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시대적 맥락으로 본 발레 < 지젤 >의 변화 양상 -장 코랄리,쥘 페로의 < 지젤 >, 마츠 에크의 < 지젤 >, 제임스전의 < 지젤 >-
제임스전 ( Jeon James ) 한국체육대학교 체육과학연구소 2013 스포츠사이언스 Vol.31 No.1
This study figured out which aspect was shown in light of historical context as for works such as < Giselle > by Jean Coralli and Jules Perrot, which can be said to be the essence of romantic ballet, < Giselle > choreographed in 1982 by Mats Ek, and < She, Giselle > by James Jeon at Seoul Ballet Theatre, who re-analyzed it with 21C modern sense in our country. These three works were greatly influenced by historical characteristics at that time. Giselle in the 19th century contained a weak woman``s image, which was lost the female identity, while being noticeably indicated sociality at that time that had emphasized the social class. Mats Ek``s Giselle, which was contained the unique philosophy, expressed the happening a little more realistically that Giselle goes to a mental hospital in Act II. James Jeon``s < She, Giselle > depicted a strong woman who takes responsibility for a child with earning monty by having the body as medium after going to a red-light district instead of death, thereby having depicted the female subject, who gains freedom in the spiritual aspect. In this way, even the classic ballet works are expressed differently depending on philosophical propensity to which a choreographer points according to historical flow and also to sociality of each country.
문화외교로서 한국발레의 역할 -우리나라 주요 발레단의 수교기념공연을 중심으로-
제임스전 ( James Jeon ),손정아 ( Son Jung A ),김지연 ( Kim Ji Yeon ) 한국체육사학회 2014 체육사학회지 Vol.19 No.1
본 연구는 우리나라의 문화교류 안에서 한국발레가 양국의 외교적 활동에 어떠한 영향을 미쳤는지 초점을 맞추었으며 향후 국가들 간의 외교력에 어떠한 영향을 미칠 것인가를 논의하여 다음과 같은 결론을 도출하였다. 첫째, 우리나라의 문화교류는 광복 직후부터 시작되었으며 초창기의 문화교류는 우리나라의 문화를 세계 각국에 소개, 세계 속에 한국을 알리는데 주력하였다. 둘째, 우리나라의 발레가 세계에 소개되고 문화교류, 혹은 외교적 역할을 하기 시작한 때는 1990년대로 우리나라 주요발레단인 국립발레단, 유니버설발레단, 서울발레시어터를 중심으로 많은 국가들과 발레를 통한 문화외교를 수행하였다. 현재 한국발레는 문화외교로서의 역할을 충실히 실행하고 있으며 향후 세계화를 실현, 한국발레작품의 수출은 물론, 문화외교를 통해 정치, 경제, 사회의 측면까지 영향을 미치면서 발전할 수 있을 것이라 사료된다. This study focused on which influence Korean ballet had influence upon diplomatic activity and discussed which influence it will have upon diplomacy among countries in the future. The following conclusions were elicited. First, national cultural exchange was begun right after the restoration of independence. The cultural exchange in the pioneer days concentrated on introducing our country``s culture to the world. Second, the time when our country``s ballet was introduced to the world and began to play a role of cultural exchange or diplomatic role is the 1990s. It was formed focusing on Korea National Ballet, Universal Ballet, and Seoul Ballet Theater, which are our country``s major ballet troupes. It was steadily led to exchange with performance and event and brought about positive effect on diplomacy such as promotion in friendship of both countries. Korean ballet is now fulfilling a role loyally as cultural diplomacy. It is considered to be likely able to realize globalization by being further developed in the future, to be exported a Korean ballet work as well, and to be developed complementarily with having influence even upon political, economical and social aspects through cultural diplomacy.
제임스전 ( James Jeon ) 한국체육대학교 체육과학연구소 2014 스포츠사이언스 Vol.31 No.2
The purpose of this study was to examine the influence of Seoul Ballet Theatre``s ballet piece, Being on the popularization of dance· Seoul Ballet Theatre, which has taken the initiative in the popularization of Korean ballet, staged Being I in 1995 in commemoration of its own foundation· This is a piece of rock ballet that was somewhat unfamiliar at that point of time· Various attempts to depart from the standard pattern were made in this work to make ballet more accessible to people in general· As this work was well received, a series of rock ballet pieces, “Being II and Being III, were performed, and people in general no longer felt that ballet was elusive and boring due to these works· The dancers took off toe shoes and showed off new modern ballet without sticking to typical classical ballet motions, which served to do away with stereotypes, and pop music, jeans and leather gloves with which the public was familiar were used in an effort to step up the popularization of modern ballet· Indeed, the ballet pieces of Seoul Ballet Theater that made a wide variety of ceaseless attempts opened up a new chapter for Korean modern ballet and thereby paved the way for the appearance of many creative modern ballet pieces·
영화 <마오의 라스트 댄서>에 나타난 춤의 정치예술사적 담론
김지연 ( Ji Yeon Kim ),제임스전 ( James Jeon ) 한국체육사학회 2014 체육사학회지 Vol.19 No.3
본 연구는 춤을 소재로 한 영화에서 재현된 정치적 사회 갈등 구조와 이데올로기, 그리고 춤을 통해 표현되는 상징적 의미와 담론을 분석하는데 목적이 있다. 평범한 시골소년에서 발레를 통해 성장하는 발레리노 리춘신(李存信)의 실화를 바탕으로 만들어진 영화 ``마오의 라스트 댄서``를 통해 당시 중국의 무용계 정황과 정치적 함의를 연구함으로써 춤의 정치예술사적 의미를 제시하고자 한다. 또한 영화라는 미디어를 통한 다각적 분석을 통해 춤 연구의 지평을 넓히는 새로운 시도가 될 것이다. 영화에서 보듯이 중국에서 발레는 정부의 적극적인 후원을 통해 중국적 발레의 토대를 만들어 내었고, 이러한 중국적 발레는 정치적 권력을 대변하는 정치적 함의가 내재될 수밖에 없었다. 결국 중국에서 발레는 중국의 정치적 세력을 대변하는 도구가 되기도 했으며, 발레는 정치적 권력을 바탕으로 발전하는 불가분의 관계가 성립되었다. The purpose of this study is to analyze the political social conflict structure and ideology, which were reproduced in a film of having dance as a material, and the symbolic meaning and discourse, which are expressed through the dance. A analysis was carried out by selecting the film ``Mao``s Last Dancer``, which was made on the basis of true story on ballerina Lee Chun-shin(李存信), who grows through ballet from an ordinary country boy. The aim is to suggest the significance of political art history in dance by researching into the dance-circle situation and political implication in China at that time through this. Also, it will be a new attempt of broadening the horizon of a research on dance through multilateral analysis through medium called movie. As seen in the film, the ballet in China made the foundation of Chinese-style ballet through the government``s positive support. This Chinese-style ballet couldn``t help being embedded the political implication of standing for political power. Ultimately, the ballet in China ever became a tool of representing political authority in China. Ballet was established the inseparable relation of developing based on political power.