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      • KCI등재

        형태, 기능, 양식에 관한 새로운 해석과 그 관계

        이재국(Jae-Guke Lee),김동하(Dong-Ha Kim) 한국콘텐츠학회 2011 한국콘텐츠학회논문지 Vol.11 No.1

        디자인을 수행하는데 있어서 디자인의 형태, 기능, 양식에 관한 폭 넓은 이해는 매우 중요하다. 왜냐하면 형태와 기능을 배제한 디자인은 존재할 수 없고 또한 모든 디자인은 서로 다른 양식에 의해 구체화되기 때문이다. 이러한 관점에서 본 논문은 디자인의 형태, 기능, 양식과 그 관계에 대하여 고찰하였다. 우선 1-서론에서는 연구논제의 배경을 설명하고 목적과 필요성에 대한 문제를 제기하였다. 이를 토대로 2-디자인 형태에서는 원초적 형태, 가공적 형태, 규범적 형태, 표현적 형태에 대하여 살펴보았고, 3-디자인 기능에서는 본래적 기능, 전승적 기능, 절대적 기능, 상대적 기능에 대하여 살펴보았으며, 4-디자인 양식에서는 생존 양식, 민속양식, 단순양식, 복합양식에 대하여 살펴보았다. 끝으로 5-결론에서는 형태, 기능, 양식에 대한 접근방법을 피력하고 그 관계를 정립하였다. The wide range of understanding on form, function and style are very inportant in design practice. Because any design can't be existed without form and function and, also, every design can be embodied by the style. From this point of view, the new interpretation and their relations on form, function and style are studied in this paper. First of all, 1-In Introduction, a few issues are suggested to the purpose and requirement with explaining the background of the paper. 2-Design Form; original form, hand-made form, standard form and expressive form are researched. 3-Design Function; original function. traditional function, absolute function and relative function are studied. 4-Design Style; survival style, folk style, simple style and fusion style are searched. Finaly, 5-In Conclusion, the approach method is expressed on form, function and style, and their relations are discussed.

      • KCI등재
      • KCI등재
      • KCI등재
      • KCI등재
      • KCI등재SCOPUS
      • 산업사회 이전의 디자인 문화에 관한 연구

        이재국 淸州大學敎 學術硏究所 2005 淸大學術論集 Vol.6 No.-

        The wide range of understanding to the culture is very important in design practice, because most of all design can't be avoided from influence of different culture. Viewpoint of this, design culture in pre-industrial society is studied in this paper. First of all, a few issues are suggested to the purpose and requirement of the paper in introduction. On the basis of this, harmony with design and nature, dogu for suvival, self-sufficiency, vernacular design, survival style and hand-made by mono-item are searched in the main subject. Finally, in conclusion, the studied contents are summarized and to suggest a couple of subjects which are should be studied in future.

      • 디자인의 국제성과 지역성에 관한 고찰

        이재국 淸州大學校 1993 淸藝論叢 Vol.7 No.-

        A matter of primary concern about all the design is concentrated on how to create more valuable things to allow people to live an affluent life. However, it is very difficult to achieve the goal because every design work is changed in accordance with given situations. Moreover, today's design is chiefly depended upon new paradigm which has been caused by various social changes. This fact plays an important role to presuppose future design with the anxity and hope in a uncertain coming age. However, the main purpose of design can't be changed in any conditions. Because the basic idea of design value roots in the humanism, though the results of design art difficult from each other in accordance with various elements, in other words, the design value depends chiefly on many kinds of different situations. Situations are changeable, so is design. There is no progress without change, but change is not necessarily progress. It is highly desirable that their changes be beneficial to mankind. Our main problem is to be able to discrimination between which should be discard and that which should be kept, built, and improved. Viewed at this aspect, it is significant to study the relation between globalism and localism of design, because every design has been constantly influnced by global trends and local characteristics. The paper is composed of four parts : Introduction, Trend of global design, characteristic of local design, and conclusion. In Introduction, the purpose and background of the study are presented. In chapter Ⅱ, trend of global design is searched from the viewpoint of periodical situation, change of style, and philosophy of good design. In chapterⅢ, characteristic of local design is considered from the aspect of origin of problem, level of technology, and various life style. In conclusion, some suggestive words on the subject are mentioned.

      • 디자인의 미학적 배경에 관한 고찰

        이재국 청주대학교 예술문화연구소 1999 淸藝論叢 Vol.16 No.-

        보다 아름답고 가치있는 디자인을 창출하기 위하여 디자인의 미적 배경에 대해 고찰하였다. 우선 디자인의 미적 배경의 의미와 필요성에 대한 문제를 제기하고, 이를 토대로 디자인의 미적 근원과 디자인의 미적 대상, 그리고 디자인의 미적 경험에 대한 심도있는 탐구를 통하여 디자인의 미적 배경을 이해하는데 주안점을 두었다. 이에 더하여 서로 다른 문화적인 배경과 시대상황에 따라 다양하게 존재하는 디자인의 미가 어떻게 창출될 수 있는가에 대하여 탐색하였다. Aesthetic background of design is studied to create more beautiful and valuable design. First of all, a problem is suggested to the meaning and necessity of aesthetic background of design. On the basis of this, every effort can be made to understand of aesthetic background design by searching aesthetic source of design, aesthetic object of design, and aesthetic experience of design. In addition, another research is tried to know how aesthetic design can be created which is existed variously under the different cultural background, period, and situation.

      • 디자인 기능의 연구에 관한 새로운 제안

        이재국 청주대학교 학술연구소 2007 淸大學術論集 Vol.10 No.-

        The wide range of understanding to the design function is very important in design practice. That is why any design can't be existed without the function and every design can be embodied by the function. From this point of view, the design function is studied in this paper. In introduction. first of all, a few issues are suggested to the purpose and requirement with expressing the background of the paper. On the basis of this, original function, traditional function, absolute function and relative function are researched in the main subject. Finally, in conclusion, the studied contents are summarized and a couple of subjects, which should be searched in near future, are suggested. Keywords : function, design function

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