http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
실패한 리얼리즘 : A Study of Mrs Gaskell's Mary Barton 개스켈 부인의 「매리 바튼」연구
채수환 19세기 영국 소설 학회 1994 19세기 영국 산업 소설 연구 Vol.- No.1
AbstractElizabeth Gaskell's Mary Barton is representative of the industrial novels that deal with the political disturbance and economic depression in the wake of the Industrial Revolution. The periodic wave of depression hit its worst below in the 1840's and it is this "hungry decade'' that the novel addresses itself.The book, however, proves a lamentable failure as a realistic novel. This failure has much to do with the structure of the plot which appears to be broken into two clearly separate parts. The former part presents a realistic picture of the Manchester manufacturing area with all its sordid poverty and crushing pain of working class life. And here the theme of the "Two Nation'' is vividly dramatized in terms of the vast gulf between the classes. Most significantly, the alienation between the classes provides the main tension of the book, and is worked into the chief motivation of the protagonist John Barton.In the latter half of the book (after Chapter 18), however, with the shift of focus from John to Mary Barton the central tension built up in the former part suddenly disappears and is replaced by a melodramatic plot of Mary's heroic efforts to deliver her lover Jem Wilson from his falsely accused crime. The author's sympathy is transferred frorn father to daughter. And the cliffhanging effect of Mary's last-minute rescue of Jem gets to be triumphant.Consequently the realism of the book comes to suffer and fail drastically. And this failure can he ascribed to a number of reasons: the author's conscious Christian faith, the overriding literary convention of novel-writing of hertime, and the middle class's colllective unconscious of anxiety and fear for the reputed and exaggerated violence of the working class.The combined in리uence of the Victorian middle class's "structure of feeling" results a book which promises, with rnany elements of formal realism, to be a powerful novel dealing with the hot contemporary issues of ills and perils of industrialism, but which ultimately degenerates into a conventional sentimental melodrama.
蔡守煥 圓光大學校大學院 1987 論文集 Vol.1 No.-
An influential powerful family of the country is in existence Kwang Jong coronation, he carry out policy of patting them as soon as coronation. While he execute innovation of the military authorities for construction to policy Royal family Kwang Jong carry out reformist politics ofr organize to an absolute monarchy. In Kwang Jong perild, an influential for leadership of innovation, the first, these put Kwang Jong by the side of amily Back Jea people through most the govenment service exam the second, Kwang Jong is increased a Royal Guard anti-shin Ra persons, these dispatch rider ability goes to the court to attend on the king militarily the third, The china influential by naturalization act gretly Kwang Jong by the side. These plays part of disicive and wide than reformist politics of Kwang Jong. The fourth, Thought the influential for leadership of an absolute politics by the side of Kwang Jong is not, social support form of reformist and what spiritual suppont is an influential priest on Guy Bub Sa. In Kwang Jong, Influential of leadered for innovation is nat one of influential monopoly but these anticipated many influential adegutly persons of reformist politics of Kwang Jong as most minor powerful family Group. As these haven't all sphere of influence in the country, Kwang Jong Period is related interdependence between extention of royal authorities and extention of so cial economic. Otherwhile, The reason of enterance for minor powerful makes relatively weak these people and great influential powerful family in union.
채수환 한국현대영미소설학회 2000 현대영미소설 Vol.7 No.2
It is a literary cliche among Conrad critics that his novels exhibit both pessimistic and tragic vision, fatalistic and romantic one. This "janiformity," in the words of Cedric Watts, characterizes Conrad's vision. This essay attempts to read Lord Jim strictly in terms of the vision and form of the classical tragedy. As a preliminary step, in the first half of the essay, the constituents of the tragic vision and form--particularly, the definition of tragic hero, tragic flaw, the stages of tragic rhythm, & etc--are summarized, drawing upon the theories of the major thinkers and critics of the Western tragedy. In the latter half of the essay, Jim as a tragic hero is analyzed His tragic flaw consists in his excessive romanticism that takes shape as his heroic ego-ideal. As for the tragic rhythm, the phase of Purpose is identified as his pursuit and realization of his ego-ideal; the phase of Passion starts from his disgrace at Patna accident and extends to his final fatal mistake and the resultant death; the phase of Perception is marked by his "readiness" before and acceptance of fate through his choice and action, that is, his confronting death with a mind "as unflinching as the hero in a book." The paradoxical ending peculiar to classical tragedy is applicable here, too. Jim's "extraordinary success" is achieved only through his physical destruction; his end evokes the sense of human waste and at the same time exalts and elates us; his death is both deserved and undeserving. Finally, Jim's story, it is to be noted, also illustrates the negative aspect of the Western tragic vision, especially that of hero-worship. The vision can be essentially anti-democratic, narrow, and egoistic. Jim's pursuit and final realization of his heroic ego-ideal, therefore, is responsible for the destruction of Partisan.