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RISS 인기검색어
- 검색키워드
- 저자 : 제임스전 ( Jeon James ) (검색결과 15 건)
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시대적 맥락으로 본 발레 < 지젤 >의 변화 양상 -장 코랄리,쥘 페로의 < 지젤 >, 마츠 에크의 < 지젤 >, 제임스전의 < 지젤 >-
제임스전 ( Jeon James ) 한국체육대학교 체육과학연구소 2013 스포츠사이언스 Vol.31 No.1
This study figured out which aspect was shown in light of historical context as for works such as < Giselle > by Jean Coralli and Jules Perrot, which can be said to be the essence of romantic ballet, < Giselle > choreographed in 1982 by Mats Ek, and < She, Giselle > by James Jeon at Seoul Ballet Theatre, who re-analyzed it with 21C modern sense in our country. These three works were greatly influenced by historical characteristics at that time. Giselle in the 19th century contained a weak woman``s image, which was lost the female identity, while being noticeably indicated sociality at that time that had emphasized the social class. Mats Ek``s Giselle, which was contained the unique philosophy, expressed the happening a little more realistically that Giselle goes to a mental hospital in Act II. James Jeon``s < She, Giselle > depicted a strong woman who takes responsibility for a child with earning monty by having the body as medium after going to a red-light district instead of death, thereby having depicted the female subject, who gains freedom in the spiritual aspect. In this way, even the classic ballet works are expressed differently depending on philosophical propensity to which a choreographer points according to historical flow and also to sociality of each country.
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문화외교로서 한국발레의 역할 -우리나라 주요 발레단의 수교기념공연을 중심으로-
제임스전 ( James Jeon ),손정아 ( Son Jung A ),김지연 ( Kim Ji Yeon ) 한국체육사학회 2014 체육사학회지 Vol.19 No.1
This study focused on which influence Korean ballet had influence upon diplomatic activity and discussed which influence it will have upon diplomacy among countries in the future. The following conclusions were elicited. First, national cultural exchange was begun right after the restoration of independence. The cultural exchange in the pioneer days concentrated on introducing our country``s culture to the world. Second, the time when our country``s ballet was introduced to the world and began to play a role of cultural exchange or diplomatic role is the 1990s. It was formed focusing on Korea National Ballet, Universal Ballet, and Seoul Ballet Theater, which are our country``s major ballet troupes. It was steadily led to exchange with performance and event and brought about positive effect on diplomacy such as promotion in friendship of both countries. Korean ballet is now fulfilling a role loyally as cultural diplomacy. It is considered to be likely able to realize globalization by being further developed in the future, to be exported a Korean ballet work as well, and to be developed complementarily with having influence even upon political, economical and social aspects through cultural diplomacy.
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제임스전 ( James Jeon ) 한국체육대학교 체육과학연구소 2014 스포츠사이언스 Vol.31 No.2
The purpose of this study was to examine the influence of Seoul Ballet Theatre``s ballet piece, Being on the popularization of dance· Seoul Ballet Theatre, which has taken the initiative in the popularization of Korean ballet, staged Being I in 1995 in commemoration of its own foundation· This is a piece of rock ballet that was somewhat unfamiliar at that point of time· Various attempts to depart from the standard pattern were made in this work to make ballet more accessible to people in general· As this work was well received, a series of rock ballet pieces, “Being II and Being III, were performed, and people in general no longer felt that ballet was elusive and boring due to these works· The dancers took off toe shoes and showed off new modern ballet without sticking to typical classical ballet motions, which served to do away with stereotypes, and pop music, jeans and leather gloves with which the public was familiar were used in an effort to step up the popularization of modern ballet· Indeed, the ballet pieces of Seoul Ballet Theater that made a wide variety of ceaseless attempts opened up a new chapter for Korean modern ballet and thereby paved the way for the appearance of many creative modern ballet pieces·
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영화 <마오의 라스트 댄서>에 나타난 춤의 정치예술사적 담론
김지연 ( Ji Yeon Kim ),제임스전 ( James Jeon ) 한국체육사학회 2014 체육사학회지 Vol.19 No.3
The purpose of this study is to analyze the political social conflict structure and ideology, which were reproduced in a film of having dance as a material, and the symbolic meaning and discourse, which are expressed through the dance. A analysis was carried out by selecting the film ``Mao``s Last Dancer``, which was made on the basis of true story on ballerina Lee Chun-shin(李存信), who grows through ballet from an ordinary country boy. The aim is to suggest the significance of political art history in dance by researching into the dance-circle situation and political implication in China at that time through this. Also, it will be a new attempt of broadening the horizon of a research on dance through multilateral analysis through medium called movie. As seen in the film, the ballet in China made the foundation of Chinese-style ballet through the government``s positive support. This Chinese-style ballet couldn``t help being embedded the political implication of standing for political power. Ultimately, the ballet in China ever became a tool of representing political authority in China. Ballet was established the inseparable relation of developing based on political power.
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한국적발레의 세계화 과정(국립발레단 한국적발레 작품을 중심으로)
김지연 ( Ji Yeon Kim ),제임스전 ( James Jeon ) 한국체육사학회 2014 체육사학회지 Vol.19 No.4
The purpose is process of globalization of Korean ballet. We try to be a material of Korean ballet founded the National Dance Company after 1962, it began to form and equip the framework of the Ballet National Ballet, and later re-founded ‘dream of jigwi’, ‘Love of Chunhyang’, ‘Prince Ho-dong’. Evaluation of the critics on the Korean ballet could see that there were a lot of effort to practice the basic proposition that can be relative or conclusion, Korea is the world of each other. The future of Korean ballet to further develop the work will be a lot of effort to create a worldwide repertoire like ‘Swan Lake’ and ‘The Nutcracker’. Be the first to popularize the work required to allow the public to focus on the genre of ballet and feel familiar to those working to eliminate the burden and reluctance on the ballet in Korean materials are also needed. It will also be easier to make a social contribution program to spread all over the ballet.
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