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Hyperfine structure of Sc@C<sub>82</sub> from ESR and DFT
Morley, G W,Herbert, B J,Lee, S M,Porfyrakis, K,Dennis, T J S,Nguyen-Manh, D,Scipioni, R,van Tol, J,Horsfield, A P,Ardavan, A,Pettifor, D G,Green, J C,Briggs, G A D IOP Pub 2005 Nanotechnology Vol.16 No.11
<P>The electron spin <I>g</I>-?and hyperfine tensors of the endohedral metallofullerene Sc@C<SUB>82</SUB> are anisotropic. Using electron spin resonance (ESR) and density functional theory (DFT), we can relate their principal axes to the coordinate frame of the molecule, finding that the <I>g</I>-tensor is not axially symmetric. The Sc bond with the cage is partly covalent and partly ionic. Most of the electron spin density is distributed around the carbon cage, but 5% is associated with the scandium d<SUB><I>yz</I></SUB> orbital, and this drives the observed anisotropy. </P>
Reflections on a digital photograph of a painting by Lee Ufan
Simon Morley 서양미술사학회 2023 서양미술사학회논문집 Vol.59 No.-
A popular abbreviation online these days is ‘IRL’ – ‘In Real Life’ – used to distinguish between a relationship we have in the digital realm and one in the analogue, ‘off-line’, world. As more and more people spend time online or on smartphones, it is becoming an increasingly significant task to consider the differences between the former and the latter. Because of this, recognizing the role of painting as a material and transformational medium is more important than ever. We are culturally conditioned, indeed, obliged, to accept digital images of paintings as credibly accurate reproductions of the works they document. But it is obvious that these protocols are radically circumscribed. I argue that while an encounter with a real painting is to a significant degree empirical - based on, concerned with, or verifiable by observation or experience – an encounter with its digital document will be overwhelmingly nonempirical, abstract, or theoretical. To focus my analysis, I consider the digital reproduction of one painting in particular: Lee Ufan’s Dialogue (2014). I argue that a normative digital reproduction of Lee’s painting exposes a specific cultural bias towards the visual that is going unnoticed and is therefore all the more insidious.
James W. Morley,해군대학 해군대학 1981 海洋戰略 Vol.- No.2
오늘 본인은 광범한 의미에 있어서의 안보문제를 말씀드리게 될 것이며 특히 중공을 중심으로 해서 말씀드리게 되겠다. 중공을 중심으로 말씀드리는 이유는 첫째로 본인이 얼마전에 중공을 방문했고 그 중공방문의 결과가 본인의 뇌리에 강하게 남아있기 때문이며 둘째로 중공의 정책변화가 미국 그리고 나아가서는 한국에게도 적지않은 영향을 미칠 것이기 때문이다. 이와 관련해서 볼 때 여러가지 문제가 있다. 현재 많은 사람들은 중공의 핵능력을 우호적인 것으로 판단하는 경향이 있다. 미국 내에서는 중공의 핵이 미국에 위협적인 존재가 아니라고 광범하게 받아들여지고 있지만 그러한 인식이 과연 옳은 것인지 또한 미소 핵균형에는 어떠한 영향을 미치게 될지 이러한 문제는 여러가지로 논의할 여지가 많이 남아있다.