『용재총화』 소재 처용지희(處容之戱)의 미의식(美意識)

임청화 경희대학교 민속학연구소 2004 한국의 민속과 문화 Vol.8 No.-

불교의식 무용의 동작에 나타나는 상해와 미의식 연구 : 나비춤 , 타주 , 바라춤 중심 Ceutering around NABI (Butter fly) , Ta - Joo , Bara dance

임청화 한국안전교육학회 2000 한국안전교육학회지 Vol.3 No.1

This thesis studied centering around NABI. Bara, Ta-Joo Dancing out of the Buddhist Dancing which is a shape of ritual dancing in our Dance. The purport of this thesis is to clantry an aesthetic characteristic through $quot;NABI$quot;, $quot;Bara$quot;, $quot;Ta-Joo$quot;. Dancing on the basis of the treoretical background of the Buddhist Ritu alistic Dancing which is essential part of various ceremonies. This study analyzed the names of dances differently compared with the existing one, and there are Baerae style(배래사위), Humjog style(협종사위). Palgusoo style(팔거수사위), Jungjee style(정지사위). GoopimKaegie style(굽힘깨끼사위), Jung style(정족사위), ongsoobae style(웅수배사위), Yangsoohap style(양수합사위), palsoochag style(팔수착사위), Hoewonban style(희원반사위), Punsoo style(평수사위), Kopongori style(꽃봉오리사위), Yonkot style(연꽃사위), Hichae style(학체사위), Kulshinsoo style(굴신수사위), Jwawoochigi style(좌우치기사위), Ureuneun style(어르는사위), Hanbaldeun style(한 발 든 사위), Balgoopim style(발굽힘사위), Majeum style(맺음사위), etc. in the style of dances. There are butterfly dance. Bara-dance. Ta-Joo-Dance, and Bup ko dance in JACKBUP and they are representative dance. The harmonic line succession of them express the Nabichum. These names of dances are included in the Shixdangjakpub of Yungsarue the most magnificent and luxurious, and Dangiwa leads the whole ceremony. Dangkyung takes the role of playing the bell and Woonban and a couple of Tajoo perform the dances named Tahoo, Barachum and Nabichum. I expect that the study by an on-the-spot investigation concentrating on the action of dance instead of the history of dance will help following researchers. Nabichum has the feature of gracious, cautious and refined beauty. Also the Kumjogbaerae taking a serious view of the rhythm of Bumpae and Worshiping in the first beat makes the form of Nabichum. Nabichum has following basic elements Ha pjangchak style(impressing the one mind with the joined hands fixed on the chest). Palsoojog style(impressing the respect with the arms crossed), Pyung style(wearing unfolded arms. bending the knees slowly). Yangsoohab style(dropping and raising the wrists with the body pointed at this building that contains a statue of Buddha), Hak style (raising the Dopo dress like a crane unfoldiWng the wings), Juawoota style(drawing a lotus blossom by the both hands with the eyes seeing right and left at 45 degrees) and Mooyo style(moving the arms like butterfly, bending the knees simultaneously). Nabichum is seldom spreading in public because it can't be approached with out the special performances by Buddhist priests. That's because conflicting thoughts between the succeeding situation history of Buddhism is very long considering that it was introduced into Korea in the period of the three Kingdoms and it has mixed with folk belief and realistic desires of people. Buddhist dance has admitted the tradition of Korean public culture and contributed to the creative development of Korean dance that is to say, the procedure of Buddhist ceremony performing Buddhist dance has rearranged accepting the traditional folk belief. But we can recognize that Bumpae and Jakpub have kept the feature of Buddhist music and dance through their melody and motion because Buddhism has accepted the folk belief with its own independence. On the other hand, the Jakpub as a Buddhist dance has affected the development of folk dare like Seungmoo(승무) But these Buddhist dances has almost destroyed today.

佛敎儀式 舞踊의 動作에 나타나는 傷害와 미의식 연구 : 나비춤, 타주, 바라춤 중심

임청화(Cheong-Wha Im) 한국안전교육학회 1999 한국안전교육학회지 Vol.3 No.1

한국무용 근동작군의 (筋動作群) 형태기능적 분석

임청화 ( Chung Wha Im ) 대한무용학회 1997 대한무용학회논문집 Vol.20 No.-

자유주제 : 깨끼춤의 민속학적 특성과 유형 분석

임청화 ( Cheong Wha Im ) 경희대학교 민속학연구소 2006 한국의 민속과 문화 Vol.11 No.-

처용무(處容舞)의 변형(變形)과 전승(傳承) -고려시대를 중심으로-

임청화 ( Cheong Hwa Im ) 대한무용학회 2004 대한무용학회논문집 Vol.40 No.-

고구려 고분벽화에 함유된 무용미 분석

이병옥,임청화 용인대학교 1999 용인대학교 논문집 Vol.17 No.-

송파산대탈춤 중 " 깨끼춤 " 에 함유된 동작미 분석

이병옥,임청화 ( Byoung Ok Lee,Cheong Hwa Im ) 대한무용학회 1997 대한무용학회논문집 Vol.22 No.-

高句麗 古墳壁畵에 함유된 舞踊美 分析

이병옥,임청화 龍仁大學校 1999 용인대학교 논문집 Vol.17 No.-

I studied the dancing process of Koguryo, especially the protagonist (buried couple) portraits. They depicted not only the deceased people, his family and domestic life but the scenes of processions and sports. They also depicted architecture far example, royal courts, fortress and stable. The Wrestling tomb was one of the representative tombs in Jiban area dated the early 5th century. In this tomb, the buried couple painted in the mural were characterized by the direction of their face, their special dresses and ornaments. It is the character of this mural that the buried man appeared not in funeral but in daily. The mural of Dance Tomb was same style as that of Wrestling Tomb but much more developed. The protagonist portrait of Twin Pillar Tomb in late 5th century revealed that ultimately the murals in both areas had become in same trend. We find the dancing origin of protagonist portraits in the scene of worship on the Tumulus Mural of Koguryo. Dancing changes were related to Koguryo's the mode of living, accomparied with artistic value and individuality. In conclusion, the changes of dance connected with Koguryo's beauty consciousness and influence of adjoining nation.

佛敎儀式舞踊의 나비춤에 含有된 動作美 分析

李炳玉,林靑和 龍仁大學校 1995 용인대학교 논문집 Vol.11 No.-

This study analyzed the names of dances differently compared with the existing one, and there are Baerae style(배래 사위), Humjong style(험종 사위), Palgusoo style(팔거수 사위), Jungiee style(정지 사위), Goopimkaegie style(굽힘깨기 사위), Jungiog style(정족 사위), ongsoobae style(옹수배 사위), Yangsoohap style(양수합 사위), palsoochag style(팔수착 사위), Hoewonban style(회원반 사위), Punsoo style(평수 사위). Kopongori style(꽃봉오리 사위), Yonkot style(연꽃 사위), Hajchae style(학체 사위), Kulshinsoo style(굴신수 사위), Jwawoochigi style(좌우치기 사위), Ureuneun style(어르는 사위), Hanbaldeun style(한발든 사위), Balgoopim style(발굽힘 사위), Majeum style(맺음 사위) etc. in the style of dances. The harmonic line succession of them express the Nabichum. These names of dances are included in the Shixdangjakpub of Yungsanje the most magnificent and luxurious, and Dangjwa leads the whole ceremony, Dangkyung takes the role of playing the bell and Woonban and a couple of Tajoo perform the dances named Tahoo, Barachum and Nabichum. I expect that the study by an on-the spot investigaion concentrating on the action of dance instead of the history of dance will help following researchers. Nabichum has the feature of gracious, cautious and refined beauty. Also the Kumjogbaerae taking a serious view of the rhythm of Bumpae and Worshiping in the first beat makes the form of Nabichum. Nabichum has following basic elements Hapiangchak style(impressing the one mind with the joined hands fixed on the chest), Palsoojog style(impressing the respect with the arms crossed), Pyung style(wearing unfolded arms, bending the knees slowly), Yangsoohab style(dropping and raising the wrists wish the body pointed at this building that contains a statue of Buddha), Hak style(raising the Dopo dress like a crane unfolding the wings), Juawoota style(drawing a lotus blossom by the both hands with the eyes seeing right and left at 45 degrees) and Mooyo style (moving the arms like butterfly, bending the knees simultaneously). Nabichum is seldom spreading in public because it can't be approached with out the special performances by Buddhist priests. That's because conflicting thoughts between the succeeding situation and limited formation that the art of Dance includes. though the history of Buddhism is very long considering that it was introduced into Korea in the period of the three Kingdoms and it has mixed with folk belief and realistic desires of people. Buddhist dance has admitted the tradition of Korean public culture and contributed to the creative development of Korean dance. that is to say, the procedure of Buddhist ceremony performing Buddhist dance has rearranged accepting the traditional folk belief. But we can recognize that Bumpae and Jakpub have kept the feature of Buddhist music and dance through their melody and motion because Buddhism has accepted the folk belief with its own independence. On the other hand, the Jakpub as a Buddhist dane has affected the development of folk dane like Seungmoo(승무) But these Buddhist dances has almost destroyed today. The reason that first, since most Korean Buddhism orders head for Sunjong(선종), people don't have interest in Buddhism ceremony. Second, the interest in modernization of Biddhism ceremony has made people forget the traditional ceremony. These days, a part of Taegojong(태고종) has succeeded to the Jakub but these problem should be solved following days and aside from religious side, we should preserve it as a valuable properly.