군용 무인기의 TM/TC 데이터 프로토콜 설계

홍수운(Su-woon Hong),김영길(Young-kil Kim) 한국정보통신학회 2018 한국정보통신학회논문지 Vol.22 No.3

다양한 목적으로 군에서 운용되고 있는 무인기는 목적에 따라 수집된 정보를 무선통신을 이용하여 지상의 통제장비로 전송하고 비행체의 운용제어 및 상태정보를 송수신 할 수 있도록 설계되어 있다. 현재 국내에서 운용 중인 군용 무인기 체계는 각 체계별 고유 통신방식과 프로토콜, 메시지 구조 등을 이용하고 있다. 이 중 사단급 무인기는 고정크기의 TM/TC 데이터를 반복 전송하는 방식으로 설계되었고 이와는 다르게 차기 군단급 무인기는 TM/ TC 데이터를 메시지 기반의 가변길이로 비주기 전송하도록 설계되었다. 본 논문에서는 기존 방식으로 설계된 시스템의 TM/TC 데이터 프로토콜을 분석하고 현재 체계개발 중인 장비에 적용되어 무선 통신환경에서 더 효율적이라 판단되는 데이터 프로토콜 설계방안에 대해 제시하였다. 또한 향후 다수의 무인기 간 또는 새로 도입되는 무인기 체계와의 상호운용성 보장을 위한 기술 표준화를 위해 고려해야할 사항 등에 대해 논하고자 한다. Unmanned aerial vehicles(UAVs) operating in the military for various purposes are designed to transmit information collected according to the purpose to GCS(Ground Control System), and to transmit/receive the vehicle’s operational control and status information using wireless communication(or datalink). Currently, the military UAV systems in operation in Korea use unique communication methods, protocols, and message structures for each system. Among these, the Division UAV is designed to transmit fixed size TM/TC data repeatedly and the Corps UAV is designed to transmit aperiodic TM/TC data to the variable length of the message-based. In this paper, we analyze the TM/TC data protocol of existing military UAV systems and present data protocol design method which is considered to be more efficient in wireless communication environment applied to equipment under development. And we will discuss issues to be considered for standardization of technology for ensuring interoperability with many UAVs or newly introduced UAV systems.

영상매체에서의 메이크업과 캐릭터 이미지 지각반응

홍수경(Su-Kyung Hong),김민경(Min-Kyung Kim) 한국인체미용예술학회 2016 한국인체미용예술학회지 Vol.17 No.3

This study attempted to analyze perceive response of images after makeup in video media against college women in their 20s. Their perception of images was greatly influenced by character makeup. In particular, a significant change was felt at eye adjustment. In creepy makeup, color and makeup type were recognized as the important means of perception. Respondents were mostly interested in makeup and tended to build confidence by putting on makeup. In terms of perceived response of creepy makeup, there was empathy depending on the size and color of scars. Especially, wound or scar around the eyes caused severe restlessness. Even though the perceived response of creepy makeup was higher in a beauty education group, no significant difference was found. In terms of perception of makeup, respondents tended to get confidence and positive thinking through makeup. These results confirm that makeup plays a big role in the story development of a drama and making the audience immersed. In particular, empathy was effective depending on makeup color and position. Therefore, the results of the perceive response of makeup would be available as objective data in expressing characters on a theoretical stage as well as the images of characters in video media. In addition, it appears that makeup would be used as a mark of symbolic images.

한국 공포영화의 특징과 여귀 분장 연구

홍수경(HONG SU-KYUNG) 한국인체미용예술학회 2009 한국인체미용예술학회지 Vol.10 No.1

The horror movie has become the most popular genre of the Korean film(movie) history since the 1950’s. Since the 1960’s, it began to include ‘vengeance’as one of its themes and enjoyed its own renaissance. Moreover, it also put the emotion of ‘malice’ or ‘enmity’in it as a way to secure its identity as a Korean movie and spectaclized it on the screen successfully. Therefore, this study considers how this kind of Korean unique emotion is combined with ‘female vengeance’and reorganized in the horror movies and examines the features of female ghost characters which have created Korean horror movies. Particularly to look into the grotesque make-up styles of traditional female ghosts typically characterized by white clothes and tangled hair, this article studied director Lee Yong-min’s movie of 1965, <A Devilish Homicide>, and director Kwon Cheol-hui’s movie of 1967, <The Public Cemetery of Wolha>. Since researches on the female ghost characters of Korean horror movies, which best characterize them have been hardly performed up to now, the make-up styles of the female ghost characters in the two movies have been repetitively used in various ways in many Korean horror movies since the 1960’s.

케이블TV 방송의 스테이션 ID에 나타난 모션그래픽의 비주얼 유형과 모션 구성에 관한 분석

홍수정(Su Jung Hong) 한국디자인문화학회 2008 한국디자인문화학회지 Vol.14 No.3

The purpose of this study was to analyze the station ID design cases and thereby, suggest more effective ways to design the station IDs. For this purpose, the researcher analyzed the motion graphic visual styles and motion compositions shown in the Station IDs. The scope of this study was limited to 8 major channels: TVN of CJ Media, CGV, XTM, O`live, Mnet, KM, Xports and Champ. As methods for the study, 3 works representing each channel were sampled and thereby, their visual contents were analyzed focusing on the brand concepts to determine some common points and thereupon, their design methods were categorized. On the other hand, the subjects of motions were divided into 8 categories to analyze the characteristics of their motion compositions. As a result of such analysis, it was found that the design methods differed significantly depending on concepts and targets of channels, and that the motions tended to be composed dynamically.

국내 암센터 실태조사

홍수연(Hong, Su Youn),김광성(Kim, Kwang Sung),태영숙(Tae, Young Sook) 대한종양간호학회 2016 Asian Oncology Nursing Vol.16 No.4

Purpose: This study to identify the current status of cancer centers in Korea in terms of organization ofhospital. Methods: 21 cancer centers, from regional cancer centers to the largest hospitals, were surveyed from October to November 2014. The questionnaire was developed by the board members of the Oncology Nursing Society. Results: Centers specializing in cancer treatment were either cancer hospitals or centers affiliated with larger hospitals. 81% operated wards solely for cancer patients. The average number of beds was 354.2, and each center had independent laboratories, chemotherapy infusion rooms and pharmacies. Degree of nursing staff varied from grades 1 to 3. The nursing department and ward were jointly responsible for educating new nurses. In cancer nursing, the policy varied according to institution. For patient education, the oncology Advanced Practice Nurse (APN) mainly informed patients of the adverse effects of chemotherapy and central line care. 90.5% appointed oncology APNs, who were variously designated (47.6%). 10.5% of APNs held concurrent positions. Conclusion: As cancer has increased medical professional organizations have shown a variety of forms of organization and human resources management. A political approach seems to be required for institutions for nursing care, patient education, the role and qualifications of APN.

보문 : 해외 패션 고급품의 원 상표와 확장 상표의 이미지와 선호도

홍수화 ( Su Hwa Hong ),김미영 ( Mi Young Kim ) 韓國衣類學會 2008 한국의류학회지 Vol.32 No.10

영화 007 시리즈의 Title Sequence에 나타난 디자인 표현특성에 관한 연구

홍수정(Su Jung Hong) 한국디자인문화학회 2008 한국디자인문화학회지 Vol.14 No.3

The purpose of this study was to analyze 21 opening title sequences of the 007 series films or the high-end spy films popular world-wide and thereby, examine how the clues to the entire film story were expressed as `visual codes` and how they were applied and expressed as formative elements and thereupon, confirm importance of the title sequences as formative expression of the film. The scope of the study was limited to 21 title sequences of the film `007 Series` produced from 1962 till 2006. In terms of contents and methods of study, the researcher analyzed the themes of the title sequences, the years of their productions, title designers and visual images and thereupon, attempted to find some connotative key works whereby the expressive meanings and formative principles of the narratives could be tabulated and thereby, drew some conclusions. As a result, the epic expression of the title sequences was found to be characterized by 1) communication of the story through symbolic metaphors and 2) linkage of the story using women`s curved body lines. On the other hand, the visual expression of the title sequences was characterized by 1) integrated formative images centered about repeated unity and 2) artistic expressiveness using lights, colors and spaces. Lastly, it is hoped that this study will be followed up by future studies which will analyze development of the film title sequences.

화장 및 발형에 있어서 신라시대와 일본 아스카 시대의 상호관계에 관한 연구

홍수경(Hong Su Kyung),김민경(Kim Min Kyung) 한국인체미용예술학회 2010 한국인체미용예술학회지 Vol.11 No.4

The purposes of this research are that 1) The Comparision of make-up and hair style between Shinla Dynasty period especially on Seon duk Queen's age and it's contemporary Asuka Dynasty period in Japan. 2) Through this research, we tried to find the extent of cultural exchange in the contemporary neighboring countries. The mural art of that period is mainly used for the empirical analysis and the recent TV historical movie series, "Queens Seon duk" is good reference for this study.

패션 스타일에 따른 메이크업 형태와 색상: 에스닉, 히피, 레트로, 아방가르드를 중심으로

홍수경(Su-Kyung Hong) 한국인체미용예술학회 2018 한국인체미용예술학회지 Vol.19 No.4

This study investigated makeup forms and colors, focusing on Ethnic, Hippie, Retro and Avant-garde styles, which commonly appear in a fashion show. In terms of makeup forms by style, common, artificial and experimental styles were found. With the use of diverse objets, a decorative feeling was pursued. In addition, rich and elegant images were created with vivid tones. With black and white tones, theme and personality were emphasized. In terms of makeup by fashion style, natural and intense makeup as well as an oriental and exotic feeling was created in the Ethnic category. In the Hippie style, Ethnic-like styles were also commonly found. In terms of Retro styles, eye-emphasized types and optical-art styles were dominant. In Avant-garde, an exotic, avant-garde image was emphasized. Unlike previous generations, in addition, fashion styles were completed and improved by crossing over makeup similarities and differences by theme according to the unique multicultural atmosphere of 21st century culture. Under the given theme, the characteristics of makeup styles were emphasized through makeup forms and colors. Furthermore, it was confirmed that makeup has played a crucial role in fashion styling. Therefore, it appears that the study results would provide basic data that are needed for fashion makeup.

컴퓨터활용교육 : 경북 사이버가정학습 2.0을 통한 자기주도적 학습능력 향상에 관한 연구

홍수화 ( Su Hwa Hong ),강원석 ( Won Seog Kang ) 한국컴퓨터교육학회 2011 한국컴퓨터교육학회 학술발표대회논문집 Vol.15 No.1

2004년부터 공교육 내실화와 도 농간의 교육격차 해소, 소외계층의 교육복지 실천 등을 목표로 실시되어 오던 경북 사이버가정학습이 2010년부터 참여, 개방, 공유의 Web 2.0의 정신을 바탕으로 경북 사이버가정학습 2.0이 실시되고 있다. 본 연구에서는 이렇게 새롭게 시도되는 경북 사이버가정학습 2.0의 개선된 기능에 대해 알아보고 사이버가정학습 2.0을 통한 학습이 학습자의 자기주도적 학습능력에 어떤 영향을 미치는지에 대해 알아보았다. 연구 결과 경북 사이버가정학습 2.0을 통해 학습한 학생들의 자기주도적 학습력이 더 향상된 것으로 나타났으며 주 3회 이상 성실히 학습한 학생들과 1회 학습 시 30분 이상 적극적으로 학습한 학생들의 자기주도적 학습능력이 향상된 것으로 나타났다. 이는 사이버가정학습 2.0이 자기주도적 학습능력을 신 장시 키는 시스템이라는 것을 알 수 있었으며 사이버가정학습 2.0을 효과적인 운영을 도울 수 있는 자료로 활용할 수 있는 자료로 활용할 수 있다.