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RISS 인기검색어
- 검색키워드
- 저자 : 최영승(Young-sung Chueh) (검색결과 4 건)
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엘리엇(T.S. Eliot)의 시와 극에 나타난 추리 소설적 요소
최영승(Chueh Young-Sung) 새한영어영문학회 2001 새한영어영문학 Vol. No.
This study aims to analyze T. S. Eliot's poetry and plays with a view to bringing out the modem mystery elements which function in them both as a dramatic device and as a theme with religious connotations. While many critics including Frank Wilson and David Jones have written on the plays of T. S. Eliot, only some have discussed these elements, but their analyses are not enough. Therefore, this study attempts to show how far Eliot uses the mystery elements to entertain the audience and at the same time to present his religious themes with an eye on the secular and rationalistic trend of the age. By employing the mystery elements Eliot had taken a significant step towards reviving religious mind in secular theater. In conclusion, Eliot uses the mystery elements to his own purposes. He introduces mystery aspects into some poems of his, where these thriller elements play a basic role in developing his interest in detective stories. In Murder in the Cathedral and the subsequent plays the mystery elements impart greater dramatic interest to the religious themes. The insertion of the crime mystery into his works plays a key role in showing his interest in the popular culture. Murder in the Cathedral is a unique play not only because it is an example of a modem mystery play but also because it illustrates the combination of the religious and the secular, the high and the low, and more specifically the use of mystery elements for the exposition of a serious theme. The Family Reunion nearly completes the pattern of a story of crime and punishment ironically reminding of Dickens and Dostoevsky again which is finally transformed into the drama of sin and expiation. The mysterious guest and his companions in The Cocktail Party who remind of several mystery detectives are finally recognized as symbolic figures who help to unite the estranged couple and dispatch the protagonists on different paths of salvation. In The Confidential Clerk there is some real fun in the thriller type of pursuit and analysis of evidence to explore the identities of an unknown father, whose money was swindled away, and a "true" father who had some connections with the church. In The Elder Statesman Eliot shows consistency in the employment of mystery elements such as hidden "crimes", horror and fear of detection, the evidence, and confession of guilt.
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여성주의 비평가들의 엘리엇(T. S. Eliot) 연구
최영승(Chueh Young-Sung) 새한영어영문학회 2000 새한영어영문학 Vol. No.
One of the most striking aspects of modem literature can be said to be a rising feminism, and feminists have contributed a great deal to our understanding of twentieth century woman writers, but they limit their understanding of both men and women writers by insisting on interminable sexual warfare as an explanation of literary modernism. Especially Sandra M. Gilbert and Susan Gubar among them seem dedicated to perpetuating wars between men and women by criticizing a massive critic T. S. Eliot. In this respect, this thesis aims to show the right way to approach his criticism by studying their methodology to maintain the polarity in his critical writings. Gilbert and Gubar contend that literary history is an exercise designed to retrieve male heroes and that tradition involves an attempt to define and protect the territory of male writers. They also, by using binary logic, devaluate Eliot's critical views on tradition and unified sensibility. But their strategy makes it impossible for them to see the complexity and subtlety of his thoughts. While undermining binary logic, he recovers harmony. He argues in his early philosophical writings that all oppositions and binary sets are unstable, and that fruitfulness is only possible through a combination of masculine and feminine values. Meanwhile Gilbert and Gubar, by polarizing men and women, eliminate all of the complexities in Eliot's literary criticism and completely miss the point of his concept on complementarity, but even though in fact he clearly suggests that unity can be imagined by insisting on difference.
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