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      • KCI등재후보

        中國北宋时期刻花青白瓷研究

        팡멍치,김혁수 한국도자학회 2019 한국도자학연구 Vol.16 No.2

        Among the many kiln systems of the Song Dynasty (AD.960-1279), the Qingbai porcelain kiln system centered on Jingdezhen is especially famous. In the Northern Song Dynasty (AD.960-1127),the high-quality Hutian kiln green white porcelain was successfully fired, the shape was exquisite and translucent, the tire was thin and light, the enamel was warm and jade, the glaze was soft and elegant, and the embossed decoration was flexible and diverse. During this period, carved decoration as a long-established traditional handicraft technique, constantly developed and innovated and became one of the main forms of decoration in the Song Dynasty. The knife method is simple and interesting, and the lines are flexible and changeable, forming a natural and simple artistic feature. Through the historical investigation of the engraved blue-white porcelain in the Northern Song Dynasty, the analysis of the craft features and aesthetics, this paper explores the usage of engraving techniques and decoration in modern ceramics. Innovative craftsmanship and artistic expressions make modern blue and white porcelain art have the characteristics of a new era, and also inject new human values into modern life. 在宋代( AD. 960-1279)的众多窑系中,以景德镇为中心的青白瓷窑系尤为著名。北宋时期 (AD.960-1127)优质的湖田窑青白瓷得以成功烧制,造型玲珑剔透,胎薄体轻,釉质温润如玉,釉色柔和淡 雅,刻花纹饰灵活多样。这一时期,刻花装饰作为一门历史悠久的传统手工艺技法,不断发展创新并成为 宋代装饰的主要形式之一。其刀法简洁有趣,线条灵活多变,形成自然淳朴、独特的艺术特色。 本文通过对北宋刻花青白瓷的历史性考察、对工艺特色和美学思想进行分析,从而对刻花技法和装饰 在现代陶瓷中的活用法进行深入探讨。创新的工艺技术和艺术表现形式使得现代青白瓷艺术具有新时代的 特色,也为现代生活注入新的人文价值。

      • KCI등재후보

        宋代景德鎮青白瓷和高麗青瓷茶具造型比較研究

        吳侯建,조일묵 한국도자학회 2021 한국도자학연구 Vol.18 No.2

        Song Dynasty(960-1279) and Goryeo Dynasty(918-1392), actually the same periods from the perspective of timeline, are important historical periods of China and South Korea respectively. Tea set is a kind of living utensils accompanied by the tea culture. The tea set production of Jingdezhen bluish-white ware in Song Dynasty and celadon ware in Goryeo has respectively reflected the corresponding food culture, ceramic craftsmanship and artistic aesthetic tendency. Song Dynasty acts as the peak of the development of Chinese ceramics, and tea set of Jingdezhen bluish-white ware has become one of the most popular porcelains with its superior materials and humanized design. Meanwhile, Goryeo celadon ware has become one of the most representative arts and crafts symbols in Korean peninsula with its perfect combination of shape, glaze color and pattern decoration. Influenced by Chinese tea culture and the porcelain technology of Yue Kiln, there are many similarities and differences between Goryeo celadon ware and Jingdezhen bluish-white ware in the design of tea sets. Both of them are inherited and developed the porcelain technology of Yue Kiln, and the shape design is mostly the imitation of natural things or bronze and gold and silver wares in the early stage. The difference lies in that the shape design of tea sets made of Goryeo celadon is integrated with the national characteristics, and improved to form a unique artistic style of Goryeo characteristics. This paper mainly carries on the comparative analysis of the shape design of tea sets in the two places, with types of tea cup, saucer, and holding pot. We can better understand the design and production of tea sets in the two countries, and apply the ancient design and ingenious thinking to the production of modern tea sets by these comparative studies, so as to better serve the arts and crafts.

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