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Imaging Features of Inflammatory Breast Disorders: A Pictorial Essay
Po Wey Leong,Niketa Chandrakant Chotai,Supriya Kulkarni 대한영상의학회 2018 Korean Journal of Radiology Vol.19 No.1
Inflammatory breast disorders include a wide array of underlying causes, ranging from common benign infection, non-infectious inflammation and inflammation resulting from underlying breast malignancy. Because it is at times difficult to distinguish mastitis and breast cancer based on clinical features, awareness of detailed imaging features may be helpful for better management of inflammatory breast disorders. Therefore, this pictorial essay intends to demonstrate radiologic findings of a variety of inflammatory breast disorders, using selected cases with mammography, ultrasound and magnetic resonance images.
김외현(Kim, Wey-Hyun) 신영어영문학회 2018 신영어영문학 Vol.71 No.-
This study aims to explore the contrasting social situations of the Victorian Age as portrayed in the crime novel, Oliver Twist (1838), and the sensation novel, The Woman in White (1860). Crime and sensation novels both belong to the popular novel genre, and share common elements. The crime novel came to the fore in the 1820-30s, which was a hard time politically and economically, while the sensation novel became popular in the 1860-70s, a time of prosperity. These differences resulted in disparate atmospheres and content in the two types of novel. Crime novels dealt with social crime, contained lower class characters, and criticized Victorian society freely. Sensation novels, on the other hand, dealt with domestic crime through the eyes of middle class characters, but without voicing ostensible criticism of Victorian society. To conclude, both crime novels and sensation novels have subversive characteristics, but differ in their embodiment of these.
김외현(Kim, Wey-Hyun) 신영어영문학회 2013 신영어영문학 Vol.56 No.-
Dickens conceived the main idea of A Tale of Two Cities from Wilkie Collins’s drama of The Frozen Deep and embodied it in the form of historical novel on the basis of Thomas Carlyle’s The French Revolution. But A Tale of Two Cities has been regarded by some critics as lacking the social vision and criticism common to the other later novels. The critics have judged it a failure as a historical novel and dismissed it as intellectually superficial. They have argued that Dickens recognized the end of the old system but could not embody a new in his novel. But Dickens shows clearly enough that the French Revolution was bound to happen because of the oppression and exploitation of the French aristocracy and repeats this over and over again throughout the novel. One of the deepest impressions we get in this novel is the abhorrence on oppression. In spite of the obvious hatred for the mad and uncontrollable fury of the crowd, Dickens attributes all kinds of social evil to its leaders. He acknowledges the justification of the repressed people’s fury and resistance, and it is a strong evidence of his recognition of the inevitability of the revolution. Dickens’s later novels reveal subversive instinct, and this instinct is clearly at work in A Tale of Two Cities.
김외현(Kim, Wey-Hyun) 신영어영문학회 2016 신영어영문학 Vol.64 No.-
The decade of the 1830s in England was characterized by prolonged violent industrial unrests and the political noise. This atmosphere of simmering unrest in all parts of the country awakened the worry on social revolution to the authorities. A lot of measures including New Poor Law which ruling class took resulted from the perception that the poor were potential criminals and the concern about social revolution. To prevent such wrong turning the ruling class used the strategy that the poor were poor, not because of social injustice, but because of their own sins of profligacy, recklessness, and immorality. Utilitarianism and Evangelicalism were the key means to execute this strategy. The reforms and education based on Evangelicalism and Utilitarianism set a goal of maintaining existing social order and training the labourers who were suitable for industrial society. In Oliver Twist, Dickens expressed strong objection to the strategy for controlling the poor by the authorities because he believed that the poverty not resulted from personal character flaw but the uneven social structure. Charles Dickens was critical of the whole structure of beliefs concerning the poor which underlay the legal system of his time.
김외현(Kim, Wey-Hyun) 신영어영문학회 2021 신영어영문학 Vol.80 No.-
This paper attempts to examine Dickens’ perception of the concept of self-help in the middle class and how it is embodied in his work. This is because self-help is the spirit of the mid-Victorian society, and therefore Dickens’ criticism on self-help is a criticism on Victorian society. The middle class, who was proud of their own class, began to immerse themselves into the desire to be incorporated into gentlemen by the middle of the Victorian era. In the mid-Victorian era, it was the general atmosphere of society to achieve economic independence through self-help and to achieve a rise in status based on this. The fact that the expectation of the rise in status of Pip in Great Expectations inevitably leads to his moral degradation can be said to be a charge against the attitude and value that Pip shared with his time. However, in Great Expectations, the harshest caricatures of self-help are given to characters such as Magwitch, who uncritically accept Smile’s principles. Therefore, Pip’s story can be said to be a euphemistic warning to mid-Victorian society and a painful personal confession.