아트 메이크업에 표현된 일루젼(Illusion)의 이미지

정연자(Yeon Ja Jung) 한국인체미용예술학회 2011 한국인체미용예술학회지 Vol.12 No.2

The study is to learn how illusion is expressed in art makeup, to provide a turning point in art makeup design and to expand new visual experiences which help creating artistic and creative art makeup design. The results are as follows. First, visual amusement is expressed through transformation and distortion of shapes. Distortion of line, shape and form in art makeup provides excitement by harmonizing with curve of human body and arousing fun imagination. Second, movement in illusion arouses confusion to observers through dynamic images and senses. Art makeup is fixed on human body but expressed that it moves in relations with the surrounding. Third, different systems are integrated and accept each other to express ambiguity. Various images and shapes and collision of concepts appearing in the space time express new ambiguity of human body. Fourth, creativity expresses the third human body by integrating human body with other subjects. Different shapes accept each other in new ways to express unimaginable creative shape.

현대 복식에 표현된 투명디자인의 조형성

정연자(Yeon-Ja Jung) 한국의상디자인학회 2001 한국의상디자인학회지 Vol.3 No.2

취약계층 아동의 자아존중감, 또래관계 및 사회성 향상을 위한 이야기치료 집단상담 프로그램의 효과성 연구

정연자(Yeun-Ja Jung),박정윤(Jeong-Yun Park) 한국가족치료학회 2019 가족과 가족치료 Vol.27 No.4

Objectives: The researchers developed the narrative therapy group counseling program for underclass children and explored its effectiveness for changing participants’ self-esteem, peer relationships, and sociality. Method: The participants in the study were children in 5th grade of primary school, who had difficulty in terms of household economy and poor relationships. They formed the experiment group and control group, respectively. The researchers analyzed the data using t-tests. Results: The narrative therapy group counseling program for underclass children had a positive effect on the children’s self-esteem, peer relationships, and sociality. The results showed that participants’ self-esteem, peer relationship, and sociality in the experimental group were much higher than those in the control group. Conclusions: This study presented the direction that could be applied to replace the dominant narrative of the problem with an alternative narrative for underclass children’s self-esteem, peer relationships, and sociality. 본 연구의 목적은 취약계층 아동의 자아존중감, 또래 관계 및 사회성 향상을 위한 이야기치료 집단상담 프로그램을 개발하고 적용하여 그 효과를 검증하는 데 있다. 경기도 S시 소재의 G 초등학교 5학년을 대상으로 가정의 경제적 어려움과 대인관계에 문제를 보이는 1개 학급을 선정하여 5주 동안 매주 2회씩 총 10회기로 집단상담 프로그램을 실시하였다. 프로그램의 주제는 이야기치료 기본 모델을 참고하여 오리엔테이션 및 라포형성, 다양한 삶의 경험 이야기, 문제파악 과정 이야기, 삶의 주요한 탐색 이야기, 걸림돌에 대한 탐색과 평가이야기, 문제를 형상화한 외재화 이야기, 빛나는 나의 성공 이야기, 희망의 멋짐 폭발 이야기, 꿈꾸는 역전승 이야기, 우리의 변화된 이야기의 과정으로 구성하였다. 프로그램의 효과를 검증하기 위해 사전, 사후검사를 시행하였으며, 수집된 자료는 t-검정 방법으로 분석하였다. 연구결과로는 참여집단 구성원의 자아존중감, 또래관계 및 사회성 향상이 유의미하게 높게 나타났다는 점에서 취약계층 아동의 자아존중감, 또래 관계, 사회성 향상에 본 프로그램이 효과적인 것으로 확인되었다.

메이크업에 표현된 미적 가치

정연자(Jung Yeon Ja) 한국인체미용예술학회 2009 한국인체미용예술학회지 Vol.10 No.4

This study aims to establish the academic basis of cosmetic treatment as an art form by examining the aspects expressed in the makeup The followings are the results of this study First the aesthetic experience is the beauty with pure delight as well as the enabling a complete escape from reality by full satisfaction in the process with ni discomfort Second, the grace of beauty is the manifestation f the feminine sprit It is expressed mainly in the makeup of the 1930s and 1940s when the femininity was emphasized and fantasy makeup was used with its organic curves Third, sublime beauty is expressed by the secrecy of beauty, endlessness and dissolute Abstinent images and hateful images are expressed with objects in the makeup Fourth, tragic beauty increases the value of the mixed emotions of delight and discomfort by anguish Fifth, the comic of beauty enables one to acquire cheerfulness of mind in the subjective experience(Erleichterung), liberation from pressures(Entlastung) and liberty of spirit Finally, ugliness is the non-formality of expressional feature is inaccuracy

다카다 겐조 (Kenzo Takada) 의 작품에 관한 연구

정연자(Yun Ja Jung) 한국복식학회 1993 服飾 Vol.21 No.-

The desire of our contempories, who wish to recover humanities fading away and get back to the nature, is emerging as a main theme of the fashion today, the decade of facing 21st century. The prevalence of naturalness-ecology, rural, peasant look-and ethnic look, shows the tendency mentioned above. Kenzo Takada`s works, which exhibit this naturalness and ethnic look, were picked and investigated. The objective of this research is to study the beauty of form and internal and investigate in what form the naturaless and Ethnic look in Kenzo`s work. The result were as followings : <1> Draped fom are mainly used as form and they are made neglecting the body line by straight-cut and provide the wearer ease and freedom of movements. <2> As for the color, fantastic original colors (red, blue, etc.) and natural colors are used. and Strong color contrast is seen. In ethnic look, original colors(red, blue, etc.), natural colors and ethince colors are used. <3> As for the fabric, Cotton, neat skilk and wool, etc. are used mainly and use of such natural fibers represents the return to the natural well. <4> As for ornament , natural things-straw hat, flower, feather, pebble, shell-are used and exhibit natural feelings strongly. For the ethnic look, ornaments representing each country`s ethnic atomos phere by hat, scarf and neckcloth made of natural fibers. <5> As for naturalness, Flower, deer butterfly, leopard, and plant, etc. are used as motif. As for ethnic look, flower, geometric motif are used.

현대패션에 표현된 에콜로지에 관한 연구

정연자(Yeon Ja Jung) 한국복식학회 1996 服飾 Vol.30 No.-

The purpose of this study is to investigate the man characteristics of the environmentalism expressed in contemporary fashion. i.e. `eco-look`. They can be categorized into naturalism, symbolism, primitiveness, and concern about recycling. First, naturalistic tendency can be found in through the method of some contemporary eco-looks, which are using natural colors, harmonisation of the colors in similarity and in controst, and expressing in a realistic manner some natural entities or use some ornaments represnting them. Such tends easily let people to feel the clothes unified with the nature and human beings. Secondly, some contemporary eco-looks express environmentalistic ideas, for examples, the idea for protection of the nature or the idea against pollution of the earch and destruction of (human) nature, in a symbolistic way. Thirdly, primitiveness is one of the most characteristic feature in contemporary eco-looks. It can be found in some eco-looks using primitive or original images of Africa and underdeveloped countries. It reflects the human desire to go back to the nature or to the unity with the nature. Finally, recycled materials are commonly used in eco-look. Patchwork and handmade knits are popular methods for this mode. They implicates the idea of pragmatism and simplicity in fashion. One Conclusion of the paper on eco-look ; fashoin design which can be itself and important environment of human beings has become a very efficient and significant tool to express the idea of ecology.

복식에 표현된 큐비즘 (Cubism) 에 관한 연구

정연자(Yeon Ja Jung) 한국복식학회 1998 服飾 Vol.39 No.-

Cubism has played a great role to change traditional concept of art and visual of poeple as daveloped into one of new art styles. It has avoided three dimensional perspectives and reformed the concept of time and space. It expresses objects with geometric shape by simplifying and reconstructing the objects after taking them apart. This has the effect of simultaneous vision and transparency and brings in collage by combining geometric image and visual elements. The results of the study as follows: First, the geometric shape expresses straight lines, curves, faces, and cubics by simplifying the objects. In fashion, it expresses circles, triangles, squares with a cloth. This shows visual changes as three dimensional space moves. Second, simultaneity disassembles and recontructs the objects. It tries to understand the inernal shape with method of disassembling and makes visions coexist. In so doing, cubists adopt simultaneity for expressing shapes. In fashion, it expresses new items through disassembling or combining with other intems. Third, transparency simplifies cubics by duplicating with transparent flats and crosses contour lines for reconstructing the simplified objects. This implies broader spatial order. It allows people to perceive penetration of layed clothes. Fourth, collage expresses geometric shape by adding visual elements(concrete image and color). It uses concrete image with paper, letters, cloth, etcs., witch is not related to painting, and introduces various color. In fashion, it uses dolls, postcards, feathers, metals, plastics, for patchwork.

모즈룩 (Mods Look) 에 관한 연구

정연자(Yeon Ja Jung) 한국복식학회 1997 服飾 Vol.33 No.-

The following contents are the results from the examination of unisex, fetishism, minimal, and active which are Mods look. Unisex-because of the changing in musician and the role of sex, Mods girl adopted much from men`s clothing The unisex mods look expressed in the 1990s is not the expression confronting the established value and the confusion of sex as it did in the `60s. but possibly the appearance of a fashion trend. Fetishism-In the `60s, the Mods look changed mens clothing into more woman-like clothing which expressed their internal and external values of thinking. This fetishism phenomenon is also strongly expressed among the in the 1990s. This gives a future-orientid feeling by expressing with a modern sense the 60`s fetish dress which used woman-like silhouettes, bright and stretch fabric, colorful and vivid tone. Minimal-The 60s`Mods put on mini skirts called the revolution of length as a mode of resistance and minimal dress as a way of expressing, the liberation of body and the consciousness of beauty. Minimal is reflected well on slim and fit jackets and pants, and short and fit pants etc. Mods look in the `90s also consists of the general trend of slim and fit silhouette. Active-Mods that reject the value of established generation in the 60s showed a sporty and casual trend on fashion. Mods works around clubs wore polo shirts and cadigan, and Mods enjoys scooter often wore anorak parkas. This active style of Mods approched to the young`casual with freshness, expressing newly in the `90s. polo shirts took a seat as an item of street fashion especially in the beginning of 1996. Mods in the 1960s shows well a fashion flow of the age as a street fashion which expresses the mental world reflected in politics, economics, society and culture within the people of the age. These Mods looks revived in the early 1990s awaken an importance of the culture of the young as the cultural qualities included in Mods of the past life and this fashion trend expected to take a part as a symbol of fashion culture.

문인화(文人畵)를 활용한 아트메이크업의 조형미 -본인 작품을 중심으로

정연자 ( Yeon Ja Jung ) 한국동양예술학회 2011 동양예술 Vol.17 No.-

A research topic has been discovered in a painting in the literal artistic style, a genre which emphasizes the emotion of oriental arts and well reflects traditional characteristics and uniqueness. Focusing on my own pieces of works, this paper has attempted to examine expression methods which cover the formative characteristics of both tradition and modernity and aesthetic sentiment at the same time. Then, the following results have been obtained: 1. Beauty of Space : To express a painting in the literal artistic style in art makeup, complicated and ornamental factors have been omitted. Instead, the beauty of space has been emphasized through simple expressions. The core factors have only been used to create the formative beauty of space. The space has made observers feel visual lingering. In addition, the silence, tranquility, relaxation and infinite imagination of the East have been expressed. 2. Beauty of Liberty : With a space which makes it possible to deliver a message without a shape, spiritual liberation has been expressed. In addition, liberation from colors has been illustrated using Hanji (traditional Korean paper) and achromatic color. Furthermore, modern people``s desire to live a life with liberal sentiments has been expressed using simple expressions without any adornment. 3. Beauty of Acceptance : When a painting is painted on Hanji (traditional Korean paper) using Chinese ink and colors, the beauty of mutual acceptance is expressed. By expressing the beauty of a painting in the literal artistic style on Hanji with art makeup design, the mutual acceptance between emotion and philosophy and between tradition and modernity has been expressed.

한복 헤어 이미지 스케일링에 관한 연구

정연자 ( Yeon Ja Jung ) 한국동양예술학회 2012 동양예술 Vol.20 No.-

This study aims to come up with basic data by scaling hair images which fit for hanbok image for hanbok styling. After scaling hanbok and hair images according to I.R.I image scale, results were obtained. Then, image scaling was performed based on 10 different image types in I.R.I image. First, image scaling was conducted depending on image type such as clean, soft, humble, intimate, fancy, elegant, refined, smooth, light and dynamic. It was able to scale hanbok hairstyles as well. Second, it was able to discriminate images expressed by image emotion group in hanbok image scale. For communication of the expressed emotion images, hanbok image scales were configured by designed factors such as line, shape, color and ornament as shown in Table 2 according to image scale and traditional coloring image scale. Third, in hanbok hairstyle scale, up-styles were primarily examined. As a result, it was able to select the styles in which the styles of emotion groups were expressed by image type. In image expression-based scale, hair coloring was weak. Therefore, hanbok hairstyle scales were summarized based on line, shape and expression techniques focusing on hairstyles as shown in Table 3. Fourth, image scaling by image type was shown in Figure 23 according to hanbok hairstyle scale. It is expected that the results of this study would be used as basic data for effective hanbok styling fit for T.p.O according to hanbok hairstyle scaling.