http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : 정혜정(Chung Hye-Jung) (검색결과 34 건)
- 무료
- 기관 내 무료
- 유료
-
-
-
정혜정(Hye Jung Chung),임영자(Young Ja Lim) 한국복식학회 1997 服飾 Vol.35 No.-
Tatan is a symbol of kinship and belonging in Scotland, and a badge of identity recognized all over the world. Alongside the powerful historical and national resonance to Tartan for Scots, it has been borrowed repeatedly by fashion. The pattern composition of Tartan check is formed as a typical cross stripes that vertical line and horizontal line meets rectangulary. And its color is much various and rich than other check pattern. So its magnificient spectacle that various all kinds of colors is dyed in cloth is second to name. Today, we are as likely to meet tartan in a couturier dress as in a kilt or plaid. Tartan is distinctive in colour, style and design. It conveys personality ceremony and drama. All these aspects of its character have contributed to tartan being one of the best known and best-loved fabrics in the world. In other parts of Europe traditional checked patterns declined and disappeared but in Scotland tartan survived strongly, just as the bagpipes, also European, flourished. Due to geographical and cultural circumstances Scots were able to develop and enhance tartan, and its remarkable individuality ensured its survival in spite of adverse political and economic pressures. Tartan has been adopted as the national dress of all Scots, Lowland and Highland, providing a powerful form of national, cultural and personal identity. Whether traditional or a recent creation, whether a symbol of nationality or a substitute for nationhood, tartan is no mean achievement.
-
정혜정(Hye Jung Chung) 한국복식학회 2002 服飾 Vol.52 No.2
This study was intended to inquire into Check Pattern. The purpose of this study attempted to make a systematic investigation of the characteristic of the Check Pattern, the checker using vertical and horizontal lines which was the universal plastic element and inquire into it in terms of era, designers and combined work. By doing so, this study attempted to investigate the phase of the Check Pattern in world fashion and further forecast the future of checker design applicable to the 21th century fashion. The result can be summarized as follows: 1. Mondrim`s neo-plasticism has not only had a great influence on Op Art and Minimalism work but is deeply related to fashion and textile design. Mondrian used vertical and horizontal line ad the dualistic element. 2. The checker is estimated to have been used since the Etruian times, though uncertain, and largely divided into the Madras check and Scotland Check. Though the origin of the tartan representation of the Scotland check can not be accurately found out, it began to emerge in around the 13th century. 3. Check Pattern has began to be widely used with the development of the textile industry since 1826 and been used in every typical Sihoutto appearing in each era up to the present. And Check Pattern is used most designer in the world, who represent their own personality in their works. This study could find out that the checker is the element of infinite applicability in the future. It is expected that the sophisticated and beautiful design using the checker will be presented by many korean designer though the overall and systematic of the checker.
-
-
아르데코시대의 헤어스타일이 표현된 현대 헤어스타일 연구
정혜정(Chung Hye-Jung) 한복문화학회 2011 韓服文化 Vol.14 No.2
The hairstyle goes through continuous changes and development in current of the times, undergoing political, economic and social influences in those days. It is, formed on the basis of the art style, reflecting mental culture and the trend of art in those days. According to this, his paper aims at understanding periodic background and characteristics of artdéco style, and analyzing harirstyles of the times to inquire into how art déco style has an effect on modern hairstyle. It showed that the effect of Bob cut of Art Déco eraon the functionality set the fashion of simple and linear blunt cut, and furthermore, shingle and Bob cut of short back hair. The technique of permanent Wave was also diversified by the development of chemical technology. And the hairstyle of ArtDéco era expressed the gengeral silhouettes linearly as a linear and simple cut. This was s beginning og Blunt cut, which Bob cut come into being. The shingle cut that has one's back haircut more shortly was on the rise by the sudden change of society, and was also gradually transformed in modern times. According th the hairstyles from the latter half of the 19C to the 20C, hairstyles that undergo an influence of art nouveau and artd'eco had a differen characteristic each other. And the hairstyles coexisted together, being popular on shifts by social and cultural influences. Like this, the art nouveau and d'eco styles had a great effect on hairstyles as well as the decorative and formative arts. Consequently, the hairstyles in art nouveau and artd'eco will develop through a little change by social and cultural influences such as uncertain future, enjoyment and wellbeing that modern people pursues in the coming future as well as modern times. And the hairstyles will be a help to the development of Korean beauty industry.
-
정혜정(Chung Hye-Jung) 한복문화학회 2006 韓服文化 Vol.9 No.2
21th century called century of culture is hard that enhance value of goods by only usual simple ability and technique. Only products that native peculiar culture infiltrates deeply can stand erect in high position in market competitive power, include spiritual legacy that stand on the basis of long history and tradition as well as that unique culture is seen with eye. This is meaning together social dynamic motion that change and develops to cope in new century. When we talk about information knowledge industry in 21th century, craft is important area, cultural and of industry development quarry to us so much so that should be situated in central axis of the story. Do part of culture goods that can display self-propagation effect that do to increase the value because there is cultural value and artistic merit which these industrial arts is accumulated from every country unique traditional industrial arts and there is reform of a new technology caused in development of modern industrial arts and industry.
-
-
기산 김준근의 풍속화를 통해 본 조선후기 복식색에 대한 연구
정혜정(Chung hye-jung),최수진(Choi su-jin) 한복문화학회 2004 韓服文化 Vol.7 No.2
The genre painting is defined as painting which depicts daily lives of people, Customs. the subject matter of the genre painting. refer to the way people are fed. clad and housed and all the other everyday practices which have been formulated as mankind has lived together in a society or the entity of common customs and the genre painting expresses a variety of scenes from everyday lives of people, Accordingly. it is possible to find out what the lives of people were like at the time a certain genre painting was drawn in return, In particular. characters described in genre paintings let us know trends of costume of the day and research on costume history conducted based on genre paintings serves as a valuable source of information through which we can learn the history of clothing in the most accurate and realistic way, Studies of genre painting and costume have been performed by many but not much has been done on paintings produced by Kim Junkeun (pen name Gisan). a genre painter in the late 19th century of Korea. and other relevant materials related to the history of costumes as there are not sufficient records on Kim and his paintings and Kim has not been properly appreciated by the painting circles of Korea, The objective of this study is to research the way people of the time dressed and especially. costume colors and changes in costume colors brought about by chaotic circumstance at the time by analyzing Kim's genre paintings,<br/> This study has found out that costume colors of Korea were primarily composed of blue. red. yellow. white and black accordingto the Yin and Yang and the Five Elements Theories and that baji jeogori and chima jeogori in sosaekwere worn as the basic costume. which is the reason why the Korean people are referred to as "the white-clad people", It has been also revealed that a variety of secondary colors were used in clothes worn by the common people in the late Chosun period despite various restrictions on costume colors imposed on them due to toadyism toward China. in addition, this study lets us know that as a result. commoners were allowed to wear nokeuihongsang and hwangeuichungsangin the late Chosun era. In particular. clothes in red series were frequently worn in genre paintings that this studY analyzed and it is<br/> explained by the ease of costume color restrictions on red for the commoners as King Gojong in the late Chosun era<br/> started to wear yellow royal robes instead of red ones. Even though various costume colors were used with change over time, sosaek or white was most frequently used in baji jeogori and chima jeogori. the basic costume, and it proves that the Korean peopie have always favored the white color most. thereby being called "the white-clad-folk".<br/>
-
정혜정(Chung Hye-Jung) 한복문화학회 2008 韓服文化 Vol.11 No.1
The hairstyle goes through continuous changes and development In the current of the times, undergoing political, economic and social Influences In those days. It is, therefore, formed on the baas of the art style, reflecting mental culture and the trend of art In those days. According to this, this paper alms at understanding periodic background and characteristics of art nouveau style, and analyzing hairstyles of the times to Inquire Into how art nouveau style has an effect on modern hairstyle. The art nouveau style from 1890s to 1910s, has Its origins in the 'Art and Crafts Movement' started from Morris's denial of machin production and developed as an art of new value and meaning in many fields. This style chiefly used current and organic curved line than straight line And the hairstyle of art nouveau were the general Silhouettes of Pompadour as chignon styles that backcomb to do one's hair UP in the back part of a hair. The pompadour style had bigger effect on modern Up-style, and was the most Widely used In modern time. According to the hairstyles from the latter half of the 19C to the 20C, hairstyles that undergo an Influence of art nouveau and art d'eco had a different characteristic each other. And the hairstyles coexisted together, being popular on shifts by social and cultural Influences. like this, the art nouveau and art d'eco styles had a great effect on hairstyles as well as the decorative and formative arts. Consequently, the hairstyles In art nouveau and art d'eco will develop through a little change by social and cultural Influences such as uncertain future, enjoyment and wellbeing that modern people pursues In the coming future as well as modern times. And the hairstyles Will be a help to the development of Korean beauty industry.
KCI연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
