한국전통문화연구 Vol.13 No.-

본고의 목표는 ‘전통’이라는 관점에서 한국 현대시론의 한 경향을 살펴보는 것이다. 그 주된 논의 대상은 조지훈의 시론이다. 1930년대 시문학파나 문장파의 시론이 조 지훈에게 계승되어 온 점에 주목하여 그의 전통론과 순수시론을 검토하고자 한다. 1930년대 후반 이병기, 이태준, 정지용으로 대표되는 문장파는 우리 언어로 다양한 예술적 모색을 도모한 점과 동양적 고전정신에 충실하고자 한 점에서 ‘전통적’이라 고 할 수 있다. 그들의 상고 취미나 고전전통에 대한 심취는 일종의 ‘반근대’ 혹은 ‘비 근대’로서의 의미를 갖는다. 문장파의 전통지향성은 조지훈에게서 ‘멋’의 미학으로 드러난다. 조지훈은 전통을 역사적․문화적․가치적․집단적․주체적 개념으로 파악하고, 전통 논의의 연장선에서 고전을 중시하는 특유의 정신주의를 드러낸다. 나아가 전통에 대한 그의 관심은 민속학과 역사 연구로 발전하였다. 한편 한국 현대문학사에서 순수시론을 최초로 제기한 것은 시문학파이다. 특히 박 용철은 시에서 가장 중요한 것이 언어의 절차탁마요, 마음의 순정성을 노래하는 것 이 시의 궁극이라고 생각하였다. 시문학파의 현실도피적 관점이나 귀족주의적 풍 모는 유가적 선비의 전통에도 잇닿아 있다. 또한 정지용은 박용철의 시론을 계승했 지만, 신앙이나 고전과 같은 정신적인 것을 강조한다는 점에서 차이가 있다. 시론에 서도 조지훈은 문장파를 충실히 계승․심화하였는데, 그것은 ‘순수시론’으로 나타 났다. 그는 문학이 정치에 복무하는 것을 배격하면서 순수한 시정신을 고수할 것을 강조하였다. 그 점에서 그의 순수시론은 좌파 문학에 대한 대결의식의 소산이다. 그 의 시론은 생명문학론과 시 자율성론이라는 두 가지 이론적 토대 위에 서 있다. 한국 현대시에서도 전통적 요소와 외래적 요소가 혼효된 가운데 상호 경쟁하면서 발전해 갔다. 이제 우리에게는 전통성과 근대성에 대한 균형있는 시각이 요청되는 시점이다. 이에 조지훈의 전통론과 순수시론을 재론할 필요성이 있는 것이다. This paper aims to look at one trend in the Korean modern poetics in terms of ‘tradition'. This paper discusses mainly the poetics of Cho-jihun’s. I intend to discuss his thoughts about tradition and ‘pure poetics’, by noting that his views succeeded those of ‘Simunhak’ group and/or ‘Munjang’ group in the 1930s. In the late 1930s, ‘Munjang’ group that was represented by Lee-byunggi, Lee-taejun, Chung-jiyong can be called 'traditional' in that they attempted a variety of Korean languages and devoted to the spirit of Oriental classic. Their appeal for classical tradition or their infatuation for worshiping ancient culture means their 'anti-modernity' or 'non-modernity'. The traditional orientation of ‘Munjang’ group represents as the aesthetics of ‘Mut(멋)’ in Cho-jihun. He understanded the tradition as a historical, cultural, valuable, collective and subjective concept, He revealed his unique mental note that attached great importance to the classics by extension of discussing tradition. Further his interest in tradition developed toward the study of Korean folklore and history. Meanwhile, in Korean modern literary history, ‘Simunhak’ group raised ‘pure poetics’ first. Especially Park-yongchul thought that refining language was the most important thing in poertry, that singing pure sincerity of mind was the ultimate of poetry. Their attitude of an escape from reality or their noble appearances in ‘Simunhak’ group was connected to the tradition of Korean Confucianist scholar. Also the poetics of Chung-jiyong’s succeeded to that of Park-yongchul, but his emphasis on faith or the spiritual such as the classic is a great difference between them. Poetics of Cho-jihun’s faithfully handed down and deepened that of ‘Munjang’ group; it was reprensented as a ‘pure poetics’. He rejected literature to serve for the political and emphasized on adherence to ‘pure Poesie’. Therefore, his pure poetics was come from the conflict awareness of Socialism literature theory. and his poetics was based on two theoretical foundation; Life literature and Autonomy theory of poetry. In the history of Korean modern poetry, traditional elements and imported elements were developed while competing and mixed together. We now need to have a balance between traditionality and modernity. It will be worth rediscussing about Cho-jihun’s theory of traditionality and his ‘pure poetics.’

상사의 비인격적 감독과 부하의 대인일탈행동의 관계 : 전통성의 조절효과 검증

황성주 ( Sungjoo Hwang ),전병준 ( Byung-june Chun ) 한국생산성학회 2020 生産性論集 Vol.34 No.1

Recently, the presence of aggressive behavior from superior so-called 'Gabjil(being bossy)' in workplace has become a major social issue. Various types of negative behavior by supervisors are being reported in the media and it cause massive financial losses as well as negatively affect the company's reputation. Scholars also began to study with interest and most of the previous research revealed that abusive supervision would cause negative behavior of subordinates. However, there has been limited study on the how an individual's values affect the relationship between abusive supervision and subordinate's behavior. Since personal values would have a profound effect on member's behavior in organization, more attention should be needed by scholars on the influences of value in workplace. This study is designed in order to investigate the relationship between abusive supervision and interpersonal deviance as well as the moderating effect of traditionality. The study was conducted based on the survey of 318 Korean employees in various industries. The collected data were analyzed with SPSS23 and AMOS18. The results of this study are described below. First, we found that abusive supervision significantly increase interpersonal deviance. Second, we saw that traditionality moderated the effect of abusive supervision on interpersonal deviance. Specifically, traditionality moderated the above relationship such that they were stronger among high traditionalists than among low ones. These findings indicated evidence that traditionality is important factor between negative leadership and employee's behavior. This research further supports recommendations and managerial implications for regulating and avoiding negative behavior in workplace.

실내 건축재료 사용에 따른 전통성 인지요인 비교분석

주한나 ( Han Nah Ju ),이현수 ( Hyun Soo Lee ) 디자인융복합학회 2014 디자인융복합연구 Vol.13 No.6

본 연구는 전통한옥의 실내공간에 다양한 건축재료를 사용하였을 때 사람들이 느끼는 전통성 인지요인의 인지정도를 측정·분석하였다. 이를 위해 선정한 건축재료는 회(灰), 벽지, 대리석타일, 도기타일, 유리, 노출콘크리트 총 6가지이다. 전통성 인지요인으로는 소박미, 자연미, 절제미, 단아미, 친근미, 여백미, 고졸미, 단순미, 무기교의 미, 조화미, 구성미, 적조미, 중성미, 비균제미, 다양미, 곡선미, 상징미, 이중적 미, 파격미, 해학미, 청초미, 비례미, 곰삭미, 실용미 총 24가지를 사용하였다. 이와 같은 24가지의 전통성 인지요인에 대해 인지자(認知者)가 전통성을 느끼는 건축재료 별 인지요인을 요인분석(Factor Analysis) 하였다. 전통성 인지정도는 회(灰), 벽지, 유리, 대리석타일, 도기타일, 노출콘크리트의 순으로 나타났다. 본 논문에서 도출한 요인분석은 4가지로 분류되었으며, 요인1, 요인2, 요인3, 요인4로 명명하였다. 인지자(認知者)가 공간에서 전통성을 인지하는데 건축재료가 많은 영향을 미친다는 것이 본 논문의 최종 결론이다. 이와 같은 결론에 따라 앞으로 건축 재료를 통한 공간의 전통성 표현에 대해 연구를 지속해야 할 것이다. The purpose of this study is to measure and analysis the popular recognitive degree by applying various wall materials at Hanok space. To figure it out, six architectural materials, plaster, wall paper, marble tile, pottery tile, glass, exposed mass concrete, and 24 cognitive factors of traditionality were used to measure the cognitive degree of traditionality. The result was analysed with the average value of cognitive factors of traditionality and Factor Analysis. The cognitive degree of traditionality were measured in order of applying plaster, wall paper, glass, marble tile, pottery tile, and exposed mass concrete. The 24 cognitive factors were divided into 4 through Factor Analysis by IBM SPSS 21 and named as natural beauty, unconventional beauty, time-worn beauty, and practical beauty. The final conclusion of this study is that architectural materials influence people to recognize the traditionality in space. With the result of this study, the follow-up study about modernized Hanok in use of architectural materials should keep up.